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2nd-4th century AD. A superbly sculpted larger-than-life sized carved schist bodhisattva head, clean-shaven apart from a neat pointed moustache, with serene and contemplative expression; the hair carved in wavy bands drawn back from the forehead and held by a braided browband, with two lateral hanks separated and tied above; the facial features sharp and carefully portrayed with small pursed mouth and heavy-lidded almond eyes, urna to the brow; the ears with long lobes pierced to accept earrings; mounted on a custom-made stand. 49.5 kg, 65cm including stand (25 1/2"). Property of a London gentleman; previously with central London gallery; imported from the USA in the early 1970s; formerly with Mahboubian Gallery, New York since the late 1960s; accompanied by copy of an early 1970s black and white photograph. Gandhara was an ancient political unit of the Peshawar valley, which covered the territory between the valley of the River Swat and the Potohar plateau regions of modern Pakistan and a portion of modern Afghanistan. It was controlled from its principal cities including Kapisa (modern Bagram), Pushkalavati, Puru?apura (modern Peshawar) and latterly Udabhandapura (Hund) on the River Indus. The name occurs in the Rig Veda and in the Behistun inscription which lists the territories of the Achaemenid king Darius I (519 BC"). Herodotus's Histories mentions it also as one of the territories which paid tribute to Darius. Several characters in the the Mahabharata and the Ramayana are associated with the kingdom. In 327 BC, Alexander the Great conquered Gandhara among many other Indian satellites of the Persian Empire which had refused to submit to Macedonian rule. Oxyartes was appointed to the position of ruler of Gandhara by Alexander in 326 BC. The Kushan period is considered the Golden Age of the Gandharan kingdom. In the Peshawar Valley are many ruins of Buddhist stupas and religious foundations of this period. The characteristic Gandharan art flourished and the output of statuary reached its height during the reign of the Kushan king Kanishka the Great (128–151 AD"). Buddhist art spread from Gandhara to other parts of Asia and Gandhara became a 'holy land' of Buddhism which attracted Chinese pilgrims. An important Buddhist shrine made Peshawar a famed object of pilgrimage until the 7th century AD. In the 5th century, Hunnic invasion entailed a persecution of Buddhists and the resulting gradual return to the Hindu faith. Islam was introduced to the region by Arab powers from the 9th century and in the early 11th Gandhara fell to the Ghaznavid Empire. Very fine condition.

Bernyce Polifka (1913-1990) United States of America. A mid 20th century Californain American modern geometric abstract oil on canvas painting entitled ' Yellow Echo 2 ' Set to a wooden minimal frame. Signed to lower corner with further notation to rear on canvas bars. Measures 103cms x 103cms. Provenance - Submitted to sale by vendor whose sister  worked in California Art Centre College of Design where it was gifted to her by the college / artist. 

Two modern art original oil and acrylic in large deep set pine frame

A good mixed lot to include an unused Lavazza A Modo Mio Cappuccino Art Set, a Philips cassette recorder AQ6455, a Lord Nelson Ware ceramic water jug by Elijah Cotton Ltd, a modern white metal mantel clock, two cast Egyptian style cats inscribed Westler, figurines and other

A quantity of pictures and paintings to include an oil on board depicting a landscape scene signed by the artist lower right M Steele, an oil on board depicting a landscape scene signed by the artist lower right P.E.Hill, a 3D picture and a modern art style print Est £20 - £40

Arthur Kitching (British, 1912-1981), Scarborough Street, initials and dated (19)69 l.r., gouache, 37 by 24cm, mountedArthur Kitching (1912 – 1981)Kitching painted with purity and intelligence. He was a painter of the everyday that he knew, yet was outstanding in his ability to find grand subjects in this everyday. His natural talent was for decorative colour, and he understood well the urban life and geography of Yorkshire. His main subject was always people in landscape, along with portraits.In the years around 1970 Kitching produced a mass of quickly drawn and coloured gouaches of his family and their friends. They are an extension of his constant drawing of nudes from imagination, and have a direct simplicity and decorative colour that make them his most attractive work.© Arthur Kitching, by David Fraser Jenkins, art historian and keeper of the Modern Collection at the Tate Gallery. Grove Hill Publications, 1991.Note: Artist Resale Rights apply 

