Original and unrestored1922/1923 P&M 600cc Motorcycle CombinationRegistration no. NR 1841Frame no. 10287Engine no. 02345• Present family ownership since 1957• Widely campaigned• Displayed at Stanford HallOffered for sale by his family, this P&M outfit formerly belonged to the late Angus Martin, an engineer involved in developing the first of Frank Whittle's jet engines during WW2. After the war he was proprietor of Dunsmore Garage (1948-1986); a husband and father of three; and, lastly but by no means least, a rider in the Isle of Man TT races in the 1940s, '50s, and '60s, and any circuit you care to name in Great Britain.One day he arrived back at Dunsmore Garage from an auction with the machine offered here, a 1922/1923 P & M motorcycle combination, 'NR 1841'. That was around 1957 when the vendor was ten years old. He remembers riding it for the first time around the pumps on the filling station forecourt, carefully changing gear with the hand-change gear lever: 'It was a fun machine, so different from all our father's other bikes.'Angus's daughter Angela discovered that the previous owner was a Mr Sparks, and when he died the P&M was sold by his friend Bob Haynes, together with all his assets. For some years the P&M remained unused in the garage's car showroom. Then, in the 1980s, the P&M began to be used more. A collection of photographs, VMCC and other magazines, show the sidecar being ridden by Angus Martin at Mallory Park (1989), the Banbury Run (early 1980s) and other events, once with his wife Audrey as a passenger, often with Vic Saunders. Angus Martin always wore his racing helmet, painted silver with a green shamrock on the front, ever a proud Ulsterman.In 1986, Dunsmore Garage was sold and the Martins retired to a house in Rugby. Angus spent many hours going to autojumbles with Vic Saunders, and rebuilding old bikes in a big shed at the end of the garden. At some point the P&M, together with a CSI Norton, spent some years at Stamford Hall on display before being returned to storage in the family garage in Rugby. Sadly, Angus Martin passed away in 1990 and the motorcycles were inherited by our vendor; living in London, he did not have a garage, so they stayed in his mother's garage and moved with her when she moved house again.In 2005, Colin Mitchell, a family friend, rode the P&M, with his lady wife as passenger, dressed in period costume, in the VMCC Warwicks 50th Coventry parade at Coombe Park, winning the Jack Butler Trophy for best Vintage combination. Eventually, the garage was required to house Angela's Austin Seven Ruby, so arrangements were made with the VMCC for them to have the P&M on loan. Bill Phelps was one of the first to accommodate the P&M, and among the papers there is a very interesting account of his stewardship of the machine.The VMCC kept it well maintained, and the P&M was ridden in events such as the Banbury Run. In 2013 it was ridden by David Davies, editor of the VMCC magazine, and was pictured therein leaving Gaydon. Last taxed for the road in 2014, 'NR 1841' has been well cared for and kept running by the VMCC, and was entrusted to the prestigious Sammy Miller Museum in 2022 for repair and recommissioning after an accident. The vendor has now decided that it would be best to pass the P&M on to someone who would, it is hoped, treasure it as its custodians have done for the last 66 years.Accompanying documentation includes an original Instruction Manual (well used); three tax discs from the 1920s; a current V5C Registration Certificate; correspondence; parts price lists; various photographs; and details of events entered and prizes won, mostly VMCC related. There are also numerous magazines with articles and photographs of the outfit being ridden in various events. The history file's contents testify to the care taken of the P&M by the VMCC, showing their great love and respect for these lovely old motorcycles.Having spent 66 years in the care of one family, and displaying that wonderful patina that only an original and unrestored machine can have, this delightful 100-year-old P&M combination is worthy of the closest inspection.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com
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Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6 x 8.98 Verso is blank.Mounted to archival quality paper.
Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6 x 9 Verso is blank.Mounted to archival quality paper.
Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6 x 8.98 Verso is blank.Mounted to archival quality paper.
Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6.01 x 9 Verso is blank.Mounted to archival quality paper.
Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 5.76 x 8.98 Verso is blank.Mounted to archival quality paper.
Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6 x 9 Verso is blank.Mounted to archival quality paper.
Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6.01 x 9 Verso is blank.Mounted to archival quality paper.
ALAN THORNHILL (BRITISH 1921-2020) TOM STOPPARDnumbered 220 on neckpatinated terracottaheight: 43cm; 17inTom Stoppard sat for this bust in 1973, a year after his play Jumpers had won the Evening Standard Award for Best Play and London Theatre Critics Award for Best New Play. Thornhill was a great fan of Stoppard's work. He recalled of the present bust: 'Dissatisfied with the first day's attempt I did another in one day and felt I had made a breakthrough'. A bronze cast of the present work is in the Harry Ransom Center at the University of Texas (Austin) which has an extensive holding of Stoppard's papers. Stoppard was born Tomáš Sträussler in Czechoslovakia in 1937. When the Nazis invaded the country in 1939 the Sträussler family fled to Asia. After the death of his father in Singapore his mother married Major Kenneth Stoppard, and after the War the family resettled in England. Stoppard worked first as a journalist, then as a theatre critic. His major break-through as a playwright was with Rosencrantz and Guildenstern are Dead, first staged at the Edinburgh Fringe in the summer of 1966, and then in April 1967 at the National Theatre. Acclaimed plays have followed, amongst them The Real Inspector Hound (1968), Jumpers (1972), Travesties (1975), Arcadia (1993), and Leopoldstadt (2020).ARR may apply
BERNARD MYERS (BRITISH 1925-2007) Bernard Myers (Lots 98-123) IntroductionTrained as a gunner in the RAF during the Second World War, Bernard Myers studied at St Martin’s School of Art (1947-49) and Camberwell (1949-51) before studying painting at the Royal College of Art in 1951. Fellow students included John Bratby and Jack Smith, Frank Auerbach and Leon Kossoff. After graduating ARCA in 1954, Myers taught, variously at Camberwell, Hammersmith and Ealing art schools, and was senior lecturer in drawing at the Architectural Association School. At the AAS he was talent-spotted to return to the RCA, where he spent the following two decades, punctuated in 1968 and 1971 by stints as Visiting Professor at the Indian Institute of technology, New Delhi. His final teaching post was as Chair of Design Technology at Brunel University (1979-85). At the RCA students such as James Dyson treasured Myers’ good advice, remembering him as ‘cheerful, irrepressible [and] rather dapper… with a tweed suit and bowtie…’ But as well as being upbeat Myers was also appreciated for his considerable range of mind and intellect. On being made a fellow of the RCA, in his welcome speech the Dean noted that Myers ‘…must without doubt be the most versatile graduate ever to emerge from the Painting School. Since joining the College in 1961 he has been, by virtue of an encyclopaedic knowledge which comfortably bestrides the boundaries between the humane and the technological, and of his superlative gifts as a teacher, in demand by virtually every School and Department within the College…’ The plus side for Myers was that teaching left him free to practise his own art exactly as he wished. As he noted: ‘Some artists find that teaching interferes with their work. I find it clarifies my work.’ Indeed, he had an unstoppable compulsion to paint, incessantly exploring a wide range of subject matter, in particular the landscapes he encountered on his varied travels, the still-lifes he returned to again and again in his studio, the nudes he painted in weekly life-classes, and his not infrequent forays into abstraction, precipitated in part by his fascination with space. He married Pamela Fildes, granddaughter of the painter Sir Luke Fildes in the early 1950s (lot 98); they lived first in Windsor and then in Kensington before moving in 1974 into one of the studios overlooking the Thames at St Peter’s Wharf, purpose built by Julian Trevelyan, next to Hammersmith Terrace (lots 121-123). He had several one-man shows in the West End, the first at the New Art Centre in 1969; his last with Austin Desmond Fine Art in 1991. He wrote two books on Goya, others on the history of sculpture and How to Look at Art, and co-edited The Macmillan Encyclopedia of Art’ (1979). He also penned articles for the magazines in The Artist (May 1988) on his highly original approach to pastel (lots 110, 111, 113-117), and in Artists and Illustrators (1995) on his Venice views (lots 118 & 119).BERNARD MYERS (BRITISH 1925-2007)MISS PAMELA FILDESsigned, titled and dated on reverse Bernard Myers / Miss Pamela Fildes / 1955-6oil on canvas122 x 91.5cm; 48 x 36in(unframed)Pamela Fildes was the granddaughter of the painter Sir Luke Fildes RA (1843-1927). She married Bernard Myers shortly after she sat for the present painting. With the studio inventory number 0244 on the reverseARR may apply
VELVET UNDERGROUND - CONCERT FLYER, OCTOBER 23-25, VULCAN GAS COMPANY, AUSTIN WITH OTHERS art by Jim Franklin, another design printed verso: Infamous Oat Willie's Made a Big Move [...] with stylised border and map, framed and behind perspexvisible dimensions 26cm x 20.3cmAppears good, some very light creasing and waviness, please note the map printed to the reverse
Pair: P. Trenchard, Mercantile Marine British War and Mercantile Marine War Medals (Percy Trenchard) both impressed with slightly smaller letters than usual, the BWM planchet slightly mis-struck, very fine Four: Donkeyman F. Edwards, Mercantile Marine Mercantile Marine War Medal 1914-18 (Fred Edwards); 1939-45 Star; Atlantic Star; War Medal 1939-45, good very fine Four: W. O. Williams, Mercantile Marine and Royal Naval Volunteer Reserve British War Medal 1914-20 (W/O. Williams. R.N.V.R.); Mercantile Marine War Medal 1914-18 (W/O. Williams. R.N.V.R.); Victory Medal 1914-19 (W/O. Williams. R.N.V.R.); Defence Medal, the Great War awards all renamed, good very fine Five: Attributed to Radio Officer W. O. Austin, Mercantile Marine 1939-45 Star; Atlantic Star; Italy Star; Pacific Star, 1 clasp, Burma; War Medal 1939-45, nearly extremely fine Four: Attributed to Seaman R. Aird, Mercantile Marine 1939-45 Star; Atlantic Star, 1 clasp, France and Germany; Italy Star; War Medal 1939-45, these all somewhat later issues, extremely fine (19) £100-£140 --- William Oswald Austin was born in Lucknow, India, on 29 September 1920. He initially joined the Royal Air Force at Blackpool as Aircraftsman 2nd Class, but transferred to the Merchant Navy in 1940, and was posted aboard the Empire Moose as Radio Officer. Austin subsequently served aboard a host of vessels including the British Fidelity, Empire Rain, Empire Planet and Empire Record, before being discharged at his own request on 3 May 1947. Sold with named O.H.M.S. box of transmittal for medals, addressed to Mr William O. Austin, 41 Montefiore Road, Hove, Sussex, BN3 6EP, Campaign Stars, Clasps and Medals entitlement slip, and extensive copied service research. Robert Aird was born in Scotland on 31 December 1914. He served with the Merchant Navy throughout the Second World War, including postings aboard the Strathaird, Empire Farmer, Empire Tavistock, and Lord Byron. Sold with original application document for Campaign Stars, and Department for Transport General Register Office of Shipping and Seamen issuance slip, confirming entitlement and dated December 1989.
