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Original color woodblock print on paper entitled Mountains of Izumo, Shimane Prefecture by Modern Master printmaker and wood cutter Un'ichi Hiratsuka, leader of 20th century's artistic movement Sosaku Hanga (Creative-Print.) UN on lower left. Graphite signature in Japanese characters on left margin. Exhibited at the Art Museum of Chicago's 2001 Modern Master retrospective and illustrated in the exhibition catalogue, page 52. Housed in a museum mat. Artwork dimensions: 8.75"L x 5.50"H. Mat size: 14.25"L x 11.25"H. Artist: Un'ichi Hiratsuka (Japanese 1895-1997)Issued: 1932Country of Origin: JapanProvenance: Van Zelst Family Collection Condition: Age related wear. Some creases on lower side of paper.

Large original black and white woodblock print on paper by Japanese Modern Master printmaker and wood cutter Un'ichi Hiratsuka. Horyu-ji Temple in Early Autumn, Nara, depicts a view of the oldest temple in the world with its Asuka-style pagoda. He explains: I sketched it before various repairs were made. The trees in the foreground are in a decorative style in order to make the tower stand out. Exhibited in the 2001 Modern Master show at the Art Museum of Chicago and illustrated in the exhibition catalogue, page 71. Red seal on lower right side. Signature and date on lower right: Un-ichi Hiratsuka 1961. Title on lower left: Horyu-ji Temple in Early Autumn. Housed in a black wooden frame with a museum rag mat board and a conservation reflection control glass. Artwork dimensions: 23.75"L x 31.50"H. Frame size: 31"L x 39.75"H x 1.75"W. Artist: Un'ichi Hiratsuka (Japanese 1895-1997)Issued: 1942Country of Origin: JapanProvenance: Van Zelst Family Collection Condition: Age related wear.

Quantity of modern art glass to include; vases, Caithness 'Dragonfly' paperweight, Lalique-style frost glass bird, etc., 12cm high and smaller

John BARNICOAT (1924-2013) Cornish Landscape, 1958 Oil on canvasSigned and dated 195861 x 51cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022. This work has pronounced ageing cracks. We believe it to be stable.

A modern French Art Deco style circular oak dining table with inset smoked glass top and raised on spider legs, 110x77cm, and four matching chairs.Good condition.

Ken Howard (1932-2022), The Natural History Museum, London, oil on canvas, signed, 118cm x 90cmProvenance: Messrs Bainbridges, London, 2019. One of 17 early works given to the then vendor by Howard in 1974 when he purchased Howard's home 'Meadowside' in Albert Road, Hampton Hill, Middlesex. Thence Louise Kosman, Modern British Art, and Messrs Bonhams, London, 21st July 2021 to the present vendor. (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

[Shooting & Game] Guns & Game by Mackenzie 1906. Oke’s Game Laws by J.W. Willis Bund 1897. Lord Home’s Border Reflections on Art of Shooting & Fishing SIGNED. So this was Shooting Flying by Vandervell SIGNED & LIMITED. Highland Deer Stalker by Gibson SIGNED by Iain Thornber with Autograph Letter. New Poacher's Handbook by Ian Niall. By Covert, Field & Marsh by Sedgwick. Shooting on a Small Income 1900. Notes on Game Laws. Days on The Hill by An Old Stalker LIMITED. Modern Game Shooting (Lonsdale Library). The Frequent Gun & Little Fishing 1928. At The Sign of the Dog & Gun 1930. Modern Shooter & others by J. Wentworth Day, books on Pheasants, Game Keeping etc (47)

Nine contemporary art books, Modern Masters Of Etching, including G L Brocklehurst, Charles Meryon, James McNeil Whistler, H Rushbury, etc (9)

Auction Catalogues. A large collection of approximately 350 modern auction catalogues, c. 1990s and later, including approximately 250 photography auction catalogues from Sotheby's, Christie's, Bonhams, Bassenge, Lempertz, Dajan, etc., the remainder mostly Islamic and Indian art, etc.QTY: (approx. 350)

