19th century portrait miniature on ivory of a young woman in a blue dress in fitted red leather case, case 7cm x 6cm,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbanks advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
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Victorian portrait miniature on ivory, young lady with ringlets, 10.5cm x 8.5cm red leather case, together with another similar, painted on ivory, part leather case. 12cm x 9cm (From a collection of Dixon family portraits) (2)PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank's advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
19th century portrait miniature depicting a gentleman with dark hair wearing a cravat, painted on ivory, plaited hair back, 6cm x 4.5cm, mount tests as 9 ct gold,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbanks advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
19th century portrait miniature depicting a gentleman with greying hair wearing a cravat, painted on ivory, plaited hair back, 6cm x 4.5cm, mount tests as 9 ct gold,PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbanks advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping.
A pair of 19th century miniature portraits, of James Busvine (1774-1856) and Elizabeth Busvine, neé Cuming (1779-1851), watercolour, 5¼in x 4in (13.25cm x 10cm), in rosewood frames, together with two oval portrait miniatures, Elizabeth Busvine, née Cuming (1779-1851), and Mary Butler, née Busvine (1805-1885), in black papier-mâché frames (4)
Two 19th Century miniature watercolours of military officers including watercolour portrait of Charles John Mainwaring, Captain in the Indian Army, died 1848, 4½" x 3½" in ornate gilt frame together with a 1822 watercolour portrait of William Drew Mainwaring seated in military uniform and dated 1822, 6½" x 5" accompanied with a framed group of eight photographs and images of military officers - all sons of Thomas Mainwaring
A George III pendant portrait miniature, of a woman with bouffant hair wearing a pink dress and pendant necklace, in watercolour on ivory, set in a yellow metal pendant mount within a bezel of square-cut almandines, verso a romantic hair-work vignette looking past a solitary tree on an outcrop towards a distant rustic cottage and church within a naturalistic vine cartouche, 53 mm x 47 mm, on a period claret velvet covered stand
Miniaturportrait eines polnischen Adligen, Anfang 19. Jhdt. Gouache auf Elfenbein. Brustportrait mit angelegtem Sankt-Stanislaus-Orden und Bruststern des Ordens vom Weißen Adler, rechts Künstlersignatur "K.H.". Unter Glas in Holzrahmen (aufgelegte Buntmetallgirlanden). Partiell leicht beschädigt, Altersspuren. Rahmenmaße 14 x 12 cm. Achtung - Versand in Nicht-EU-Staaten unterliegt CITES Regularien. Zustand: II A miniature portrait of a Polish nobleman on ivory, early 19th century Gouache auf Elfenbein. Brustportrait mit angelegtem Sankt-Stanislaus-Orden und Bruststern des Ordens vom Weißen Adler, rechts Künstlersignatur "K.H.". Unter Glas in Holzrahmen (aufgelegte Buntmetallgirlanden). Partiell leicht beschädigt, Altersspuren. Rahmenmaße 14 x 12 cm. Attention - shipping to non-EU countries subject to CITES. Condition: II
Henry Bone R.A., (British, 1755-1834), after Benjamin West P.R.A. (British, 1738-1820), portrait of Benjamin West P.R.A., half length, seated at his desk, a classical bust behind, miniature in enamel on copper, signed and dated 1803 l.l., inscribed verso 'Benjamin West Esq, President of the Royal Academy London, Historical Painter to His Majesty, Member of most of Academies of Europe, and those of America. Born on 10 October 1738 at Springfield and Chester Country Pennsylvania in North America...London Dec 1803. Painted by Henry Bone A.R.A., enamel Painter to His Royal Highness, The Prince of Wales, after the original by Mr West, painted in 1800'. also inscribed on original backing paper 'Portrait of Benjamin West...bequeathed by him to Mrs Raphael West as a token of his regard, 1820. Henry Bone, No.15 Berners St, London'. 18 by 14.5cm, in the original gilt composition frameProvenance: a gift from Benjamin West to his daughter in law Mrs Raphael West, 1820Additional provenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