Robert Bryan Charles Neale M.B.E.  R.A. (British, 1930), 'Armour', sculpture in metal, mounted on a circular concrete plinth, full height including plinth approximately 183cm, (excluding a loose hemet section)Note: Born in the Isle of Man capital, Douglas, Kneale studied painting at the Douglas School of Art, from which he graduated in 1947, and then moved to London, to study at the Royal Academy Schools. In 1948, he won the Rome Prize and spent some time living in Italy. During the 1950s, he learned welding, and in 1960 took to sculpture in preference to painting, and became a teacher.He has taught at Hornsey College of Art and Design, and from 1963 until his retirement from teaching in 1995 he taught sculpture at the Royal College of Art.  He was also Master and later Professor of Sculpture at the Royal Academy between 1982 and 1990.  In addition to his teaching, numerous exhibitions of his own painting and sculpture work have been held since 1953 and his works are displayed in countries such as Australia, Brazil, New Zealand and the United States.  In the USA, the Museum of Modern Art in New York City includes examples of his work amongst its public collections.He was awarded a Leverhulme Trust Prize in 1952, as well as the Daily Express Young Painters' Prize (1955) and an Arts Council Purchase Award (1969).  After a successful solo show at the Whitechapel Gallery in 1966, Kneale became the first abstract sculptor to be elected a Royal Academician in 1974. He accepted the honour only on the condition that he be allowed to curate a show of contemporary sculpture which resulted in a groundbreaking survey of some of the period's most exciting sculptors.Kneale is the younger brother of the screenwriter Nigel Kneale (1922-2006), best known for his Quatermass television serials. Kneale illustrated the covers for Penguin Books' releases of his elder brother's Quatermass scripts in 1960.  He was also responsible for a painting of a lobster from which BBC special effects designers Bernard Wilkie and Jack Kine drew their inspiration for the Martian creatures they constructed for Quatermass and the Pit (1958-59).He was appointed a Member of the Order of the British Empire in the 2019 New Year Honours for services to British Art. (Source: Wikipedia) Note: Artist Resale Rights apply

SCOTTISH SILVER CHARM BRACELET, with Scottish and other charms including Loch Lomond, Rothesay, Dundee, Skye and Skegness, along with a collection of badges including an Empire Exhibition Scotland 1938 badge, Gallery of Modern Art Glasgow badge and others including motifs such as Pudsey, Winnie the Pooh, Mickey Mouse and penguins

Italian Art.- Dini (Piero & Francesca) Giovanni Boldini 1842-1931: Catalogo Ragionato, 3 vol. in 4, second edition, Turin, 2004 § Vitali (L.) Morandi: Catalogo Generale, 2 vol., second edition, Milan, 1983 § Dragone (A.) Spazzapani: Catalogo Generale, Turin, 1981 § Braun (E.) Alberto Burri: The Trauma of Painting, New York, 2015 § Trione (V.) Alberto Savinio: La Commedia dell'Arte, Milan, 2011 § Waldberg (P.) & others. Marino Marini: l'Opera Completa, Milan, 1970 § Celant (G.) Piero Manzoni: Catalogo Generale, Milan, 1975, illustrations, many colour, original cloth or boards, the first and last two with dust-jackets, the last two a little rubbed and/or frayed; and c.30 others on modern and contemporary Italian painting, mostly catalogues/pamphlets, 4to & 8vo (c.40)

Modern British Art.- Russell (John) Ben Nicholson: Drawings, Paintings and Reliefs 1911-1968, New York, 1969 § Cooper (Douglas) The Work of Graham Sutherland, New York, 1961 § Bowness (A.) & Luigi Lambertini. Victor Pasmore with a Catalogue Raisonné of the Paintings, Constructions and Graphics 1926-1979, 1980 § Causey (Andrew) Edward Burra: Complete Catalogue, lacking front free endpaper, Oxford, 1985 § Gooding (Mel) Ceri Richards, upper hinge broken, Moffat, 2002 § Walker (D.) Louis le Brocquy, Dublin, 1981, illustrations, some colour, original cloth or boards, the last four with dust-jackets, some a little rubbed or browned; and c.95 others on modern & contemporary British art, many catalogues/pamphlets, v.s. (c.100)

