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Lot 109
Three pieces of miniature furniture - three-drawer chest with column supports and simulated marble top L29cm, octagonal mahogany tilt-top tripod table and lyre back dining chair, together with mahogany square section jardiniere (4) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 79
A pair of painted composition twin-light wall appliques and a similar occasional tripod table, all decorated by Nicky HaslamThe appliques in the Rococo style, the white ground painted with green spots, fitted for electricity and with fabric half shades, the table of tripod form similarly decorated, 81cm high 31.5in high) the wall appliques 81cm high (31 1/2in high) (3)This lot is subject to the following lot symbols: TP
Lot 164
A George III mahogany and brass mounted tripod table, circa 1770, in the manner of Frederick Hintz, the fiddle back mahogany top with shaped edge, above the turned and spirally fluted stem, on three downswept cabriole legs with engraved brass mounts to the knees and feet depicting acanthus and shaped reserves decorated with trellis, with concealed brass castors, 71cm high, the top 64 x 54cm
Lot 169
A Regency pollard oak and brass marquetry circular table, by George Bullock, circa 1815, the top decorated with brass marquetry depicting repeating foliate designs, the turned stem with ebonised detail, above a shaped triangular plinth decorated with further foliate brass marquetry, and three downswept legs surmounted by ebonised roundel terminals and on ball feet, 73cm high, the top 75cm diameter For a table by George Bullock that is almost identical in overall design and scale to the current table being offered (but adopts alternate marquetry also based on the Wilkinson Tracings) see Christie’s Important English Furniture, 27th November 2003, Lot 160 (£65,725). The table sold by Christie’s also had firm provenance to Great Tew Park. Bullock had supplied the table with various other items of furniture to M. R. Boulton (d. 1842) and by descent to Major Eustace Robb, Tew Park, Great Tew, Oxfordshire (sold Christie's house sale, 27-29 May 1987, lot 33) The remarkably similar table supplied for Tew Park was made for the Drawing Room and invoiced in 1817 as '1 Circular Oak Loo Table richly inlaid with Holly & white mouldings £28'. George Bullock's 'sketch' for the centre table for Matthew Robinson Boulton's Drawing Room is likely to have been the pattern sent in January 1816 following his December visit to Tew 'with the view to the preparations of the furniture'. Named a 'Loo table' after a card-game, its circular 'altar' form on Grecian-scrolled 'claw' evolved from the monopodium table illustrated in Thomas Hope's Household Furniture and Interior Decoration, 1807 (pl. XXXIX). The inlay patterns survive in the 'Bullock' tracings executed by Thomas Wilkinson from George Bullocks designs in 1820 (preserved in the Birmingham City Art Gallery) as they do also for the main marquetry elements of the current table. Another remarkably similar centre or ‘Loo’ table is illustrated in George Bullock: Cabinet-Maker. London: John Murray Ltd., 1988, page 100. The illustrated example has identical marquetry to the example currently being offered at the centre of its top, however the illustrated example lacks the outer border of ‘etruscan laurel’ marquetry that the current example is decorated with. A sofa table attributed to George Bullock, decorated with Etruscan laurel marquetry banding closely relating that which decorates the current table was offered at Christie’s, London, Important English Furniture, 6th April 2000, Lot 123 (£44,650). Other pieces firmly attributed to or known to be by George Bullock also feature the same or very closely related design of marquetry. This includes a tripod table (also incorporating brass inlay) supplied in 1814 by Bullock to John, 4th Duke of Atholl for Blair Castle, Perthshire (illustrated in C. Wainwright, George Bullock, Cabinet-maker, 1988, p.67, fig.8.).
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