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CIRCLE OF GEORGE CHINNERY (BRITISH, 1774-1852)Portrait miniature of the Rev. Duke Yonge of Antony, Cornwall, wearing a brown coatinscribed, printed and dated '1804' (on the backing card)watercolour heightened with white6.5 x 5.2cmin a gilt metal frameProvenancePrivate collection, UKCondition reportA little undulation/unevenness to work.Under UV light areas of the collar fluoresce showing a little retouching to this area.We do not have an image of the backing card showing sitter's details but we are told it has been looked at in the past and it has been previously catalogued as such.

JAMES REILY (IRISH, C. 1730-C. 1780/88)Portrait miniature of a lady wearing a purple dress and holding a dogsigned and dated 'J Reily 1764' (lower left)watercolour heightened with white4.5 x 3.8cmin a gilt metal frameProvenancePurchased from The City Antique Company on 1st April 1966 for £135Private collection, UKCondition reportA little minor rubbing and losses to the extreme edges.Surface appears fairly flat.The surround around the frame has a crack to upper left, minor abrasions and scratches and minor dinks to the back.Most likely painted on ivory.

ANDREW PLIMER (BRITISH, 1763-1837)Portrait miniature of a boy wearing a blue coatwatercolour heightened with white7 x 5.8cmin gilt metal frame and with a red leather travelling caseProvenancePrivate collection, UKCondition reportCrack to lower left and upper right as seen in photo.Various dark marks mostly visible to background.Various areas of retouching, mostly to background.Surface appears a little bowed.Red travel case has various knocks, scratches and marks commensurate with age and use.

ANDREW ROBERTSON (BRITISH, 1777-1845)Portrait miniature of a gentleman wearing a black coatwatercolour7.1 x 5.8cmCondition reportA little bowed/warped.A little possible retouching to cravat.A small line visible lower right, possibly a little damage.

HENRY JACOB BURCH (BRITISH, 1763-1834)Portrait miniature of a lady wearing a white dress and a pink ribbon in her hairwatercolour heightened with white7.3 x 5.7cmCondition reportSome retouching in places, mostly to dress.A few minor marks.Appears fairly flat.Frame has scratches and general wear commensurate with age and use.

SAMUEL JOHN STUMP (BRITISH, 1779-1863)Portrait miniature of a lady in a wooded landscape, lying on a tiger skinbears label inscribed with artist's name and dated '1807' (verso)watercolour10.5 x 8.5cmProvenanceThe estate of the late Dame Diana Rigg, her sale Bonhams, Knightsbridge, London, 14th December 2021, part of lot 360Private collectionCondition reportCracked almost across whole width at bottom.Small horizontal scratch lower right.A little warped/bowed.

ANDRE MARTIN (FRENCH, FL. 1806-1817)Portrait miniature of a lady in a pale dress with red beads in her hairsigned and inscribed 'par A.dre Martin Sourd-muet' (upper left)watercolour heightened with white6.5 x 6.5cmProvenanceThe estate of the late Dame Diana Rigg, her sale Bonhams, Knightsbridge, London, 14th December 2021, part of lot 360Private collection

ENGLISH SCHOOL, 19TH CENTURY (4)Portrait miniature of a lady in a blue dress holding a portrait miniaturewatercolour8 x 6.4cmtogether with three other 19th century portrait miniatures of ladies(4)ProvenanceThe estate of the late Dame Diana Rigg, her sale Bonhams, Knightsbridge, London, 14th December 2021, part of lot 360Private collection

ENGLISH SCHOOL, EARLY 18TH CENTURY (2)Portrait miniature of a gentleman wearing a white shirt with red coatwatercolour3 x 2.2cmtogether with a late 18th century portrait miniature of a gentleman, 3.7 x 3cm(2)

ENGLISH SCHOOL, 19TH CENTURY (4)Portrait miniature of Major Frederick Hornwatercolour and bodycolour6 x 4.8cmtogether with a 19th century portrait miniature of a lady, 8.5 x 6cm; a silhouette of Rev. William Kirby, 7.2 x 5.8cm; and an engraving of Lavinia and her mother, 7.7 x 7.7cm(4)

An early 19th century silhouette portrait miniature inscribed to reverse “Jane Dickson, 1827”, on paper with hand-painted coloured highlights, 3” x 2”, in original ebonised & gilt frame (7” x 6” over-all).

