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Lot 433
JADE PENDANT AND BRACELET,the pendant of carved elongated form, along with a jade bracelet set with oval cabochon jade stones, marked 20, 31.7g (2)Pendant 41mm long. Cabochons 14mm long.Bracelet has a safety chain - unable to measure length. Bidders must assume that diamonds and coloured gem stones (including ruby, emerald, sapphire, peridot, aquamarine) may have undergone a form of treatment unless otherwise stated. It should not be assumed that any diamond or coloured gem is untreated or is natural, unless accompanied by a gemmological laboratory certificate (which would be mentioned in the description).
Lot 2000
Art Deco platinum diamond, emerald and pearl brooch, the single stone pearl surrounded by old cut diamonds and calibre cut emeralds in an openwork settingCondition Report:Approx 7.7gm, setting tested as platinum, back bar tested as 9ct gold, size = 46mm x 18mm, two largest diamonds approx 3mm diameter, overall well presented, couple of calibre cut emeralds missing and a couple cracked, other stones appear to be secure in setting
Lot 060519
18 kt Gold Smaragd-Diamant-Ring, um 1900/10, GG 750/000, gepr., Smaragd im Kissenschliffca. 0.25 ct, 2 Altschliff-Diam. zus. ca. 0.40 ct Weiß/si-p1, RW 58 Schätzpreis: 1600, - EUR18 kt gold emerald-diamond-ring, approx. 1900/10 , YG 750/000, tested, emerald in cushion-cut approx. 0.25 ct, 2 old cut diamondtotal approx. 0.40 ct Wesselton/si-p1, ringsize 58 Valuation Price: 1600, - EUR
Lot 060564
18 kt Gold Smaragd Diamant Ring, 1940er Jahre, GG/WG 750/000, Smaragd-Achteck ca. 2.0 ct (nat. Merkmale/Kerben), 28 Altschliff-Diam. zus. ca. 0.50 ct Weiß-get./si-p 2, total ca. 10.0 g, RW 59.5 Schätzpreis: 2600, - EUR18 kt gold emerald diamond ring, 1940s, YG/WG 750/000 , emerald-octagon approx. 2.0 ct (nat. characteristics/nicks), 28 old cut diamond total approx. 0.50 ct Wesselton- Cape/si-p 2, total approx. 10.0 g, ringsize 59.5 Valuation Price: 2600, - EUR
Lot 060569
18 kt Gold Smaragd Brillant Schließe, um 1930, GG/WG 750/000, 6 ovalfacett. Smaragdezus. ca. 2.40 ct nat. Merkmale/Kerben, 35 Brillanten zus. ca. 0.70 ct Weiß/si, für 2- reihige Kette, Durchm. ca. 1.8 cm, ca. 5.2 g Schätzpreis: 2500, - EUR18 kt gold emerald brilliant clasp, 1930s , YG/WG 750/000, 6 oval bevelled emeralds total approx. 2.40 ct nat. characteristics/nicks, 35brilliants total approx. 0.70 ct Wesselton/si,for 2- row chain, diam. approx. 1.8 cm, approx. 5.2 g Valuation Price: 2500, - EUR
Lot 060702
Platin Smaragd-Diamant-Ring, 'Kleeblatt', um 1900, facett. Smaragde zus. ca 0.15 ct, umgeben von Altschliffdiamanten zus. ca. 0.16 ct l.get./si-p, RW 52, ca. 2.6 g Schätzpreis: 1400, - EURPlatinum emerald-diamond-ring , 'shamrock', 1900s, bevelled emeralds total ca 0.15 ct, surrounded by old cut diamonds total approx. 0.16 ct Crystal/si-p, ringsize 52, approx. 2.6g Valuation Price: 1400, - EUR
Lot 060744
