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AN EARLY 20TH CENTURY SILVER MINIATURE PORTRAIT AND TWO BROOCHES, to include a large oval silver portrait frame, the portrait depicting a grey haired lady wearing a light blue hat with white lace, the reverse has a personal inscriptions which reads 'Eliza Hughes B.1821 D.1888, G.H from his sisters E & S.G', hallmarked 'George Elisha Sumner' London 1901, fitted with a tapered bail, approximate dimensions length including bail 97.5mm x width 71.1mm, approximate gross weight 61.5 grams, a white metal ceramic brooch, depicting a lady in profile, signed to the reverse 'Limoge', within a white metal marcasite surround fitted with a brooch pin stamped 'Silver', a green hardstone brooch of a circular form, collet set within an openwork zig zag surround, fitted with a brooch pin, stamped 'Silver', approximate gross weight 25.9 grams
A group of three portrait pendants, comprising Victorian gold portrait miniature of a baby, with a locket of hair to the reverse, 10.8g, an 18th century silver oval pendant, paste set with blue enamel border, with an image of a lady with bouffant hair, hinged back opening, 4.5 by 4cm, 26.1g, and a 19th century silver framed portrait miniature of a young lady, 20.8g. (3)Notes: Ivory Exemption Submission Reference 8PY3DHY5
An interesting gold memento mori portrait miniature brooch pendant, possibly 17th century, depicting King Charles I in armour wearing a medal and with a skull to his side, with twisted gold wirework to the edge, set with an opal verso, loop attached, frame and loop unmarked but test as 18ct gold, and later base metal hinged pin fastening, 22 by 18mm excluding loop, 3.9g.
Corden (William, 1795-1867). Portraits of Cornelius Birch Bagster (1815-1893) and his wife Susanna Maria née Aitken (1815-1873), 1860, a pair of oval head & shoulder portraits, the first of a bearded gentleman half-profile to right, wearing a black coat, signed and dated in red to left margin, oval aperture 49 x 49 cm, stretcher 64.7 x 54.5 cm, the second of a lady with dark ringlets, half-profile to right, wearing a black dress with white lace collar and a black lace stole on her head, oval aperture 58.5 x 49 cm, stretcher 61 x 51 cm, each relined, matching gilt oval mounts and frames (77.5 x 68 cm), together with:English School. Portrait of George Bagster (1739-1819), circa 1800, oil on canvas, half-length portrait of a gentleman wearing a wig and a navy blue coat over a striped waistcoat, seated in a carved wooden chair with red upholstery, before a desk covered in a green cloth bearing papers and an ink well with quills, some superficial marks, relined, 89.5 x 69.5 cm, gilt moulded frame (109.7 x 89 cm), with old manuscript label on verso 'The Rev: Canon & Mrs Jolly, The Vicarage, Kidderminster, Worcester' QTY: (3)NOTE:Cornelius Birch Bagster was the son of publisher Samuel Bagster (1772-1851). He married Susanna Maria Aitken on 22nd November 1843 on Prince Edward Island (now a Canadian province).George Bagster was the father of publisher Samuel Bagster (1772-1851).William Corden trained as a porcelain painter at the Derby Porcelain Works before turning to portrait painting, producing large-scale works in oils as well as miniature likenesses on porcelain, enamel and ivory. In 1829 Corden executed an oil portrait of Mr Batchelor, one of King George IV's pages, as well as a portrait of Admiral Sir Edmund Nagle for the King, and in the 1830's the artist moved to Windsor. In 1838 he painted a watercolour of Queen Victoria on the East Terrace of Windsor Castle, and the Queen subsequently employed Corden to produce oil copies of many portraits in the Royal Collection. In 1844 he was commissioned to paint '7 pictures of the Duchesses, Princes and Princesses of Saxe-Coburg'; for this undertaking he travelled to Coburg with his son, William Corden the Younger (1819-1900), and was paid the then princely sum of £112 5s.