An early 19th century portrait miniature of a gentleman wearing dark jacket, white waistcoat & neckerchief with blue collar, 2” x 1¾” (oval), in pinchbeck frame with hair locket to reverse & engraved initials J. Mc C., 1810, 2¼” x 3” over-all.

A 19th century half-length portrait miniature of a lady in profile after Andrew Plimer, 4” x 3” (loose, un-framed); & another of a lady, in gilt-metal frame, 3¼” x 2½”.

A 19th century head-&-shoulders oval portrait miniature of a lady wearing pale green blouse & silk headscarf, 3½” x 2?”, in gilt metal frame.

A collection of 'Grand Tour' type items including a late 19th century patinated bronze figure of Mercury, a miniature bronze bust of an emperor and a carved alabaster model of the Temple of Castor and Polluxthe figure modelled after the antique on marble plinth base, the bust depicting Augustus, the temple model of typical form, the other items comprising six small marble fragments, later mounted and framed, a small framed watercolour of Apollo and a pair of terracotta portrait roundels of classical male warriors, the figure of Mercury 22.5cm high (7 )For further information on this lot please visit Bonhams.com

Henry Bone RA (British 1755-1834)Portrait miniature upon ivory, circa 1785Head and shoulder portrait of Lucia Maria Young, wearing white dressSigned H BoneWithin gilt frame with blue enamel and hair work panel with seed pearl initial 'L' to centre verso Oval 7cm x 6cmLucia Maria Young was the eldest daughter of Admiral Sir George Young. Lucia would have been around twenty years old at the time this miniature was painted. During his early career Henry Bone worked as a porcelain and jewellery painter, and exhibited regularly the Royal Academy as an elected Royal Academician. He was appointed as Royal Enamelist to King George III, George IV and William IV. Due to the quality of his work Bone is said to have been known as the "Prince of Enamelers".Condition Report:Good overall condition.Light wear to frame commensurate with age, predominantly in the form of some surface scratches.

George Engleheart (British 1752-1829)Portrait miniature upon ivoryHead and shoulder portrait of a gentleman with dark curling hair, wearing a black coatInitialled Within gilt frame with blue enamel and gilt Masonic emblems to centre verso Oval 8.5cm x 7cm George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters. Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period.Condition Report:Good overall condition, some very light dust under glass.Frame with some light surface scratches.

Andrew Plimer (British 1763-1837)Portrait miniature upon ivoryHead and shoulder portrait of Captain Frederick G Carmichael, 9th Regiment of Light DragoonsWithin period gold frame, with hair work and central gilt monogram 'FD' verso Oval 5.5cm x 4.3cmAndrew Plimer was a well known portrait miniaturist who had a great number of clients up to and during the 1790s. After obtaining a position as 'studio boy' in the residence of eminent miniaturist Richard Cosway, Plimer is said to have taken lessens in drawing with the approval of Cosway, whilst some note that he may have received training from Cosway directly. Plimer also exhibited frequently at the Royal Academy from around 1785 up until 1810, and later also in 1819. Condition Report:Good overall condition.Frame with general wear commensurate with age, predominantly in the form of surface scratches. Gold frame tests around 11ct.

George Engleheart (British 1750-1829)Portrait miniature upon ivoryHead and shoulder portrait of a member of the Murray family, wearing scarlet coat with white collar, lapels and cravat Within period gold frame with hair work verso, also bearing exhibition label inscribed 'ENGLEHEART EXN. No. 365 Lent by M. R. Margesson' Oval 7.5cm x 6cmProvenance Sir M. R. Margesson (in 1929).S. H. V. Hickson.Christie's London, Miniatures, October 1998, Lot 107 Exhibited Victoria and Albert Museum London, The Miniatures of George Engleheart, J. C. D. Engleheart and Thomas Richmond, 1929, no. 365.LiteratureD Foskett, A Dictionary of British Portrait Miniatures 1872, illustrated colour plate 24 no.83George Engleheart studied at the Royal Academy Schools from 1769 under Sir Joshua Reynolds and George Barret, and regularly exhibited work at the Royal Academy between the years 1773 and 1822. He was appointed as Miniature Painter to King George III and is known to have painted at least twenty five portraits of the King, as well as a number of others depicting various members of the Royal family. Engleheart is known for his decorative style and flattering depictions, an approach which saw him gain an excellent reputation with sitters.Today he is widely regarded as one of the most eminent portrait miniaturists of the late Georgian period. Condition Report:Overall the miniature is in very good condition.Towards the lower left of the miniature, at the edge of the frame there is what appears to be a small insect beneath the glass, although it may just be a small piece of debris. Under a 10x loupe there is some very slight craquelure to the red coat, just left of the lapel on the left hand side. There is also very small paint flake to the sky to the right of the sitters head, but this does not appear to be as a result of any flaking to the miniature itself, and was most likely done at the time the piece was painted.The frame has some surface scratches, as does the glass, commensurate with age, but neither are by any means heavily damaged, and the hairwork verso is in good overall condition also.

