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Thomas Peat (active late 18th/early 19th Century), Portrait miniature of a young woman in a white frilled collar dress, quarter length, watercolour on ivory, signed, 7.5cm x 6.5cm, in an ebonised rectangular frame, 14cm x 12cm(Ivory exemption application no. 4AQKPMS2) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

In the manner of Peter Crosse (circa 1645-1724), Portrait miniature of a gentleman wearing a crimson jacket, oil on zinc, 6.5cm x 5cm, in a gold coloured frame, backed with gold studded shagreen (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Regency portrait miniature of a gentleman, circa 1820-30, quarter length in a blue jacket, on ivory, oval, 55mm x 43mm, mounted in a gold coloured frame with locket back, woven hair and gold coloured monogram 'JM', with suspension loop, 58mm x 48mm(Ivory exemption application no. PDYCE8PM) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

A Tunbridge ware two division card case, an early 20th century portrait miniature watercolour of a maiden with flowing hair, two portrait prints, a modern icon, and assorted playing cards.

A late 19th century hand painted watercolour and ivory portrait miniature representing a couple in interior scene, in a shaped rectangular enamel frame, overall 9 x 6.5cm.IVORY REFERENCE NUMBER: BKM3ZY9W

An assortment of collectors' items, including Blue John egg, a hallmarked silver pincushion from a chatelaine, portrait miniature of a maiden, a paperclip modelled as a violinist, an ebonised seal of Prince Albert, Victorian brooch, Chinese copper box, etc.

X A late 19th century yellow metal framed oval portrait miniature brooch, hand painted with the portrait of Marie Antoinette, 50 x 43mm, bearing spurious signature lower right, the frame detailed as 18ct yellow gold.IVORY DECLORATION NUMBER: VMLJA6YQ

Early 20thC portrait miniature of a lady, the likely ivory panel attached to a postcard with name and address of D.G. Bond, Summerfield, Leckhampton Road Cheltenham and also with two envelopes, one addressed to a Mrs Dorothy Bond of Toynton Battledown, Cheltenham (the other completing the Ashley Road address), contained within a Rowley Gallery frame, overall height 16.5cm, with ivory licence 

English School c1820, portrait miniature of an Officer in traditional British Military uniform within ebonized frame, watercolour on card, frame size 12.5cm x 11cm.

A Great War ‘Mesopotamia’ O.B.E. group of three awarded to Major W. C. Reid, 32nd Lancers, Indian Army, who was also Mentioned in Despatches; he later served as Commandant of the Myitkyina Battalion, Burma Military Police The Most Excellent Order of the British Empire, O.B.E. (Military) Officer’s 1st type breast badge, silver-gilt, hallmarks for London 1919; 1914 Star, with clasp (Capt. W. C. Reid, 32/Lncrs.); British War Medal 1914-20 (Maj. W. C. Reid.) mounted court-style together with the riband for the Victory Medal with M.I.D. oak leaves; together with the recipient’s related group of four miniature dress medals and riband bar, all housed in a Spink, London, fitted case, gilding somewhat rubbed on OBE, generally very fine (3) £400-£500 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- O.B.E. London Gazette 3 June 1919: ‘For valuable services rendered in connection with military operations in Mesopotamia.’ M.I.D. London Gazette 5 June 1919 (Mesopotamia). Walter Clarke Reid was born in London, Ontario, on 12 April 1881, and was educated at Huron College School and the Royal Military College. He was commissioned Second Lieutenant on the Unattached List on 27 August 1902, and was appointed to the Indian Army on 28 January 1904. Posted to the 32nd Lancers, he was promoted Lieutenant on 27 November 1904, and Captain on 27 August 1911. He was appointed Assistant Commandant, Burma Military Police Battalion at Taunggyi on 10 April 1912, before reverting to Regimental duty in 1914, and served with the 32nd Lancers during the Great War on the Western Front from 26 August 1914 to 15 June 1917. Promoted Major on 27 August 1917, he saw further service in Mesopotamia from 14 August 1918, and for his services there was Mentioned in Lieutenant-General Sir W. R. Marshall’s Despatch of 7 February 1919, and was appointed an Officer of the Order of the British Empire. Post-War, Reid was appointed Squadron Commander of the 32nd Lancers on 1 January 1919, and then Commandant of the Myitkyina Battalion, Burma Military Police, on 24 May 1923. He retired on 23 October 1928, and died in Canada on 4 June 1934. Sold with the following related items: i) The recipient’s Mess Jacket, waistcoat, and sash, these severely moth damaged ii) A hallmarked silver cigar box, the lid engraved with the bade of the 32nd Lancers; together with a small vesta box iii) The recipient’s Journal for the Summer of 1907, spent on a Bear-hunting trip with a friend called Hogg to Chamba in the foothills of the Himalayas, type-written with a good selection of photographs, including various photographs of the various Bears that the recipient bagged, the first few pages water damaged, and the spine and front cover board missing iv) Four original studio portrait photographs of the recipient; together with a photograph of the recipient mounted on a horse v) 32nd Lancers unit insignia; and copied research.

