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Lot 169
ROBERT HERITAGE for Archie Shine, a 1960s' Rosewood drum table, with 4 drawers under top, on tripod base, height 72cm, diameter 143cm - CITES A10 certificate 25GBA10J40UAPSome loss of veneer on feet, surface marks and scratches to top, good structural original condition, wear commensurate with age and use
Lot 127
Roman Gold - Aureus of Aulus Vitellius Germanicus AD 69 (April-December), Laureate head A VITELLIVS GERMAN IMP TR P, the reverse XV VIR - SACR FAC, tripod with dolphin set on top of tripod-lebes and raven standing. weight 7.4g. NB - The coin celebrates Vitellius' membership in a group of fifteen men, a major college of priests formed at Rome. They were overseers of the Secular Games, distributing purifying incense to the patrons and receiving their offerings of oats, wheat, and beans. They were known as Quindecimviri Sacris Faciundis and cared for the Sibylline Books, notable for their prophecies. The coin was issued in AD69 known as the year of the four emperors. Aulus Vitellius was born on 24 September 15 AD, in Nuceria Alfaterna, Campania. He was one of the closest companions of Tiberius. He later became consul in AD 48 and proconsular governor of Africa in either AD 60 or AD 61. At the end of 68 Galba selected him to command the army of Germania Inferior. Vitellius was proclaimed emperor late in 69 but was never acknowledged by the Roman world. Towards the end of AD69 Vespasian troops plus loyal civilian troops marched on Rome and it is noted that over 50,000 civilians perished in the urban battle, he was found and dragged from his hiding place, decapitated and his body thrown into the Tiber, his brother and son were also killed and his head paraded around the streets of Rome. His final words to the people of Rome were "Yet I was once your emperor". Provenance - Found West of Stourbridge in 2024 while metal detecting near Kingswinford West Midlands. Submitted to the BM and disclaimed PAS No WAW - 836D1F. It is believed that it is the first gold aureus of Vitellius to recorded as a find in the British Isles.
Lot 94
A Regency and later mahogany three-pillar dining table, the top with D-ends and two additional leaves, on ring-turned shafts and reeded tripod bases ending in brass castors. 290 cm overall length x 117 cm overall width x 71 cm overall height, including a later third section.All leaves are relatively flat and all sit well without sagging, some marks in the polish of the leaf insert, signs of an old crack that has been repaired, one leaf differs in colour from the others.Please see the images that illustrate the points raised.
Lot 1359
Tripod mit Räucherschale - als Duftgefäß oder Kerzenleuchter Frankreich, 1. Drittel 19. Jh. Bronze, vergoldet und teils braun patiniert. Dreifach eingezogener Sockel auf Knauffüßen unter Tripod mit Löwentatzen und Schwanenhalsendungen, als Gefäßhalter einer halbkugeligen Schale mit Doldenabschluss. Ein durchbrochener Deckel mit Dolde als Knauf bzw. gewendet als Kerzenhalter. H. 28 cm. (61312)
Lot 19
Paar Prunkvasen im Louis XV-StilHöhe: 65,5 cm.Frankreich und China, 19. Jahrhundert.Metallmontierung, vergoldet, über dreifüßigem Rollwerkfuß mit à jour gearbeiteter Wandung und Blattwerkzier. Die montierte ochsenblutglasierte Balustervase mit an der Mündung ansetztender Louis-XV-Stil- Montierung, ebenfalls à jour gearbeitet und mit plastischem Blütenwerk versehen. Montierung vermutlich aus vergoldetem Zinkguss. Minimal besch. (14116611) (13)A pair of magnificent vases in Louis XV style Height: 65.5 cm.France and China, 19th century.Metal mounting, gilt, over a tripod base with scrollwork and openwork body and foliage décor. Mounted oxblood-glazed baluster vase, the mouth with Louis XV style mount also in openwork and decorated with sculptural floral décor. Mounting probably cast and gilt zinc.