PRESILEY JUNE INCHBALD (later LUMLEY-SAVILE then SIKES) "Captain Theo Austin with dog", portrait study, posthumous study from photographs and memory of the Captain, missing in action / presumed dead from troop glider crash in Normandy on/around D Day, oil on canvas, signed "Presiley" lower right, 81.5 cm x 64 cm
Thomson (Hugh, illustrator). The Ballard of Beau Brocade and other Poems of the XVIIIth Century, by Austin Dobson, London: Kegan Paul..., 1892, 50 monochrome illustrations, bookplate to front pastedown, some light spotting & minor marginal toning, original white cloth, boards & spine slightly toned, 8vo, limited edition 3/450, together with:Upton (Florence K. & Bertha), The Vege-men's Revenge, London: Longmans, Green & Co., 1897, colour & monochrome illustrations, cracked to the foot of the front gutter cracked, original green cloth spine to illustrated boards, slightly marked, oblong 4to, plusMay (Phil), Phil May in Australia, Sydney: The Bulletin Newspaper Company, 1904, numerous monochrome illustrations, gutters cracked, minor marginal toning, original white cloth spine to illustrated boards, slightly rubbed & marked, folio, and other late 19th century & modern illustrated literature & reference, including Shell Guides, 4 volumes, Cornwall, Devon, both by John Betjeman, Wiltshire, by Robert Byron, Somerset, by C. H. B. & Peter Quennell, all original cloth in dust jackets, 4to, some leather bindings, mostly original cloth, some in dust jackets, some Penguin paperbacks, G/VG, 8vo/folioQTY: (6 shelves )
AUSTIN WRIGHT (BRITISH, 1911-1997), QUEBIQUE QUEUE five bronze figures on a wooden plinth, no. 1/10. Each figure approx. 12.5cm highPurchased from Grape Lane Gallery, York, 1989.Austin Wright was born in Chester, grew up in Cardiff and moved to Yorkshire in 1937. He studied Modern Languages at Oxford University before becoming interested in Modern Art. He was the Gregory Fellow in Sculpture at the University of Leeds (1961-1964), and a major retrospective of his work was held at the Yorkshire Sculpture Park in 1981 and at York City Art Gallery in 1994. His work can be found in many public collections and public commissions, including the Christmas Crib at Wakefield Cathedral and a wall relief for the University of Northumbria.In very good condition without damage. Three figures signed on the underside 'AW.
British Topography: Austin, Harwood & Pyne: Lancashire illustrated from original drawings. Fisher & Jackson, 1831. 4to. With 52 engraved plates, two views in each. Cont. half leather, rubbed; light damp stain to tp & frontis; Plus 3 copies/editions of: Rose & Allom: Westmorland, Cumberland, Durham, and Northumberland, Illustrated. Each, one volume bound in two: no date (1832-35) plates dated. no date (1832-35) plates dated; 1832 & 1832. All three copies lacking plate 213 "Gen View of Windermere Lake" which is usually not bound in. (5)From the Paul Bentley collection of maps and atlases.
Greg Austin signed 10x8 inch colour photo picture as Charlie Smith in the BBC's Doctor Who spin off Class. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
AN ORMOLU AND SILVERED KETTLE DRUM BAROMETER ATTRIBUTED TO J.J HICKS, 19TH CENTURY, RETAILED BY T.K AUSTIN & CO., DUBLIN the angled silvered dial and bezel within a simulated drum case, supported on x-framed ormolu stand and onyx plinth base. 21.5cm high Kettle Drum Barometers of exactly this design are known from marked examples by James Joseph Hicks (1837 - 1916) Haton Gardens, London. Hicks who was born in Rosscarbery, Co. xcork was one of the leading suppliers of barometers and thermometers in London in the last quarter of the 19th century.