A WATERCOLOUR PORTRAIT MINIATURE OF A LADY, 3” DIAMETER

An 18ct gold miniature portrait brooch/pendant, with a pierced outer basket, depicting lady in Elizabethan style dress, set with tiny diamonds, on a Prince of Wales feather necklace chain, the pendant 4cm x 3cm, the chain 40cm long, 14.7g all in.

SILVER GILT & MOTHER OF PEARL HEART SHAPED TRINKET BOX - LONDON 1893/94, MAKER ETB, MINIATURE PORTRAIT TO CENTER OF LID

A pair of Victorian portrait miniature prints, oval mounted, 85 x 110 mm. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

Late 18th/early 19th Century French School Portrait miniature of a young lady playing cards watercolour on ivory, indistinctly indistinctly signed Tiud..., bearing 19th century label identifying the sitter as 'Felicite de Chasteigner du (Bergeriou) Montail', within circular gilt-metal frame 6.7cm diam., Ivory Exemption Ref: 81PB3OZZCondition ReportSurface marks, accretions, small losses to paint. Possible water damage to areas, appears to be water/condensation on inside of glass. Possible fading/discolouration. Frame with liight surface marks. General wear and tear.

Late 18th/early 19th Century French School Portrait miniature of a lady in watercolour on ivory In Empire dress, inscribed and identified in ink 'Felicite de Chasteigner ' to verso, within an octagonal gilt-metal frame, 6cm high, Ivory exemption ref: 17Q5H273Condition ReportNo warping or split to ivory. Brown marks and accretions present. Frame with tarnishing. General wear and tear.

An Indian portrait miniature of a Mughul Shah, offering a sprig and holding a rosewater sprinkler, beneath an incense burner and blazing sun within an orange border, circular black seal mark verso, gouache, 29 x 19.5cm

English naive artist, mid 19th c - Portrait Miniature of a Gentleman, half length in a blue coat, ink and watercolour on card, 90 x 65mm, contemporary wood frame and an early Victorian silhouette of a gentleman, cut paper and ink, framed (2) Slightly stained and spotted, some surface dirt

A Miscellaneous collection of items including, an oil on board kitchen scene 35cm x 27cm, a claret jug, an inkwell, two silhouette and a miniature portrait and a leather stationery wallet.

Three miniature reverse glass painted silhouettes, a relief plaque of the virgin and child and a watercolour portrait pendant

An 18th century miniature portrait on ivory of a young gentleman wearing a powdered wig set in a gold brooch. 4.5 cm high. Note: This lot is sold with an ivory exemption certificate.

Pair of 19th century miniature portraits in oil, depicting a man and woman, gilt framed & glazed (approx 4.5cm tall), together with a two miniature 19th century overpainted portrait photographs of ladies (framed & glazed), and a Victorian photograph housed within a leather case with gilt detail

A Georgian navette miniature portrait mourning pendant, circa 1800, central miniature sepia watercolour on ivory panel depicting lady holding a dove, beneath convex glass with beaded edge unmarked rose gold closed-back settings and later brooch mount, 34.1mm, 6.4g. Ivory submission ref. 2N2TEKKA Condition Report: Panel is cracked horizontally across centre with 1 tiny edge chip at end, otherwise no damage, brooch fitting working, unmarked

A Sorrento Ware Box, a similar smaller example; together with assorted collectables including a silver topped green glass flask, two small African bronze figures, a tortoiseshell bottle, a KPM style miniature portrait on porcelain, two decoupage face screens, an autograph album etc (one tray)

