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A turned oak torchere bearing an engraved brass plaque with inscription "Constructed of old oak from St Paul's Cathedral", comprising a single-bine twist-turned column supported on a cluster of three similar columns and a tripod base of three scroll legs, late 19th / early 20th Century, 114 cm
A late Victorian/Edwardian Aesthetic movement oak and brass revolving bookcase, circa 1900, brass mounted book dividers with a dome handle, above a moulded rectangular plateaux, twisted pillars, raised on splayed supports united by incurve tripod form stretchers on globe feet. 103cm H x 29cmCondition Report:Good overall condition in need of cleaning.
Pair of late Victorian Royal Worcester blush ivory figural candlesticks, each modelled as a semi-naked female term with arms raised behind her head, on monopodia and foliate tripod support, puce printed mark with date code 1876/91, plus impressed number 726 012 beneath, 28cm high Condition: No obvious faults or restoration **General condition consistent with age
A George III mahogany tripod table, circa 1765, the hinged circular top, above a fluted and spirally reeded turned baluster stem, on scroll moulded outswept tapering cabriole legs, on scroll feet and castors, 73cm high, the top 87cm diameter Provenance:Property from a Sibyl Colefax & John Fowler Interior, London
A George III padouk tripod table, circa 1775, in the manner of Ince & Mayhew, the hinged rectangular top above the reeded and turned baluster stem, on downscrolled tapering legs, terminating in scroll feet, 68cm high, 59cm wide, 42cm deep Provenance:Property from a Sibyl Colefax & John Fowler Interior, London For a related form of table attributed to Ince & Mayhew see, Christie's, London, Important English Furniture, 23rd November 2006, Lot 41 (£69,600).
Y A George III satinwood and rosewood crossbanded tripod table, circa 1790, in the manner of Thomas Sheraton, the rectangular top above the turned tapering baluster stem, on three downswept tapering rectangular legs, terminating in squat spade feet, 71cm high, the top 37 x 36cmCondition Report: Minor marks, scratches and abrasions comensurate with age and use.Polished surface. Good presentable and useable condition overall. Minor old repairs only visible to the banding of the top in very few areas and a small dowel/ peg joint added to the upper joint of one leg that has been very neatly executed. Whilst the base and top appear original to eachother, the moulding connecting the two has had some adaption. The top of the stem unscrews as is nice to see however the aperture into which it screws may possibly be a later but old replacement (see images) High quality cuts of satinwood, particularly to the top which is particularly attractive. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Regency black lacquer and gilt chinoiserie decorated tripod occasional table, circa 1815, the circular top decorated with figures in a village scene, above the turned tapering baluster stem, on lion monopodiae legs terminating in lion paw feet and castors, 71.5cm high, the top 63cm diameter
A George III mahogany tripod table, circa 1760, the hinged 'pie crust' top, above a turned tapering baluster stem incorporating a spirally reeded terminal, on acanthus and bell flower carved tapering cabriole legs, 69cm high, the top 59cm diameter Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Catch appears original. Of cleaned polished/appearance. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George III mahogany tripod table, circa 1770, the hinged circular 'pie crust' top, above the turned tapering stem incorporating a spirally fluted terminal, on acanthus carved tapering outswept cabriole legs, on claw on egg feet, 61cm high, the top 45.5cm diameterProvenance:Property from a Sibyl Colefax & John Fowler Interior, London
A George III mahogany tripod table, circa 1770, in the manner of Thomas Chippendale, the hinged hexagonal top, above the turned tapering stem incorporating a spirally reeded terminal, on outswept tapering cabriole legs, terminating in pad feet and leather castors, 71cm high, the top 69 x 56.5cm Provenance:Property from a Sibyl Colefax & John Fowler Interior, LondonIn 1764 Thomas Chippendale (d. 1779) supplied two related tables, veneered in amber-coloured 'Guadelupe' mahogany to Sir Lawrence Dundas for his London mansion in Arlington Street (see C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. I, pp. 156 and 159 and vol. II, fig. 470). For a remarkably similar table attributed to Thomas Chippendale see, Christie's, London, Important English Furniture, 27th November 2003, Lot 15 (£71,700).
A Chinese late Qing Dynasty (1644-1912) cast polished bronze floor standing incense burner, the tripod supports with taotie mask finials, extending to a lobed globular body with knopped central stem and lotus leaf sectional adornment, raised on a carved ruyi form hardwood stand, height 83cm.
Neoklassizistisches Gueridon mit Amethystplatte H. 70/D. 61 cm Holz, Reliefschnitzerei und graue Fassung. Dreibeinig, geschnitzt mit Löwenköpfen, die Beine endend in Tatzenfüßen. Runde Auflageplatte aus Amethyst. Leichte Altersspuren. Ähnlich einem "Römischen" Tisch mit Marmorfüssen und Mosaikplatte bei Koeppen & Breuer, Verlag B. Hessling, Berlin. A NEOCLASSICAL GRAY PAINTED AND CARVED GUERIDON WITH AMETHYST VENEERED TABLE TOP. The circular top above a tripod base, carved with lion heads ending in paw feet. Minor traces of use. This splendid carved and painted center table is closely related to a Roman design, shown in Koeppen & Breuer, Verlag B. Hessling, Berlin.
Silbergefäß TripodSilbergefäß Tripod auf Tatzenfüßen mit Maskarons. Eiförmiges G Silbergefäß Tripod Silbergefäß Tripod auf Tatzenfüßen mit Maskarons. Eiförmiges Gefäß mit rundum gepunztem Dekor. 3-fach gestempelt unidentifizierte Meister-Stadtmarke. Meister F.P. H: 7,8 cm. Gew. 75 g. Wohl deutsch 18.Jh.

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96096 item(s)/page