A George III oval portrait miniature on ivory, label verso, Henry Bagshaw, 1799, born December 4th 1795, H. Spalding, Lincolnshire, 5cm by 4cm, in a black lacquer frame with applied pressed brass flowers, together with another of a young gentleman in a similar frame (2)Provenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
Y THREE PORTRAIT MINIATURES OF YOUNG LADIES LATE 18TH/ 19TH CENTURY comprising an OVAL WATERCOLOUR ON IVORY, the sitter with loose powdered hair, wearing a white dress with ruffle edge and yellow ribbon trim, in a rose gilt frame, the reverse with hair and seed pearl initials JJ, 7cm across; and ANOTHER WATERCOLOUR ON IVORY, DEPICTING ANGELICA DINGWALL FORDYCE, wearing a black empire waist dress with lace trim, in an ebonised panel frame, 7.4cm across; together with AN INK ON PAPER MINIATURE, depicting the sitter in profile, inscribed verso 'SISTER JANET/ FROM A SMALL PORTRAIT PAINTED AT AYR AT JOHN'S INSTANCE [SIC], WHEN HE WAS STATIONED THERE AS A STUDENT/ NOT VERY STRIKING A LIKENESS BUT WE HAVE NOTHING ELSE. D.A.', in a gilt metal photo frame, 6.5cm acrossFootnote: Note: Angelica Dingwall Fordyce was born 29 January 1780 in Aberdeen. She married John Aberdein Harvey in 1800 and lived in Kinnettles House, Angus, where she raised a large family. She died aged 80 in 1860. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
19TH CENTURY BRITISH NAIVE SCHOOL CHILDREN AT PLAY watercolour and ink(12cm x 19cm (4.75in x 7.5in))Footnote: Note: After many years of living and working in exotic and far-flung parts of the world, including New Guinea, Nigeria and Cairo, Angus and Alison Hill returned to Glasgow to make Scotland their permanent home. Spending time between the fashionable west end of Glasgow and the pretty Black Isle home in Cromarty, Alison now had plenty of time to indulge her passion for naive country antiques. These were not yet fully appreciated by native buyers when Alison first started to buy in the 1970s. And Alison had what is known amongst dealers and collectors as ‘a good eye’. She followed her instincts and bought with her heart. Much of what she bought was then sold, some to North America where there was and still is a greater admiration of painted and simple furnishings. One client she referred to as ‘Blue Chicken’. Some things would be bought by the famous Kensington Church Street emporium The Lacquer Chest who shared her taste and were, like Alison, ahead of their time. What we see in this sale is the collection of special objects which she could not bear to part with. Is it too fanciful to believe that some of her pared-down aesthetic derived, in some part, from her early childhood home at Port Charlotte on the island of Islay, with its white-painted croft houses? She eschewed the popular mahogany and ‘smart’ antiques. Instead, her eye was drawn to the quiet and understated charm of objects often discarded - the painted post box, the child’s wooden alphabet, the delicious collection of milk and cream cans, with the names of the original owner inscribed. The painted miniature portraits of Regency children were her companions on the walls, with some sailors sewn pictures and a painted pigeon portrait thrown in. The drawers in the lovely Cromarty home were stuffed with some of the many small wooden treen objects- a cornucopia of delights. These sat alongside art nouveau and Glasgow Style ceramics, glass and metalwares (see our last Decorative Arts sale). This collecting habit had begun in Cairo. Visits to both the elegant Glasgow flat and home in Cromarty were always a delight, with intelligent and witty conversations, many tales of life overseas. Assam tea was served in breakfast cups. And our eyes were drawn to the many desirable objects which will now find new and appreciative homes
Goldtabatiere mit Miniatur 20. Jahrhundert 5,5x4,7x1,5 cm Ovale, partiell mit gravierter Ornamentik verzierte, flache Dose mit Klappdeckel. Im Deckel hinter Glas gerahmte Elfenbein-Miniatur einer Rokokodame, seitlich rechts signiert "Guérard". Punziert "750" und "EB". Glas mit leichtem Kratzer. Ca. 63,5 gr. Provenienz: Aus dem Nachlaß einer Dame. A FINE GOLD SNUFF BOX WITH A PORTRAIT MINIATURE OF A ROCOCO LADY, 1st half of 20th century. 750 yellow gold, gouache miniature painting on ivory, signed lower right "Guérard". Marked "750" and "EB". Total weight c. 63,5 g. Glass on miniature scratched.