British School (19th century) Miniature Portrait of an Elderly Lady in White Silk Bonnet and Black Silk DressOil on board, in elaborate gilt frame housed within glazed case, bearing Frost & Reed label verso, 12.5cm by 10.5cm; together with four assorted 19th century silhouettes in ebonised frames (5)

British School (late 18th/early 19th century)Oval Bust-length Portrait of a GentlemanOil on canvas, 28cm by 22cm; together with a pair of 19th century Miniature Portraits of a Lady & Gentleman, reverse printed on glass, gilt framed (3)

X UNATTRIBUTED; a circa 1830 miniature watercolour on ivory, half-length portrait of a gentleman, approx 10 x 9cm, framed and glazed, and two miniature watercolours of young women, framed and glazed (3).CITES Ref: EUJGUZ9U Condition Report: CITES Ref: EUJGUZ9U

C19th oval head and shoulder portrait miniature of a young lady, hair in white tied pearl scarf, watercolour on ivory, 8.5cm x 5cm, an 18th century coloured print' Happy Return' pub. by P & P Gally, silhouette portrait of a Gentleman (3)

An early 19th century ivory miniature portrait depicting Lady Elizabeth Smyth, the daughter of George FitzRoy, the 4th Duke of Grafton, wearing a blue dress and a head scarf, 8cm x 6cm mounted in a gilt frame 13cm x 11cm Ivory Submission reference: N6HSDZXE

A Selection of Various Photography and Camera Guide Books comprising Miniature Photography from One Amateur to Another (1937), The Miniature Manual (undated, circa 1938), Amateur Photography (1935), Modern Portrait Technique (undated, circa 1943), The Year's Photography 1949-50 (Royal Photographic Society), 35mm Single Lens Reflex Manual (1964), Manual of Colour Photography (1964), The Nikon & Nikkormat Way (1977) and three other books

A pair of contemporary neoclassical style giltwood oval portrait miniature frames, moulded and carved, each with ribbon tied crests, containing printed portraits of gentlemen, 24cm high

A daguerreotype frame, containing a watercolour study of a Renaissance gentleman, miniature frame containing a portrait engraving of a lady, and a brass frame containing a study after the Impressionists. (3)

A late 18thC miniature portrait, head and shoulders study of a gentleman, framed, 3.5cm x 2.5cm.

A 19th century ink and wash portrait miniature along with a pair of 19th century miniature portrait prints. H.16 W.12cm. (largest)

19th c. portrait miniature of a gentleman and a later portrait miniature of a lady in Spanish dress

ENGLISH SCHOOL, 18TH CENTURY (3)Portrait miniature of a lady with a pouf and wearing a pink dress on ivory (ref. DRCE7TB5) 3.7cm in a frame with paste surround together with two other 18th century portrait miniatures; A young man with a black hat, on ivory (ref. FQTF33WN), 3.5cm, in a frame with a paste surround; A woman in a blue and white dress, on ivory (ref. H1MMVVVT), in a frame set with sapphires (3) Provenance Private collection, UKFootnoteProspective buyers should be aware that some countries have limitations on importing items made from endangered species, including materials such as coral, ivory, and tortoiseshell. Therefore, it is advisable for potential buyers to familiarize themselves with relevant customs regulations before placing bids, particularly if they intend to import this lot into another country.