Chambers (William). Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings at Kew in Surry, the Seat of Her Royal Highness the Princess Dowager of Wales, 1st edition, London: J. Haberkorn, 1763, 34 engraved plates (of 43), a few plates damp-stained at head (touching a few plates), title and preliminaries damp-stained to gutter, ownership stamps to title and many leaves (within plate margins but not affecting image), erased contemporary ownership inscription at head of title, contemporary calf-backed marbled boards, heavily worn, stained, spine deficient, folio, together with:Muthesius (Hermann). Die Englische Baukunst der Gegenwart, beispiele neuer Englischer profanbauten, Leipzig and Berlin: Cosmos, 1900, 110 photographic plates, lightly spotted, contemporary crushed brown half morocco gilt, some wear to extremities, folio, plusLeyburn (William). The Mirror of Architecture: or the Ground-Rules of the Art of Building. Exactly laid down by Vincent Scamozzi, master-builder of Venice, 6th edition, London: J. and B. Sprint, 1721, engraved frontispiece, engraved plates throughout, neat ownership inscriptions to front blank, spotting, bound with Architectionice: Or, a compendium of the art of building, London: J. and B. Sprint, 1721, engraved plate, spotting, both works bound in modern brown half morocco gilt, 8voQTY: (3)NOTE:Berlin Kat. 2337; Fowler 87; Harris 121 (for first work).

EVA STAEHR-NIELSEN (DANISH 1911-1976) FOR SAXBO, A studio pottery spherically shaped vase with brown haresfur glaze and stylised flower decorations, 1930s, the underside with impressed Saxbo yin-yang symbol, 'SAXBO / DANMARK', and model number '121'.Height 9.5cm.FOOTNOTE Saxbo ceramics are held in the collections of the Copenhagen Industrial Arts Museum, The Swedish National Museum, the New York Museum of Modern Art and the New York Metropolitan Museum of Arts.

A Modern Trench Art Military Shell Base Sculpture Presented By "Infantry Safety Staff 1983"

▲ Prunella Clough (1919-1999) 'Past Event', 1976 signed 'Clough' with a further abstract painting verso, oil and brick dust on canvas 129.5 x 116.5cm Provenance: The Estate of Christopher Bangs. Exhibited: Arts Council of Great Britain, 'Recent Paintings by Prunella Clough', Scottish National Gallery of Modern Art, Edinburgh, 18 September - 17 October 1976, and Serpentine Gallery, London, 23 October - 21 November 1976, catalogue no.29. Clough was inspired to create this work following an experience of a gust of wind blowing brick dust out of a disused warehouse in Docklands, London. Condition ReportFramed: 131 x 118cm Some small spots and speckles of light surface dirt. Under raking light there is some variation in tone to the gray but this appears to be by the hand of the artist. A little thinning to the paint in the lower right corner. Overall presents well. Examined under UV light there is no obvious retouching.

A MODERN MIRRORED DRESSING TABLE in Art Deco style 71cm wide, matching stool, and a single mahogany dining chair (3)

Art. A folio collection of approx. 65 exhibition and gallery posters, late 20th/21st c, mostly Modern British artists, including Graham Sutherland, off-sets, mixed sizes Mixed condition. Mostly good.

Five watches and several pens, including an Art Deco gold plated watch and others, together with a Parker fountain pen with 18ct gold nib and six modern pens

A modern Tissot Ballade gold plated wristwatch and an Art Deco silver cigarette case, also a damaged pocket watch, the case 12.5cm and weighs 6.68 ozt (3)

Six framed posters and prints to include: 'Henry Matisse - A Retrospective' at The Museum of Modern Art, New York, 1993, 68 x 63 cm; 'Picasso und Seine Zeit, Die Sammlung Berggruen' 1996, 83 x 58 cm; 'La revue blanche' with illustration by Edward Ancourt; Corner Jennings - 'Chambered Nautilus' signed lithograph published by Colour Graphics Inc. 1978, 50 x 52 cm; together with two posters for 'Regata Storica' exhibtion at Comune di Venezia, 1979, 70 x 100 each (6)

David Hockney (British, b.1937) - Forty Years of Modern Art 1945-1985 - A vintage 20th century exhibition poster published by the Tate Gallery featuring ' The Splash ' Tate Reproduction of 1986 poster. Unframed. Measures approx. 60cm x 42cm (23.5" x 16.5").

