FIRMIN SALABERT (1811-1895) Portrait of a Lady seated wearing a white dress signed and dated `F.Salabert 1850` watercolour 18 1/2 x 12in (46.9 x 30.5cm); an oil sketch depicting a Lady by a follower of William Powell Frith R.A.; and an early 20th Century Continental Miniature depicting a family group; three (3)
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A Portrait Miniature, British Colonial/Indian School, early 19th century, portrait of a lady standing three-quarter length in a blue dress turned to the right by a column, oval, mounted in a rectangular glazed ebonised frame, 11.5x9.5cm. Note: Inscription on the reverse reads, `Evelina Jane Laud, Born 19 November 1798, Married 22 July 1820, Died 18 January 1845 aged 47 years 2 mts Lived in India (Wife of other`s Uncle)`
AMENDMENT: Provenance: Property of the Markham family, William Markham married Daisy Grant, daughter of Sir Francis Grant RA, and thence by descent: A group of British portrait miniatures, depicting "Henrietta Levin" in a white dress with white veil, 5x3.7cm, Archbishop William Markham 1719-1809, a portrait of a man head and shoulders in black robes and a wig, inscribed `NI 176`, oval, 3.4x3cm, another picture of Archbishop Markham, seated three quarter length in robes, mounted in a gilt and velvet frame, 5.8x4.8cm, "John Levin" head and shoulders, turned to the right in a maroon jacket, oval 5.7x4.9cm, "Zadik Levin, dies Jan 19th 1848 aged 74", head and shoulders turned to the right in a jacket and waistcoat, mounted in a gilt frame, oval 6.5x5.5cm, "M A Levin, died Aug 1839 aged 52", wearing a blue dress, peach coloured hat and diamond necklace set, oval 6.5x5.3cm, and two other miniatures: Dora Webb RMS, British 1888-1975- Portrait of a cherub; miniature, oval, signed and dated 1904, mounted in a velvet backed, gilt pendant frame, 6.5x5cm, (8), (may be subject to Droit de Suite) Provenance: Property of the Markham family, William Markham married Daisy Grant, daughter of Sir Francis Grant RA, and thence by descent
AMENDMENT: Provenance: Property of the Markham family, William Markham married Daisy Grant, daughter of Sir Francis Grant RA, and thence by descent: A group of four British portrait miniatures, depicting "Mrs Carr", aunt of Sir Francis Grant RA, seated half length, turned to the right wearing a bonnet with a pink flower, mounted in an ebonised and gilt frame, 9.5x7.2cm, "Mary Ann Levin Smith, born Sept. 8th 1810, died May 5th 1886 at Salt Hill, aged 76", seated turned to the left, wearing a black dress with miniature painted pendant, 10.2x8cm, "Lucia Lecky, born Smith", seated wearing gold and ruby jewellery set, 10.7x8.2cm, and a portrait miniature of a woman in profile turned to the left, seated and wearing a white dress, in a gilt framed pendant, 7.3x6cm, (4) Provenance: Property of the Markham family, William Markham married Daisy Grant, daughter of Sir Francis Grant RA, and thence by descent
Lady Blanche Lindsay (née Fitzroy) (c.1844-1912) PORTRAIT OF A YOUNG GIRL oil on board with faintly inscribed label on reverse detailing artist`s name, address [41 Hans P., Chelsea] and price [ten?] 10.16 by 10.16cm., 4 by 4in. L "Caroline Blanche Elizabeth (née FitzRoy), Lady Lindsay daughter of Hon. Henry Fitzroy (the son of Lord Southhampton) and Hannah Mayer de Rothschild was an amateur painter, poetess, musician and wife of Sir Coutts Lindsay whom she married in1864. Together they founded the Grosvenor Gallery in 1877 which was heralded at the time as a favourable alternative to the Royal Academy and a chief artistic and social venue for second-generation pre-Raphaelites among other artists of the day. Although only thirteen years in operation the Lindsays` innovations in terms of their exhibition practices had far reaching effects. The couple later separated but Lady Lindsay continued to play a vital role in the arts community, hosting gatherings which included Mary Shelley, Browning, Eliot and Tennyson among others at her home in 41 Hans Place, Chelsea.A portrait miniature of Lady Lindsay was painted by Dickens` daughter Kate Perugini (see lot 43).