ENGLISH SCHOOL, LATE 19TH CENTURY (2)Portrait miniature of a young girl, thought to be Hilda Mary Dowson (née Greg) (1883-1956) with inscribed label (attached to the back of frame) on ivory (ref. WY1APGJS) 7.5cm in a gilt-metal frame and with a case together with a portrait miniature of a woman, thought to be Margaret Lilian Greg (1881-1945), on ivory (ref. RCC2592B), 9.3cm, in a gilt-metal frame and with a case (2) Provenance Private collection, UKFootnoteHilda Mary Dowson (née Greg) was born on 23 February 1883 in Wilmslow, Cheshire, to parents Walter and Susan Elizabeth (née Gaskell). She was baptised on 3 April 1883 at Styal Presbyterian Chapel in the parish of Wilmslow.  Her father was a solicitor and in 1891 the family was living at Lee Hall, Mottram St Andrews, Cheshire, together with five servants. Lee Hall was a large house with twenty-five rooms. She had three siblings: Margaret Lilian, born in 1881, Elizabeth Gaskell born 11 December 1883 and Robert Lionel born 1893.There is no trace of Hilda in the 1901 census.  She married Gerard Septimus Dowson, a cousin, when she was twenty-two on 29 June 1905 at the parish church of Prestbury, Cheshire.  Gerard was an estate agent born in Nottingham. Hilda and Gerard moved to The Manor House in Radcliffe on Trent in 1905, which they rented until 1921. The 1911 census records Hilda and Gerard living at Lee Hall with her widowed mother and her three unmarried children. Hilda’s sister Elizabeth is described as an art student; her brother Robert is also a student.  The household now had nine servants including two nurses. It is not known how long Hilda and Gerard stayed at Lee Hall but newspaper reports reveal they were active in Nottingham in 1910 and 1913. In 1922 the Dowsons moved temporarily from The Manor House to The Chestnuts next door, before purchasing The Grange located on Main Road, Radcliffe on Trent, in 1924.Women’s Suffrage MovementThe women’s suffrage campaign began in the 1860s and ended in 1928 when women gained full enfranchisement. The campaign started in Nottingham in 1871 when a Nottingham committee of the London National Society for Women’s Suffrage was founded. Its president was Richard Armstrong and secretary was Elizabeth Sunter. Anderson Brownsword chaired the first meeting, held in Nottingham. In 1872 the branch became associated with the new Central Committee of the National Society for Women’s Suffrage, the first national group to campaign for votes for women. In the 1880s and 1890s demand for votes for women was mainly sought via constitutional means. Alice Dowson (Hilda’s mother-in-law) had been one of the speakers at the ‘grand demonstration of women’ held in Nottingham in November 1881.  She became secretary of the branch in February 1894. Helena Brownsword had married William Enfield Dowson, oldest son of Alice and brother of Gerard, in July 1884. She took over Alice’s role as secretary in 1896 when her mother-in-law’s health deteriorated. Helena eventually took the role of President with Hilda taking her place as secretary.Hilda became involved with the Women’s Suffrage movement in Nottingham after she married Gerard Dowson in 1905. His mother Alice, sister Alice Maud, known as Maud, and sister-in-law Helena, known as Nellie, had been involved in the movement from very early on. At the same time Hilda’s mother, Susan Greg, and her sisters were active in the suffrage movement in Macclesfield. The Dowson and Greg families were closely connected.  Alice Dowson, Gerard’s mother, was also Hilda’s aunt and sister of her father Walter.The early 1900s saw the Nottingham Society become an active constituent of the National Union of Women’s Suffrage Society (NUWSS). In April 1908 two large suffrage meetings took place in Nottingham, Hilda being one of the organisers. Christabel Pankhurst spoke at one of the meetings. That same year Hilda travelled to London along with members of the Dowson family and supporters to a national Votes for Women demonstration held on June 13th. The event attracted crowds of 10,000 people, mainly women; the demonstrators marched through central London to the Albert Hall. It was deemed a success but unfortunately the Government of the day chose to ignore it. On December 4th 1908 the Derby branch of the NUWSS held its inaugural meeting. Hilda was one of the speakers and said that the vote “would provide a symbol of liberty and citizenship, a safeguard of one’s rights and privileges, and a powerful instrument to be used as occasion demanded.”On 5 July 1909 the NUWSS organised a meeting in Nottingham Market Square with Mrs Henry Fawcett, Miss Eleanor Rathbone and Mr Edward Carpenter as speakers. The police had not attended the meeting although they had been requested and the speakers were unable to make themselves heard; the crowd was unruly and anti-suffrage feelings were made plain. In January 1910 there was a General Election and Hilda and her sisters-in-law went to the polling station at Lovers Lane schoolroom in Newark, hoping to get voters to sign petitions for their cause.They had to stand outside and suffered abuse from the male voters. The Nottingham Evening Post reported on February 23rd that 8000 signatures in total had  been collected by women outside Nottinghamshire’s polling stations, which were then presented to constituency members Lord Henry Bentinck and Mr. J.E. Ellis at the society’s office in Bridlesmith Gate. The Dowsons had managed to collect 2,232 signatures from the Rushcliffe district and Hilda’s husband, Gerard Dowson, was among those in the party receiving the petition. Both Lord Bentinck and Mr Ellis were in favour of women’s suffrage; Mr Ellis promised to present the petitions to parliament.The Nottingham Evening Post also reported that the NUWSS held its annual meeting on May 31st 1910 at the Mikado café in Nottingham. Hilda and Helena Dowson were appointed joint secretaries. It was noted that there were now 200 branches of the NUWSS across the country and new branches had opened locally in Southwell, Newark and Hucknall. In July 1910 Hilda and other family members attended a demonstration in London to support the second reading of the suffrage bill (First Conciliation Bill).A fete and sale of work was held in the gardens of the homes of Mr and Mrs William Dowson and Mrs Watson in The Park, Nottingham on 23 June 1910.  It included a performance of ‘Lady Geraldine’s Speech’, a suffrage play arranged by Hilda. A suffrage shop was opened in Nottingham on Bridlesmith Gate selling campaign literature where Hilda was often to be found along with the rest of the family. By this time, the Women’s Social and Political Union (WSPU), which advocated militant action to gain votes for women, had attracted considerable support in Nottingham; the NUWSS distanced itself from the WSPU. Nevertheless, Hilda, now secretary of the Nottingham NUWSS, continued to be active in the suffrage movement. In 1911 she took part in a tour of Northamptonshire villages where she spoke at meetings on the suffrage question. In 1912 she organised two successful meetings in Bottesford and Bingham in which the suffragist newspaper ‘The Common Cause’ was sold.   Her mother, Susan Greg, participated in a 1911 NUWSS demonstration in London of over 40,000 women. Her sister Margaret Greg was one of 50,000 women who joined a suffragist pilgrimage in 1913. They walked to London from all corners of the country where they were addressed at Hyde Park by Millicent Fawcett, leader of the NUWSS.. The aim of the pilgrimage was to show the country widespread support for ‘votes for women’ and that thousands were prepared to campaign legally and peacefully. Margaret wrote to Hilda while travelling and described the journey.In July 1913 the Nottingham...