Two amethyst glass vases together with a further modern Art Glass fruit bowl (3)

THREE BOXES, A BASKET AND LOOSE SUNDRY ITEMS, to include a boxed 'Mitor' No 88 Plough Plane, an art deco style Comet stapler, a modern Castrol oil can, brass animals and spill holders in the forms of boots, plated ware, a framed early twentieth century? photograph of three children, a doll, etc (3 boxes + basket + loose) (sd) These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history

A MODERN PRINT BY THE ART OF AERO COLLECTION, TWO 19TH CENTURY ENGRAVINGS, A LATER ETCHING AND A WATERCOLOR STILL LIFE STUDY BY SAMANTHA PADGET.

A WATERCOLOUR OF A CONTINENTAL CASTLE, AN OIL OF A DOG, PRINT OF CHIKEN AND MODERN ART ABSTRACT.

Modern wall art with five square metal panels and another with three fans, 106 x 92cm (2)

Archibald George Barnes RP ROI RI (British, 1887-1972): a half length portrait of a woman, signed lower right, oil on canvas, 75 by 62cm, in modern gilt frame, 87 by 74cm, together with original letter detailing the purchase via The Fine Art Society for £120 in October 1923.

Collection of books, to include G A Foan; The Art and Craft of Hairdressing, M Verni; Modern Beauty Culture, E L Raymond; Sights and Scenes of the World and Gill & Briggs; The History of Birmingham in two vols, together with six copies of Connoisseur Magazine and three copies of The English Review

An Art Deco style platinum 0.2ct solitaire diamond ring, set with modern round brilliant-cut diamond and floral engraved shoulders, diamond weight calculated from measurements: 4.08 x 2.00mm, apparently unmarked, setting height 8.3mm, size N, 5.5g Condition Report: No damage or repair, general wear to high points, diamond relatively bright, unmarked but tests as platinum

A modern 18ct white gold aquamarine and diamond dress ring, in Art Deco style, claw set with 0.7ct round-cut aquamarine and modern round brilliant-cut diamonds, with foliate engraved bridge and shank, size M, 3.2g Condition Report: No damage or repair, all stones present, diamonds bright and fiery, engraved 18k

An Art Deco style platinum aquamarine ruby and diamond square panel ring, set with square-cut rubies and modern round brilliant-cut diamonds, total diamond content approx 0.6ct, setting height 13mm, size O, 6.7g Condition Report: No damage or repair, all stones present, diamonds bright and fiery, stamped Plat

An Art Deco 9ct gold three stone blue topaz and diamond crossover ring, platinum-topped set with square-cut topaz and modern round brilliant-cut diamonds, total diamond content approx 0.1ct, setting height 11.2mm, size N, 2g Condition Report: No damage or repair, all stones present, diamonds relatively bright and fiery, topaz has minor facet edge abrasions, stamped 9ct and Plat

A sapphire and diamond cross cluster panel ring, in the Art Deco style, set with oval cabochon sapphires and modern round brilliant-cut diamonds, setting height 12.5mm, size P, 5.4g Condition Report: No damage or repair, all stones present, light wear to high points, unmarked

An Art Deco 'Day And Night' swivel eternity ring, half of central band channel set with calibre-cut rubies and other half with calibre-cut sapphires, with modern round brilliant-cut diamond set swivel half bands, apparently unmarked, combined band width 8.5mm, size L, 5.8g (A/F) Condition Report: 1 diamond band is detached at 1 side, ring also slightly off-round, all stones present, high points heavily worn, unmarked

A modern Japanese art pottery bowl, of irregular form, decorated fish, signed, 46 cm wide

Assorted Books, including: Kreymborg (Alfred), Funnybone Alley, The Macaulay Company, 1927, blue cloth, gilt; Robertson (W. Graham), A Masque of May Morning, John Lane The Bodley Head, 1904, plates, pictorial cloth; Massey (Gerald), A Book of the Beginnings., two volumes, Williams and Norgate, 1881; Boutell (Rev. Charles), The Monumental Brasses of England, George Bell, 1849; Schiller (Gertrud), Iconography of Christian Art, two volumes; fourteen volumes of The Cambridge Modern History; four volumes of the Dictionary of the Bible; several box files of photocopies relating to Nostradamus; and others on history, theology/religion, etc. [Provenance - The Fred Gettings Library]. (qty: 7 boxes)