J Parent (French active 1815-1833)Portrait miniature upon ivory Head and shoulder portrait of Napoleon I (1769-1821), wearing the uniform of the Chasseurs-a-Cheval de la Garde, wearing the ribbon and star of the Legion of Honour, the Iron Cross of Lombardy, and the Grande Eagle of the Legion of HonourInitialled JCP and dated 1815Within period gold frame with engraved silver gilt border to front, and studded blue enamel border with hair work panel with seed pearl monogram to centre versoOval 5cm x 4cmProvenancePhillips London July 1998 Lot 266Purchased by the current vendor from Judy & Brian Harden Antiques September 98Cf. A similar signed and dated example by Parent was sold as part of the Bernard Franck Collection in Paris.Notes: It is unusual to find a work by Parent signed J.C.P., indicating a generally unknown middle name.Former portrait miniature dealers Judy & Brian Harden have noted that this particular example may possibly have either been a presentation piece from either Napoleon himself, or a memento to 'M.J.' from someone connected with the Court. Parent was a well known miniaturist who exhibited at the Paris Salon between 1822 and 1833.As portrait miniaturist at the court of Napoleon he produced a number of miniatures of Napoleon and his generals. Condition Report:Good overall condition, slight wear to edge of painted ivory panel mid upper left.Frame with some general light wear commensurate with age, including surface scratches, and slight rubbing to gilding in places. A number of seed pearls of monogram have fallen from place, but appear to still be behind glass.

Samuel Shelley (British 1750-1808)Portrait miniature upon ivory, circa 1790Head and shoulder portrait of a gentleman in blue coat and yellow waistcoat Within period gold fausse-montre case with hair work versoOval 3.75cm x 3cmSamuel Shelley first exhibited at the Society of Artists in 1773, entering the Royal Academy Schools the following year where he exhibited work up until 1804. Largely considered to have been self-taught, Samuel Shelley worked in a range of mediums throughout he career, producing watercolours, oils, book illustrations and engravings, but is arguably best known for his miniature portraits in watercolour, a medium which he championed establishing the first watercolour society in around 1804.Shelley was a prominent and popular miniaturist during his time, and today his works feature in many major museums. Condition Report:Good overall condition.Frame with light wear commensurate with age, predominantly in the form of some surface scratches.

Christian Friedrich Zincke (German 1683-1767)Portrait miniature upon enamel, circa 1750Head and shoulder portrait of a young woman in blue gown, her hair adorned with pearls Within gilt frame, with old cut diamond border and white enamel inner border Oval 4.5cm x 3.5cmProvenancePurchased by the current vendor from Judy & Brian Harden Antiques September 98Born in Dresden in 1683, Christian Friedrich Zincke travelled to London in 1706 to work at the studio of miniature painter and enamellist Charles Boit; later inheriting Boit's fashionable clientele. During his time in London Zincke is said to have dominated the market, training a number of well known English miniature painters including William Prewett, and also gaining Royal patronage aided by the endorsement of notable portrait artist Sir Godfrey Kneller.Zincke worked extensively for the Royal Family, including George II and Frederick Prince of Wales, and is arguably the most successful enamel painter of the period in which he worked. Condition Report:Good overall condition.Very small loss to white enamel border.Frame with light wear commensurate with age, predominantly in the form of some surface scratches.