NO RESERVE Modern Art.- Gordon (Donald E.) Modern Art Exhibitions 1900-1916, 2 vol., Munich, 1974 § Zilczer (J.) "The Noble Buyer": John Quinn, Patron of the Avant-Garde, Washington, DC, 1978 § Blondel (A.) Tamara de Lempicka: Catalogue Raisonné 1921-1979, Lausanne, 1999 § Matisse, Cézanne, Picasso...L'Aventure des Stein, Paris, 2011 § Baldassari (A.) Icônes de l'Art Moderne: La Collection Chtchoukine, Paris, 2016 § Duksina (I.) & others. MAGMA: Museum of Avant-Garde Mastery, third edition, Moscow, n.d., illustrations, some colour, original cloth or boards with dust-jackets, the first two slightly rubbed or browned; and a small quantity of others on 20th century art, some catalogues/pamphlets, 4to & 8vo (Qty)

NO RESERVE American Art.- Schwartzman (Myron) Romare Bearden: His Life and Art, New York, 1990 § Waldman (Diane) Arshile Gorky 1904-1948: A Retrospective, New York, 1981 § Martin (Henry) Arman, New York & Paris, n.d. § Arnason (H.H.) Robert Motherwell, second edition, New York, 1982 § Jean-Paul Riopelle, Montreal, 1991 § Hachmeister (H.) & others. Mark Tobey: Light Space, Munster, 2004 § Schimmel (Paul) & others. Robert Rauschenberg Combines, original wrappers, Los Angeles, 2005, illustrations, many colour, all but the last original cloth or boards, the first five with dust-jackets; and c.30 others on modern North American painting, mostly Abstract Expressionism, some catalogues/pamphlets, 4to & 8vo (c.35)

NO RESERVE German Art.- Maur (Karin v.) Oskar Schlemmer: Monographie [&] Oeuvrekatalog der Gemälde, Aquarelle, Pastelle und Plastiken, 2 vol., Munich, 1979 § Pfäffle (Suse) Otto Dix: Werkverzeichnis der Aquarelle und Gouachen, Stuttgart, 1991 § Franzke (A.) Georg Baselitz, Munich, 1989 § Alviani (G.) Josef Albers, Milan, 1988 § Herzfelde (W.) John Heartfield: Leben und Werk, Dresden, 1962 § Adriani (G.) Anselm Kiefer: Bücher 1969-1990, original wrappers, Munich, 1990, illustrations, some colour, all but the last original cloth, the first four with dust-jackets; and c.55 others on modern & contemporary German and Austrian painting, some catalogues/pamphlets, 4to & 8vo (c.60)

NO RESERVE Modern Art.- Gromaire (François) & F.Chibret-Plaussu. Marcel Gromaire: La Vie et l'Oeuvre. Catalogue Raisonné des Peintures, Paris, 1993 § Tasset (J.-M.) Centenaire Kisling, Paris, 1991 § Green (Roger) Max Papart, New York, 1984 § Wember (Paul) Yves Klein, second edition, Cologne, 1972 § Jean Dubuffet: Trace of an Adventure, Munich, 2003 § Fautrier 1898-1964, Paris, 1989, illustrations, many colour, the last two original wrappers, the rest original cloth or boards with dust-jackets, one or two a little rubbed; and c.55 others on modern art & artists, mostly French, many catalogues/pamphlets, v.s. (c.60)

NO RESERVE German Art.- Wingler (Hans M.) The Bauhaus: Weimar, Dessau, Berlin, Chicago, Cambridge, Mass., & London, 1969 § Barron (S.) "Degenerate Art": The Fate of the Avant-Garde in Nazi Germany, Los Angeles & New York, 1991; New Objectivity: Modern German Art in the Weimar Republic 1919-1933, Los Angeles, 2016, illustrations, some colour, original cloth or boards, the first soiled, the other two with dust-jackets; and c.15 others on modern German art, some catalogues/pamphlets, v.s. (c.20)

