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Good quality 1930s Art Deco burr cedar suite of furniture, comprising triple wardrobe enclosed by three inlaid doors with ivory handles and escutcheons, on plinth base and bracket feet,with The Gaylayde Modern Decorative Furniture label (Bath Cabinet Makers) 196cm high x 167cm wide x 55cm deep, a matching tallboy with three drawers and two doors below, 125cm high x 69cm wide x 51cm deep, a bureau with fitted interior and drawers below, on square taper legs, 105cm high x 76cm wide x 51cm deep, a small occasional table and two side chairs

Caithness art glass vase, 23cm, boxed and a modern Poole pottery planter (2).

A modern Masriera 18ct gold enamel, plique a jour, diamond and pearl set brooch or pendant at will in the "Art Nouveau" manner, the stylised seated female in pale green enamel draped dress holding and suspending a pearl within blue and green plique a jour wings bordered by forty-four brilliant cut diamonds, 90mm x 50mm overall, on heavy 530mm 18ct gold chain for same, marked to reverse "Masriera", No. E-4580-C, contained in burgundy silk box retailed by Masriera and with numbered certificate and photograph for same

A modern cast 9ct gold figure - "The Flying Horse of Kansu", 60mm high, hallmarked London 1973 (weight 100 grammes) mounted on bowenite base ( No 9 of edition of 100 - contained in fitted case) Note: Made to commemorate The Chinese Exhibition of Art Treasures at The Royal Academy, London - September 1973 to January 1974 Provenance: Purchased by Lady Edna Haldin of East Brabourne House, Ashford, Kent - 8th October 1973 for £385

SHIPPING, modern, inc. Marine Art Posters, Loss of the Titanic (32), Shipping Posters (48); sectional set of eight Titanic phonecards, in modern album, EX to MT, 88

A pair of modern coloured ware vases by Ceramic Art.

FERRAND (J-P) L'Art du Feu ou de Peindre en Email, Paris 1721, 12mo, 1st edition, modern inscription to front free endpaper, calf, rubbed; De PILES. The Art of Painting and the Lives of the Painters, London 1706, 8vo, engraved frontispiece, blind-stamp to first and last leaves, modern half calf (2)

French (Paris) Exhibitions of the 19th century.7 Report .. for the Paris Universal Exhibition of 1878, 2 vols, 8vo, folding coloured plan frontispiece, full morocco gilt; folio volumes for 1867 (vols. I & II), 1889 (vols. 1-4 in two), 1889 (vols. I & II), 1900 (vols II & III), 1878, Art Journal 1872 and 1874; LESLIE (F) Historical Register for the Centennial Exposition 1876, modern cloth; few other art or design related

A quantity of modern ceramics and glassware to include green Art Deco style glass figures and bowls, art pottery vases and jugs, metalware to include brassware and various naval collectables etc.

Two modern reproduction 'Art Deco' figures, a resin leopard and a 'Girl Tray'

After Jackson Pollock, a reproduction polychromatic screen print for the exhibition at the Scottish National Gallery of Modern Art. H.44cm W.62cm

PHOTOGRAPHY:1. Cousteau, Jacques: Whales. Abrams, NY, 1988. 1st. edn.(?) dw(not priced). Signed on tipped in glassine page. CONDITION: Light foxing to half title; o/w VG+/Fine;2. Rosing, N: The World Of The Polar Bear. Firefly, 1996. 1st. edn.(?) dw(not priced). Title page inscribed ÊTo LSË and signed. CONDITION: Fine;3. Redford, Robert; Blair, J(photog): The Outlaw Trail. Grosset, NY, 1978. First printing stated, dw($19.95). Inscribed, signed and dated by photographer. CONDITION: Bent in the middle; 4. Mankowitz, G: 50 Years of Rock and Roll Photography. L, Carlton, 2013. 1st. edn. dw(œ30.00). Signed copy. CONDITION: Fine;5. Brassai/ Durrell, Lawrence (intro.): Brassai. Museum of Modern Art, NY, 1968. pb. With two page inscription Êpour Linda..Ë, dated 16 sept 1976, and signed. CONDITION: VG;6. Nicklin, F & L: Face to Face with Dolphins. 2007, dw($16.95). Signed by both. CONDITION: Fine (6)

A pair of modern Murano Art Glass vases.

A Collection of Nine Gilt Framed Modern Art Prints Dancing Figures.