ENGLISH SCHOOL, 19TH CENTURY (3)Portrait miniature of a lady wearing a pink dress on ivory (ref. 161FQXE1) 6.5cm in a gilt-metal frame together with two other portrait miniatures; After Paul Delaroche, Portrait of Napoleon, on ivory (ref. XFA486XM), 6.5cm; and Portrait of a young girl, on ivory (ref. TUM65Z5Y), 6cm (3)FootnoteProspective buyers should be aware that some countries have limitations on importing items made from endangered species, including materials such as coral, ivory, and tortoiseshell. Therefore, it is advisable for potential buyers to familiarize themselves with relevant customs regulations before placing bids, particularly if they intend to import this lot into another country.

ENGLISH SCHOOL, EARLY 19TH CENTURY (2)Portrait miniature of a gentleman wearing a blue coat on ivory (ref. MPZGV8MR) 6.7cm in a gilt-metal frame together with a 19th century portrait miniature of a gentleman in a brown coat, indistinctly signed (lower left), on ivory (ref. KXDRDXUJ), 5.2cm, (unframed) (2)FootnoteProspective buyers should be aware that some countries have limitations on importing items made from endangered species, including materials such as coral, ivory, and tortoiseshell. Therefore, it is advisable for potential buyers to familiarize themselves with relevant customs regulations before placing bids, particularly if they intend to import this lot into another country.

WILLIAM WOOD (BRITISH, 1769-1810)Portrait miniature of a gentleman in a blue coat inscribed 'By Will: Wood, of Cork Street, Lond.' (to backing card) on ivory (ref. LL6QK2MF) 9cm contained within a red covered case Provenance Private collection, UKFootnoteProspective buyers should be aware that some countries have limitations on importing items made from endangered species, including materials such as coral, ivory, and tortoiseshell. Therefore, it is advisable for potential buyers to familiarize themselves with relevant customs regulations before placing bids, particularly if they intend to import this lot into another country.Condition reportThe ivory panel has bowed inwards and there is a small stain, upper right.  Otherwise sound condition overall.  Ultraviolet reveals no sign of retouching.  Held in case with loose glass.