Assorted Books, including: Robinson (Jacob) and Gilpin (Sidney), North Country Sports and Pastimes. Wrestling and Wrestlers...To which is added Notes on Bull and Badger Baiting., London: Bemrose & Sons. Carlisle: The Wordsworth Press., 1893, half calf gilt; Brookes (R.), The Art of Angling, lacking title-page, woodcut illustrations; Wright (Rev. G. N.), An Historical Guide to Ancient and Modern Dublin., London: Printed for Baldwin, Craddock, and Joy, 1821, full calf; and others, including Modern Power Generators, two volumes, antiques reference, maps, antiquarian, etc. (6 boxes)

Marvel Comics: Daredevil No. 1, (April 1964) CGC Restored Grade 3.5 (Slight C-1) Cream to Off White Pages. UK Price variant. 1st appearance and origin of Daredevil (Matt Murdock). 1st appearance of Karen Page and foggy Nelson. Story by iconic Marvel creator and founder Stan Lee, cover by Bill Everett and Jack and Kirby, interior art by Bill Everett (splash art page by Jack Kirby).A key 1st issue from Marvels Silver Age of titles featuring one of the publishing house's most popular characters, introducing Daredevils Yellow costume. Spider-Man and Fantastic Four appear on the cover but not in the story inside. Graded by CGC and protectively slabbed within CGCs modern style perspex capsule.CGC serial number:4337260002CGC Grader notes:Chip out left bottom of back cover.Creasing to cover.Small amount of glue on spine.Spine split sealed bottom interior spine C-1.Staining to cover.Tear seals bottom back cover C-1.Wear to cover.(1)Condition Report: CGC Restored Grade 3.5 (Slight C-1) (VG Minus) Cream to Off White Pages.

DC Comics: Batman No. 227 (1970). Featuring an iconic homage cover by Neal Adams. Created in tribute to the now-legendary cover of Detective comics No. 31 Classic Batman over Castle cover art by Bob Kane, Neal Adams refreshed the image for modern audiences in 1970 with an updated, more horror orientated focus. This lot features: Batman (1st series) No. 227 Creators: Cover art by Neal Adams, story by Denny O'Neil, interior art by Irv Novick, inks by Dick Giordano. 1st prints, cents copy. Bagged and boarded in new polypropylene bag and comic board. ~(1)

Marvel Comics: Iron Man No. 1, (May 1968) CGC Restored Grade 7.5 (Slight/Mod C-2) Off-white to white pages. US Cents copy.1st series of Iron Man, story continued from Iron Man and Sub-Mariner No. 1.Features the origin of Iron Man (Tony Stark) retold.Story by Archie Goodwin, cover by Gene Colan, interior art by Gene Colan and Johnny Craig.A key 1st issue from Marvels Silver Age featuring one of Marvels most popular characters introducing Iron Mans 1st ongoing solo series. Graded by CGC and protectively slabbed within CGCs modern style archival-grade capsule.CGC serial number:4337260001CGC Grader Notes:Restoration includes: small amount of colour touch on cover. Spine Stress lines. All 3 edges trimmed.(1)Condition Report: CGC Grader Notes:Restoration includes: small amount of colour touch on cover. All 3 edges trimmed.