A quantity of Dinky Toys and Tri-ang Spot-On die cast vehicles (14) Including twelve Dinky Toys; Pullmore Car Transporter with ramp (982), Hillman Imp (138), Triumph 2000 (135), Atlas Bus (295), Foden flatbed, Foden flatbed with chains, Sunbeam Alpine, etc. and two Spot-On vehicles; a Bedford 10 ton tanker and an Austin A60 Cambridge
DAVID AUSTIN (CONTEMPORARY) 'AND NO SPITTING!', a fantasy scene depicting a Peddler conducting a trade with a seated wise man, a rough carved stone obelisk stands behind them, signed and dated 2004 bottom left, titled verso, pen, ink and watercolour on paper, approximate size 79cm x 56cm,Condition Report: frame marked in places (1)
A QUANTITY OF ASSORTED TOYS AND GAMES, to include boxed Justrite Eagle Comic Junorite Stencil Outfit, Dan Dare, Riders of the Range etc., playworn condition, contents not checked but appears largely complete with stencils and instructions, damage and wear to box, assorted boxed and unboxed diecast vehicles, to include unboxed Spot-On N.S.U. Prinz 4, No.193, unboxed Dinky Toys Austin A40 Devon, No.40d, Austin Wagon, No.30j/412, (missing one headlamp), assorted unboxed Dinky, Corgi, Matchbox (including Yesteryear), boxed items to include Corgi Toys Studebaker Golden Hawk, No.211S and Citroen ID19 Safari, No.436, both in playworn condition with paint loss and wear, Citroen missing roof rack, both boxes damaged and missing flaps, Corgi Classics, to include box and limited edition certificate for Grattans Bedford O Series Pantechnicon, No.97084 but box contains Pickfords version of the model, No.C953/1,Matchbox Models of Yesteryear, Lledo, Oxford Diecast, quantity of empty Matchbox 1-75 Superfast boxes, three boxed modern Scalextric cars Jaguar XJ220, No.C230, 'Repsol' Porsche 962C, No.C256 and T.V.R., No.C2194, small quantity of Scalextric literature, spare parts and accessories, boxed TM Toys battery operated remote control Roaring Walking Bear, not tested, appears complete and in fair condition with some marking and wear, battery box with some rusting and wear, box complete but has some damage, unboxed Tri-ang plastic clockwork Snail, with key and in working order, playworn Marx tinplate clockwork Cat, not tested, missing key, assorted hollow cast and plastic figures, parts and spare parts for various toys, assorted plastic construction kit boxes, to include vintage Airfix 1-144 scale Boeing 747 box containing assorted decals and instructions for various kits (4 boxes)
UNCANNY X-MEN #141 & 142 (2 in Lot) - (1981 - MARVEL - US & UK Price Variant) - "Days of Future Past" Parts One & Two - First appearances of Rachel Grey (Summers), Avalanche, Pyro, Destiny, Brotherhood of Evil Mutants + "Death" of the alternate future versions of Wolverine, Storm, Colossus - John Byrne & Terry Austin covers and interior art - Flat/Unfolded - a photographic condition report is available on request
DYNAMIC FORCES MARVEL LOT (12 in Lot) - All signed to front cover, numbered and come complete with a Dynamic Forces Certificate of Authenticity and unbroken seals - Includes THOR: WOLVES OF THE NORTH #1 (7/125) Signed by Mike Perkins + UNCANNY X-MEN #304 (2113/7500) Signed by Dan Panosian + AVENGERS/INVADERS #2 VARIANT (711/999) Signed by Alex Ross + THE INFINITY CRUSADE #1 (209/10000) Signed by Ron Lim + AVENGERS #500 (79/499) Signed by Brian Michael Bendis + WOLVERINE #150 (123/500) Signed by Lary Stucker + X-MEN: THE LIBERATORS #1 (54/4500) Signed by Phil Jiminez and Keith Aiken + THE PUNISHER #1 DF ALTERNATIVE COVER (4094/6000) Signed by Christopher Golden & Tom Sniegoski + X-MEN FOREVER #1 (52/75) Signed by Chris Claremont + UNCANNY X-MEN #360 (574/10000) Signed by Jae Lee + CIVIL WAR #7 (128/200) Signed by Steve McNiven + POWER PACK #1 (60/1500) Signed by Colleen Doran & Terry Austin - Flat/Unfolded
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