18 kt Gold Ring mit Farbstein-Synthesen, GG750/000 (gepr.) Ringschiene sek., GG 585/000 gepr., im Stil von 1730-40, rubin- und smaragdfarb. Synthesen in versch. Schliffformen, ca. 3.7 g, RW 64.5 Schätzpreis: 560, - EUR18 kt gold ring with coloured stone-syntheses , YG 750/000 (tested) splint sec., YG 585/000 tested, in style of 1730-40, ruby- and emerald coloured syntheses in different shapes, approx. 3.7 g, ringsize 64.5 Valuation Price: 560, - EUR
Lot 144
An emerald and diamond 18ct gold cluster ring, comprising an oval cut emerald to the centre, rub over set, size approx 6.5 x 8.6mm, within a claw set border of round brilliant cut diamonds, total diamond weight approx 1.0carats, platinum setting approx 15 x 12mm, diamond set shoulder's, size N1/2, total gross weight approx 5.3gms Further details: good all stones intact, minor wear and tear
Lot 1295
Solitäranhänger mit KetteKettenlänge: ca. 46 cm.Anhängerlänge: ca. 14 mm.Gesamtgewicht: ca. 6,8 g.GG 585.Beigefügt ein GIA-Report Nr. 5202320640 vom Mai 2019 sowie ein Schmuck-Gutachten von AGS (American Gem Society) vom März 2020. Eleganter, schlicht gefasster Anhänger mit einem feinen Diamantsolitär im Smaragdschliff, 3,06 ct I/VVS2 g/g, an feinem Goldkettchen. Keine Fluoreszenz. (13013128) (16)Solitaire pendant with necklaceNecklace length: ca. 46 cm. Pendant length: ca. 14 mm. Total weight: ca. 6.8 g. 14 ct yellow gold. Accompanied by GIA laboratory report no. 5202320640 dated May 2019 and a jewellery appraisal from AGS (American Gem Society) dated March 2020. Elegant, simply set pendant with a fine emerald-cut diamond solitaire, 3.06 ct I/VVS2 g/g, on fine gold necklace. No fluorescence.
Lot 068
An 18ct yellow gold chain link bracelet set centrally with seven square cut gemstones to include ruby, citrine, emerald, sapphire & amethyst, total weight approx. 0.70 carats, set to each side with round brilliant cut diamonds, total weight approx. 0.42 carats, also there are two flower features on the bracelet set with round brilliant cut diamonds, total weight approx. 0.42 carats, diamonds approx. colour G-H and SI clarity, (stones measured within the restrictions of the settings), length 16.5cm, push in clasp with figure of eight safety catch, 7.92gm.
Lot 087
An 18ct yellow gold (not hallmarked or tested) snake design ring set with two small round cut rubies for eyes, approx. 0.02 carats, an oval cut emerald set to its head, approx. 0.17 carats and with round brilliant cut diamonds set all the way around its body, total weight approx. 1.02 carats, (stones measured within the restrictions of their settings), overall height from head to end of tail approx. 4cm, 16.44gm.
Lot 101
A 9ct yellow gold halo design ring set with a central oval cut emerald, approx. 0.78 carats, surrounded by a row of small baguette cut diamonds and then a row of small round brilliant cut diamonds, approx. total diamond weight 0.75 carats (stones measured within the restrictions of the settings), 2.33gm, size O.
Lot 111
A platinum & 18ct yellow gold five stone ring set with a central emerald cut emerald, approx. 0.32 carats, with two outer set cushion cut emeralds, total weight approx. 0.20 carats, interspaced with two round brilliant cut diamonds, total weight approx. 0.20 carats, (stones measured within the restrictions of their settings), 2.81gm, size M 1/2.
