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32008 item(s)/page
An Austin J40 pedal car,chassis no 31238 (late 1970 model), off white 'Old English white', with maroon upholstery, chromed brightwork, bonnet lifting to reveal 'engine bay' with spark plugs and cylinder head, battery cage, working headlights (one with loose lens) steering wheel with central horn push, opening boot, play-worn with some scratches, marks, denting, 156cm long overall, together with a copy of the J40 wiring diagram, 11 J40 pedal club magazines, a laminated rally sign, swatch of vinyl material for the seats and a selection of J40 photographs. (2)This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Šâ—Šâ—Š Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
James Francis Gill, Mini Audrey 2, signierte Farbserigraphie von 2019, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, Porträt Audrey Hepburn, "Mini Audrey 2", Farbserigraphie auf handgeschöpftem Papier, 41 x 41 cm, Darstellung 30 x 30 cm, signiert, datiert (20)19, nummeriert 27/350, unter P.p. und Glas galeriegerahmt, mit Zertifikat.Zum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.
James Francis Gill, Mini Marilyn 2, signierte Farbserigraphie von 2016, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, Porträt Marilyn Monroe, "Mini Marilyn 2", Farbserigraphie auf handgeschöpftem Papier, 42 x 42 cm, Darstellung 30 x 30 cm, signiert, datiert (20)16, nummeriert 264/350, unter P.p. und Glas galeriegerahmt, mit ZertifikatZum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.
James Francis Gill, Mini Hippie Bus, signierte Farbserigraphie von 2020, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, VW Bus, "Mini Hippie Bus", Farbserigraphie auf handgeschöpftem Papier, 41 x 41 cm, Darstellung 30 x 30 cm, signiert, datiert (20)20, nummeriert 46/350, unter P.p. und Glas galeriegerahmt, mit Zertifikat.Zum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.
James Francis Gill, Candy Girl, signierte Farbserigraphie von 2017, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, "Candy Girl", Vogue, Farbserigraphie auf handgeschöpftem Papier, 90 x 65 cm, Darstellung 69 x 49 cm, signiert, datiert (20)17, nummeriert 14/80, unter P.p. und Glas galeriegerahmt, mit ZertifikatZum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.
11 Boxed diecast models to include 2 x Maisto 1/18 Premiere Edition Mercedes Benz 500k Typ Special Roadster (1 x red & 1 x white), 2 x Vitesse 1/43 Mini Rally Series (29512 & 29513), 2 x Corgi (CC82290 24ct Gold Plated Austin Cooper & VA 09404 Vauxhall Astra SXi) 2 x 1/76 Exclusive First Editions (11903 Harrington Cavalier & 15104DL Bristol City), 1 x Mattel Hot Wheels P9954 Ferrari 458 Italia & 1 x Dinky 263 Airport Fire Rescue Tender
Around 50 mid 20th C play worn diecast models to include Corgi, Dinky Matchbox and Benbros examples, featuring Dinky 320 Halesowen Farm Trailer, Dinky 173 Nash Rambler Dinky 152 Rolls Royce Phantom, Dinky 180 Packard Clipper, Dinky 130 Ford Corsair, Dinky 30V N.C.B. Electric Van, Corgi Motor School Austin A.60, Dinky 626 Military Ambulance, Dinky Observation Coach, etc
11 Boxed Dinky diecast models to include 252 Refuse Wagon, 176 Austin A105 Saloon, 162 Ford Zephyr Saloon, 183 Fiat 600 Saloon, 161 Austin Somerset Saloon, 254 Taxi Austin, 150 Rolls Royce Silver Wraith, 106 Austin Atlantic Convertible, 432 Guy Warrior Flat Truck, 263 Superior Centurion Ambulance and 295 Autobus Atlas, diecast vg overall with some repainting, boxes all with missing end flaps
Eight boxed Dinky diecast models to include 175 Hillman Minx Saloon, 112 Austin Healey Sprite, 166 Sunbeam Rapier Saloon, 223 McLaren M8A CAN AM, 449 Chevrolet El Cameo Pick Up Truck 191 Dodge Royal Sedan, 163 Bristol 450 Sports Coupe and 154 Hillman Minx Saloon, diecast vg overall with some repainting, boxes gd overall
11 Boxed Dinky military diecast models to include 661 Recovery Tractor, 667 Missile Servicing Platform Vehicle, 660 Tank Transporter, 626 Military Ambulance, 674 Austin Champ, 643 Army Water Tank, 676 Armoured Personnel Carrier, 670 Armoured Car, 621 3 Ton Army Wagon, 673 Scout Car and 693 7.2 Howitzer, showing play worn, boxes vary with some missing end flaps and writing
Two boxed Dinky diecast models to include 152 Austin Devon Saloon in blue and Austin Atlantic Convertible in pale blue (both boxes poor with missing end flaps) plus 12 x unboxed Dinky diecast models featuring planes, racing cars and AA Motorcycle and sidecar along with a Matchbox BattleKings Shell Recovery truck and roadside signs.