Lot 257
A PAIR OF GEORGE III CREAM PAINTED AND PARCEL GILT POLE SCREENS IN THE MANNER OF THOMAS CHIPPENDALE THE YOUNGER, CIRCA 1790 Each with a circular banner with pleated silk damask roundel, on tripod base with ram's-heads each 136cm high Provenance: Private Collection from an historic townhouse, Wimpole Street, London
Lot 241
Y A GEORGE IV ROSEWOOD AND SPECIMEN MARBLE TRIPOD TABLE BY GILLOWS, CIRCA 1820 Stamped 'GILLOWS LANCASTER', the asymmetrical specimens including porphyry 70.5cm high, 41cm wide, 40cm deep Condition Report: Overall there are some scratches, marks, chips and abrasions consistent with age and use.The rosewood top is slightly bowed so that the specimen marble section does not sit quite flush.Some cross banded veneers possibly repaired.Appealing specimen marble top on cluster column base, the carved tips of the pad feet being a nice detail.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
Lot 218
AN ITALIAN INLAID SCAGLIOLA TRIPOD TABLE 19TH CENTURY With a mahogany and satinwood banded base 74.5cm high, the top 79cm diameter Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. The scagliola and marble top with various wear, fading and discolouration - see images for details The top and base are likely associated - the top of the base appears to have been adapted to hold the scagliola element There are later screws where the uprights meet the cross stretchers Some old veneer repairs Some movement within the frame, but structurally stable overall Some old vacant pin holes to the central part of the stand - possibly from where previous mounts sat The feet appear to have been reduced in height Please see all additional images as a visual reference to condition. Condition Report Disclaimer
Lot 121
A PAIR OF GEORGE III MAHOGANY TRIPOD STANDS CIRCA 1800 92.5cm high, the tops 23 x 23cm, the bases 47cm wide Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits, chips and minor losses. The top of one plant stand with a split to the underside that runs the entirety of its length, this is not visible from the top. Both plant stands of solid, stable structure. Both with old neat dowel repairs to one leg each, see images. Some further old neat repairs throughout, including some filler use to disguise. Overall of pleasing colouring and patina. Please see all additional images as a visual reference to condition.Condition Report Disclaimer
Lot 79
Y A FINE GEORGE II MAHOGANY, BRASS AND MOTHER OF PEARL INLAID TRIPOD TABLE ATTRIBUTED TO FREDERICK HINTZ, CIRCA 1745 With a dished tilt top 71cm high, 58cm diameter Provenance: Property of a Private British Collector Acquired from Jeremy Ltd., November 1996 See Christopher Gilbert & Tessa Murdoch, John Channon and brass-inlaid furniture 1730-1760, Yale, p.118, pl. 153 and pl. 154 for tables with near identical inlay to the table top, and table base respectively. This exceptional brass and mother of pearl inlaid mahogany tripod tea table is attributed to the German cabinet maker, Frederick Hintz (d. 1772) who worked at the sign of 'The Porcupine' in Newport Street, Leicester Fields, London. The table is one of a rare though distinct group of similarly shaped and inlaid tables of very high quality, which have between 8 and 12 'lobes' and which are particularly associated with a community of émigré craftsmen resident in London. The table offered here is notable for the use of exotic mother of pearl, a scare and precious material at the time. A number of these tables featured in the 1993 exhibition, John Channon and brass inlaid furniture 1730-1760 at the Victoria & Albert Museum. The definitive work on this form is 'John Channon and Brass inlaid Furniture' by Christopher Gilbert and Tessa Murdoch, in which related examples are illustrated and it is noted that only thirty four such brass inlaid tables have ever been recorded. Hintz was born in 1711 in Settin, a town in former East Germany. By 1737 he was living in London and as a member of the Moravian Church, a protestant religious movement that grew in Germany and England during the mid 18th century comprising communities of craftsmen, he worked under the auspices of the church. He is known as a maker of stringed musical instruments and records show that in 1748 he made a harpsichord for the Moravian Chapel in Fetter Lane. He was also, as recorded in a 1738 advertisement