DC comics: Superman & Superboy. A group of 130 silver, bronze and modern-age comic book issues (1974 - 2011).A collection of comic titles and issues featuring Superman (Clark Kent) in his younger and older iterations as Superboy and Superman.Superman is a superhero comprehensively regarded as the first published Superhero and the origin point of superhero characters in American comic-book publishing. The character was created by writer Jerry Siegel (1914 1996) alongside his friend and fellow creator Joe Shuster (1914 1992) who handled interior and cover art duties. The character first appeared in Action Comics No. 1 (April 18th 1938) and continues to be published to this day.This lot includes:SUPERMANSUPERMAN VOL 1 (1974-2011) No. 283, 299, 305, 308, 312, 331, 340, 345, 347, 349, 350, 352, 353, 357, 657, 713.SUPERMAN VOL 2 (1988-1998) No. 17, 19, 26, 27, 35, 39 51, 56, 60, 61, 63, 65, 67, 69-72, 78a, 79, 81-84, 115, 136, 189, 206, 214, 223, 1000,00, VOL 2 ANNUAL (1996): No. 8, 10.VOL 3, No. 40 ,44. VOL 4, No. 33, 41. VOL 5, No. 23.ADVENTURES OF SUPERMAN (1987 - 2006) No. 426, 434, 437, 443, 446, 450, 453-455, 459, 461, 462, 465, 469-471, 484-486, 493-495, 498, 501, 506, 541, 542, 545, 550, 612, 624, 628, 629, 634, 635, 637, 638, 648, 649, ONE MILLION.ADVENTURES OF SUPERMAN ANNUAL No. 3 & 4.SUPERBOYNEW ADVENTURES OF SUPERBOY (1980) No. 1, 4-6.SUPERBOY VOL 1 (1975-79) (ALSO KNOWN AS SUPERBOY AND THE LEGION OF SUPERHEROES) No. 212-215, 217, 219, 225, 228, 229, 233-242, 246, 255, 256. 2 KEY ISSUES.SUPERBOY VOL 2 (1991) No. 12.SUPERBOY: FUTURES END (2014) No. 1.SUPERBOY: SPECTACULAR (1979) No. 1.All issues come bagged and boarded in new Polypropylene bags and comic boards.~(130)Condition Report: Modern-age Issues mostly present as High Grade. Averaging approximately NM condition (9.4). Silver and Bronze age issues vary in condition.

Marvel Comics: Incredible Hulk 180, (October 1974) CGC Universal Grade 5.0. Off-white to White pages. US Cents copy. 1st appearance of Wolverine in cameo on last page. Wendigo appearance on cover and within interior. Story by len Wein, cover by Herb Trimpe, interior art by Herb Trimpe and Jack Abel. A key issue from Marvels Silver Age featuring the very 1st appearance of Wolverine, one of Marvels most popular characters. Appearing in full now-iconic Blue and yellow costume, named as a character and speaking this 1st appearance of one of comic books most enduring creations continues to be increasingly sought after. Graded by CGC and protectively slabbed within CGCs modern style archival-grade capsule. CGC serial number:4337259004CGC Grader Notes:Chip out left center of back cover.Wear spine breaks color.Multiple crease cover breaks color.(1)

