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Lot 16
Hawking & Hunting.- Turberville (George) The Booke of Falconrie or Hawking..., second edition, issue with catchword "of" on A1r, 1611; The Noble Art of Venerie or Hunting, second edition, 1611, together 2 works in 1 vol., printed in black letter, woodcut title vignettes, the first showing the Earl of Warwick in hunting costume, numerous woodcut illustrations, some full-page, the first work with final blank, the second with initial blank and 4pp. bugle calls with musical notation at end, with contemporary ink manuscript recipes to endpapers and a few annotations to text (first leaf frayed and defective), both titles cropped affecting imprint (loss of date to first, shaved on second), first title with ink smudge, occasional browning or soiling, some light water-staining, becoming loose in binding, contemporary limp vellum, lacking ties, rubbed and slightly stained, preserved in old cloth drop-back box (rubbed & repaired), [Schwerdt II, 271-272; STC 24325 & 24329], 4to, by Thomas Purfoot⁂ Two of the most important hawking and hunting works of the 16th century, first published in 1575, and nearly always found together. The first work is an adaptation of the works of Giorgi, Carcano, Tardif and Artelouche; the second (sometimes attributed to George Gascoigne) is essentially a translation of Du Fouilloux's La Venerie. Some of the woodcuts contain portraits of the monarch and these have been altered from Queen Elizabeth I in the 1575 editions to King James I in those of 1611, although that on p.112 of the first work still features part of Elizabeth's riding habit.
Lot 305
Cartophilic Literature, a quantity of various items, 1950's onwards, inc. 2 binders containing 'The Card Collectors Bulletin' April 1951 to Jan 1956, 3 issues of The American Card Collector Vol 3 nos 1, 2 & 4 all from 1954, a quantity of Church & Dwight related Newsletters and Reference Listings, approx. 50 issues of The Bugle (Timperley Card Club Newsletter) from the 1980's, a few reference books inc. Australian Cigarette Card Issues and Values by D Skinner 1983, The Story of Sunlight Soap 1984, 'Taking Stock' (75 years of the Oxo cube 1975) plus others (gd)
Lot 418
An 1897 Pattern 9th Tower Hamlets Rifles Officer's sword and scabbard, having etched blade by Kennet of Maddox Street London, the 9th Tower Hamlet Rifles were a unit raised by the Harbour Masters of St Katherine's Dock in London, steel guard with pierced bugle design, complete with steel scabbard
Lot 233
A Victorian 1827 Pattern Rifle Regiment Sword, the 82cm single edge fullered steel blade etched with crowned Royal cypher, crowned strung bugle and foliage, the steel gothic hilt pierced with royal cypher, with wire bound fishskin grip and steel two ring scabbard, 99cm. Grey patching and faint etching to blade, with nicks to edge. Pitting to hilt and scabbard, with dents
Lot 639
A mahogany kaleidoscope, of tapering hexagonal form, 21.5 cm, and a bugle (2)Report by GHThe kaleidoscope does appear to be working in the sense that you can look through it and twist it and the pieces inside move.Externally the wood is in good condition and there isn't any damage in the glass.No maker's marks
Lot 1277
A Lauren Bacall stage-worn gown from Applause and the Tony AwardsFull-length black evening gown completely adorned with vertical stripes of black bugle beads, with long tapered sleeves culminating in zip closures, a plunging V-neck backed with nude souffle and 4 large black beads, with a high leg slit, bearing an interior label inscribed, 'Elizabeth Courtney Costumes / Hollywood.' Bacall veered from her comfort zone when she took on the Broadway musical, Applause, in 1970. In this version of All About Eve set to music, Bacall played the formidable Margo Channing (played by Bette Davis in the film version) and successfully made it her own, winning the 1970 Tony Award for Best Actress. She wore this gown on stage during the run of Applause and also wore it while performing a number from the play at the 1970 Tony Awards. Upon her win, Bacall exclaimed, 'It's the first prize I've ever gotten!' Accompanied by a photo of Bacall wearing the gown.Provenance: The Collection of Bob Mackie, Julien's Auctions, September 17, 2018, lot 690.
Lot 1300
A Mitzi Gaynor pair of ensembles worn on The Donald O'Connor Show, designed by Robert CarltonNBC, 1960. Comprising a mint green chiffon halter dress enhanced with scattered multicolored sequins and clear round hanging beads over a ruched bodice, with two rhinestone and bead brooches clasped over the back criss-cross straps, and a full multi-layered pleated skirt; together with a coral sleeveless dress adorned with scattered rhinestones and dangling clear bugle beads with a partial open back, accompanied by a coral-colored oversized coat with a large button at the top and a large ruffle at the bottom, likely worn to cover Mitzi before she reveals the dazzling and sensual dress underneath while performing, 'I Should Care.' Both dresses bear interior labels inscribed, 'Robert Carlton' and second labels inscribed 'The Workroom / 623 No. La Cienega Blvd. / Los Angeles.' Accompanied by a color photo of Mitzi wearing the coral dress.