Lot 211
Three: Chief Petty Officer J. Banks, Royal Navy 1914-15 Star (227623, J. Banks, L.S., R.N.); British War and Victory Medals (227623 J. Banks. P.O. R.N.) contact marks, nearly very fine Three: Ordinary Telegrapher R. Stell, Royal Navy, who was present in H.M.S. Russell when she struck two mines laid by U-73, and was sunk off Malta 1914-15 Star (J.37287, R. Stell, Boy. 1., R.N.); British War and Victory Medals (J.37287 R. Stell. O. Tel. R.N.) good very fine (6) £70-£90 --- John Banks was born at Magheramourne, Co. Antrim, on 18 November 1887 and joined the Royal Navy as a Boy Second Class in H.M.S. Black Prince on 23 July 1903. He was advanced to Boy First Class, H.M.S. Emerald, on 25 February 1904, and to Ordinary Seaman, H.M.S. Russell, on 18 November 1905. Promoted Able Seaman on 21 December 1906, he was posted to H.M.S. Devonshire in June 1911, and was advanced to Leading Seaman. He served during the Great War in H.M.S. Vivid I, and was further promoted to Petty Officer on 1 January 1917, and was awarded his Long Service and Good Conduct Medal in December 1920. Promoted Chief Petty Officer, H.M.S. Delhi, on 5 March 1925, he was shore pensioned in November 1927, and joined the Royal Fleet Reserve. Recalled for was service in November 1939, he served in H.M.S. Drake I, H.M.S. Royal Arthur, and H.M.S. Glendower. He was invalided out of the service in August 1945. Reginald Stell was born at Morecambe, Lancashire, in April 1899 and joined the Royal Navy as a Boy Second Class in H.M.S. Powerful on 31 March 1915. He subsequently served in H.M.S. Russell and H.M.S. Pembroke I, being appointed Boy Telegrapher on 29 November 1916, and Ordinary Telegrapher, H.M.S. Dreadnaught, on 26 April 1917. He also served in H.M.S. Queen Elizabeth, H.M.S. Erin and H.M.S. Cyclops. He was demobilised on 25 April 1919. He would have been serving in H.M.S. Russell when she struck two naval mines off Malta that had been laid by the German submarine U-73, and sank early on the morning of 27 April 1916.
Lot 313
NGUYEN PHUOC (VIETNAM, B. 1943) SAIGON SCHOOL OF APPLIED ARTS (1960) THE NATIONAL UNIVERSITY OF FINE ARTS OF HO CHI MINH CITY ‘Autumn Evening’ 2002 Oil on canvas Signed on the lower left Bears an artist seal on the lower left Dated on the lower left: ‘02’ Framed 81 x 77 cm Provenance: A private collection of Vietnamese Art, French Riviera, France. NOTICE TO BIDDERS: This work has been authenticated by the artist himself (www.nguyenphuoc.com). The successful bidder will be provided with a certificate of authenticity with the serial #US-02-032 matching that which is on the stretcher, on the back of the painting. Notes: 1. Born in Saigon, Vietnam, Nguyen Phuoc began to paint as a teenager and later on graduated from the School of Applied Arts of Saigon (1960) and from the National University of Fine Arts (also in Saigon, 1965). He later settled in Minnesota, USA. 2. A thoughtful and attentive artist, Nguyen Phuoc always devotes a great deal of care to his compositions, meticulously executed on large formats by an unfailing hand. His works are profuse in their themes, using a rich chromatic palette. The artist is deliberately neglecting the rules of classical perspective. Amidst his main subjects are depictions of women and still lives. Our painting is the perfect combination of the two. Two beautiful Vietnamese ladies dressed in áo dài are resting outside on a terrace overlooking a river. On the first ground is a flowered antique blue and white porcelain vase with a fruit dish next to it. On the second and third grounds are the two ladies, the first one resting against an opium bed, the second one against a garden stool. In the background is a river with sampan boats. They are enjoying a quiet autumn evening outdoors. They are similar both by the color of their clothes and by their positions in the composition with the two women depicted by the same artist on a painting sold at SOTHEBY’S Singapore, 2004-04-04, lot 193. 