Christian Richter (Swedish 1678-1732) Portrait miniature, watercolour on vellumHead and shoulder portrait of Carey (n�e Fraser) Countess of Peterborough (1655-1709)Within gilt frame with scrolled crest, bearing Burlington Fine Arts Club exhibition label versoOval 8.5cm x 7cmProvenance Charles Lees Collection: the miniature is accompanied by the original receipt of purchase by Lees for the sum of �20, dated April 9th 1883, from Ernest Renton Jeweller Art Designer and Collector of Curios, 1B Pall Mall Place, London.Charles Edward Lees was a successful British industrialist who curated his collection of paintings and miniatures during the latter half of the nineteenth century. Lees acquired examples by many notable artists with the assistance of known art dealers William and George Agnew. One hundred portrait miniatures from his collection were sold at Bonhams forming The Charles E Lees collection sale in November 1997.ExhibitedBurlington Fine Arts Club London, Exhibition Portrait Miniatures,1889, case 29, no.37Cf. A comparable example sold at Bonhams London, The Albion Collection of Fine Portrait Miniatures, Apr 2004, Lot 11Further miniatures of Carey:Charles Lees Collection, Bonhams, November 1997, Lot 20 - also by RichterEdward Grosvenor Paine Collection, Christie's, October 1980, Lot 40 - by Peter Cross.Portrait Miniatures The Property of a Lady, Bonhams, April 2005, Lot 9 - by Peter CrossCarey Countess of Peterborough was an English courtier, and maid of honour to Queen Catherine from 1674 to 1680.Carey was one of the 'Hampton Court Beauties' painted by leading portrait painter Sir Godfrey Kneller depicting eight of the most fashionable and glamourous ladies of the court of William III. During the early part of his career Christian Richter is believed to have studied under leading Swedish portrait miniaturist Elias Brenner, later working in Berlin and Dresden where he gained a strong following. Upon arrival in London in 1704 Richter began by copying full scale portraits of other popular artists including Michael Dahl and Godfrey Kneller.The antiquary and engraver George Vertue said of Richter's work: 'his Manner of Painting very tender and Curious, his tincts had a great variety his pencil regular and neat, his lines of drawing very just & toucht with freedom'.Condition Report:Good overall condition.Light signs of wear commensurate with age to frame.

English School (Circa 1800)Portrait miniature upon ivoryHead and shoulder portrait of a gentleman wearing a black coat and white cravat tied in a bowWithin period gold frame with hair work panel with seed pearl monogram 'JW' versoOval 7cm x 5.5cmCondition Report:Good overall condition, some very slight very small flaking to lower edge.Frame with general light wear commensurate with age, predominantly in the form of surface scratches. Some slight debris beneath glass to hairwork panel, a few hairs lifting towards top, and some slight movement in hairwork panel with slight gap visible to lower edge.

English School (Circa 1790)Portrait miniature upon ivoryHead and shoulder portrait of gentleman in curled grey wig, blue coat and white cravat Within period gold frame with silk lining versoOval 4.5cm x 3.25cmCondition Report:Miniature with some small areas of paint flaking around lower edge.Glass to front damaged, but piece present, and small loss to lower edge of glass verso.Frame with general wear commensurate with age, including surface scratches. Silk lining verso with some discolouration and probable water damage.

English School (Circa 1700)Portrait miniature upon ivoryHead and shoulder portrait of a gentleman in curled grey wig and red coat with green collarWithin period gold bracelet frame Oval 3.5cm x 3cmCondition Report:Good overall condition.Frame with general light wear commensurate with age, predominantly in the form of surface scratches. Rough edges to front of frame. Bracelet mounts to frame possibly later, one appears to be gilt and latter fitted.

19th Century SchoolPortrait miniature upon ivoryHead and shoulder portrait of Admiral Lord Nelson Indistinctly signed, Wreygth?Within gilt frame with ribbon surmount and dark red velvet border, easel type support versoOval 8cm x 6.5cmCondition Report:Slight wear to lower edge, and small area of what appears to be debris beneath glass towards lower edge of miniature.Velvet border with some wear and fading.Frame with some wear to gilding and surface scratches, and edge of ribbon surmount bent.

Continental School (19th century)Portrait miniature upon enamelHead and shoulder portrait of a young woman draped in a white robe, in the style of KPM and ViennaWithin a gilt metal mount and rectangular ebonised frame with acorn and oak leaf mounted suspension ringOval 6cm x 4.5cmFrame 11cm x 9cmCondition Report:General wear commensurate with age, including some scratches to miniature, predominantly the background rather than to figure. Frame with general light wear, but good overall.