Lot 1307
A Mitzi Gaynor pair of ensembles worn on The Ed Sullivan Show, designed by Robert CarltonCBS, 1964. Comprising a full-length oyster-colored spaghetti strap gown with criss-cross back straps, fully beaded with dangling strands of bugle beads and round clear beads, with a moderate leg slit; together with a pink chiffon halter dress featuring scattered clear sequins and paillettes, with a very full skirt supported by a chiffon crinoline and trimmed with large circular tulle embellishments. Both garments bear labels inscribed, 'Ozel / Custom Made Clothes / Beverly Hills.' Mitzi wore both of these ensembles when she headlined (and received top billing) with the Beatles on The Ed Sullivan Show on February 16, 1964, their second live television appearance in America. Mitzi still enjoys sharing the story of how the Beatles asked for her autograph. Because Sullivan had wanted Mitzi on the show for many years, Mitzi's husband Jack Bean negotiated for a full 13 minutes of performance time on the show, something unheard of at that time. Both gowns were also worn in Mitzi's live stage show in 1964. Accompanied by 3 photos of Mitzi wearing the dresses on stage and in publicity portraits and a DVD of the Ed Sullivan program.
Lot 1309
A Mitzi Gaynor stage-worn gown designed by Bob MackiePink one shoulder full-length gown fully beaded with iridescent oval-shaped paillettes, sequins, and dangling strands of bugle beads, with an asymmetrical waist and a diagonally striped patterned skirt of sequins and beads, enhanced by a large rhinestone and beaded brooch at the shoulder. Worn by Mitzi in her appearances in the Headliner Room at Harrah's in Reno, it was also used for publicity portraits and in the program from Mitzi's appearances at the Riviera in Las Vegas. Accompanied by 3 photos of Mitzi wearing the gown.
Lot 1313
A Mitzi Gaynor stage-worn mini dress designed by Bob MackieGold sleeveless mini-dress consisting of a built-in nude leotard underneath a sheath of nude souffle adorned with hand-sewn gold paillettes, bugle beads, sequins, and faux jewels. The dress was worn during Mitzi's stage act in the late 1960s. Commenting on her many years of traveling and appearing in theaters and nightclubs, Mitzi said: 'If the lights burn out in the theater, I think I could glow in the dark. I'm so eager to get out there and to perform.' Accompanied by a vintage photo of Mitzi wearing the gown on stage.
Lot 1319
A Mitzi Gaynor 'Let Go' nude illusion gown worn on Mitzi's 2nd Special, designed by Bob MackieNBC, 1969. Nude souffle full-length gown adorned with hand-sewn rhinestones and clear bugle beads both sewn directly onto the gown and in dangling strands throughout, with a bateau neck lined with rhinestones and an open back. This provocative gown was worn by Mitzi when she sang and danced to the song, 'Let Go,' surrounded by male dancers in tuxedos. 'That's the first nude dress that Bob Mackie did,' recalled Mitzi. It was Mackie's favorite opening number: 'It was all about her and her body in that dress. It was really something.' Mitzi also wore the gown in her live stage performances of 1969-70. Accompanied by 3 photos of Mitzi wearing the gown and a souvenir program from her stage show.
Lot 1322
A Mitzi Gaynor gown worn on Perry Como's Winter Show, designed by Bob MackieNBC, 1971. Pink full-length long-sleeved gown fully embellished with clear sequins and bugle beads, with heavier beading featuring oversized round and teardrop rhinestones with dangling strands of bugle beads placed at the V neckline, the bottoms of the sleeves, the bottom of the gown, and clustered at the empire waistband. Originally made for Mitzi's 1968 television special, the gown ultimately was worn on Perry Como's Winter Show which aired on December 9, 1971. Accompanied by a photo of Mitzi wearing the gown.
Lot 1323
A Mitzi Gaynor beaded leotard worn on Perry Como's Winter Show, designed by Bob MackieComprising a red leotard heavily beaded with bugle beads, mirrored and colored sequins, and paillettes in a flaming pattern, accompanied by a full-length multi-layered skirt of pink and red decorated with dangling bugle beads and paillettes at the waistband. The leotard was originally worn on Perry Como's Winter Show (1971) while Mitzi sang and danced to the song, 'Turkey Lurkey Time,' and in her stage show the same year. Eventually the skirt was created and the whole ensemble was worn by Mitzi on her 1974-75 stage show tour. Accompanied by a photo of Mitzi wearing the leotard on stage.