RUSKIN, JOHN; 'Modern Painters A New Edition', five volumes with the first signed beneath preface by the author, pub. Smith, Elder & Co, London 1873, all bound in green cloth boards, also a group of further art related books including 'The Studio' volumes 28 and 29, 'Raphael His Life, Works and Times' ed. W. Armstrong, London 1882 (binding af), 'Living Anatomy' by C.L. Burns and R.J. Colenso, London 1900, etc. Additional InformationBinding of the Ruskin examples heavily worn, generally all bindings worn throughout, no guarantee all plates or illustrations are present. 

A good pair of Art Deco style tan-leather-upholstered club chairs (modern)

Large Modern Galle Art Nouveau Cameo Glass Vase. Signed. Measures 24-1/2" H. Condition: Good condition Estimate: $1000.00 - $1500.00 Domestic Shipping: Third party

Large Modern Galle Art Nouveau Cameo Glass Vase. Signed. Measures 24-5/8" H. Condition: Good condition Estimate: $1000.00 - $1500.00 Domestic Shipping: Third party

Nyemike Onwuka (Nigerian, b. 1972)Nkwado II, Preparation Series signed, dated 2011, oil on canvas, 166cm x 89cmProvenance: Bonhams, Africa Now: Modern & Contemporary African Art, 22nd May 2013, Lot 186.A graduate of the Federal Polytechnic in Auchi, Edo State, Nigeria, Nyemike Onwuka exhibits regularly in Lagos, and his work has been displayed at the National Museum, Onikan.

Two modern Maw and Co ceramic tiles, each decorated with Art Nouveau style female profiles, each with tube lined decoration, 19cm and 20cm W.

An Art Nouveau style 9ct gold, amethyst, peridot and seed type pearl pendant, on a 9ct gold chain Report by NG Modern

MODERN GILT TABLE LAMP OF A ART DECO STYLE LADY, HAVING SILK SHADE WITH HANGING BEAD DETAIL AND A PAIR OF MODERN GILT CANDLEABRA (ONE A/F)

GROUP OF MODERN AND REPRODUCTION FIGURINES TO INCLUDE; 'POMPEI', ART DECO STYLE DANCING LADY, LEONARDO COLLECTION EXAMPLE ETC (QTY)

Four pieces of modern coloured art glass vases, (one a/f), (4)

Three pieces of modern coloured art glass, (3)

Art Deco bug brooch and a carved jade pendant as well as a carved piece of stag antler. The jade is modern oriental carving of a bird probably a white gold frame. The bug brooch is resin has turquoise eyes and has applied yellow metal frame and wire and needs a repair.

NO RESERVE Aesop. The Fables, large paper copy, with Bewick's signed thumb-mark receipt tipped in before title, wood-engraved illustrations and vignettes by Thomas Bewick, occasional soiling, later tree calf, gilt, by Rivière & Son, rubbed, upper joint repaired and split, 255 x 160mm., Newcastle, 1818 § Rhys (Ernest) Frederic Lord Leighton, an Illustrated Record, with A.L.s. from the artist tipped in at beginning, plates, some spotting, modern tan morocco, gilt, by D.K.Roberts, spine gilt, g.e., signed & dated 1946 on front turn-in, 1900 § Hunt (W.Holman) Pre-Raphaelitism and the Pre-Raphaelite Brotherhood, 2 vol., plates and illustrations, original cloth, 1905; and 11 others, art and illustrated, 8vo & 4to (15)

WILLIAM ARTHUR SMITH BENSON (1854-1924)ORIGINAL CATALOGUE, LONDON, 1899-1900 including Price List Of Fittings for Oil, Gas, Candle, Table Ware, &C., 4to, colour plates displaying a collection of fittings, modern card covers, in caseProvenance: Bernard QuaritchNote: This is a rare item - another copy of this catalogue is held at the National Art Library, Victoria & Albert Museum, London.

