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A pair of French bronze four light candelabra, late 19th century, in the Pompeiian taste, the tapering reeded columns supporting the faux oil wells issuing tapering urn shaped candle sockets, with gilt chain decoration beneath, the tripod bases cast with anthemion motifs, on paw feet and gilt stepped bases, 24¼in. (61.5cm.) high. (2)
An Edwardian marquetry and mahogany two-tier occasional table, the two graduated circular tiers with husk marquetry borders and inlaid dentil edges, raised on strung faux fluted tapered columns with carved gadrooned urn mounts, raised on strung downswept tripod supports, 13in. (33cm.) diameter, 28½in. (72.5cm.) high.
A 19th century Italian walnut Sorrento pedestal table, the circular top with radiating floral style veneers within cross banded and parquetry banded borders and barber's pole edge, on a turned and parquetry inlaid base with scrolled tripod supports, 39in. (99cm.) diameter, 30½in. (77.5cm.) high.
A Sevres style table centrepiece, 19th century, blue porcelain bowl with gilt reserves infilled with floral sprigs, within an ormolu tripod acanthus and shell framework, winding stems with ceramic floral blooms emanating from central bowl, 11in. (28cm.) high. * Condition: Minor nibbling to flower heads. No other damage or restoration noted.
A PAIR OF FINE QUALITY SIGNED JAPANESE MEIJI PERIOD IVORY TRIPOD KOROS, with baku-form scroll handles, the sides finely carved with scenes of villagers at work, each base with an engraved signature, one base also bearing a seal, 5.4in wide including handles & 4.1in high to rim & 4.25in high to top of handles.
A GEORGIAN ROCOCO BRASS WATCH STAND, c.1760-1770, the circular aperture within a scrolled surround flanked by a cherub amongst bulrushes and surmounted by a cockerel, Father Time below over an owl, on tripod supports, 13 1/4" high c.f. Belinda Gentle "Domestic Metalwork 1640-1820 (ACC I994) Pg 366 for a similar example (Est. plus 18% premium inc. VAT)

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96092 item(s)/page