Art-déco-Ring mit Smaragd und Altschliff-Brillanten. Gelbgold 585 gestempelt. Ringgröße 56. Brillanten gesamt ca. 0,18 ct. 2,7 g. Zargengefasster Smaragd und 2 Altschliff-Brillanten, zwischen schmaler Schiene. Art deco ring with emerald and old cut diamonds. Yellow gold 585 stamped. Ring size 56. diamonds total approx. 0.18 ct. 2.7 g. Frame set emerald and 2 old cut diamonds, between narrow rail. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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Ring mit Smaragd, Saphiren und Diamanten. Gelbgold 585 gestempelt. Ringgröße 56. 2,4 g. 8 Smaragd- und Saphircarres sowie 2 kleine, eingelassene Diamanten in mittlerer Schiene. Ring with emerald, sapphires and diamonds. Yellow gold 585 stamped. Ring size 56. 2.4 g. 8 emerald and sapphire carres and 2 small inset diamonds in center rail. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 Vorsteckringe mit verschiedenen Steinen. Roségold 333 gestempelt, geprüft. Ringgrößen 52/55. 5,6 g. Bandringe mit kleinen Rubinen, Diamanten, Smaragd und Saphiren. 3 pre-stud rings with different stones. Rose gold 333 stamped, tested. Ring sizes 52/55. 5.6 g. Band rings with small rubies, diamonds, emerald and sapphires. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Flemish school, 19th century. CCopy of part of the triptych of by Jan Floreins (1479), by HANS MEMLING (Seligenstadt, c.1423/1443- Bruges, 1494)."Saint Baptist and The Veronica.Diptych. Pair of oil paintings on panel.Frames from the 17th century.Measurements: 40 x 20 cm (each panel); 53.5 x 33.5 cm (frames).This pair of panels is a copy of the paintings that Hans Memling painted on the back of the Triptych by Jan Floreins (conserved in the hospital of St. John in Bruges (Belgium), which are shown with the triptych closed. The Nativity, the Adoration and the Presentation to the Temple preside on the obverse, while the two saints under beautiful Gothic arches dominate the reverse: John the Baptist on the left panel and Saint Veronica on the right. The pair of panels shown here are faithful to the original in every detail: the Baptist points to the Lamb at his feet; Veronica holds a cloth with the Holy Face. The lake landscape, composed in a wide panoramic view, depicts the theme of Christ's baptism in the Jordan. It is a representation that continues from one panel to the next, in the same way that the Agnus Dei on the left panel is symbolically linked to the Passion of Christ, which is foreshadowed by the image printed on the saint's cloth. Stylistically, the painter of this pair of copies remains faithful to Memling's soft, delicate style, the stylisation of his figures and his magnificent colouring, with a prevalence of emerald and glaucous tones. The detailed, almost miniaturist attention to detail in the vegetation and in the rendering of the bodies and drapery harmonises with an atmospheric creation based on shades of blue that are subtly densified in the distance. The figures in the background (Christ being baptised, John and the archangel) blend naturally into their surroundings. A trompe l'oeil architectural frame, with small statuettes (representing Adam and Eve) that seem to come to life on either side of the pointed arches, frames both scenes. All this is present in the original panels. The painter has succeeded in recreating the harmonious purification of forms and emotions that defined Memling's painting. The Flemish painter had been inspired by Rogier van der Weyden's Triptych of Saint Columba, but Memling softened his master's inheritance. This pair of panels must also have been based on the small diptych of Saint John the Baptist and Veronica painted by Memling around 1483. The two panels are now in separate collections (the Baptist in the Alte Pinakothek in Munich, the Veronica in the National Gallery of Art, Washington). On that occasion Memling located the saints in a rocky setting, but their attitudes and gestures were very similar to those of the triptych. This is a worthy tribute to the legacy of Flemish painting, from the early heirs of Van Eyck and his unusual sense of light and colour to the dreamlike landscapes of the 17th century.