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), EL TERREMOTO gouache on paper, signed, titled and dated 89 56cm x 77cm Framed and under glass Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.

POMPIDOU GEORGES: (1911-1974) President of the French Republic from 1969-74. Blue ink signature (`Georges Pompidou´) on a small piece, also signed in blue ink by his wife, Claude Pompidou (1912-2007) French Philanthropist and Patron of Modern Art. Some very light, minor staining and creasing, otherwise, VG. £-80-100

A modern table lamp and a collection of wall art depicting fish and trees (qty)

W G PAULSON TOWNSEND: MODERN DECORATIVE ART IN ENGLAND ITS DEVELOPMENT AND CHARACTERISTICS - VOLUME 1 WOVEN AND PRINTED FABRICS WALLPAPERS LACE AND EMBROIDERY, L, [1922], 127 col'd ills on 26 full pge plts compl, orig cl, d/w + PERCY MACQUOID: A HISTORY OF ENGLISH FURNITURE - THE AGE OF OAK, L, 1925, orig cl gt quarto (2)

WALTER SHAW SPARROW (ed):THE MODERN HOME - A BOOK OF BRITISH DOMESTIC ARCHITECTURE FOR MODERATE INCOMES, L, Hodder & Stoughton, circa 1906, orig wraps + MARIO PRAZ: AN ILLUSTRATED HISTORY OF INTERIOR DECORATION FROM POMPEII TO ART NOUVEAU, 1964 1st edn 65 col'd plts, complete, orig cl d/w + RECENT ENGLISH DOMESTIC ARCHITECTURE, ed Mervyn E Macartney, L, The Architectural Review 1909, 1911, 2 vols, each orig limp cl + SOUREN MELIKIAN: THE ART OF INTERIOR DECORATION, L, Hachette 1963 2 vols, orig cl (6)

CHARLES BILAS AND OTHERS: FRENCH RIVIERA, THE 20's AND 30's, Paris Telleri [1999], orig cl d/w + BEVIS HILLIER & STEPHEN ESCRITT ART DECO STYLE, 2003 reprint, orig wraps, d/w + ANNELIES KREKEL-AALBERSE: ART NOUVEAU AND ART DECO SILVER, NY, Harry N Abrams 1989, orig cl d/w + L'AVANT PRINTEMPS BOLOGNE 1880-1920, circa 2001, orig wraps + AMERICAN ARTISTS IN PARIS 1918-1939, A TRANSATLANTIC AVANT GARDE, ed Sophie Levy Berkeley, University of California Press, circa 2003, orig pict wraps, + STUART WREDE: THE MODERN POSTER, NY, Museum of Modern Art, circa 1988, orig cl silvered d/w + MAURICE RHEIMS: THE AGE OF ART NOUVEAU, trans Patrick Evans, L, Thames & Hudson, 1966, orig cl d/w

Art Deco Style Modern 18 White Gold approx. 2.50 Carat Diamond and Approx. 4 Carat Sapphire Swirl Dangle Earrings. Signed 750. Good Condition or Better. Measures 4-1/4 Inches Length. Weighs 15.6 Pennyweights. Shipping $30.00

A modern overlaid pink glass vase; a pink Art glass dish; a Murano style blue and gilt liqueur set

Large Quantity of Modern Cinema Promotional Material, mostly relating to art house films etc. (Quantity)

Mainie Jellett, 1897-1944 NORFOLK SQUARE, LONDON Oil on canvas, 22" x 15" (56 x 38cm), signed Exhibited: Irish Museum Of Modern Art, December 1991-March 1992, Cat. No. 19, ref. C10 (label verso)

A small Art Nouveau circular pendant embossed with head of a young woman, on later silver chain and together with a quantity of other modern silver and white metal jewellery and wristwatches