Captain America (Marvel) 70+ comics from 1967 onwards, No's 100-112, 114, 115, 118-135, 137, 146, 160-171, 176, 178, Specials & duplicates. Featuring many iconic covers, rare issues and sought after issues, this is a must for Captain America fans and comic collectors looking to start their runs of early and rare Captain America issues. A selection of more notable issues detailed below. Vast majority Cents copies. All complete with no coupons cut in approximately FN (6.0 condition).A small selection of Modern New Avengers (Marvel) 20+ comics from 2010 onwards. Nos 1-13, 19-20, 26-27, 50-60 and others.Captain America No 100. Cents copy, 1967. First issue, continued from Tales of Suspense 99. Origin of Captain America retold, as originally depicted in Avengers 4, in "This Monster Unmasked!", script by Stan Lee, pencils by Jack Kirby. VG+ Condition / 4.5Captain America No 101. Cents copy, 1967. VG Condition / 4.0Captain America No 101. (2nd copy) Cents copy, 1967. G Condition / 2.5Captain America No 102. Cents copy, 1967. VG Condition / 4.0Captain America No 102. Cents copy, 1967. Iconic Red Skull cover. Jack Kirby Art. FN- Condition / 5.5Captain America No 104. Cents copy, 1968. VG+ Condition / 4.5Captain America No 105. Cents copy, 1968. FN condition / 6.0Captain America No 106. Cents copy, 1968. VG+ Condition / 4.5Captain America No 107. Cents copy, 1968. FN Condition / 6.0Captain America No 108. Cents copy, 1968. FN+ Condition / 6.5Captain America No 109. Cents copy, 1969. Origin of Captain America retold! Iconic cover and cover and key issue FN- Condition / 5.5Captain America No 109. (2nd copy) Cents copy, 1969. Origin of Captain America retold! Iconic cover and cover and key issue. G Condition / 2.5Captain America No 110. Cents copy, 1969. 1st app of Madam Hydra! Key issues and Iconic cover Jim Steranko Hulk cover! Excellent cover gloss. FN Condition / 6.0Captain America No 111. Cents copy, 1969. Another absolutely classic Jim Steranko cover! VG/FN Condition / 5.0Captain America No 112. Cents copy, 1969. Excellent cover gloss. FN/VF Condition / 7.0Captain America No 114. Cents copy, 1969. Iconic Red Skull Cosmic Cub cover, Stan Lee Story, Art by Sal Buscema, FN- Condition / 5.5Captain America No 118. Cents copy, 1969. 2nd appearance of The Falcon! Stan Lee Story, Art by Gene Colan, VG/FN Condition / 5.0(Approx 90+)Condition Report: Captain America No 100. Cents copy, 1967. First issue, continued from Tales of Suspense 99. Origin of Captain America retold, as originally depicted in Avengers 4, in "This Monster Unmasked!", script by Stan Lee, pencils by Jack Kirby. VG+ Condition / 4.5Captain America No 101. Cents copy, 1967. VG Condition / 4.0Captain America No 101. (2nd copy) Cents copy, 1967. G Condition / 2.5Captain America No 102. Cents copy, 1967. VG Condition / 4.0Captain America No 102. Cents copy, 1967. Iconic Red Skull cover. Jack Kirby Art. FN- Condition / 5.5Captain America No 104. Cents copy, 1968. VG+ Condition / 4.5Captain America No 105. Cents copy, 1968. FN condition / 6.0Captain America No 106. Cents copy, 1968. VG+ Condition / 4.5Captain America No 107. Cents copy, 1968. FN Condition / 6.0Captain America No 108. Cents copy, 1968. FN+ Condition / 6.5Captain America No 109. Cents copy, 1969. Origin of Captain America retold! Iconic cover and cover and key issue FN- Condition / 5.5Captain America No 109. (2nd copy) Cents copy, 1969. Origin of Captain America retold! Iconic cover and cover and key issue. G Condition / 2.5Captain America No 110. Cents copy, 1969. 1st app of Madam Hydra! Key issues and Iconic cover Jim Steranko Hulk cover! Excellent cover gloss. FN Condition / 6.0Captain America No 111. Cents copy, 1969. Another absolutely classic Jim Steranko cover! VG/FN Condition / 5.0Captain America No 112. Cents copy, 1969. Excellent cover gloss. FN/VF Condition / 7.0Captain America No 114. Cents copy, 1969. Iconic Red Skull Cosmic Cub cover, Stan Lee Story, Art by Sal Buscema, FN- Condition / 5.5Captain America No 118. Cents copy, 1969. 2nd appearance of The Falcon! Stan Lee Story, Art by Gene Colan, VG/FN Condition / 5.0Vast majority Cents copies. All complete with no coupons cut in approximately FN (6.0 condition

Marvel Comics: Incredible Hulk 182, (December 1974) CGC Universal Grade 9.6. White pages. US Cents copy. 3rd appearance of Wolverine (cameo on 1st page), 1st appearance of Hammer and Anvil. 1st appearance and death of Crackajack Jackson. Story by len Wein, cover by Herb Trimpe, interior art by Herb Trimpe. A key follow-up issue from Marvels Silver Age featuring the 3rd appearance of Marvels most popular characters Wolverine in a nearly perfect 9.6 grade. Graded by CGC and protectively slabbed within CGCs modern style archival-grade capsule. CGC serial number: 4337259003 CGC Grader Notes:Wear all corners.Cover breaks color.Very small crease right center of front cover breaks color.(1)Condition Report: NM+ condition (9.6). White Pages.