JEREMIAH LACON (BRITISH, FL. 1740-1760)Portrait miniature of a gentleman wearing a pale red coat signed and dated 'J Lacon 1754' (centre right) on ivory (ref. DKUJEN19) 4.5cm in a case Provenance Private collection, UKFootnoteProspective buyers should be aware that some countries have limitations on importing items made from endangered species, including materials such as coral, ivory, and tortoiseshell. Therefore, it is advisable for potential buyers to familiarize themselves with relevant customs regulations before placing bids, particularly if they intend to import this lot into another country.

Benedetto Agrizzi (Italian, active 19th c). Miniature wax portrait of an individual in prayer contemplating a painting of the Virgin Mary. Signed and illegibly inscribed and dated along the lower edge; possibly ca. 1840s.Height: 4 in x width: 3 1/2 in x depth: 1 in.Condition:There is a crack through the portrait running upwards from the bottom edge and curving through the arms. There is a small loss along the upper left edge. Some wear and discoloration throughout. Framed behind a convex piece of glass. Wear to the case including a missing latch.

A gold ceramic portrait miniature brooch and gold identity bracelet, the miniature depicting a forlorn Tyrolean or vagabond boy resting head in hand, bezel set to a wire twist surround, to a closed back with suspensory loop, gold 'C' catch and base metal pin, stamped 9, tested as approximately 9ct gold, and a gold identity bracelet, with a plain oval plaque, to solid curb link chain and a gold half solid bolt ring, 165mm long, plaque stamped 9ct, clasp stamped 15ct, tested as approximately 9ct and 15ct gold, 15.78g total (2)Condition ReportCeramic miniature showing small pits and scratches to surface.Clasp to brooch secures.Base metal jump rings to bracelet ends. Base metal solder has been used to solder plaque to chain. Components with base metal showing corroded green bloom.Spring to bracleet bolt ring corroded, clasp no longer secures effectively. Requires replacement before being worn.Marks and scratches to surfaces.Tarnish.

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2021. The Royal Mint. Minted to finish off the Queen's Beasts series, this coin features all 10 of the heraldic statues present at HM the Queen's coronation in 1953. Fifth crowned portrait of Elizabeth II, inscription: ELIZABETH II. D. G. REG. F. D. 100 POUNDS', designed by Jody Clark / A central circle containing the fifth portrait of Elizabeth II in miniature ringed by the ten Queen's Beasts as designed for the Royal Mint's Queen's Beasts series. Designed by Jody Clark. Edge milled.In secure plastic holder, graded NGC MS 70, certification number 6322430-008. NGC Census in this grade: 197, equal-finest graded.Total NGC Census: 511Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Attributed to Philip Jean (1755-1802), a miniature portrait of a young gentleman, watercolour and bodycolour on ivory, with braids of hair verso, 1.75" x 1.25" (4.2 x 3.5cm), ivory registration number QYAWR6MB, a/f.

Gervase Spencer (1715-1763), a miniature portrait of a lady, possibly Charlotte Pringle, watercolour and bodycolour on ivory, signed with initials and dated 1753, 1.75" x 1.25" (4 x 3.5cm), ivory registration number 23Z7CGPX.

H. M. Horner..?, a miniature portrait of a lady, watercolour and bodycolour on ivory, signed, 2.25" x 1.75" (5.5 x 4.5cm), ivory registration number C8YQ33LN.

Attributed to William Wood (1768-1809), a miniature portrait of a lady, watercolour and bodycolour on ivory, with braids of hair and gilt metal initials verso, 3" x 2.25" (7.5 x 6cm), ivory registration number 8EFU1HGC.

19th Century, probably Austrian School, a miniature portrait of a lady with ringlets in her hair, watercolour and bodycolour on ivory, indistinctly signed, 2.5" x 2" (6.4 x 5.4cm), ivory registration number HKDZ9E6E.

English School, Circa 1843, a miniature portrait of a young boy, watercolour and bodycolour on ivory, indistinctly signed verso and dated 1843, 2.75" x 2" (7 x 5.5cm), ivory registration number XV51VGCA.

19th Century, probably Austrian School, a miniature portrait of a young gentleman, watercolour and bodycolour on ivory, 3.75" x 3.25" (10 x 8.5cm), ivory registration number 4EY1GY52.

J. Moore, English School, Circa 1820, a miniature portrait of a young gentleman, watercolour and bodycolour on ivory, 3.5" x 2.75" (8.5 x 7cm), ivory registration number 1A4PZTNV.