Five boxed Dinky diecast models to include 107 Sunbeam Alpine Sports in sky blue, 108 MG Midget Sports in red, 109 Austin Healey 100 Sports in off white (box missing a side end flap), 110 Aston Martin DB3 Sports in green and 111 Triumph TR2 Sports in pink, diecast and decals vg, boxes all gd and with correct colour spots
Four boxed Dinky diecast models to include 152 Austin Devon Saloon in two tone green & cerise (correct colour spot to box, heavy play wear, poor box with tape repairs), 131 Cadillac Tourer in pale yellow (with driver, paint wear, correct colour spot to fair box), 186 Mercedes Benz 220 SE in grey/blue (diecast vg, fair-gd box) and 194 Bentley Coupe in grey (with driver, diecast vg, box f+air)
Two boxed Corgi diecast Mini models to include 227 Morris Mini Cooper Competition Model in primrose yellow with white roof & red interior, race number 3 decal (diecast & decals gd overall with paint wear, box missing end flap and tape repairs) and 450 Austin Mini Van (gd with some paint loss, gd box)
Comics - Collection of mainly Dark Horse Comics & Marvel featuring Star Wars, Stone Cold Steve Austin, Battlestar Galactica, James Bond, Jade Warriors, etc, to include ltd edn & signed examples along with Simpsons Animated Cells, Official Teenage Mutant Ninja Turtles Medal Action Wall Chart, Graffiti James Bond Goldeneye Trading Cards, sealed Universal Monsters Of The Silver Screen & James Bond Trading Cards
Eight boxed Matchbox 75 Series diecast models to include 65 Jaguar 3.8 Sedan in red, 7 Ford Anglia in pale blue, 22 Vauxhall Cresta in bronze (box missing end flap), 39 Pontiac Convertible in pale yellow, 28 Mark Ten Jaguar in fawn, 29 Austin A55 Cambridge in two tone green, 44 Rolls Royce Phantom V and 73 Ferrari Racing Car in red, diecast excellnet, boxes gd-vg unless stated
Five boxed Dinky diecast models to include 150 Rolls Royce Silver Wraith in two tone grey, 198 Rolls Royce Phantom V in metallic light green with silver (box with end flap and tape repairs), 109 Austin Healey 100 Sports in white, with driver, race number 23 (play worn, box missing side end flap), 412 Austin Wagon dark red with red hubs, correct colour spot to box (diecast vg with tape repair to end flap) and 688 Field Artillery Tractor (some paint wear)
Austin Osman Spare (British, 1886-1956)Gaminerie signed with initials and dated 'AOS 53' (lower left); further signed, titled, numbered and dated 'No 88 Gaminerie by Austin Osman Spare 53.' (on tape attached to panel verso) chalk and pencil on panel22 x 32cm (8 11/16 x 12 5/8in).Footnotes:ProvenanceWith Henry Boxer Gallery, London, where acquired by the present owner, 2020 Private Collection, South KoreaExhibited London, The White Bear, 19 November–19 December 1953, no.107London, Archer Gallery, Paintings and Drawings by Austin Osman Spare, 25 October–26 November 1955, no.88During his period of tavern exhibitions, circa 1949–1953, Austin Spare often produced work that spoke to the customers of his chosen establishment, often with humorous intent. This mask-like study from 1953 refers to the quality of 'gaminerie', or childishness, and is likely to be a portrait of a known regular in The White Bear tavern.We are grateful to Robert Shehu-Ansell for compiling this catalogue entry.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Austin Osman Spare (British, 1886-1956)Three Satyrs signed with initials 'AOS' (lower left)coloured pencil and pencil on paper17 x 24cm (6 11/16 x 9 7/16in).Executed circa 1952Footnotes:ProvenanceWith Henry Boxer Gallery, London, where acquired by the present owner, 2018Private Collection, South KoreaWe are grateful to Robert Shehu-Ansell for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Austin Osman Spare (British, 1886-1956)The Torment of Futurity; Illustration for The Starlit Mire signed with monogram and dated '09' (lower left)pen and ink on paper18 x 12.5cm (7 1/16 x 4 15/16in).Footnotes:ProvenanceWith Victor Arwas Gallery, London, where acquired by the present owner, 17 December 2014 Private Collection, South KoreaLiteratureJ. Bertram & F. Russell, The Starlit Mire, The Bodley Head, London, 