Antique framed watercolour portrait miniature of Lieut. Duncan Frederick Campbell 15cm x 13cm, 2 antique silhouettes and 2 framed photographs

Portrait miniature of a girl in a gilt metal oval frame - 8.5cm drop

Large scale portrait miniature of 3 children (William, Charles Hardcastle (?) & Elizabeth Hewitt sons & daughter of William & Elizabeth Hewitt of Carlton Hall, Suffolk) by Walter Stephens Lethbridge (1771-1831) who attended a print shop / drawing school created by Rudolph Ackermann at 96 Strand, London in 1795+ ~ 17.5cm x 14.5cm -In a black antique frame with original hand blown glass. hHand written details to the reverse. The portrait is slightly bowed & chip to 1 corner of frame & 'nick' on side of frame

A white metal mounted and blue bead bordered portrait miniature of a woman wearing a headdress - in original Roma retailer's box

English School (19th century) - portrait miniature of a young girl, half length wearing a blue dress and necklace holding a flower in her right hand, watercolour on ivory, oval, 2.75" x 2.25"

Continental School (19th century) - portrait miniature of a lady, half length wearing a blue dress, lace scarf and bonnet with a gold necklace, earrings and brooch, watercolour on ivory, oval, 3" x 2.25"

English School (19th century) - portrait miniature of a gentleman, head and shoulders wearing a black coat, waistcoat and white shirt, watercolour on paper, 3.5" x 2.75"

English School (18th century) - portrait miniature of a lady, head and shoulders wearing a pink dress with black lace shawl, the dress decorated with a rose, watercolour on ivory, oval, 1.5" x 1.25"

Jacques-Antione Arlaud (1668-1743) - Swiss, portrait miniature of a young lady, seated wearing period costume and fashionable lace bonnet, a quill pen and document on a desk by her side, signed, watercolour on ivory, 4.5" x 4.25"-** The artist was born in Geneva in 1668, his father being a watchmaker. He began his artistic career painting small ornamental miniatures for the jeweller at Dijon, he also attempted some portraits which proved sufficiently successful to encourage him to move to Paris at the age of approx. twenty. He had the patronage of The Duke of Orleans who later became is pupil and accommodated the artist in his apartment at The Palace of St. Cloud. he also visited England with a letter of recommendation to the Princess of Wales afterwards Queen Caroline who's portrait he had the honour of painting. He returned to Paris, but settled in Geneva by 1729. Works by him are in Library and Museum of Geneva and his own portrait is in the Uffizi, Florence 

English School (19th century), a portrait miniature, of a military officer in uniform, half-length, watercolour on ivory, oval, 6.5cm x 5.5cm, ebonised papier mache frame, 12.5cm x 10.5cm

English School (mid-19th century), portrait miniature, of a lady, half-length and in profile, inscribed Wybrant [...], watercolour on paper, picked-out in gouache, 11.5cm x 8.5cm; another, of a lady reading a book, 11cm x 8.5cm, [2]

Nelson and the Napoleonic Wars - English School (early 20th century), a portrait miniature, of Vice-Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté (1758 - 1805), watercolour on ivory, oval, 7.5cm x 5.5cm, ebonised frame, 13.5cm x 11cm overall; another, of a Naval Officer, possibly Captain William Crokat (Scottish 1789 - 1879), watercolour and gouache on ivory, oval 7.5cm x 6cm, ebonised frame, 15cm x 12cm overall; a silhouette (3)

A late 19th century miniature portrait after Raphael, of the Madonna Della Sedia, on porcelain arched plaque, in pierced and engraved gilt metal triptych easel frame, 13.5cm high overall, together with a collection of other small items, to include a silver card case, vesta case, and circular pill box, the latter inset with a George II coin, a Victorian silver baby's rattle whistle (lacking coral teether), a Victorian silver and mother o'pearl folding fruit knife, a white metal heart shaped box, a scent bottle, a pair of lorgnettes, a needle case and a manicure tool. (qty)

Alfred (Bernard) Meyer (1832-1904), signed (lower left), enamelled miniature in the Limoges Renaissance Revival style, head and shoulders portrait of (Jacopo) Sansovino (1479-1570), image size 7cm x 5cm within a pigskin covered small easel backed frame (frame with defects). Note: Jacopo Sansovino was an Italian architect and sculptor, best know for his work around the Piazza San Marco including the Biblioteca Marciana and the Loggetta of Campanile di San Marco.