A 9ct gold single stone citrine ring, an emerald cut citrine, approximately 14.60 x 12.50mm, claw set, to chenier shoulders and a plain shank, London 1959, 5.67g.Finger size LBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportSurface marks/scratches/tarnish to mount.Facet junction wear to the citrine.Claws worn.Sizing joins visible to base of shank.
A 9ct gold single stone citrine ring, an emerald cut citrine, approximately 18 x 13mm, claw set, to a chenier gallery and 'D' section shank, Birmingham 2007, 7.09g.Finger size NBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportSurface marks/scratches to mount.
A 14ct rose gold fracture filled emerald and diamond cluster ring,an oval mixed cut fracture filled emerald, approximately 9 x 7mm, claw set to surround of brilliant cut diamonds, to split shoulders and a plain shank, Birmingham, 4.77g.Finger size N½Buying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportSurface reaching inclusions to the fracture filled emerald.Surface marks/scratches to mount.
A gold single stone smoky quartz ring, an emerald cut smoky quartz, approximately 20 x 15mm, claw set to open shoulders and a plain shank, with ring clip fitted, tested as approximately 9ct gold, 7.41g.Finger size MBuying this second-hand gemstone ring could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportCatalogued finger size is with the ring clip fitted. Size of shank may be larger.Stone very slightly loose in setting, but still appears secure.Stone a little dirty, would benefit from being cleaned.Surface marks/scratches to mount.
Three gold rings,comprising a gold single stone diamond ring, tested as approximately 9ct gold, a 9ct gold cubic zirconia initial J ring, Birmingham, and a gold emerald and cubic zirconia cluster ring, London, 6.28g total (3)Finger size F¼, K½, N¾ Condition ReportEmerald and cubic zirconia ring shank split at solder join. Shank misshapen and oval in shape, finger size is approximate. Shank very thin.Marks/scratches to mounts.Some tarnish.
Three 9ct gold rings, comprising an emerald and diamond three stone ring, Sheffield 1995, a knot ring, London 1966, and a wedding ring, Birmingham 1888, 5.92g total (3)Finger size O¼, K, OCondition ReportSurface marks/scratches to all.Wedding ring - very worn, width varies, solder joins visible.
Three 9ct gold rings, comprising a 9ct gold amethyst and diamond ring, one amethyst deficient, Birmingham 2004, a 9ct gold diamond and emerald cluster ring, London 1994, and a 9ct gold tanzanite cluster ring, one tanzanite deficient, Birmingham 2004, 7.15g total (3)Finger size L, O½, J¾Condition ReportMaker's mark QVC, SJ, QVC.One amethyst deficient. One tanzanite deficient.Marks/scratches to mounts.Some tarnish.
Three gold rings, comrpising a 9ct gold single stone cubic zirconia ring, London 1976, a 9ct gold diamond and emerald cluster ring, Birmingham, and a gold single stone iolite ring, tested as approximately 9ct gold, 4.90g total (3)Finger size K, N, OCondition ReportSurface marks/scratches to mounts.Surface reaching inclusions to the emeralds.CZ very abraded.
