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A William Greatbatch creamware teapot and cover, c.1770-90, printed and coloured with 'Harlequin and Columbine discovered in an arbor', the reverse with 'A lady, her suitor and her father in a garden', signed 'Greatbatch' in the print, and a creamware tripod teapot, applied with trailing flowers and raised on three paw feet, damages and losses, 16.5cm max. (3) Provenance: the Watney collection.
A pair of Chelsea tripod stands, c.1760, a bunch of grapes hung between each scrolling foot, the top of which terminates in a shell above the flat surface, the moulding detailed in green, puce and gilt, and a larger figure stand of scrolled square form, painted with panels of birds, 8cm max. (3) Provenance: the Watney collection.
5 INCH REFRACTING BRASS TELESCOPE, SIGNED J.H. DALLMEYER, LONDON MID-LATE 19TH CENTURY with lens cap, raised on a stained oak tripod, with two boxes containing lenses, connectors and a finderscope marked T. B. WINTER/ 21 GREY ST. NEWCASTLE ON TYNE Tube 169cm long Provenance: Purchased from Lord Armstrong, Cragside, Northumberland, December 1983. Note: This telescope originally belonged to the first Lord Armstrong, who oversaw the building of Cragside, near Rothbury in the late 19th century. Designed by Richard Norman Shaw, Cragside was equipped with hydraulic machines and powered by hydroelectricity, the first in the world to do so and a revelation in its day. Lord Armstrong was a true Victorian polymath, a philanthropist, engineer, and entrepreneur, with a keen interest in astronomy. As a result, Cragside was built with an astronomical dome where this telescope was used.
PAIR OF GILTWOOD TORCHERES MID 19TH CENTURY converted to lamps, with foliate carved trumpet shaped tops above rococo stems with C scrolls, rocaille and flower trails, raised on acanthus carved tripod legs ending in shell carved feet (2) 151cm high (excluding fitting) Provenance: Ex. Blair Drummond House, near Stirling
WROUGHT IRON AND BRASS PRICKET STICK FONT 17TH/ 18TH CENTURY the open scroll tripod base with a brass basin and supporting a wrythen and knopped upright with two pricket platforms and a swing arm with a triangular pierced panel with fleur de lis and surmounted by further fleur de lis finial, suspending a shaped oval bowl with a trefoil swing handle 188cm high Property from a Highland Estate
A RARE WENHAM & STEPHENSON PATTERN BINOCULAR MICROSCOPE BY ROSS, LONDON, CIRCA 1870, heavily constructed in lacquered brass, signed on the foot plate as per title and numbered 3466, dual mirror, adjustable platforms and binocular tubes, the mirror plate signed J. Swift & Son London, contained within fitted wooden box with associated short mounted objectives -- 20« x 12.5in. (52 x 32cm.); together with a micrometer on telescopic tripod stand with eyepiece signed Powell & Leyland and numbered ~10~ (2)
A MICRO-TELESCOPE BY F. DAVIDSON & CO., LONDON, CIRCA 1920, signed on the oxidised tripod base as per title and inscribed The |Davon|, contained within fitted oak box with four nose pieces, alternative eye pieces and and sighting tubes inscribed The Davon Microtelescope -- 13« x 8in. (34 x 20cm.); together with a monocular microscope by R. & J. Beck, London, black enamelled frame with lacquered brass fittings, contained in box with accessories (2)
A 5IN. ASTRONOMICAL REFRACTING TELESCOPE BY T. COOKE & SONS LTD, LONDON & YORK, the 52in. black enamelled main tube with star finder and eyepiece signed as per title with tripod mounting, contained within stained pine box of issue with accessories including adjusting rods and alternative eye tubes, and objective glare cuff, the box -- 65«in. (166.5cm.) wide; together with a signed statement dated 1970 claiming optimum performance; substantial wooden tripod; and electric Fullerscope star tracker accessory -- 84in. (213.5cm.) high (3)
A FINE PAIR OF 40 X 80 ZEISS BINOCULARS, CIRCA 1960, signed as per title on the backplate and 10926, with rotating triple magnifiers, eyepieces for 12x, 20x and 40x magnification, tapering tube to the crackle finish and folding stand mount, contained with fitted pine box with wood tripod stand, the binoculars -- 22«in. (57cm.) high; the box 32in. (87.5cm.) wide
A WELL PRESENTED AND MODELLED WATERLINE MODEL OF THE BATTLESHIP H.M.S. IRON DUKE, FLAG SHIP AT JUTLAND 1916, the laminated and carved wooden hull with lined paper plating and decks, with details including winches, main and secondary armaments, deck rails, companionways, fitted boats in davits, tripod mast with director firing, and other details, display at anchor with boarding sponsons out, on a painted green sea within glazed wooden case, overall measurements -- 12« x 47 x 13«in. (32 x 119.5 x 34.5cm.), The formidable Iron Duke, the nameship of the class of four battleships, was laid down in January 1912, launched in October the same year and completed in March 1914. Built at Portsmouth, she displaced 25, 000 tons, measured 580 feet in length with a 90 foot beam and carried a main armament of 10 x 13«in. guns. Additionally armed with 12 x 6in. guns, the first British big-gun warship to be so, she and her sisters could steam at 21 knots and were the last coal-burning battleships in the fleet. Flagship to the Home Fleet when first commissioned, she became flagship to the C.-in-C. (Admiral Jellicoe) upon the outbreak of War and, in this capacity, was present at the Battle of Jutland. Thereafter with the 2nd Battle Squadron until the end of War, she was in the Mediterranean from 1916-26 and then in the Atlantic until 1929 after which she was reduced to a training ship. Relegated to Scapa Flow as a depot ship in 1939, she survived the Second World War despite bomb damage and was sold for scrapping in 1946.
An inlaid Edwardian mahogany occasional table of rectangular form with moulded outline and turreted corners, fan satin wood banding and boxwood stringing, raised on four square tapered and slightly swept supports united by a raised X framed stretcher, together with a Victorian walnut footstool of circular form with upholstered top and scrolled cabriole supports; and a Georgian style wine table with turned pillar and tripod
A two tier mahogany bijouterie type table of square cut form, the shallow glazed hinged top raised on four slender square cut supports and an under tier fitted with a frieze drawer; together with a mahogany coal scuttle with brass handle, a cream painted standard lamp with partially fluted column and disc shaped platform base, a wool bag with folding X framed turned bobbin supports and a Georgian style wine table with circular scalloped top raised on a vase shaped pillar and tripod (5)

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