SIR ROBERT LORIMER (1864-1929) FOR EARLSHALL, FIFEARTS & CRAFTS CREWELWORK PANEL, CIRCA 1893 originally forming part of a set of bed hangings and depicting floral sprigs within a meandering border, russet silk embroidery on a natural linen ground, framed and glazed87cm x 93cmProvenance: Earlshall Castle, Fife, ScotlandNote: In 1890 Sir Robert Lorimer was commissioned by R.W.R. Mackenzie to restore and enhance his sixteenth century tower house, Earlshall, near Leuchars in Fife, Scotland. Lorimer designed several pieces of furniture for the house, including the settle now in LACMA and the buffet which Walter Shaw Sparrow illustrated in his The British Home of To-Day (1904). The work included embroideries to complete the decorative scheme. Walter Shaw Sparrow illustrated the bedcover from this set (now with The National Museums of Scotland) in The Modern Home (published in 1908).This embroidered panels formed part of a suite of hangings worked by Mackenzie's wife Jessie and her friends in 1893 and remained at Earlshall until the contents were sold in 1983. The larger hangings from this suite were sold in these rooms (see 'Paul Reeves: Textiles as Art', 23rd February 2017, lots 42 and 43). Sir William Bruce built the castle in 1546. He had fought at, and unusually, survived the Battle of Flodden in 1513. Mary, Queen of Scots, visited in 1561. One of the family was killed at the Battle of Worcester in 1651, fighting for Charles II; and another Sir Andrew is known as "Bloody Bruce". He and his men killed Richard Cameron, a noted Covenanter, at Airds Moss. Bruce then hacked off Cameron's head and hands and took them back to Edinburgh.The castle was abandoned and ruinous before being restored for R.W.R. Mackenzie by Sir Robert Lorimer in 1892. The gardens were re-laid and the formal garden replanted.

WILLIAM ARTHUR SMITH BENSON (1854-1924)RARE ARTS & CRAFTS BRASS AND COPPER TABLE LAMP, CIRCA 1890 with flared reflector raised on curved brackets above a conical shade and domed reservoir, the whole raised on tapered column support with moulded domed base on a square plinth61cm high (to top of reflector shade)Exhibited: Madrid, Fundación Juan March and Barcelona, Museu Nacional d'Art de Catalunya 'William Morris and the Arts & Crafts Movement in Great Britain' October 2017-May 2018, No. 184.Note: W.A.S. Benson was admired in the arena of the Avant Garde in Europe and his work was sold through the influential Maison de L’Art Nouveau in Paris. The magazines The Studio, Art et Decoration and Dekorative Kunst all regularly featured his work. The Studio Magazine observed that WAS Benson’s lamps “may ultimately influence the taste of a greater number than the superb Morris-Burne Jones tapestries” whilst The Magazine of Art referred to his lamps as “palpitatingly modern”.Walter Crane in “The Bases of Design” marked W.A.S. Benson’s lamp with a finned copper shade as a good example of modern design. The Studio Yearbook of 1906 praised his experiments with reflectors, as in this example. Hermann Muthesius in his influential book “ Das Englische Haus” stated that WAS Benson was “the first to illuminate dining room tables with light reflected from a shiny metal surface, while keeping the actual source of illumination hidden”.

A collection of handbags, mainly French including; a snakeskin, a wedge shape, early 1930's Deco shape with a metal clasp together with a dark brown leather clutch 1930's Art Deco clasp (British made); crocodile oval bag in cream with plated handles; a black grosgrain early 1950's long cocktail bag; a grosgrain 1940's dark brown evening purse, embellished with blue paste stone, marquisette clasp; an envelope beaded square evening purse, embellished in sequins and beads; a modern Enny mocca leather Italian bag (clutch style) (7)

