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George Gower (c.1540-1596) Portrait of a gentleman, traditionally identified as Thomas Arundell, later 1st Baron Arundell of Wardour (c.1560-1639) Inscribed ANΊ DNI 1580 / atatis sua .20 (upper left above the centaur), Non spirat Qui non afpirat (centre left) and charged upper right with the sitter's coat of arms Oil on panel 60.6 x 50.9cm; 23ÎŽ x 20inProvenance: Sold by a descendant of the sitter's family, Christie's, 1874;Henry George Bohn (1796-1884)Possibly Cyril Flower, 1st Baron Battersea (1843-1907); Constance de Rothschild, Lady Battersea (1843-1931); Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury HouseLiterature:The Archaeological Journal, vol. xxxi, p.303;Henry George Bohn, Catalogue of the Pictures, Miniature and Art Books, Collected During the Last Fifty Years, (London, 1884) no.82 (as Lucas de Heere);Edward Town and Jessica David, 'George Gower: portraitist, Mercer, Serjeant Painter', in The Burlington Magazine, no. 162 (September 2020), p.732, foot note 8Exhibited: Bath, Victoria Art Gallery, Pictures and Porcelain from the collection of Edmund de Rothschild, 21 May - 2 July 1988, no. 1Thomas Arundell was born into an important and wealthy Wiltshire family. As a young man he was imprisoned for his fervent Roman Catholicism, but proved his loyalty to the crown in 1588 by subscribing £100 towards the defeat of the Spanish Armada. In 1595, Arundell's father provided him with money and horses, in order to serve the Imperial forces against the Turks. Allegedly he was recommended to the Holy Roman Emperor by Queen Elizabeth herself. Arundell repaid this debt on 7 September 1595, when he stormed the breach at Gran, capturing the Turkish standard and replacing it with the Imperial Eagle. For this he was created a Count of the Holy Roman Empire by Rudolf II, and became known as 'the valiant'. However, when he returned to England he refused to renounce this foreign title. His father was furious and disinherited him, objecting to his superior rank, and the Queen committed him to Fleet Prison, saying that 'I would not have a sheep branded with another man's mark'. Arundell was later released, and his fortunes improved under James I. He was created 1st Baron Arundell of Wardour in 1605, and appointed Colonel of the English regiment in the Spanish Netherlands, serving under Albert VII, Archduke of Austria. In the same year he was briefly suspected of complicity with the Gunpowder Plot, having been named by Guy Fawkes under torture. He died in 1639 at the family home of Wardour Castle, and was buried in Tisbury. His was succeeded by his son Thomas, who was a prominent royalist in the Civil War.The identification of the sitter as Thomas Arundell was first proposed by Henry Bohn in the late nineteenth century. The dating of the work supports this identification, although the presence of the crescent moon in the coat-of-arms suggests that it may be Thomas' younger brother William Arundell (d. 1592).
Attributed to Charles Robertson (Irish c. 1760-1821) Miniature Portrait of a Lady with brown hair and blue eyes wearing a plain white dress, head and shoulders on ivory with hairwork reverse with initials 7 x 5.5cms and the companion portrait, probably of a relation (2) The initials on reverse are probably HH (?Holland) and LCT Together with a leather display case for four miniatures. *Both miniatures and frames in good condition
English School c. 1790 Miniature Portrait of an Officer wearing uniform, half length on ivory 6 x 4.75cms, the frame with blue eglomise band on reverse. *Face a little faded and marked (?through damp) on sitter’s right cheek. Areas of paint loss on left side. Frame ok but a few holding pins missing
Attributed to Horace Hone (Anglo Irish 1754 - 1825) Miniature Portrait of a Gentleman c. 1790 wearing grey wig and dark blue coat, head and shoulders on ivory 7 x 5.5cms in red morocco travelling case Formerly identified as a portrait of Edward Barrett Moulton-Barrett (1785 - 1857), father of Elizabeth Barrett Browning. *Generally good, very light foxing. Slight wear to outer case
English School c. 1810 Miniature Portrait of Elizabeth Jane Barrett nee Turner (1800-1886) wearing coral necklace and white dress, half length, on ivory 7 x 6cms and a similar portrait possibly of an older sister or her mother, Mrs Turner, both on black background (2)*Both miniatures a little faded and dirty, wood and paper mache frames worn and dirty
Antique portrait miniature on card of King James VI of Scotland / James I of England mounted in an antique white metal filigree work frame, 35mm x 30mmThe painting is on card, stuck down and therefore we cannot see the original back, we have added the new tape as the painting and its support were loose in the frame.The painting itself is in good condition, apart from a tiny nick on the bridge of his nose, no other obvious signs of damage or restoration. In our opinion, it has been placed in this frame at a later date
