*Vanguards. A collection of eleven 1:43rd scale private cars, including Austin A35, Morris Minor Traveller, Triumph Herald, and Rover P4, together with twelve 1:64th scale commercial vehicles including a two-model 'Boots' delivery truck set, Courier Bedford and Ford vehicles in various liveries (21)
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*Motoring badges, etc. A group of pre- and post-war motoring badges etc, including Morgan +4 radiator badge, Cheshire County St. Christopher, Pre-War Austin Club, British Women Pilots Association, Traditional Car Club, and two Rally Award badges, together with two pairs of RAF Mk VIII-pattern goggles, and a quantity of Rally Plaques and Motoring Event decorative awards including trophy cups and mementos, mostly 1960s-1970s, including a further quantity applied to shield-shaped mahogany display shield, and sundry decorative items (a lot)
*Motoring Accessories. A quantity of Smiths and Jaeger motoring dashboard car clocks, all c. 1920s, various types and conditions, together with a vintage Austin ignition and lighting control switch-panel, and miscellaneous motoring accessories, c. 1910, including aluminium and brass filler caps, a pair of chrome-plated boot-fitting luggage carriers, throttle-control levers, etc., and an early industrial electrical voltage control panel on wood mounting board by Garnett-Tucker & Co. (a lot)
HENRY WARD RANGER (American 1858-1916)LandscapeOil on board12in. x 16in.Signed lower left and stamped lower rightOne of the prominent figures in American art of the late 19th and early 20th centuries Henry Ward Ranger is considered a leader of the Tonalist movement and of the artist colony in Old Lyme Connecticut. He studied art at Syracuse University and in Paris where he was influenced by Barbizon School pictures. In fact the Old Lyme Colony has been called "an American version of Barbizon". Ranger also maintained a studio in New York where he was a member of the National Academy of Design. This painting dates to the late 1890s a significant period in Ranger's career as he had already established himself in New York galleries. Around this time his paintings were gradually becoming more luminous and lighter in color indicating the influence of George Inness.Provenance: Sold to benefit of the Ranger Fund by the National Academy of Design New York early 1900sAmerican History Club Austin TXdonated in memory of J.B. Wharey to Texas Fine Arts Association Austin TX 1944acquired by Frank O. Pearson c. 1970sPrivate collectionRainone Galleries Arlington TXacquired from the above by the present ownerReference: Carol Lowrey "Henry Ward Ranger" in The Poetic Vision: American Tonalism (Spanierman Gallery New York 2005) p. 162
RAY SWANSON (American 1937-2004)The Milk Can 1968Acrylic on board15in. x 22in.Signed and dated lower rightOn the reverse (inscribed upper right): The Milk Can / Ray SwansonA Southwestern artist based in Arizona Ray Swanson is best known for his portraits western and Indian genre scenes. Named Arizona Artist of the Year in 1979 he was a member and president of the Cowboy Artists of America and also a signature member of the American Watercolor Society. Upon his recent death in 2004 Swanson was described as a skilled and beloved artist whose paintings were filled with "dramatic light and jewel-like colors" conveying "a deep spiritual interpretation of ordinary lives."Provenance: Private Collection Austin TXWilliam E. Johnson Fine Art Dallas TXacquired from the above by the present ownerReference: Dolores Tropiano Obituary of Ray Swanson The Arizona Republic 24 December 2004
Dobson Austin. (editor) Eighteenth Century Essays limited large paper edition 33/50 signed ‘Ballantyne Manson & Coy’ Kegan Paul Trench 7 co. London 1882. Full dark green morocco by Bickers frontispiece octavo; Hare Augustus J.C. The Gurneys of Earlham two volumes Allen London 1895. Half vellum frontispieces plate and text illustrations octavo; and assorted other bindings
Austin (Thomas, ed.). Two Fifteenth-Century Cookery-Books, pub. for The Early English Text Society by OUP, 1964, orig. cloth gilt, 8vo, together with Stone (Reynolds, illust.), A Butler's Recipe Book, 1719, ed. Philip James Introduction by Ambrose Heath, pub. CUP, 1935, numerous wood engs. to letterpress, orig. cloth-backed printed boards, in chipped and faded d.j., small 8vo, plus Frere (Catherine Frances, ed.), A Proper Newe Booke of Cokerye, with Notes, Introduction and Glossary; together with some Account of Domestic Life, Cookery and Feasts in Tudor Days, and of the first owners of the Book, Matthew Parker, Archbishop of Canterbury, and Margaret Parker his Wife, pub. W. Heffer, Cambridge, 1913, port. frontis., orig. gilt dec. cloth, 8vo, plus six other facsimile works similar (9)
A pair of English delft blue and white plates, probably Bristol, painted with stylised flowers within a stiff-leaf border, 23cm diameter, mid 18th century (minor rim chips). Cf. John C. Austin, British Delft at Williamsburg (19940, p.151, no. 222 for a reasonably similar design. (see illustration on website).
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