Pilkington (Matthew). A Dictionary of Painters from the Revival of the Art to the Present Period, New Edition, with Considerable Additions ... by Henry Fuseli, printed for J. Walker [and others], 1810, light spotting, rear inner hinge strengthened, bookplate of Roy and Nina Merley of Plash Hall, contemporary half russia, joints cracked, extremities worn, 4to, together with: Richardson (William), Catalogue of Richardson's Collection of English Portraits, engraved from Rare Prints, or Original Pictures ... as described in Granger's Biographical History of England, 2 volumes, [?W. Baynes, 1816], numerous engraved plates, bookplate, modern half sheep, 8vo, Saunders (John), Saunders' Portraits and Memoirs of Eminent Living Political Reformers ... to which is added a Copious Historical Sketch of the Progress of Parliamentary Reform ... by William Howitt, published by J. Dowding, 1840, engraved plates, blind stamps of the Free Public Library, Wigan, bookplate, contemporary quarter calf, rebacked, paper sides and morocco tips renewed, large 8vo, and 3 others, 19th century, leather-bound (10)

Studio Special Numbers, 30 volumes, circa 1899-1915, including Art in Photography, The Art-Revival in Austria, Peasant Art in Italy, Modern Etching and Engraving, Colour Photography, A Record of Art in 1898, Modern Book Illustrators and Their Work, Year-Book of Decorative Art (1906), etc., some colour and numerous monochrome illustrations to each volume, several auto-lithographs by Brangwyn, Clausen, Fantin-Latour, all top-edge gilt, contemporary uniform green half-morocco gilt (by Henderson & Bisset), with gilt coat of arms of the Society of Writers to the Signet to covers of each volume, a little rubbed and scuffed to joints and extremities, folio (30)

Architecture. A large collection of modern art and architecture reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (5 shelves)

Amyx (D.A.). Corinthian Vase-Painting of the Archaic Period, 3 volumes, University of California Press, 1988, numerous black and white plates, uniform original cloth, 4to, together with Teissier (Beatrice), Ancient Near-Eastern Cylinder Seals..., University of California Press, 1984, numerous black and white illustrations, original cloth in dust jacket, 4to, and Galster (Georg), Sylloge of Coins of the British Isles..., Anglo-Saxon Coins, parts 2 & 3 in 4 volumes, 1966-70, numerous black and white plates, uniform original cloth in dust jackets, 8vo, plus other modern numismatics, medals and medieval art reference and related, mostly original cloth, mostly in dust jackets, G/VG, 8vo/4to Many with Pla[i]sh Hall bookplate. (3 shelves)

Architecture. A large collection of modern architecture and art reference, and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (5 shelves)

Postcards, a large quantity in box of 2000+ cards, Inc. France and Switzerland topographical, panel cards, chromo's, romance, theatre, still-life, art repro's and modern cards, sub-divided into publisher and subjects (mixed condition, fair/gd)

Cartophilic literature, a selection of books & magazines of various ages inc. a bound volume of 'The Cigarette Card Monthly' containing 6 editions nos. 1-6, March 1939 to September 1939, a booklet 'Plug Tobacco and Fine Art' by Robert Barton 1932, a selection of 'The Hobbyist' magazine 1946 onwards, a bound volume of 'A Catalogue of Cigarette and Other Trade Cards issued up to 31st December 1935' with foreword by C H Matthews, appears to be draft copy for a limited edition run of 75 books (distressed condition), various other modern books inc. one on cigar band collecting, also 'Marquillas Cigarreras Cubanas' by Antonio Nunez Jimenez (quantity 1 box)

Three modern Art Deco design, cast metal and composition figures, each on a mottled, composition base ( one A/F )

MODERN MOORCROFT ART POTTERY STUDIO TUBE LINED SQUAT VASE overall with fruit and foliage decoration, signed to the base Kerri circa 2000, impressed marks for Moorcroft made in Stoke-on-Trent England. 11cm high approx. Together with another modern Moorcroft art pottery tube lined baluster vase, overall with purple stylized flower head decoration on a green foliate ground, impressed marks Moorcroft Made in England, 19cm high approx. (2)(B.P. 24% incl. VAT) CONDITION REPORT: Squat vase in excellent condition, no obvious damage, chips, cracks or restoration. Baluster vase in very good condition but noticeable crazing in places.

A Studio art glass comport, 28cm high, modern glass paperweights, various tea wares, other ceramics and glassware.