Late 19th Century, a miniature portrait of Anne de Ligonde, watercolour on ivory, signed with initials B.S., 4" x 2.75" (10 x 7cm), labels verso, ivory registration number G27FZEC6.

English School, Circa 1817, a miniature portrait of William Cole of Bath aged seventeen, watercolour and bodycolour on ivory, dated 1817, 3" x 2.25" (7.5 x 5.8cm), ivory registration number W4516FY3.

Early 19th Century English School, a miniature portrait of The Right Honourable John Claudius Beresford', watercolour on ivory, inscription verso, 4" x 3.25" (10 x 8cm), ivory registration number 2E6XKTPE.

English School, Circa 1770, a miniature portrait of a lady, watercolour and bodycolour on ivory, with braids of hair verso, 2.5" x 2.25" (6.5 x 5.5cm), ivory registration number 2HA1HBPG.

Y&nbspENGLISH SCHOOL MID TO LATE 19TH CENTURY MINIATURE PORTRAIT OF A GENTLEMAN In a gold coloured unmarked glazed frame with turquoise enamel and seed pearl decoration, back with glazed hair plait Watercolour on ivory image 3.6cm high, case 6cm high Please note, Dreweatts have applied for a de minimis exemption for this lot ref: WBWFVCCM Condition Report: Image generally good- flesh tones strong, small knock to enamel to edge and reverse lacking brooch fitting Condition Report Disclaimer

Y&nbspAN ENGLISH SCHOOL LATE 18TH OR EARLY 19TH CENTURY MINIATURE PORTRAIT OF A YOUNG WOMAN In glazed giltwood frame, with white turban sash to her hair tied under her chin, unsigned Watercolour on ivory the image 7cm high, the frame 12cm high Provenance: Direct from the Cluysenaar family estate, thence by descent. Lots 351 and 352 formerly in a common double frame with ink inscription top reverse "Miniatures on ivory left by Georgia Scott to Mrs G L W Hewat June 1899, GLS died 24th June". Please note, Dreweatts have applied for a de minimis exemption for this lot ref: J2U23X5V Condition Report: Formerly in a common double frame with lot 351- Loose in frame- signs of old dirt and moisture ingress under glass and onto panel with some rubbing and wear and loss, old paper adhesive to margins, colour muting Condition Report Disclaimer

Y&nbspGEORGE ENGLEHEART (1750-1829) A PORTRAIT MINIATURE OF A YOUNG WOMAN In a glazed giltwood frame, wearing a white dress with frilled trim, signed with initial E lower right, reverse unmarked Watercolour on ivory image 8.6cm high, frame 12cm high Provenance: Direct from the Cluysenaar family estate, thence by descent. Lots 351 and 352 formerly in a common double frame with ink inscription top reverse "Miniatures on ivory left by Georgia Scott to Mrs G L W Hewat June 1899, GLS died 24th June". Please note, Dreweatts have applied for a de minimis exemption for this lot ref: 6B93S7U1 Condition Report: Formerly in a common double frame with lot 352, surface has evidence of dirt and spotting from ingress under glassCondition Report Disclaimer

HENRY BONE R.A (1755-1834) A RARE MINIATURE PORTRAIT OF THE PRINCE REGENT AFTER SIR THOMAS LAWRENCE DATED 1819 In a gold coloured unmarked glazed frame with laurel banding, George IV (1762-1830), as Prince Regent, wearing Field Marshal's scarlet uniform, the Order of the Golden Fleece around his neck and the breast stars of the Order of the Garter, St Andrew, Black Eagle and Holy Spirit, obverse signed with monogram HB, reverse signed in puce "H.R.H The Prince Regent, London Aug 1819, Painted by Hy Bone R.A Enamel Painter to The King and Prince Regent" Enamels, possibly on gold plaque approximately 3.4cm high, case 6cm high Condition Report: The case slightly dirty and with some old polish residue.When taken apart the enamel panel is sandwiched between two pieces of slightly convex glass, the white spot to the upper right corner of the enamel plaque is a small knock with area of surface loss and diagonal crack across the enamel. There is a corresponding small loss to corner of glass piece. Surface of enamel is not completely flat in accordance with manufacture- surface looks to be untouched on both sides.Condition Report Disclaimer