A portrait miniature of a lady, possibly 18th century after a 17th century original, of a lady in large pearl earrings, watercolour on ivory, oval, in a yellow metal frame; together with a portrait miniature of a lady in 18th century style, early 20th century, watercolour on ivory, oval, in a gilt-brass frame. (2) 6cm by 4.75cm and 7.75cm by 6cm
An over-painted photograph portrait miniature, of a child, in gold circular pendant frame inset with seed pearls, the reverse with locket of hair, 1?in (4cm) diameter, and another portrait miniature similar, in paste set gold circular pendant frame, 1¼in (3cm) diameter, both on oval gilt-metal easel frames (2)
19th century Combe family Silhouettes; an interesting group of four Georgian painted silhouettes with bronzed highlights, head and shoulders in profile to sinister, appx. 4in x 3in (10cm x 7.5cm), in plain giltwood frames, comprising Henrietta Anna Combe, b.1823; Eliza Crewe Combe, b.1824, d.1877; Charlotte Combe, b.1831; and Eliza Glass "a Scotch friend", and a naive miniature portrait of 'Ensign' Harvey Alexander Combe, b.1827, 3½in x 3in (9cm x 7.5cm), a miniature pencil portrait of Henrietta Anna Combe née Church, wife of Mr Charles James Fox Combe and mother of Henrietta, Eliza, Charlotte and Harvey, 6in x 4½in (15.25cm x 11.5cm), framed and a painted silhouette profile portrait of Frederick Sanders, husband of Henrietta Anna Combe, in papier-mâché frame, together with letters relating to the family (a lot)
Early 19th century School, a portrait miniature of Martha Davis, oval, watercolour, in papier-mâché frame with gilt-metal mounts, portrait 3in (7.5cm) high, the reverse inscribed in ink "Martha Davis mother of Ellen Elizabeth wife of the Rev. James Bramell", together with two other oval miniature portraits (3)
An Album of Approximately Fifty First World War Period Postcards, mainly colour printed, some real photographic, including humour, beauties and regimental portrait groups; a Miniature ''Little Keepsakes'' Book by S. Robinson, 1904, the inner cover with pencil inscription 1915; Ephemera, including Northern Command Tattoo programme and souvenirs, Fragments From France, training pamphlets, a 1932 War Office folding map of the Isle of Man, a Soldier's Record and Pay Book to 22393475 Francis Reginald De-Caux, Home Guard citation etc
A PAIR OF EARLY 19TH CENTURY PORTRAIT MINIATURE PAINTINGS, Dean Spence-Jones (1836-1917) and his wife, at the end of his career he was Dean of Gloucester Cathedral, he is depicted shoulder length with his dog, both 9cm x 7cm, monogrammed and dated in brass rectangular frames, in leather covered outer cases, satin & velvet lined, together with a photograph of the Dean and his dog, inscribed verso and dated 1914
A REGENCY PERIOD MINIATURE PAINTING ON IVORY, portrait of John Harrison, c.1820, head and shoulders, wearing a blue jacket with black collar and a white cravat, 5.5cm x 4cm, in a decorative gilt mount, and ebonised frame with brass ribbon mount, glaz ed, the back panel with family history concerning the sitter
Early 19th Century portrait miniature on ivory, reputedly Simon Stewart, Kings Dragoon Guards, in uniform, the reverse with woven hair panel and central oval blue enamel cartouche with monogram, surrounded by seed pearl border, in a gilt metal mount and papier-mâché frame with hinged back, the oval miniature 66mm x 53mm
Y PORTRAIT MINIATURE OF A LADY ENGLISH SCHOOL, LATE 18TH CENTURY watercolour and body colour on ivory, the sitter with dark blonde hair wearing a white dress with ruffle edge and blue ribbon trim, against a cloud and sky background, in an oval gilt metal pendant frame with cobalt glass back (7.5cm x 6cm sight size) Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y CHARLES BESTLAND (1780-1837), PORTRAIT MINIATURE OF A LADY LATE 18TH CENTURY watercolour and bodycolour on ivory, the sitter with powdered hair tied up with a blue ribbon, wearing a white dress with ruffle edge with her hands clasped in front, a cloudy landscape in the background, signed on the left edge C. BESTLAND 1798, in a silver metal pendant frame (7.5cm high, 6.1cm wide) Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y PORTRAIT MINIATURE SNUFF BOX 18TH CENTURY the circular box covered in gold and black striped vellum, with a tortoiseshell interior; the lid mounted with an ivory watercolour portrait miniature of a boy with white powdered hair, wearing a white cravat and black coat in against a cloudy sky (portrait 3.3cm x 2.8cm; box 5.7cm diameter) Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
MINIATURE PORTRAIT OF A 17TH CENTURY GENTLEMAN 19TH CENTURY oil on metal metal panel, the sitter in 17th century dress with a Van dyke beard and moustache; together with a PHILIPS' 4 INCH 'GRAPHIC' GLOBE, with maker's label PHILIPS' GRAPHIC GLOBE/ LONDON & LIVERPOOL/ GEORGE PHILIP & SON./ MADE IN GERMANY, on a triform metal base (Portrait 14cm x 10.4cm) Qty: (2)
A collection of miniature Royal Doulton character jugs including 'Anne of Cleves', 'Capt Ahab', 'Rip Van Winkle', 'The Lawyer', 'The Sleuth', 'George Washington', 'The Beefeater' and others, printed factory marks, together with a souvenir trio of cup, saucer and sideplate transfer-printed with a portrait of young Princess Elizabeth (31)

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31365 item(s)/page