Lots 301-391 are from the Private Collection of Tim Ellis. A passionate collector of modern British art and sculpture, Tim Ellis amassed a breath-taking collection of hand selected works throughout his career in the City of London. Upon retirement Ellis moved from the idyllic Georgian architecture of London's West Square, where the collection had been a much loved part of his home, and made the difficult decision to disperse his collection and begin afresh. The artwork he amassed is a true reflection of his eclectic tastes, and unwavering interest in the modern and contemporary British art scene. He collected without bias or concern for the reputation of, or the market for, the artist, and without concern for the medium of the artwork. "I didn't buy for investment, or with a strategy: I've only acquired works that I have fallen in love with, that I couldn't resist, that I felt I just had to live with. I haven't even thought of myself as a collector." His refreshing approach to amassing this collection is apparent in the estimates given to the works, making them affordable additions to a home or collection. It is Ellis's hope that the dispersal of the collection will inspire a new generation of collectors to buy works by lesser-known and in his own word "criminally neglected" artists. His cardinal rule was to never buy a work that didn't fit into the back of a London taxi, a rule he broke for one lady, the artist who would be his future wife, and the catalyst for the move from West Square. Ellis says "Living with a painter has certainly had an effect on me as a collector: I now have a greater insight into and appreciation of a more language of paint. I also feel a greater commitment to support living artists." His new collection will comprise works from living artists whose integrity and dedication he admires. Alfonso Amaya, Spanish, 20th century- Bravura; bronze on marble base on a wooden plinth, from an edition of 2499, height 7cm, length 11cm. (including base, excluding plinth) (may be subject to Droit de Suite) Provenance: Presented to the current owner for speaking at a conference in Barcelona Note: A certificate of authenticity accompanies this lot CONDITION REPORT: appears in overall good original condition with no noticeable signs of defects some knocks to wooden plinth

Francis Davison, British 1919-1984- "Boats in Venice", c.1948; oil on panel, with studio stamp label attached to the reverse, 24.5x32cm, (may be subject to Droit de Suite) Provenance: Purchased from Andrew D'Arcy Fine Art in 2007 CONDITION REPORT: in a modern parcel gilt frame there is some minor splitting to the panel, most prominent bottom right corner a couple of small wood worm holes in the panel, no evidence of anything current overall appears in good original condition

Brian Wall, British b.1931- Untitled 2006; lithograph printed in black, signed, dated '06 and numbered 59/60, 30x21.2cm, (may be subject to Droit de Suite) Note: From the edition that originally accompanied the book on the artist written by Chris Stephens, curator of Modern British Art at Tate Britain. CONDITION REPORT: mounted in a glazed frame paper with deckled edges all edges of the sheet visible unexamined out of the frame but appears to be mounted in centres and corners overall good original condition with no noticeable signs of defects

Pino Ponti, Italian 1905-1999- Portrait of a man and a woman; oil on canvas, 40x50cm (unframed) (may be subject to Droit de Suite) Provenance: Acquired directly from the artist by the current owner Note: Pino Ponti studied at the Academy of Fine Arts in Venice and in 1929 was invited to take part in the '900 Italian exhibition, alongside Giorgio de Chirico and Filippo de Pisis. In that same year, the Gallery of Modern Art in Milan and Venice acquired four works by the artist. Ponti held solo exhibitions throughout the 1930s, 1940s, 1950s and 1960s and in 1950 participated in the Venice Biennale. CONDITION REPORT: canvas has not been re-lined on the original wooden stretcher some staining on the reverse of the canvas old tape residue on the paint surface centre top to bottom some rubbing and scuff marks around the perimeters of the canvas drip marks top right small dent to the canvas centre right rubbing around the edge of the canvas otherwise good condition

Harry Epworth Allen, British 1894-1958- "Beauchief Abbey, Sheffield"; tempera on board, signed faintly, 26x36cm, (may be subject to Droit de Suite) Provenance: Derwent-Wye Fine Art, Derbyshire CONDITION REPORT: in a modern moulding frame signature faint bottom left corner some scratching and scuffs to the paint surface overall otherwise appears in overall good original condition

A boxed limited edition Harmony Kingdom 'Ark' teapot and two modern art glass vases

CONSOLE TABLE, modern slatted polished chrome of Art Deco design, 85cm H x 120cm x 36cm.