PORTRAIT MINIATURE OF PRINCE CHARLES EDWARD STUART BY CHARLES DIXON (FL. 1748-1798) MID-18TH CENTURY in a silver filigree frame inset with eight rose cut diamonds, backed with Montrose agate and labelled SCOT. ARCH. & HIST. 1R58 I. E. G.Dimensions:2cm high, 2cm wideProvenance:Provenance: Threipland family collection By direct descent Fingask Castle, 26th – 28th April 1993, Christie's, Lot 812Private Scottish CollectionExhibited:The Royal House of Stuart, The New Gallery London 1889, item 682, lent by W. Murray ThreiplandNote: Note: For another miniature by the same hand and from the same original collection see Jacobite, Stuart and Scottish Applied Arts, 13th May 2015 Lyon & Turnbull, lot 4
Small collection of 19th Century sketches and watercolour drawings, including;Sketch from nature, Charnwood Forest, 1840, 18.5x24.5cm,Victorian circus caricatures, 1874, 27x32cm,Portrait "Kate Greenaway", 17.5x13cm,Sketch of a girl,10x11cm,Miniature portrait, man in a ruff collar, 7x5cm,Three figures, pencil, 9.5x12.5cm,After Hogarth, head, pencil, 21x18cm,After Gainsborough, Baroness de Bretton, Mr Fairfield...18x11.5cm,Grammont horse racing, 10x11cm,After Cruikshank, Son of the sleepless, 13x10cm,Boy and goat, pastel,23x19cm,The seven towers, Geddi-Konlessy, 22x30cm,Cadogan, landscape, pencil, 15x26cm,French School, landscape, pencil, 23x29cm,Pre-Raphaelite style head of a man, 22x24cm,Pencil sketch, I am always interested in reading, 12x15cm,Girl with a fan pencil, 17.5x12.5cm,The Spaniards Tavern, Hampstead, 15x22cm,Gypsy girl, oil on canvas, 40x30cm.
Clark (Hugh, Heraldic Engraver), A Concise History of Knighthood [...], The whole imbellished (sic) with 82 Copper Plates [...], two-volume set, first and only edition, London: Printed for W. Strahan [...], 1784, pp: x, [1] (blank), 285; [ii], 268, [1] (advert), 82 copperplate engravings as called for, contemporary calf over marbled boards, yellow-stained edges, 8vo, [2] Provenance: 1) Nicholas Nicholas (née Heath; d. 1807), of Boy Court, Ulcombe Kent, his ink MS ownership inscription to each pastedown. Nicholas was a friend and later brother-in-law of Francis Noel Clarke Mundy, of Markeaton Hall, Derbyshire; and as a member of the Markeaton Hunt was painted as such by Joseph Wright of Derby, ARA, in c. 1762-63. Born Heath, in 1772 he assumed the surname to Nicholas to comply with inheriting the manor of Ulcombe; 2) reputedly purchased from the sale at Newnham Hall, Daventry, Northamptonshire, sold by Christie's on behalf of the Executors of Lt.-Colonel John Chandos-Pole, CVO, OBE. Though the books were purchased in a mixed lot, a portrait miniature of Nicholas by Ozias Humphry, RA, Lot 287, was also sold and illustrated in the catalogue.
1999 Queen Elizabeth the Queen Mother's Century - large formal postcard IOM post folder containing S.G. 875-880 u/m set, S.G. MS881 u/m miniature sheet portrait postcard cancelled 1st day of issue on 877 and a group of (12) limited edition FDCs comprising of two of each country with 1999 issue of stamps and min sheets for Angola, Gambia, Ghana etc.
Pair of 19th century Swiss gold and enamel earrings, each with a pendant drop decorated with a polychrome enamel portrait miniature, 70mm length.One earring is missing one portrait panel from the top. Both earrings have a gold strengthening plates to the back, presumably added later to strengthen the fittings. The enamel is in very good condition. Gross weight approximately 8.02 grams.
Fine 19th century miniature on ivory portrait of Queen Maria Isabel of Spain (1797-1818) in gold frame, depicted half length with sash and a floral tiara, probably after the portrait by Luis de la Cruz y Ríos (1776-1853), 6.5 x 5cm, in glazed gold frame with silk panel to rear, APHA Submission Ref: UZ5ULY2L

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31365 item(s)/page