DYLAN1966 American music poster designed by Milton Glaser, published by CBS records,84 x 56cmAfter suffering serious injuries in a motorcycle accident in 1966, singer-songwriter Bob Dylan was rendered bedridden and rumoured to be dead. To generate positive publicity for his forthcoming album, 'Bob Dylan's Greatest Hits', CBS Records commissioned Milton Glaser to design a special poster to be packaged with the album. Taking inspiration from a Marcel Duchamp self-portrait, Glaser depicted Dylan in profile, his abundant curly hair rendered in saturated colours that stood out in high contrast from the white ground. The energetic design, with its swirling streams of colour, evoked the visual effects of the psychedelic drugs that were gaining popularity amongst members of the counterculture.An identical poster is in the Museum of Modern Art Collection.

A MODERN GILT AND FOLIATE FRAMED WALL MIRROR, 55cm x 127cm, together with an Art Nouveau brass bevelled edge fire screen (2)

A Tri-ang Art Deco Doll's House (No.52 3138). From the Tri-ang 'Ultra-Modern' range of houses this example features 4 rooms, verandah, hall and garage. With metal framed windows, fire places, and working electric lighting. Finished in white and green with a crazy paving effect base. Dimensions 840mm x 480mm x 590mm. GC for age, requires restoration. See Back Cover £70-90

Assorted Modern Ladies Costume, comprising Noa Noa long length kimono jacket in pale peach and printed with abstract design (size 42); Oky-Coky stone coloured linen mix jacket and matching sleeveless shift dress printed with black flowers (size 40); Cibi silk kimono style top with multi buttons to the front, stitched details (size M), purple and blue printed floral dress with v neck, capped sleeves and purple belt; Gigli linen mix navy blazer; Jaeger black and white A-line appliqué skirt; Gerard Darel black and white printed cotton sleeveless day dress (size 38); Weekend Max Mara floral jersey dress; Bombshell by Katya Wickman using 'Liberty Art Fabrics' short sleeve dress with wrap style bodice, (size 12); Crew navy and white floral short sleeve jersey dress, v neck (size 10); Anna Belinda Oxford mauve printed short sleeve dress, edged v neck line, buttons to the back; Country Casual Petite navy and white floral jersey dress with short sleeves (size M), and a pale green fitted jacket (size 12); LK Bennett blue and white floral printed silk two piece comprising a skirt and two tier tunic style top; Karen Millen brown sleeveless jersey dress with chain detail to the bust (size 12); Areline Paris black jersey dress with capped sleeves, studded detail (size 11) (16). Crew - centre seam to the bust coming loose. Others show slight wear.

A modern Art Nouveau style table lamp in the manner of William Benson, the bronzed lamp base modelled as a serpentine arm wrapped with vines and decorated with flower heads, crimped translucent shade, moulded rectangular base, 30cm high CONDITION REPORT: Please note that this lamp is modern in the Art Nouveau style. Minor rubbing and a little grubby but generally good. Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

Modern hardback books, including; classical art reference.

Modern hardback books; modern art.

A modern glass ship in a bottle, five various jars and covers, art glass vase, Victorian glass dump and dressing table scent bottle

A modern red leather upholstered armchair in the Art Deco style together with a Blackamoor CD rack

A modern upholstered chaise longue in the Art Deco style CONDITION REPORTS mesurement 131cm long x 87cm high

NO RESERVE Russian Avant-Garde.- Soyuz Molodezhi pri uchastii Poetov "Gileya" No.3 [ Union of Youth with the Participation of the "Gylaea" Poets No.3], one of 1,000 copies, 11 lithographed plates including 6 by Olga Rozanova, title heavily repaired to top half, original stapled lavender wrappers with design by Shkol'nik on upper cover, slightly discoloured, corners creased and worn with one corner slightly reinforced, spine slightly touched up, presented in modern cloth-backed board sleeve and modern slip-case, 4to, St Petersburg, 1913.⁂ The third issue of the magazine published by the Union of Youth Group, formed in 1910 by Zheverezheyev and largely comprising the Hylaea poets and the artists Rozanova and Filonov. The lithographs by Olga Rozanova are her first book illustrations, and this issue of Soyuz Molodezhi also includes her article The Foundations of the New Art , as well as other important Avant-Garde articles by Matyushin, the Burliuk brothers and Khlebnikov.