Sicily, Syracuse AR Dekadrachm. Time of Dionysios I, circa 400 BC. Charioteer driving galloping quadriga to left, holding kentron in right hand, reins in left; above, Nike flies to right, a wreath in her outstretched arms to crown the charioteer; in the exergue, a panoply of arms is set on two steps: a cuirass, two greaves, and a Phrygian helmet / Head of the nymph Arethusa to left, wearing a reed wreath, triple-pendant earring, and a pearl necklace; ?????????? behind, four dolphins playing around her, a star below the rearmost. Gallatin XXIII-KII. 43.27g, 35mm, 5h. Good Extremely Fine. Very Rare. Ex Roma Numismatics V, 23 March 2013, lot 133. This type with a star behind Arethusa's head and below the rearmost dolphin is one of the most infrequently encountered in the dekadrachm series. Struck from a remarkable reverse die, not only on account of the excellent style of the Arethusa portrait, but also because of the astonishing high relief in which it was engraved. Standing proud from the fields 33% more than the majority of its counterparts, this nymph commands reverence and admiration. The fortuitously superb metal quality and lustre of the fields further complement the appearance of this sculptural marvel. The dekadrachms of Syracuse have been called 'the admiration of the ancient and modern world', and 'perhaps the most famous of all ancient coins'; rightly so, for by virtue of not only their impressive size and weight, but more importantly the incredibly detailed artistry of exquisite style which they bear, they represent the zenith of cultural and numismatic technological achievement at ancient Syracuse, and are among the most beautiful coins ever struck for circulation. Produced at the apex of Syracuse's power and glory, the dekadrachm issue began circa 405 BC, following the election of Dionysios as supreme military commander of Syracuse for his achievements in the war against Carthage, and his subsequent seizure of total power. Syracuse had only recently defeated an Athenian invasion of Sicily that resulted in the utter destruction of Athens' expeditionary force and ultimately contributed significantly to their defeat at the hands of Sparta in the Peloponnesian War. Then under Dionysios in 405, despite the ruin of great cities such as Akragas and Gela, Syracuse repulsed a Carthaginian invasion that might have resulted in a complete conquest of the island. Such glory was short-lived however, as the rule of Dionysios' son and successor was to bring only civil strife that would weaken the power of Syracuse. Never again would the city issue coinage on such a grand scale, and with the cessation of tetradrachm production in c. 400 BC, the dekadrachms represent the last great flourishing of classical numismatic art at Syracuse before two centuries of steady decline and eventual conquest at the hands of the Romans.

Crete, Aptera AR Stater. Signed by Pythodoros. Circa 4th century BC. ?[??A?????] around head of Artemis Aptera to right, with hair elaborately curled upwards around a stephane ornamented with palmettes; she wears an elaborate crescent and solar-disk pendant earring with three drops and a pearl necklace; to right in smaller letters the artist’s signature: ????????? / Warrior hero Apteros, called Ptolioikos, standing facing, his bearded head left, wearing crested helmet and cuirass, holding in his left hand a spear and shield decorated with a sunburst, his right is raised towards a sacred fir tree in left field; ?????????? around. Le Rider, Monnaies crétoises, p. 36, 269-70, pl. 9, 11-12; Svoronos, Crète, p. 15, pl. 1, 10 (same dies); BMC 1, pl. 2, 3 (same dies); BMFA Suppl. 108 (same dies); LIMC VII/1, p. 588, VII/2, sv. Ptolioikos 2 (same rev. die); for the engraver’s signature see L. Forrer, Notes sur les signatures de graveurs sur les monnaies grecques, Bruxelles 1906, pp. 277-284. 11.78g, 24mm, 12h. Extremely Fine. Extremely Rare. Of exceptionally fine style and quality, and among the finest of the very few known examples. From the Eckenheimer Collection. The stunningly beautiful obverse female portrait is that of Artemis Aptera (or Aptara as inscribed on the coins, a local form of the Cretan Artemis Diktynna), the patron goddess of the city. Before her image in small characters proudly appears the name of the artist Pythodoros, a master die-engraver who also worked at Polyrherion on the equally beautifully styled female head which has been defined as that of Britomartis, ‘sweet maiden’ in the Cretan dialect. Also identified as Artemis Diktynna, Britomartis in Cretan myth was caught in a fisherman’s net (diktyon) while trying to escape the advances of Poseidon, and was the subject of several Cretan coin types inspired by a statue then attributed to Daedalos, who was reputed to be the father of Cretan art (cf. Le Rider pp. 114-6, 3-6 pl. 28, 19-38; Svoronos 15-16, pl. 26, 4-5; Traité pl. 261, 25; BMC 1-2). Both images are very much influenced by the Sicilian school of die engraving as epitomised by the celebrated artists such as Kimon, Phrygillos, Eukleidas, Euainetos and Eumenes. The reverse type is of no less mythological and historic interest; the warrior in question is Apteros, called Ptolioikos, a title literally meaning ‘dweller in the city’. He is shown saluting a tree, a scene which can be interpreted as a rendering of what must surely be a now lost myth concerning the oiktistes or founder of the city. The fine remains of the ancient polis of Aptera or Aptara (IACP 947), the modern Palaiokastro, are situated near the Minoan site of Megala Chorapia on the south side of Suda Bay, the safest anchorage in Crete throughout Greek, Venetian and Ottoman times, and which is today an important NATO naval base. Eusebius informs us that the city was founded by an eponymous hero, Apteros in the year 1503 BC (Chronicon 44c). The first historical mention of Aptera dates from the 7th century BC when a contingent of archers is reported to have fought along with Spartans in the war against Messene (Pausanius, Description of Greece IV 20, 8). Various attemps in antiquity were made to explain the city’s name: notably, that it was the site of the song contest of the Muses and Sirens. In this story the latter lost their wings in a fight that ensued after their defeat (Stephen of Byzantium sv. Aptera; ‘aptera’ = ‘wingless’). The city’s name most likely derives from one of the epithets of Artemis, A????? (cf. Inscriptionis Cretae 2), similar to that of the statue in the temple of Athena Nike on the Acropolis at Athens, which later took on the name of Nike Apteros, meaning ‘wingless’ Nike. From the fourth century BC Aptera produced coins on the Aiginetan weight standard, but by later Hellenistic times it gradually declined in favour of its powerful neighbour Kydonia and was finally absorbed by Rome in 67 BC.