Portrait de Maximilien Gardel (1741-1787), miniature ronde à la gouache sur ivoire montée sur une boîte en écaille de tortue et cerclée d’un bandeau d’or portant les noms de Ballets dans lesquels Gardel s’est produit. Danseur et chorégraphe, Gardel est directeur du Ballet de Paris (1781-1787) et s’est illustré en dansant sans masque ni perruque en 1772 dans Castor et Pollux de Rameau pour se démarquer de son rival Gaëtan Vestris, diam. 8 cm
ENGLISH SCHOOL, early 19th century, Portrait of a Young Man, bust length, turned dexter, wearing a white shirt with high collar and dark blue coat, oval miniature on ivory, 6.5cm by 5cm, brass mounted, moulded and ebonised frame; and three other miniatures, similarly framed. (4) See illustration
HMS Defence: a collection of original photographs and postcards of the early 20th century Armored Cruiser HMS Defence including a photograph of the Ship`s Company on board together with Prince Arthur of Connought in China 1912, a comic original photograph of a group of five sailors in fancy dress at a `Funny Party` on HMS Defence dressed as Suffragettes with a sign `Votes for Women` dated Malta Xmas 1913, two Memorial cards dedicated to Sailors killed on service with HMS Defence in Hong Kong 1912, two original postcards of the ship together with a WWI bronze Death Plaque (in original envelope) awarded to Percy Victor Dennis, a casualty at Jutland aboard HMS Defence together with a framed and glazed photographic portrait of him, a miniature portrait and a family group photograph. HMS Defence was sunk at Jutland with the loss of all hands.
A fine John Miers silhouette male portrait miniature in a gold pendant mount, the back with a plaited lock of hair on an enamel ground, the box with a trade label inscribed "Miers profile painter and jeweller No. 111 Strand, miniatures set and framed hair work etc. executed peculiarly neat, opposite Exeter Change, London". (See illustration)
An oval portrait miniature of a young man painted on bone panel and set into an oval brass locket type frame, two cowhorn beakers, a Meerschaum cheroot holder carved as a hand holding an egg (AF), a small crocodile coin purse with silver mounted edges and a Chinese carved hardwood vase stand (6)
A set of six mother-of-pearl buttons and a similar a pair of earclips, a mother-of-pearl star pendant, three mother-of-pearl spherical buttons, eleven various mother-of-pearl buttons, a set of six brass buttons decorated with musicians, three large and one small ceramic buttons, a rectangular brass photograph frame, a turquoise matrix two piece buckle, a gramophone needles tin, a Kigu powder compact, the cover with a needlework panel, and an oval portrait miniature of a lady.
English School (early 19th century), portrait miniature of a gentleman, shoulder length, 6.2cm x 4.7cm, oval; English School (mid 19th century), portrait of a young lady in a green dress, 6.2cm x 5cm; and English School (early 19th century), painted silhouette portrait of a young gentleman, 7cm x 5.7cm, each in a black papier mache frame; and a photographic reproduction portrait, in a leather frame, (4)
A Continental silver and pink enamelled miniature timepiece, the enamelled dial set with Arabic numerals to a Swiss movement inscribed "Valme", together with an early 20th Century Limoges porcelain scent bottle with floral decoration and a 19th Century English School portrait miniature of a lady wearing a black lace trimmed dress containing within a gilt frame bearing locket of hair, initials and stamped 1829 to back
Manner of John Hoskins, early/mid 19th century- Portrait of a woman in a black dress with white ruff and ruby necklace; oil on copper, in a carved wooden frame, 20x18cm Note: Label to verso of frame indicates this may be a copy of a Houbraken engraving after a miniature by J Hoskins in the Royal Collection. Houbraken indicated in his engraving series that it may depict Mary Queen of Scots, it is also suggested it is possibly a portrait of Margaret Roper, daughter of Sir Thomas More.
A Silhouette Portrait, British School, 19th century, depicting a lady half-length in a black hat and blue coat turned to the left, oval, verre eglomise and rectangular maple veneered frame, label for J Middleton Frame Maker Gilder and Mount Cutter 231 King`s Road Chelsea, 11x8.5cm: A Portrait Miniature, British School, 19th century, depicting a gentleman quarter-length in a black coat tuned to the left, oval mounted in a rectangular ebonised frame, 7x5.5cm., (2)

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