discovered by the furniture historian, R.W. Symonds, a maker of 'Desks and Book-Cases of mahogany, Tea-Tables, Tea-Chests, and Tea-Boards etc. all curiously made and inlaid with fine figures of brass and mother of pearl. At the same time other German cabinet makers working in London included Abraham Roentgen, with whom Hintz appears to have had a close professional relationship (they travelled to Germany together in June 1738). Tables that can be attributed to Hintz are in the Victoria & Albert Museum, acquisition no. W.3-1965, and another formerly in the collection of the Duchess of Roxburghe, illustrated in Ralph Edwards, Dictionary of English Furniture, vol. III, p. 207, fig.15.' A closely related table attributed to Hintz was sold at Christies London, 22nd September 2022, property of a Lady, lot 33 ( £100,800 including premium). Another was sold Phillips, London, 10 February 1998, Lot 78 (£85,000 hammer), and another with an unusual base of anthropomorphic legs with brass-inlaid shoe feet sold Sotheby's, New York, 26 May 2000, Lot 196 ($280,750 including premium). Another smaller table, was sold in these rooms from the collection of Sir Michael Smurfit, 1st Dec 2021, lot 192 ( £24,375 including premium). Condition Report: Overall there are some scratches, marks, chips, knocks and abrasions consistent with age and use.Wear to the staining of the base, small repair to the underside of one leg, the dark staining makes it difficult to assess other repairs, some use of filler. Some splicing to the pad feet, evident largely to the underside.Striking use of engraved brass and mother of pearl inlay.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer
Lot 317
to include a MTL5, body VG, shutter working, with a Paragon f/3.5 35mm lens, a PL Noval, body G, shutter working, with aPentacon f/1.8 50mm lens, a Praktica IV F, body G, shutter needs attention, with a Domiplan f/2.8 50mm lens, an MTL50 body, G, shutter not advancing, an LB2 body, G, shutter needs attention, an MTL5 body, G, shutter jammed, and RTL1000 body, G, shutter works, an Exakta II body, F, bottom plate tripod mount missing, jammed, an Exa, body G, shutter fires, with Oreston f/1.8 50mm lens, and an Exa IIb, body G, shutter jammed, with a Domiplan f/2.8 50mm lens.
Lot 495
to include an Arriflex 16 movie camera, serial number 12397, motor spins freely, shutter opens and closes, no lenses, viewfinder clear, with spare motor, not electircally tested, 2off 400 foot film reel holders, one engraved "Tillhör Sveriges Radio K26", condition G, and a robust Arri wooden tripod.
Lot 855
Britain in the Blitz 2 Portable Air Raid Warning Sirens 2 portable air raid warning hand-cranked sirens on tripod stands. One is marked "Carter Nelson, England" & bears a brass plaque saying "Home Office Property". 81cm & 85cm tall.Neither of these works, although there is nothing obviously wrong. The crank of one machine doesn't turn and the other crank swings free without engaging.
Lot 7
A REGENCY MAHOGANY AND LACQUERED BRASS TWO-INCH REFRACTING TELESCOPEDOLLOND, LONDON, EARLY 19th CENTURYThe 28.75 inch slightly tapered mahogany tube with brass dust cap to the objective end opposing rack-and-pinion focus adjustment and telescopic eyepiece assembly threaded into the tube end piece engraved DOLLOND * LONDON to circumference, mounted via an universal pivot joint onto a rotating column turned upright over folding tripod supports cast as cabriole legs with pad feet, in original mahogany box with additional eyepiece tube, eyepiece lens and a filter.The box 77cm (30.25ins) long, 16.5cm (6.5ins) deep, 10cm (4ins) high. Peter Dollond is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1680-1860 as born 1730 and died 1820. He was the son of John Dollond, a Huguenot silk weaver and started business as an optician in 1750. He was joined by his father in 1752 until his death in 1761, and then by his brother, John, until his death in 1804. The family business was continued by Peter Dollond's nephew, George Huggins, who changed his surname to Dollond. George Dollond became instrument maker to William IV and Queen Victoria, exhibited at the Great Exhibition in 1851 and died 1856. The firm became one of the largest makers and suppliers of scientific and optical instruments and continued trading under various guises throughout the 19th and 20th centuries.