Marvel Comics: Planet of the Apes, Star Wars, Doctor Who. A group of Marvel UK weekly oversize comics and some others.This lot includes:Marvel Comics: Planet of the Apes weekly magazine UK edition (1974 - 1977). A group of forty-three (43) issues.Written by Doug Moench and with additional writing by Jerry Conway. Art by various contributors. This lot comprises issues No. 1 4,5,6,7,8,23,30, 38,66, 68, 70-98, 106-114, 116, 117,,118, 120. Issues originally shipped weekly and comprised black and reprints of the US titles issues of the same name. This title would go on to run for 123 issues before being merged into The mighty world of Marvel (UK) where the title spot was then shared between the Planet of the Apes series and the Incredible Hulk.Marvel Comics: Star Wars weekly magazine UK edition (1979 - 1980). A group of twenty-two (22) issues.Writen by Archie Goodwin, Chris Claremont and others. This lot comprises issues No. 91, 92, 96, 99, 100, 102, 103, 105, 106, 108, 110, 111, 113, 114, 115, 117, 128, 131, 135, 136, 139, 141.TV Comics Uk Weekly (1969 - 1976). A group of sixty-seven (67) issues.This lot comprises issues No. 896, 915, 916, 918, 919, 921, 924, 926, 933, 936, 985, 986, 988, 989, 991,992,994,995,996, 1035, 1036, 1042, 1047, 1119, 1133, 1154, 1156, 1160, 1164, 1171, 1176, 1177, 1182, 1186, 1190, 1194, 1201, 1202, 1203, 1204, 1205, 1207, 1210, 1211, 1214, 1218, 1226, 1233, 1234, 1236, 1239, 1243, 1245, 1246, 1247, 1248, 1250, 1255, 1263 (x2), 1264, 1266, 1271, 1275, 1278, 1282.Marvel Comics: Modern AgeMarvel Premier No. 57 (Marvel, 1980), featuring the 1st appearance of Doctor who in American comics. Doctor Who (Marvel, 1984-1986) No. 3, 7, 15, 18, 19, 21, 23 (last issue). James Bond: For Your Eyes Only No. 1 (Marvel, 1981) an adaptation of the theatrical release.~(130 approx)

λ&nbspEMERSON MAYES (BRITISH B. 1972) IN FADING LIGHT Oil on board 35 x 38cm (13¾ x 14¾ in.)Provenance: MacLean Modern & Contemporary Fine Art, London Please note measurements do not include the frame unless otherwise stated. Condition Report: Appears to be in good original condition. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer

ART CATALOGUES: two boxes of modern, post-modern and contemporary art catalogues including Robyn Denny, Christo, The Turner Prize and others, from the collection of one of the world's foremost buyers of Contemporary Art.

ART CATALOGUES: two boxes of catalogues and other art books, including modern and contemporary art. A number on photography. From the collection of one of the world's foremost collectoiors of comntemoporary art.

ART CATALOGUES: two boxes of modern, post-modern and contemporary art catalogues including Damien Hirst, from the collection of one of the world's foremost buyers of Contemporary Art.

AUCTION CATALOGUES: Christies etc. Modern and Contemporary Art and others. Two boxes.

ART CATALOGUES: two boxes of catalogues and other art books, including modern and contemporary art. Including Malcolm Morley and others. From the collection of one of the world's foremost collectors of contemporary art.

AUCTION CATALOGUES: Sotheby's, Christies's etc. Mostly on Modern and Contemporary Art. Two boxes including some high-end magazines (Gagosian etc.).

ART CATALOGUES: two boxes of catalogues and other art books, including modern and contemporary art. Sean Scully, Antonio Tapies, David Hockney and many others. From the collection of one of the world's foremost collectors of contemporary art.

ART CATALOGUES: two boxes of modern, post-modern and contemporary art catalogues including Willem de Kooning, from the collection of one of the world's foremost buyers of Contemporary Art.