Three: Second Lieutenant J. S. Newman, East Yorkshire Regiment, who was killed in action at Gallipoli on 7 August 1915 1914-15 Star (2. Lieut. J. S. Newman. E. York. R.); British War and Victory Medals (2. Lieut. J. S. Newman.) all in named card boxes of issue, virtually Mint state (3) £160-£200 --- John Sherwood Newman was commissioned Second Lieutenant in the East Yorkshire Regiment on 1 September 1914 and served with the 6th Battalion during the Great War in the Gallipoli theatre of War from 14 July 1915. He was killed in action on 7 August 1915, aged 21; he has no known grave and is commemorated on the Helles Memorial, Turkey. Sold together with a portrait photograph of the recipient, housed in a glazed frame; a miniature portrait of the recipient, copied from the above photograph, housed in a gilt oval glazed display; and Memorial Registers for the Helles Memorial, Turkey.

A Fine Portrait Miniature, Silver Flap Pouch, and Indian Mutiny Diary of Surgeon General W. H. Muschamp, who served as Assistant Surgeon with the 82nd Regiment of Foot in both the Crimea and in the North West Provinces during the Great Sepoy Mutiny i) A fine Portrait Miniature of Surgeon General Muschamp, in Military Dress, wearing the Crimea Medal, 110mm x 80mm, housed within a gilt frame in a rectangular dark brown leather case, the inside of the case with red velvet lining and gilt tooled, the two sections of the case detached, the portrait in excellent condition ii) Silver Flap Pouch, the engraved front with indistinct hallmarks and surmounted by an ornate crowned VR cypher in gilt, with superimposed eagle, with black Moroccan leather pouch, and complete with side belt fixings, the securing leather tab no longer present, generally good condition iii) The recipient’s Indian Mutiny Diary, 39pp, loose pages later bound within paper covers, covering the period 20 May 1857 to 27 May 1858, with brief sporadic entries to the early 1860s, a full and interesting account giving accurate with regards to both the date and place of entries, some of the earlier entries slightly difficult to decipher, as usual for the period, overall good condition (3) £600-£800 --- William Henry Muschamp was born in 1816 and entered the Army as an Assistant-Surgeon on 23 January 1855. He served with the 82nd Regiment of Foot in the Crimea from 30 August 1855, and was present at the siege and fall of Sebastopol and attack of the 8 September (Medal with clasp for Sebastopol, and Turkish Crimea Medal). He saw further service with the 82nd Foot on the North West Provinces in suppressing the Great Sepoy Mutiny including the operations at Cawnpore under General Windham and the defeat there of the Gwalior Contingent; the actions of Kalee Nuddee and Khankur; the capture of Bareilly; the relief of Shahjehanpore; and the affairs of Mahomdee, Shahabad, and Bunkagahon (Medal). Promoted Surgeon on 9 November 1867, he was advanced Surgeon Major on 1 March 1873; Brigade-Surgeon on 26 May 1880; and Deputy Surgeon General on 10 September 1883. He retired with the honorary rank of Surgeon General on 12 May 1886, and died in Brompton, London, in August 1897.

Three: Warrant Officer Class II J. M. White, Army Service Corps 1914 Star, with clasp (T-17467 Sjt. J. M. White. A.S.C.); British War and Victory Medals (T-17467 W.O. Cl. 2 J. M. White. A.S.C.) mounted in a glazed display frame together with an original photograph of the recipient mounted on a camel; a published ‘Extract from 4th Corps Orders’ dated 11 March 1915, by Lieutenant General Sir Henry Rawlinson, Bart., K.C.B., C.V.O., congratulating IV Corps on the taking of Neuve Chapelle; three brass Warrant Officer sleeve crown badges; a full size and mounted miniature ribbon bar for a Great War trio of medals; a portrait photograph of the recipient in uniform; a group photograph; a photograph of a ‘knocked out’ British Great War tank; and some of the contents of a Great War Princess Mary Gift Tin including the Christmas card, the small photograph of Princess Mary, and two empty flattened cigarette and tobacco packets, the frame measuring 465mm x 565mm, a few marks to the frame, photographs and ephemera in very good condition but pasted to the mounting board, the medals extremely fine (3) £140-£180 --- John Manley White attested for the Army Service Corps and served in No. 1 Company, 7th Division Transport Company during the Great War on the Western Front from 5 October 1914. Please note that this lot is not suitable for shipping, but can be hand delivered within mainland Britain by prior arrangement.