Lot 1324
A Mitzi Gaynor nude illusion jumpsuit designed by Bob MackieNude illusion long-sleeved mock-turtleneck jumpsuit made of nude souffle and adorned throughout with gold and mirrored sequins and strands of long dangling gold bugle beads, topped off with a long gold sequined belt that ties at the waist, bearing an interior label inscribed, 'Bob Mackie.' This provocative costume was racy even for 1972, when Mitzi wore it in performances of her live stage show.
Lot 1329
A Mitzi Gaynor gown worn on Mitzi...and 100 Guys, designed by Bob MackieCBS, 1975. Cream-colored full-length gown embellished throughout with hand-sewn rhinestones and clear and coral-colored bugle beads, with a mock turtleneck, bell sleeves culminating in coral and cream ostrich feathers, and a deep slit in the skirt. While wearing this gown on the special, Mitzi engaged in a humorous monologue which highlighted the benefits of a show with 100 men. She then launched into a dance routine (a feat in itself when one considers the weight of this gown). She also wore the gown in her 1974-75 concert tour. Accompanied by a photo of Mitzi wearing the gown.
Lot 1334
A Mitzi Gaynor pair of stage-worn jumpsuits designed by Bob MackieRed halter-style jumpsuit with asymmetrical stripes of cream, black, orange, and green on the bodice (along with a small stitched hole for Mitzi's microphone), embellished with bugle beads of corresponding colors and with a matching beaded back pocket; together with a brown fully beaded halter jumpsuit with a partially cut-out bodice and back accented by ties. Both costumes bear interior labels inscribed, 'Bob Mackie.' Both costumes were worn by Mitzi during her live stage appearances during the 1970s and reflect that era of bell-bottom pants and bright colorways. Accompanied by 2 photos of Mitzi wearing the jumpsuits in performance.
Lot 1337
A Mitzi Gaynor Emmy Award®-winning gown worn on Mitzi...Roarin' in the 20's, designed by Bob MackieCBS, 1976. Heavily beaded silver spaghetti strap gown embellished with mirrored sequins and clear bugle beads, cut to below the waist with a plunging neckline masked with nude souffle and tiered beads, with a tapering skirt slit up the front and hemmed with cream-colored ostrich feathers, bearing an interior label inscribed, 'Bob Mackie.' In keeping with the theme of the show, this gown exhibited features reminiscent of 1920s fashion but remained up-to-date for modern audiences. Mitzi also wore this gown during her 1976-77 concert tour. Accompanied by a photo of Mitzi wearing the gown.
Lot 1339
A Mitzi Gaynor pair of Emmy Award®-winning costumes from Mitzi...Zings into Spring, designed by Bob MackieCBS, 1977. Comprising a kelly green patterned dress with a scoop neckline, long puffed sleeves, a full skirt with a ruffled hem, and a solid green silk belt at the waist, bearing an interior label inscribed, 'Bob Mackie,' which Mitzi wore while dancing with Wayne Rogers and Roy Clark (both wearing matching 3-piece suits with gargantuan collars); together with a full-length pale pink evening gown with a plunging neckline featuring a wavy pattern of bugle beads accented by scattered small floral designs made up of sequins and beads, with a deep slit in the skirt and dramatically cut bell sleeves and skirt in handkerchief-hem style. Both outfits were worn on the 1977 television special and in publicity photographs, and the gown was worn on Mitzi's 1976-77 stage show tour. Accompanied by 2 photos of Mitzi wearing the costumes on the show.
Lot 1343
A Mitzi Gaynor stage-worn gown and boa, designed by Bob MackieNude illusion full-length gown heavily adorned with bugle beads and clear and silver sequins forming vines, punctuated by lilac-colored sequins formed into floral appliques, with a nude souffle neckline scattered with rhinestones and a deep slit in the skirt. Accompanied by a purple and white feather boa. Mitzi wore this stunner during her stage performances in 1979. According to Bob Mackie, Mitzi was instrumental in the success of his career when she asked him to design for her nightclub and television appearances in 1966: 'It's terrific for a young designer to have a star that gets a lot of publicity and is wearing their clothes, and she was the first one.' Accompanied by a snapshot of Mitzi wearing the gown on stage.