Modern Art reference. American Abstract Artists, 1939, foreword by George Morris, black and white illustrations, boards, plastic bound spine; MOORE (Henry) Complete Drawings, vols. 4 and 5, 1994-2003, dust jackets; NICHOLSON (Ben) various gallery and exhibition catalogues; few others

A set of six Art Nouveau-style wine glasses, with clear bell-shaped bowls on cast supports, raised medallion mark,each 19.7cm high (6)Condition ReportLosses to paint, scratching. Tested and is NOT silverCold painted metal. Please view additional images.These are modern

A collection of Christie's auction catalogues, mainly modern, impressionism and post-war art, including 'Impression/Modern' evening sale, London, June 2008, February 2012, June 2010, June 2012, May 2011, 'Post-War and Contemporary Art' evening sale, London 2010, New York 2012 (12)

Postcards, Covers, a good mixed age collection, in modern album, of approx. 157 mainly German items, inc. 1936 Olympics postcards, the majority RPs of the stadium (18 inc. printed), Olympic covers with cachets and stamps covering most of the major sports, a few mixed German topographical cards (16), various covers inc. airmail, Heligoland, Luftfeldpost, Nazi cachets, miniature sheets, Nazi art (1930s mainly on continental size PCs), 1968 Olympics, 1972 Olympics etc. Viewing essential (gd)

Postcards, Covers, a good mixed age collection, in modern album, of approx. 156 German cards, stamp covers and FDCs, many with commemorative cancellations. Includes continental size cards of Nazi period art inc. Hitler portraits, maps etc. Also stamp cards of Germany, Austria, Bulgaria; aviation with Zeppelins, German aircraft, covers inc. inaugural flights Buenos Aires - Paris, Buenos Aires - Rosario by helicopter (1959) with P.M Cachet, a few UK FDCs inc. 'Posting Delayed by Post Office Strike 1971 (set of Machins ½d to 9d), Nazi covers, sport etc. Viewing essential (gd/vg)

Modern Art Deco Style Wall Mirror, made in Belgium, height 87.5cm, width 52cm

Nick Walker (British, b.1969) Untitled Stencil spray paint in colours on art paper Monogrammed   Framed in black wooden frame Measures approx. 42cm x 29 cm (16 1/2" x 22.11 1/2") Nick Walker (British, b1969) is one of the world’s best known street artists. Born in 1969, he emerged from the infamous and ground-breaking Bristol graffiti scene of the early 1980s. As a forerunner of the British graffiti phenomenon, Nick’s work has become a blueprint for hundreds of emerging artists. His work is constantly evolving and remains innovative, modern and thought-provoking. Nick draws on the energy and imagery of graffiti but he succeeds in combining the freedom the spray can brings, with very controlled and intricate stenciling. The results are highly sophisticated and infinitely desirable. The methods he uses retain their forcefulness and integrity on the traditional medium of canvas. Nick Walker’s instantly recognisable style and humour have gain ed him a worldwide following. In 2008 Nick had sellout shows in LA and London, where collectors queued for over 24 hours to be among the first to get his latest print edition. In 2008, his iconic Moona Lisa sold over ten times its estimated value at auction at Bonhams. Over the years Nick’s work has been accoladed by the media and has attracted headlines worldwide, including the front page of the Independent arts magazine and the Observer’s round up of the year’s biggest events of 2008.

After Banksy (British, b. 1974) Dismaland Bemusement Park program Printed on paper Measure approx. 34cm x 29cm (13.5" x 11.5") Banksy (British, b.1974 ) is perhaps the most controversial street artist of the modern day. He is famous for his stenciled graffiti works, which appear in public spaces around the world. His use of stenciling developed from a need to complete a work quickly, namely to avoid being caught vandalizing by police. Banksy often uses multi-layered stencils to employ multiple colours, and he frequently incorporates permanent environmental fixtures, such as street signs and architectural elements, into his work. Marked by dark humour, satire, and political commentary, much of his street art has become viral on the Internet. His most notable early work was the result of a trip to Palestine and the West Bank, where he stenciled nine images on the Bethlehem Wall. Despite his stealth presence, Banksy has become a mainstream phenomenon. In 2010 Banksy directed Exit Through the Gift Shop, a chronicle of the underground world of street art, which was nominated for Best Documentary at the Oscars. In 2015, he opened Dismaland Bemusement Park, a temporary exhibition of an inverted, dystopian Disneyland. Although Banksy has continuously emphasized an aversion to the art world through his output, he also produces traditional works on canvas and prints as well as branded merchandise such as t-shirts. His cultural significance, widespread popularity, and, certainly, the mystery of his identity have all contributed to the desirability of his art. According to Sotheby’s Mei Moses, the average compound annual return for Banksy is 8.5%, with 76.5% of works increasing in value. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.