19TH CENTURY SCHOOL - PORTRAIT MINIATURE OF A LADY IN WHITE DRESS, SHAWL AND LACE CAP, SKY BACKGROUND, IVORY, OVAL, 90 X 70MM, TURNED PEARWOOD FRAME The miniature in apparently good condition, secure in the frame and unexamined out of it, beneath convex glass. The pearwood frame with shrinkage crack at top
A 19th century miniature hand painted watercolour portrait on porcelain brooch, depicting a young lady, in gilt-metal frame, frame height 57.1mm, 21.8gGood overall condition, no damage or repair, gilt settings are quite rubbed on high points through to base metal, no damage to porcelain panel, brooch fitting working
A miniature watercolour portrait on ivory, inscribed on reverse Miss Jeanie Boyle Glasgow by Ethel A Gibb 1913, signed with monogram, in original ornate ormolu mounted frame, frame height excluding pediment 13cmPainting is in perfect condition, mounts surrounding the portrait are tarnished, outside frame good condition tarnished on one corner, strut missing
A collection of miniature painted portraits, mainly late 19th/early 20th century, including portraits of Nelson, Josephine, and other historical portraits, all in ornate gilt-metal frames (9)Overall good condition. One picture has 2cm section missing to one side and crack to other side (not across portrait figure).
19TH CENTURY ENGLISH SCHOOL "Viscount Nelson", a silhouette portrait bust, with colours, bust length, reverse painted upon glass, 3.7 cm diameter, together with an oval horn study of St. John, etched in colours, inscribed "St. Jiohannes NE", 7.8 cm x 5.2 cm, two 20TH CENTURY portrait studies of "Nelson" and lady presumed to be "Lady Hamilton" in matching frames, 6 cm x 4.6 cm each and two portrait miniature prints of "Napoleon Bonaparte" and "A lady", in similar frames
GEORGE ENGLEHEART (1752-1829) "Gentleman in blue overcoat with white stock", a miniature portrait study, bust length, oil on ivory, oval, unsigned, inscribed verso "G Engleheart Pinxit..... 1805", 8.3 cm x 6.9 cm, housed in a red leather cover folding case CONDITION REPORTS Is it definitely oil? Yes - not watercolour. There is some flaking to the paint at the bottom right towards the edge - clearly visible in the photographs. The piece appears generally slightly grubby - arguably benefitting from a good clean. The reverse has tape around the edge and signs of old paper being glued - thankfully not over the writing. The ivory appears slightly warped. Glass is basically intact. The case is slightly warped and with signs of old paper labels. The case will close but under duress (not too much). One closure hook is missing. Silk to interior marked - suggest requires attention. This said, overall the painting looks good.
In the manner of John Field, (British late 18th/early 19th century), a set of four silhouette miniature portraits of gentlemen, watercolour, under convex and gilded verre eglomise glass covers, set in an octagonal papier mache frame, inscribed verso with sitters 'John Perrott', 'Thomas Perrott', 'Mary Bousquet?' and 'Revd Bousquet?', each 8 x 6cm, frame overall 38 x 33cmCondition report: Gilding and paint detached from glass in places, on three varied eglomise covers. Old 1.2cm crack on 4th portrait. Frame chipped, blistered in six places where different hooks are attached. Unexamined out of frame.
Portrait miniature of a lady, in a puce dress inscribed to the reverse 'Painted by Miss Biffin / Born without hands / Liverpool / 1846' watercolour on ivory 9.5 x 7cmFootnote: Sarah Biffin was born without arms or vestigial legs and was only 94 cm high. At a young age she was contracted under the service of a showman named Emmanuel Dukes, who presented her at fairs and sideshows as an attraction. Mr Dukes taught Miss Biffin how to paint, holding the paintbrush in her mouth, originally in order to increase her appeal for the public who came to watch her. However, she soon became a talented artist, and a demand grew for her work, which initially consisted of mainly landscapes and portrait miniatures. During her appearance at St. Bartholomew’s Fair in 1808, the Earl of Morton paid Miss Biffin a visit. He was so impressed with her skill at draughtsmanship that he sponsored Sarah and arranged private lessons for her by the Royal Academy painter, William Craig. Her popularity grew and she was accepted into the Royal Academy and awarded a medal by The Society of Artists in 1821. She was commissioned by the Royal Family to produce their portraits in miniature, including Queen Victoria. She was even mentioned by Charles Dickens in Nicholas Nickleby and Martin Chuzzlewit. After her patron the Earl of Morton passed away, Queen Victoria awarded her a civil pension, and she retired to Liverpool.Condition report: Watercolour on ivory. With card backing.

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31366 item(s)/page