Modern art picture, decorative wall plates, Royal Worcester egg coddlers, decorative vases etc

A quantity of folders, magazines etc. including: X.A.P - A Descant Upon Railroads, 1st Edition, London, John Bohn, Henrietta Street, Covent Garden 1862, John Ramsbottom, The Father Of The Modern Locomotive, The History Of Haworth Railway, Reginald B Fellows - Railways To Cambridge, Charles H Riches - Description Of The New Locomotive Running Shed Of The Taff Vale Railway At Cathays, Cardiff, Charles E Lee - The World's First Public Railway, W M Acworth - The Great Western Railway (9 vols), Arcana Of Science And Art, The Maryport & Carlisle Railway, various other interesting pamphlets etc. (qty)

§ ANISH KAPOOR C.B.E., R.A. (INDIAN/BRITISH B. 1954) RED DISC Signed and dated 2011 verso, coated stainless steel 30cm (11.75in) diameter Note: Born in Bombay (now Mumbai), India in 1954, Anish Kapoor has since the 1970s lived and worked in London, studying at Hornsey College of Art and Chelsea School of Art throughout that decade. His intensely distinctive sculptural works have made him a name across the creative and connoisseurial worlds, and it is no exaggeration to describe him as one of the most influential artists of our time. Representing Britain at the XLIV Venice Biennale in 1990, Kapoor went on to win the Turner Prize in 1991, was awarded a CBE in 2003 and a knighthood in 2013, for services to the visual arts. He has had solo shows in such institutions as the Royal Academy of Arts and the Turbine Hall at Tate Modern. Kapoor's simultaneous gravitas and popularity may be attributed to the instantaneous grasp his sculpture achieves over the viewer's mind and feelings; the work asks of you both engagement and astonishment, casting a spell on their audience on several levels, and they are often theatrical, as the word "audience" suggests. Frequently executed at extremes of scale, Kapoor's work is both a feat of engineering and of transmutation of form. He works in the most physical, tangible and earthly of materials - pigment, stainless steel, stone, resin and wax - yet his sculptures utilise understanding of what might be termed the physical sciences through art to suggest, through the utterly physical, the unutterable, and eventually the metaphysical. The concave (therefore also convex) disc, perhaps the sculptural form at which his work most comes to rest philosophically, is the model or epitome of these qualities. The viewer is drawn to look into the strange bottomlessness of the reflective surface, absorbed by the work through its depth of pigmentation and the endlessly shape-shifting forms created within the low bowl. This mesmerising, dream-holding quality means that the viewer experiences and feels the work as opposed to merely observing it; the sculpture engages its viewer, or holder, at a suggestive and psychological, as well as a pleasing physical, level. This work is the product of the artist's profound capacity to render in form his continuing conversation with the world that speaks about light and darkness, presence and absence, the solid and the intangible. The work illustrated here for sale is one such classic disc form. The domestic scale is also a highly unusual and desirable quality given the more familiar and all but "untameable", vast proportions of Kapoor's work.