3. Currently, his works are preserved in several public collections such as the Singapore Museum of Arts, the Singapore Vietnam Heritage Foundation and the Singapore Emerald Hill Gallery. His record price at auction was achieved by SOTHEBY’S Hong Kong, China, 2020-10-06, lot 264, sold for €35,060. NGUYỄN PHƯỚC (VIỆT NAM, SINH NĂM 1943) TRƯỜNG MỸ THUẬT ỨNG DỤNG SÀI GÒN (1960) TRƯỜNG ĐẠI HỌC MỸ THUẬT QUỐC GIA CỦA THÀNH PHỐ HỒ CHÍ MINH “Buổi tối mùa thu” 2002 Tranh vải dầu Được ký ở góc dưới bên trái Có con dấu họa sĩ ở góc dưới bên trái Đề ngày ở góc dưới bên trái: “02” Được đóng khung 81 x 77 cm Xuất xứ: Một bộ sưu tập tư nhân của Nghệ thuật Việt Nam, French Riviera, Pháp. Lưu ý quan trọng đối với các nhà đấu giá tiềm năng: Tác phẩm này đã được chứng thực bởi chính họa sĩ (www.nguyenphuoc.com. Người đấu giá thành công sẽ được cung cấp một giấy chứng nhận tranh thật có số sê-ri #US-02-032 trùng khớp với số ghi trên khung căng vải, mặt sau của bức tranh. Ghi chú: 1. Sinh ra tại Sài Gòn, Việt Nam, Nguyễn Phước bắt đầu vẽ tranh từ khi còn là một thiếu niên và sau đó tốt nghiệp Trường Mỹ thuật Ứng dụng Sài Gòn (1960) và Đại học Mỹ thuật Quốc gia (cũng tại Sài Gòn, 1965). Sau đó ông đã định cư tại Minnesota, Hoa Kỳ. 2. Là một nghệ sĩ sâu sắc và tận tâm, Nguyễn Phước luôn dành nhiều tâm huyết cho những tác phẩm của ông, được thực hiện một cách tỉ mỉ trên khổ lớn bởi một bàn tay bền bỉ. Các tác phẩm của ông có chủ đề phong phú, sử dụng một bảng màu phong phú. Người nghệ sĩ cố tình bỏ qua các quy tắc của phối cảnh cổ điển. Đối tượng chính trong những bức tranh của ông bao gồm miêu tả phụ nữ và tĩnh vật. Bức tranh của chúng tôi là sự kết hợp hoàn hảo của cả hai. Hai người phụ nữ Việt Nam xinh đẹp mặc áo dài đang nằm nghỉ ngơi trên sân thượng nhìn ra sông. Ở tầng một là một chiếc bình sứ cổ màu xanh trắng in hình hoa với một đĩa hoa quả bên cạnh. Ở tầng hai và ba là hai người phụ nữ, người đầu tiên nằm nghỉ dựa vào giường thuốc phiện, người thứ hai tựa vào chiếc ghế đẩu. Ở cảnh nền là một dòng sông với những chiếc thuyền tam bản. Họ đang tận hưởng một buổi tối mùa thu yên tĩnh ngoài trời. Họ giống nhau cả về màu sắc quần áo và vị trí của họ trong bố cục với hai người phụ nữ được miêu tả bởi cùng một họa sĩ trong một bức tranh được bán tại SOTHEBY'S Singapore, 04-04-2004, lô số 193. 3. Hiện tại, các tác phẩm của ông được lưu giữ trong một số bộ sưu tập công cộng như Bảo tàng Nghệ thuật Singapore, Quỹ Di sản Việt Nam Singapore và Nhà Triển lãm Emerald Hill Singapore. Giá kỷ lục của ông tại cuộc đấu giá là €35.060 đạt được bởi SOTHEBY'S Hồng Kông, Trung Quốc, 06-10-2020, lô 264. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
Lot 743
AN ENAMELLED 'BLOSSOM TREE' DISH, 18TH CENTURYChina. Painted in emerald green, apple green, aubergine, blue, and lemon yellow, with iron-red and gilt details, depicting a tree with magnolia and peony blossoms, the rim with an underglaze blue line and the lip glazed in cafe au lait, two flower branches to the exterior. Provenance: From the collection of Karl Emil Strømstad. Old label to base, 'Strømstad 451'. Karl Emil Strømstad was an important Norwegian collector of Chinese ceramics. He has written numerous articles on the subject, including 'Fifty Shades of Green. Den fascinerende celadonkeramikken', and co-founded the Oriental Ceramic Society of Norway (NSOK). A large part of his collection, which he built from the 1960s onwards, was acquired in London. Condition: Good condition with only minor old wear, shallow surface scratches, mostly to the gilt, some manufacturing irregularities such as kiln grit, pitting, and dark spots. The dish slightly warped.Weight: 834 g Dimensions: Diameter 30.2 cm十八世紀琺琅彩花卉紋盤中國。盤中開光精美描繪一棵鮮花盛開的樹，木蘭與牡丹，釉彩鮮亮，不同綠色以及藍色、黃色、汎紅以及描金。盤邊沿醬色釉。 來源: Karl Emil Strømstad收藏，底部可見一個標籤 “Strømstad 451“。Karl Emil Strømstad是挪威重要的中國陶瓷收藏家。他寫了許多關於中國陶瓷的文章，如《Fifty Shades of Green-Den fascinerende celadonkeramikken》，並協助創立了挪威東方陶瓷協會 (NSOK)。他1960 年代開始收集的大部分藏品收購於倫敦。 品相: 狀況良好，輕微磨損，表面劃痕較淺，主要在鎏金部分，部分製造不規則如窯砂與黑點等。盤子微微翹曲。 重量: 834 克 尺寸: 直徑30.2 厘米