Lot 204
A small vernacular elm milking stool, 19th century, of asymmetrical tripod form, 41cm wide34cm deep30cm highCondition ReportGeneral knocks, surface wear, old splits and scratches commensurate with age and use. Previously painted and refinished. Old leg joints visible to the top indicate that it was historically converted from another piece of vernacular furniture - numerous cut marks beneath indicate that it was possibly another stool, or a pig bench. Old repairs and replacement legs. Joints sound and solid. Overall appears in good structural and cosmetic condition.
Lot 609
A George II-style oak and pollard oak tripod table, 19th century, the circular top above a gun-barrel turned column, raised on foliate-carved supports, terminating in paw feet, 75cm diameter 75cm highCondition ReportGeneral surface knocks and marks to the top with age and use. Some old chips and small losses to edge. General wear to column and supports. Hinged action functional. Joints are sound and solid.
Lot 69
An Empire-style painted oak guéridon, 19th century, French, the white marble top raised on a hexagonal baluster column and scrolling tripod base, terminating in paw feet,97cm diameter74cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportSome scratches to the marble top, general rubbing, wear, scratches, and loss to painted decoration, which is probably later. General knocks, wear, and some splits to frame, base, and feet. Joints sound and solid. Overall in pleasantly distressed condition and ready for use.
Lot 511
A pair of George II-style mahogany tripod occasional tables, late 19th/early 20th century, each pie-crust top above a turned column and knee-carved supports, terminating in claw and ball feet, 59cm diameter 73cm high (2)Condition ReportGeneral knocks, surface scratches, and marks throughout with age and use. One top split and repaired. Both tops with fading and wear. Snap actions are functional. General knocks to column and supports. Joints are sound and solid.
Lot 114
A George III scumbled oak tripod occasional table, early 19th century, the circular top raised on a baluster column and scrolling supports, 59cm diameter 60cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportPresents in generally rustic fashion with knocks, wear, splits, and losses throughout commensurate with age and use. Splits and separation to the top with historic woodworm and rot damage, none of which appears active. One foot lacking. Some old repairs. Generally sound and solid, however, and it is perfectly usable.
Lot 490
An oak tripod table, second half of the 18th century, the circular snap top raised on a turned baluster column and three scrolling supports, 69cm diameter 71cm highCondition ReportThe top scrubbed and refinished with a repaired split and general surface wear. The top is fairly warped. Hinge and snap action functional. General knocks, wear, splits, scratches, and small repairs to the column and legs commensurate with age and use. Joints are relatively sound and solid. Overall, the piece presents in fairly good structural and cosmetic condition and is perfectly usable in its current state.
Lot 319
A Victorian 2¾in brass refracting telescope by Dollond and Co., London, mid-19th century, with a lacquered brass body tube with rack-and-pinion focusing and star-finder above, mounted on a racked semicircle, twin five-draw telescopic steadying bars, tapering pillar support above a folding tripod stand, a pair of mahogany-handled struts for rotating and elevating the telescope, with five lenses together with a mahogany and brass-mounted tripod stand, signed 'Dollond London',43in long, with a hinged mahogany case, labelledstand 120cm wide120cm deep161cm highCondition ReportSome dents to the body, knocks and wear. Mahogany tripod with some ships and knocks.Case with carrying handles. No key. Some knocks and stains.
Lot 401
A Victorian mahogany hatstand, c.1840, with a turned baluster column issuing nine brass hooks, raised on tripod supports, terminating in bun feet,45cm wide 45cm deep 185cm highCondition ReportGeneral scratches and knocks throughout with age and use. Strengthening replacement screws. General knocks, tarnish, and discolouration to some hooks, which are possibly a little shaken. Greater knocks, wear, scuffs, and marks to supports. Joints are sound and solid. Overall, the piece appears in fairly good usable order.
Lot 13
A Gothic Revival pine floor lamp, second half of the 19th century, with a domed glass shade and cut-glass reservoir, raised on a moulded column with tripod supports, converted from an oil lamp,75cm diameter192cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportSome light wear and scratches to the glass elements. Dirt, tarnish, and discolouration to gilded brass. Lacking a metal collar to the column. Some fading, chips, scratches, and small paint splatters to the pine frame. Overall, joints are sound. Passed PAT test
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