1911, illustrated to face p. 4In 1908, Austin Spare began a professional involvement with John Lane (1854–1925), the publisher most firmly associated with Aubrey Beardsley, and English fin-de-siècle culture. Lane agreed to reprint Spare's political, privately published folio, A Book of Satyrs (London: John Lane, 1909), but he also pursued collaborative projects, such as The Starlit Mire. A series of philosophical aphorisms by J. Collingwood (1872–1934), a Professor of Physiology at the University of Dublin, and Russell Facey Wilkinson (1888–1968), later a respected Royal Physician, The Starlit Mire provided a rich source for Spare's decadent pen and ink work. Original drawings from the book rarely appear on the market, and the present lot is one of the few to include a self-portrait. Here a young Spare regards his own image in the form of Pan, whose goat horns were a favoured reference to the artist's Capricorn birthdate. Lower left, Spare's monogram echoes that of Albrecht Dürer, a mark of his increasing confidence and the comparison made by contemporary critics.We are grateful to Robert Shehu-Ansell for compiling this catalogue entry.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Austin Osman Spare (British, 1886-1956)Out of the Sea Came Entity signed with initials 'AOS' (lower left); further signed, titled, dated and inscribed 'Title: Out of the sea came entity 1955./unpublished & original drawing by A. Osman Spare/A.O.S.' (on Artist's label attached to backboard)pencil on panel27.5 x 20.5cm (10 13/16 x 8 1/16in).Footnotes:ProvenanceFrederick R. Koch (1933–2020)With Victor Arwas Gallery, London, where acquired by the present owner, 17 December 2014 Private Collection, South KoreaExhibitedLondon, Taranman Gallery, Exhibition of Paintings, Pastels and Drawings by Austin Osman Spare 1888-1956, 2-21 September 1974, no. 14Throughout his career as an artist, Spare maintained a fascination with nature and the creative energy he felt it embodied. In his manuscript notebook, The Focus of Life, circa 1905, we find mutated natural forms — often based on fish, birds, or crustaceans — surrounded by swirling semi-automatic lines that perhaps represent the dynamic qualities of life itself. Fifty years later, a more mature hand produced the present work. Here, a mermaid-like form represents the ocean as a source of all life. As Spare noted in The Logomachy of Zos, his last major written work, circa 1952–4, 'The ancestral sea: constant ebb and flow, and ever causal—spawning. So like us, yet unstable with ever changing mood out-masquerading all masqueraders, all women; terrible, or as beautiful as crushed sapphires, glittering. It goes on for ever with serum-soaked ebb and flow.'We are grateful to Robert Shehu-Ansell for compiling this catalogue entry.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Austin Osman Spare (British, 1886-1956)The Moonlight Sonata indistinctly signed with initials 'AOS' (lower right); further signed, titled and inscribed 'Drawn for Mrs Violet Dawe, The Moon-light Sonata/by Austin O. Spare./1954.' (on backboard)chalk on paper42.5 x 53cm (16 3/4 x 20 7/8in).Footnotes:ProvenanceWith Victor Arwas Gallery, London, where acquired by the present owner, 17 December 2014 Private Collection, South KoreaIn his 1955 exhibition at the Archer Gallery, Spare exhibited several pastel works with musical themes, such as No. 115, Mozart Mosaic, No. 123, Beethoven's Fifth, and No. 126, Punchinello Phantasy (I. Stravinsky). Although there is no record of the present work being exhibited in 1955, it was perhaps produced by the artist upon the request of Mrs Violet Dawe.We are grateful to Robert Shehu-Ansell for compiling this catalogue entry.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Trading cards Walking Dead 21 x signatures include Anna Mahoney, Austin Nichols, Emma Bell, Jeremy Palko, Steve Coulter, Andrews J. West, Kyla Kenedy, Lizzie Samuels, Corey Brill, Lennie James and Steven Yeun plus 10 others plus 29 unsigned. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
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32008 item(s)/page