A collection of jewellery, to include a 9ct gold open heart pendant, 9ct gold signet ring, broken, a 9ct gold diamond set wishbone ring, a pair of 9ct gold emerald cluster earrings, a set of three gold onyx dress studs, two converted to stud earrings, tested as approximately 9ct gold, a Victorian gold hollow brooch, tested as approximately 9ct gold with later metal fittings, a pair of silver cufflinks, metal dress studs, cufflinks, brooches, etc. (qty.)9ct gold - 18.42g totalCondition Reporta/f
A Vienna cabaret service, comprising pedestal coffee pot and cover, milk jug, sugar bowl and cover, two pedestal cups, saucers and shaped rectangular tray, printed and painted with Constance, the shaped rectangular tray centred with portrait of the young beauty, the rim with alternating ruby shields each with white flower sprigs and emerald bands, 24.5cm diam, shield mark, c.1910
A gem-set gold necklace India, 20th Centurycomprising twelve square elements set with emeralds and rubies interlinked by rectangular bands set with diamonds, the ends with emerald and ruby-set triangular elements, the square elements surmounted by pearls, the lower edge with emerald and ruby-set foliate elements and pendent pearls 22 cm. long; 86 g. total weightFootnotes:ProvenanceNawabzadi Farrukh Shahzadi Begum Sahiba of Surat (1915-2011), and thence by descent.For further information on this lot please visit Bonhams.com
A pair of gem-set gold earrings India, 20th Centurythe upper circular element of convex form set with diamonds, rubies and emeralds with a fringe of pearls, the pendent domed element set with rubies and diamonds with emerald bead fringe 5.5 cm. long; 42 g. total weight(2)Footnotes:ProvenanceNawabzadi Farrukh Shahzadi Begum Sahiba of Surat (1915-2011), and thence by descent.For further information on this lot please visit Bonhams.com
Mixed Lot: Five antique rings to include a 15ct gold diamond and ruby three stone ring, a 9ct gold coral B ring with a glazed locket back, a 9ct gold band applied with a heart, engraved with initials together with two sea pearl cluster rings, one centering a small rose cut diamond the other a small emerald, g/w 8.0gms (5)
GARNITURE EN VELOURS À DÉCOR DE LOTUS, ET TENTURE EN SOIE BRODÉEVers le milieu du XIXe siècleA LOTUS VELVET COVER; AND AN EMBROIDERED SILK HANGINGCirca mid-19th centuryThe cover centred with four large green blossoming lotus surrounded by smaller blooms, all on a dense ground of curly-leafed scroll designs on a coral ground, enclosed within a blue border of pale orange meandering lotus, mounted in yellow silk, 159cm (62 1/2in) x 50.5cm (19 7/8in); the ivory-ground silk sleeve-band finely embroidered with cartouches depicting boys engaging in leisurely pursuits within garden settings, framed within a border of bats interspersed with circular cranes above a sequence of leaves, mounted with emerald green silk, 115cm (45 2/8in) x 26cm (10 2/8in). (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired prior to 1935Jean-Pierre Rousset, Paris (1936-2021) 約十九世紀中期 漳絨蓮紋蓋罩 及緞繡童子紋掛幅 一組兩件來源:巴黎Robert Rousset(1901-1981)舊藏,於1935年前入藏巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com
Große Parure mit Imperial - Topasen Armband, Ring und Manschettenknöpfe sowie großer Anhänger und ein Paar Manschettenknöpfe, Montierungen jeweils Gelbgold 18kt., alle Fassungen mit gesägtem Durchbruch, jeweils besetzt mit brasilianischen Imperial-Topasen von feiner braungelber Farbe und sehr guter Qualität, großer Asscher von ~80.0 ct. (2.90 x 2.20 x 1.55 cm), 14 Steine im Oval-Schliff a ~11.0 ct. (jeweils 1.55 x 1.20 x 0.90 cm) und zwei Steine im Emerald-Schliff a ~22.0 ct. (jeweils 1.70 x 1.45 x 0.90), Armband L 17,5 cm (dabei Ersatzglied für das Armband, L dann gesamt ~19 cm), ungemarkt (Legierung geprüft), Gewicht gesamt 84,5 gr., Lapidacao Amsterdam Ltda. Sao Paulo Brasilien 1950er Jahre, ein Stein minimal bestoßen, sonst alles sehr guter Zustand, Armband mit originalem Kasten mit Juwelierseindruck 0905 Erworben in den 1950/60er Jahren in Sao Paulo
Zwei Buchstützen mit Silber-Bären, Russland, 20. Jhdt. Marmor, Silber. Vollplastisch gearbeitete Bären aus Silber mit detailliert graviertem Fell. Die Augen sind mit Rubin- bzw. Smaragdcabochons besetzt. Beide an den Füßen punziert mit Feingehalt "84". Länge jeweils 11 cm, Höhe je 9 cm. Two Russian marble bookends with silver bears, 20th century Marble stands for books. Realistically carved silver bears with engraved fur. Set with ruby and emerald-cabochon eyes. Both stamped with 84-standard at the feet. Length each 11 cm, height each 9 cm.
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65691 item(s)/page