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White gold ruby and diamond cluster ring, the central emerald cut ruby, with round brilliant cut diamond and calibre cut ruby surround, stamped 18K, total ruby weight approx 1.00 carat, total diamond weight approx 0.50 caratCondition Report:Approx 4.4gm, size M-N, head = 13.5mm x 13.7mm, good condition
Vinyl - 25 UK late 1960’s early 1970s 7” singles demos promos on the Yellow & Black Pye Records labels to include: Inez Foxx (7N 25546), Helen Shapiro (7N 17975), Carol Dene (7N 45008), Sweetcorn (7N 45047), Sweet Rain (7N 25516), The Voyagers, Ray Davis, The Country fever, Parchment, Cree Caramel, The Detroit Emerald, David Lincoln, Jim Dale, John Fred & His Playboy Band, The Kasenetz-Katz Singing Orchestral Circus, David Garrick, The Happening, 1910 Fruitgum Company and many others. VG+ overall
set with circular-cut diamonds, suspending a circular sapphire drop in yellow gold, 2.5cm long, together with a pair of baguette-cut diamond drop earrings, set in yellow gold, 1.5cm, long, a pair of ruby and diamond drop earrings, set in yellow gold, 1cm long and a pair of emerald and diamond stud earrings, set in yellow gold, total weight 6.6 grams. *CR All seem in fairly good condition, no obvious damage or repair.
the oval-shaped sapphire is set within a surround of circular-cut diamonds, in 9ct gold, size P, together with a sapphire and diamond cluster ring, set in gold, size O 1/2 and an emerald and yellow gold abstract ring, size L 1/2, total weight 20.6 grams. *CR All with some wear and damage to some of the stones.
A mixed group of jewels and accessories, comprising: a gold bangle set with cushion-shaped and brilliant-cut diamonds, fitted case; a Chinese blue tourmaline snuff bottle carved as two cicadas, to a pink tourmaline stopper, mounted as a pendant suspended from a spinel bead necklace; an enamelled cylindrical perfume bottle; a pendant set with a cushion-shaped orange paste and rose-cut diamonds; an emerald and ruby bangle; an Indian bracelet set with foil-backed paste; an enamelled miniature suspended from a bow surmount, bordered by seed pearls; and a collection of turquoise jewels including a necklace, a pair of carved slides, a bracelet, a brooch, a jabot pin, and a small Chinese-inspired horse carvingThe snuff bottle: The Country House sale, property from the 14th Earl of Kintore and the late Edward Lyons CBE, Christie's South Kensington, 18th March 2009, lot 220
A collection of jewels, comprising: an Art Deco bangle in bicoloured silver, inner circumference 17.1cm; French assay mark for silver, French maker's mark BP&FJ; an Art Deco white gold and cultured pearl brooch, centring on the letter S, length 3cm, French import assay mark, possibly converted from a clip brooch; a pearl and calibré-cut sapphire ring mounted in white gold, size P, French assay mark, pearls untested; a silver necklace composed of collet-set emerald-cut green pastes, length 38.5cm; and a gold ring set with brilliant-cut diamonds, size K1/2, French assay and maker's marks
Four gem-set gold rings, comprising: a sapphire and diamond cluster ring, size M, inscribed Cartier, numbered 53 416952, Swiss assay mark for 18ct gold; an 18ct gold band rubover set with three oval rubies, spaced by brilliant-cut diamonds, size R, British hallmark; a gold ring tension-set with an oval orange sapphire, size R1/2, stamped 750; and a ring set with a step-cut emerald between princess-cut diamond shoulders, size Q, stamped 18kt
A collection of three gem-set rings, comprising: a ring set with a cabochon emerald between pairs of cushion-shaped diamonds, size O1/2, stamped 18CT PLAT; a Victorian sapphire three-stone ring, accented by circular-cut diamonds, size O; and an early 20th century gold ring set with a double row of cushion-shaped diamonds, size O, all mounted in gold
A rare emerald 'poison' ring, possibly Spain, circa 1700, set with a table-cut emerald, to a high-carat gold mount with foliate shoulders and a fluted band, one shoulder hollow, the interior of the band with a concealed compartment with a hinged cover, size O1/2, later French assay mark for 18ct gold
Van Cleef & Arpels, an onyx, ruby, emerald and diamond brooch, 'Chat Malicieux', circa 1959, designed as a winking cat, its body set with an onyx cabochon, its nose set with an oval ruby, its eye an emerald cabochon lined with brilliant-cut diamonds, mounted in gold, length 5cm, signed Van Cleef & Arpels, dated 1959, stamped 750
λ Jacques Lacloche, an emerald, coral and diamond brooch, mid 20th century, designed as a chick in textured gold standing on a branch, its beak set with polished coral, its eye set with an emerald cabochon and highlighted with single-cut diamonds, length 3.4cm, signed Lacloche Paris, French assay marks for 18ct gold and platinum, maker's mark for Stoffel
λ Van Cleef & Arpels, a gem-set madarin duck brooch, C1960, the stylised duck set with carved coral, lapis lazuli, black onyx and malachite sections separated with gold borders, with an emerald eye and diamonds set in gold, signed VCA, with maker's mark and French control marks, numbered B1473 D19, width 4.7cm
A three stone commemorative gimmel ring, early 19th Century, Dutch, celebrating the victorious battle of Waterloo, both shanks with flattened interiors and twist to the base to allow them to interconnect, one set with a cushion-shaped ruby and a hessonite garnet and engraved La Belle Alliance 18 Juin 1815, the other set with an emerald and engraved Le Pce D'Orange Wellington Blucher. size R 1/2, case This ring appears to reflect the significant and sometimes overlooked contribution of the armed forces of the Netherlands to the Allied victory over Napoleon Bonaparte on Sunday, 18th June, 1815. The stones may be emblematic of the three principal national entities arrayed against the French, with orange and red representing The Netherlands and Great Britain, and green perhaps standing for Prussia. William, Prince of Orange (the future King William II of the Netherlands) commanded the First Corps of the AngloAllied Army (including the 2nd and 3rd Dutch Divisions) at Quatre Bras and at Waterloo, where he was wounded; and the inscription listing the allied commanders gives precedence to his name. Further suggestive of a nonBritish perspective is the reference to La Belle Alliance, which as the location of Napoleon’s headquarters might have given its name to the famous battle, had not the Duke of Wellington insisted on ‘Waterloo’ over the objections of his allies. In this context ‘La Belle Alliance’ may also serve as a wry commentary on the tensions between the victorious commanders.
An Art Nouveau dragonfly brooch, realistically formed with plique-á-jour enamel wings and body set with diamonds, with ruby eyes and an emerald cabochon set to the body in yellow gold, the dragonfly detaches from the brooch fitting and the wings fold down so it can be worn and a pendant, brooch width 7.5cm
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