Lot 236
A JADEITE 'LOTUS' BRUSH WASHER, REPUBLIC PERIODChina, 1912-1949. Carved as a single lotus leaf resting on its stem, a branch with buds to the interior. The translucent stone of cloudy white color with subtle pale lavender tones and emerald-green inclusions as well as an opaque ochre patch.Condition: Good with minor wear, three tiny chips to exposed areas. Provenance: French private collection. Weight: 142 g Dimensions: Length 14.5 cm
Lot 283
A FIVE-COLOR OVERLAY SNUFF BOTTLE, QINGChina, Qing dynasty (1644-1912). The flattened ovoid sides rising from a short foot to a waisted neck, the opaque white glass bottle is carved through layers of pale yellow, dusky pink, ruby red, sapphire blue, and emerald green, depicting blossoming branches.Provenance: English private collection.Condition: Good condition, nibbling to the upper rim, a chip to the overlay, and manufacturing flaws.Weight: 58.1 gDimensions: Height 5.8 cm
Lot 1288
AN INDIAN MINIATURE PAINTING OF A MUGHAL COURTIERMughal India, 17th-18th century. Ink, watercolors, and gold on wasli. The courtier standing in a palace terrace, wearing a white jama with gold hems and details, adorned with beaded and emerald-set jewelry, holding his cane in one hand and a flower in the other, the elaborate headdress crowned by a feather, the face with a fine expression. The lower margin with an old inscription.Provenance: From the collection of Karl Stirner, and thence by descent. Karl Stirner (1923-2016) was a German-born American sculptor known internationally for his metalwork. His art has been shown at the Museum of Modern Art in New York, the Pennsylvania Academy of Fine Arts, the Philadelphia Museum of Art, the Corcoran Gallery, the La Jolla Museum of Contemporary Art, the James A. Michener Art Museum, the Grounds for Sculpture in Hamilton, New Jersey, and the Delaware Art Museum, among other places.Condition: Good condition with minor wear, soiling, water stains, possibly microscopic touchups.Dimensions: Image size 20.5 x 13 cm, total size 33.5 x 23.5 cm (including frame). Framed behind glass.Auction result comparison: Compare a related Mughal portrait of Baqir Khan, dated circa 1635, at Sotheby's London in The Khosrovani-Diba Collection on 19 October 2016, lot 6, sold for GBP 50,000. Compare also a related Mughal portrait of a nobleman, dated circa 1780, at Christie's New York in Indian and Southeast Asian Art on 17 September 2003, lot 128, sold for USD 5,975.
Lot 85
An early 20th century emerald and diamond ring, the central rectangular step cut emerald measuring 5mm x 3.5mm, with a border surround of single cut diamonds, continuing to diamond set split shoulders, all set in white metal with a plain polished yellow metal band (unmarked), ring size O 1/2, weight 3.8gmsCR: Central emerald in good order, no cracks, chips or losses. General scratching and wear commensurate with age and use. All diamonds are present - a few have small chips and nibbles, but the majority are in goo order, showing general scratching and wear commensurate with age and use. Some splitting to the gallery, some denting, scratching and wear commensurate with age and use to the gallery and setting - see pictures for illustration. Shank shows minor thinning, heavy scratching and wear to the exterior base, but no signs of splitting or repair. See pictures for illustration.
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