Lot 1345
A Mitzi Gaynor pair of stage-worn beaded leotards designed by Bob MackieComprising a white leotard designed and trimmed with rhinestones and metallic thread of silver and gold, with dangling strands of bugle beads at the shoulders and below the waist, with matching ornamented wrist cuffs, bearing an interior label inscribed, 'Bob Mackie'; together with a gold leotard completely embellished with gold sequins and bugle beads, with beaded epaulettes at the shoulders, bearing an interior label inscribed, 'Elizabeth Courtney / Costumes / Hollywood,' accompanied by matching beaded wrist cuffs and a military officer hat. Mitzi wore these creations in her live stage show tour during the 1970s and 1980s. Accompanied by 2 photos of Mitzi wearing the costumes and performing in front of a live audience.
Lot 1346
A Mitzi Gaynor pair of stage-worn gowns designed by Bob MackieComprising a white spaghetti strap leotard festooned with gold sequins in an asymmetrical striped pattern, with 2 large white sequined floral appliques at the bust and waist, with a long train of gold lamé ruffles, accompanied by a matching wide-brimmed hat of net, sequins, and matching floral appliques; together with a silver one-shoulder gown ornamented with mirrored sequins and silver and clear bugle beads in a wavy pattern, with an asymmetrical skirt of cream-colored ostrich feathers and a matching cape which joins at the shoulder by a large rhinestone brooch. Both costumes bear interior labels inscribed, 'Bob Mackie.' Both gowns were worn in Mitzi's live stage show tour in 1981 and in publicity photographs promoting the tour. Accompanied by 4 photos of Mitzi wearing the costumes and a souvenir program from Mitzi's stage tour.
Lot 1347
A Mitzi Gaynor top hat and tails designed by Bob MackieRed leotard designed to look like a tuxedo including a faux tuxedo shirt decorated with a single rhinestone stud and a red bow tie, accompanied by a red tuxedo jacket with red bugle-beaded lapels (lacking top hat). Mitzi donned this ensemble in her 1983 stage show tour. Mitzi's love for performing live on stage has never diminished and she has entertained in this fashion for decades; she is known as the 'performers' performer' and to this day says that she feels most alive when entertaining a live audience. Accompanied by 2 publicity photos of Mitzi wearing the suit.
Lot 1348
A Mitzi Gaynor costume worn in the national tour of Anything Goes, designed by Bob MackieDeep red one-piece costume with a nautical flair, heavily beaded in red and clear bugle beads and sequins, nude illusion netting at the midriff, with beaded rope-like shoulder, bodice, and belt regalia, descending into large bell bottoms. It's a testament to Mitzi's strength that she was able to perform in this heavy costume in the 1989-90 Anything Goes touring production, where she played the part of Reno Sweeney. She also performed in her personal stage shows wearing this sumptuous design in 1981. Accompanied by 2 photos of Mitzi wearing the costume.
Lot 1349
A Mitzi Gaynor beaded costume worn in the national tour of Anything Goes, designed by Bob MackieRed and orange heavily beaded long-sleeved top with an asymmetrical plunging V neckline trimmed in mirrored sequins, with dangling strands of red and orange bugle beads throughout, accompanied by a pair of matching panties, bearing an interior label inscribed, 'Bob Mackie.' The 1980s were a busy time for Mitzi, and this sensual costume experienced a lot of dance time, both in Mitzi's 1983 stage appearances and on her 1989-90 national tour of Anything Goes. Accompanied by 2 photos of Mitzi wearing the costume.
Lot 1350
A Mitzi Gaynor pair of stage-worn beaded gowns designed by Bob MackieComprising a silver and white mid-length gown with a built-in leotard foundation, completely decorated with silver and white sequins and clear bugle beads with long dangling asymmetrical strands down the legs, with an off-the-shoulder decorative cord adorned with dangling beaded triangles, worn in Mitzi's 1985 stage show tour; together with a similarly designed gold mid-length spaghetti strap gown heavily beaded throughout with gold, yellow, and silver sequins and gold and clear bugle beads, with upper arm dangling beaded embellishments, worn in Mitzi's 1989 Anything Goes tour. Both garments bear interior labels inscribed, 'Bob Mackie.' Accompanied by a photo of Mitzi wearing the silver and white gown.
Lot 1352
A Mitzi Gaynor dress worn at the premiere of her Public Television documentary, designed by Bob MackieBlack short-sleeved sheath cocktail dress heavily ornamented with black bugle beads, with a plunging V back masked with nude souffle and beads, with the skirt revealing a pleated red crinoline which flashes with movement, all enhanced by a rhinestone daisy brooch at the left neckline. When Mitzi's Emmy Award®-winning PBS documentary titled, Mitzi Gaynor: Razzle Dazzle! The Special Years held its premiere in 2008, Mitzi appropriately dazzled her audience in this spirited dress. It was also worn during Mitzi's 1999 stage show tour. Accompanied by a photo of Mitzi wearing the dress.
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8319 item(s)/page