§ Adrian Maurice Daintrey, RWA (British, 1902-1988) Cheyne Walk, 1951; and Zattere, Venice, c. 1970 both signed lower left pen and wash (2) 34.5 x 25 cm (13.5 x 10in); 24 x 34 cm (9.5 x 13.5in) Provenance: Sally Hunter Fine Art Ltd, 2 Motcomb Street, Belgrave Square, London SW1X Exhibited: London, 'Modern British London', January 1988, Cheyne Walk, no. 7

§ Henryk Gotlib (Polish/British, 1890–1966) Landscape with house signed lower left "Gotlib" oil on canvas, in a bronzed frame 63 x 76cm (25 x 30in) Provenance: A gift from the artist to the vendor's mother Other Notes: Henryk Gotlib was a Polish-born painter, draughtsman, printmaker, and writer, who settled in England during the Second World War and made a significant contribution to modern British art. He was profoundly influenced by Rembrandt, and the European Expressionist painters. Gotlib was a leading member of the Polish avant-garde 'Formist' movement in inter-war Poland. Gotlib exhibited extensively throughout Europe with much success. His first one-man show – in Warsaw in 1918 – was organised by the Society of Polish Artists, whom he joined at the end of the First World War. In Krakow, Gotlib became a leading member of the Polish avant-garde 'Formist' movement, exhibiting in Berlin, Amsterdam and Paris. In 1922, the Van Gogh Gallery in Amsterdam held a one-man exhibition of his work. CONDITIONSome surface dirt. 

§ Alan Stenhouse Gourley, PROI (Scottish, 1909-1991) Mediterranean landscapes all signed "Gourley" to the reverse oils on card (3); oil on canvas (1); all stuck down to boards 26 x 36cm (10 x 14in) Other Notes: Born in Ayr, Scotland, Alan Gourley studied at the Glasgow School of Art and Edinburgh College of Art. He then moved to South Africa where he taught at Johannesburg Technical College between 1932 and 1937. Gourley subsequently returned to Europe and pursued his art studies at the Ecole des Beaux-Arts in Paris, followed by the Slade School in London in 1945. His works were widely exhibited at the Royal Academy between 1955-1982, at the New English Art Club and the Mall Galleries. He is well known for his landscape views capturing the places he had travelled, including Spain, Morocco, Malta, Italy, Singapore and South Africa. Examples of his work are in the collection of the Scottish National Gallery of Modern Art. Some surface dirt. All stuck down to boards. Similar sizes, main image 26 x 36 cm, others 25.5 x 35.5 cm.

Rae Mirror Sunburst Decorative Mirror Is Reminiscent Of The Classic Art Deco Style, Giving It A Vintage Yet Modern Look You'll Love To Call Your Own 116.8 x 116.8cm MSRP £1060

Rex Diamond Pendant (UK) Named After The Historic Rex Cinema In England; A 1930s Art Deco Gem Boasting A Beautiful Auditorium With Dramatic Chandeliers. Saved From Dereliction By A Local Entrepreneur, The Cinema Was Restored To Its Former Glory In 2005. The Diamond Shape Is A Modern Twist On Classic Elegance, For Contemporary Style With A Touch Of Glamour. 73 x 63 x 81 cm RRP £3200

Paradise Table Lamp (EU) Natural The Paradise Shines Through Waves Of Pleasure Like Softly Rolling Seas, Transporting Art Deco Glamour Into The Modern Day. We’ve Redesigned Our Premium K-9 Optical Glass For Greater Light Diffusion To Set The Mood For Mellow Moments. 34.5 × 34.5 × 70 Cm RRP £1450

Levi UK King Size Bed ( Mattress Not Included) Art Deco Style Designer Bed Frame With Ebonized Ash And Faux Charcoal Vellum Panels. Hand Crafted By Skilled Artisans,This Designer Bed Frame Is Crafted From A Combination Okoume And Ash VeneerWith A Panelled Charcoal Vellum Exterior Beautifully Accented By A Satin BrassTrim For ATouch Of Modern Glamour 211.5 x 163.1 x 140cm MSRP £3183