English School, 19th century Portrait miniature of Lieutenant Richard George Robinson (1797- d. at Antigua 1816) in the uniform of the 63rd (West Suffolk) Regiment of Foot, circa 1815watercolour on ivory6.5 x 5.5cm; With an officer’s silver button of the 63rd Foot, circa 1815, found at the site of the officer’s barracks at Shirley Heights, Antigua, mounted on the frame.Condition report: 15.5 x 13cm (framed)

Oval miniature portrait of a Cavalier King Charles Spaniel inscribed 'Kit', in a silver and yellow metal stone set mount with a locket reverse, 38.6gm, 62mm x 48mm; with a turquoise and silver (900) bow brooch attachment 

19th century oval pendant, inset with a miniature portrait of a lady wearing a pale blue dress in a yellow metal pearl set mount, 25.6gm, 75mm x 57mm (at fault); with a yellow metal oval pendant inset with a photograph of a lady, 10.4gm, 63mm x 50mm (2)     

English School, portrait miniature, of a young lady, wearing a pink dress, seated, 8.5cm x 6.5cm; another, similar middle aged lady; etc

(XIX-XX). Oval portrait miniature on ivory, head and shoulder portrait study of a gentleman with moustache and wearing a bow tie, unsigned, framed and glazed in an oval hallmarked silver gilt frame set in a fitted case, 7 x 6 cm

AN ANTIQUE SILHOUETTE PORTRAIT MINIATURE, TOGETHER WITH A PORCELAIN PLAQUE OF KING GEORGE AND FOUR FURTHER PLAQUES (6) (PLAQUES WITH DAMAGES)

A HAND PAINTED PORTRAIT MINIATURE OF A LADY, TOGETHER WITH A FLORAL EXAMPLE BOTH SIGNED M FLANDERS VERSO, AND A MINIATURE WATERCOLOUR OF A YOUNG FIGURE COLLECTING WATER (3)

(XIX-XX). Oval portrait miniature on ivory, study of a gentleman with white starched collar, indistinctly signed middle to lower right with monogram, framed and glazed in an oval hallmarked gilt frame, set in a fitted case, 7 x 6 cm

E.L. CRINK (XIX-XX). Oval portrait miniature on ivory, side view head and shoulder study of a gentleman with moustache, signed middle to lower right, framed and glazed in an oval hallmarked silver gilt frame, set in a fitted case with back stand, 7 x 6 cm

(XIX-XX). Oval portrait miniature on ivory, head and shoulder study of a bearded gentleman, unsigned, framed and glazed in an oval hallmarked silver gilt frame set in a fitted case, 5.5 x 4 cm

A 19th century silhouette portrait miniature, a portrait miniature frame, two pot lids, a small framed Elizabethan style print and a small porcelain plaque. CONDITION REPORT: Bears Grease pot lid - the pot lid is free from any repairs or restoration. It is however extremely dirty. There are some edge nibbles and a more significant chip just above the left hand dogs head. There is also a scratch running across the top tree bough. The rear of the lid is extremely dirty and has traces of glue where it has been fixed into the frame. We cannot however see any significant cracks or damage. The frame surrounding is in extremely poor condition.

A 19th century primitive portrait miniature of a young girl in landscape, in wooden and metal frame. Overall height 25 cm, width 16.5 cm.

A late 19th century portrait miniature of a young couple in brass and faux tortoiseshell frame. Painting dimensions 8 cm x 6 cm.

MINIATURE PORTRAIT, FULL LENGTH, OF A LADY WITH BLUE LACE HAT AND BLUE RIBBON WAISTBAND, POSSIBLY ON IVORY. INSCRIBED TO REVERSE LYDIA, WITH LABEL, ARTIST J GIBBR.A. AND A CENTRAL LONDON ADDRESS

English school (early 19th century),A portrait miniature depicting a young lady, dressed in the Empire style, painting the view from a balcony,Watercolour on ivory,9.5cm x 13.5cm,Gilt framed and glazed (frame at fault)