Art Nouveau style embossed silver fronted photo frame, modern, height 28cm.

A collection of modern day art books including Andy Warhol 'Giant' Size and further books on Warhol, further works on Picasso including a Picasso domino set in a pine box

Modern iridescent Art Glass bowl and a Murano red tinted glass bowl

VIRTUE & CO - Collection of 37 Virtues Imperial Shakespeare publications, 2 x J.S Virtue & Co Modern Artists publications (5 & 6) & a copy of Masterpieces of German Art.

*EDWARD BRIAN SEAGO, RBA, ARWS, RWS (1910-1974, BRITISH) Boys at The Beach oil on board, signed lower left 9 = x 11 = insProvenance: Sotheby s New York, Impressionist and Modern Art 4th October 2012 Lot 106

A COLLECTION OF VINTAGE AND MODERN COSTUME JEWELLERY, comprising a gemset cuff bangle, various brooches and necklaces etc., to include a boxed 'Majorica' pearl necklace, together with an Art Deco diamante set cocktail watch - the latter A/F For shipping price on this lot please visit www.cuttlestones.co.uk/shipping

‡ Sybil Andrews (British/Canadian 1898-1992) St. Jacques, Lisieux Signed and titled Etching 27 x 20cm; 10¾ x 7¾in (plate size) Sybil Andrews helped establish the Grosvenor School of Modern Art ++Good condition

Vladimir Cora (modern): Abstract pastel and gouache of a reclining nude lady, signed and dated 84, entitled "De La Serie, Las Senoritas de Tecuala II" (58 x 88cm) Provenance: Vendor bought this picture from the Lewin Gallery in Palm Springs, California, in 1993. When Lewin senior died their residual collection was left to the Orange County Museum of Modern Art

Two trays of assorted china to include Johnson Brothers English Oak Art Deco design lidded sucrier, onyx ashtray, floral sandwich plates, continental figural trinket dish, modern Delft clogs etc. (2)

THE STUDIO, an Illustrated Magazine of Fine and Applied Art, Vol no. 22; plus "Modern British Architecture. and Decoration." bound in, cont 1/2 mor, 4to 1901.

Georgian simulated Rosewood chaise longue, the frame with cane back and giltwood detail, raised on short swept legs with Brass end caps and castors, 78 wide  Condition: Caning appears solid. Some wear to edges of woodwork. Frame appears solid. Upholstery seems quite modern.   Please note:  Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced.  However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.   Kind Regards Keys I Fine Art Auctioneers LLP

Pair of modern Spode Blue Italian pattern baluster Vases, 11 high (2)  Condition: Generally good condition.   Please note:  Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced.  However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.   Kind Regards Keys I Fine Art Auctioneers LLP

Contemporary modern impressionist oil painting on board label verso Northern Painters Exhibition, Laing Art Gallery - Carnival. Artist Mr S Manning, 55 Beach Grove, Whitley Bay. 49 x 59.5 cm

A modern reproduction bronze model of a dancing figure, in the Art Deco style, bearing the signature B. Zach, A7255, on a pink and black conical marble base, 65cm high.

A modern reproduction bronze figure of a dancing girl in beaded costume, in the Art Deco style, after Chiparus, no A7255, on a rectangular marble stepped base, 49 cm high.

A Russian desk item in the form of an anchor, dated 1975, a tank desk trophy with Cyrillic legend, together with various miscellaneous items to include Russian moon landing lamp, brass Art Nouveau style picture frame, modern resin scrimshaw tooth, and hardstone eggs. (16)

A cantilever lever fitted jewellery box together with a collection of vintage and modern ring, brooches, watch boxes and an original 'Crystal Art' glazed and back lit collectors cabinet

Modern brass standard lamp and art nouveau style lamp. Condition report: see terms and conditions

An Art Deco style oak occasional table, an oak television stand, two small rectangular occasional tables and a modern towel rail (5).

A group of collectors items including a novelty nut cracker in the form of a cat's head (af), a pair of Gladwin Ltd "Ambassador" octagonal silver plated Art Deco vases, an unusual Huguenin cylindrical lidded vessel, a spelter figure of a seated Buddha, a small modern miner's lamp and an ashtray modelled as a lamp (7).

BERNARD DUNSTAN R.A. (BRITISH b.1920) ALBI, IN THE MUSEUM, signed with initials B.D. lower left, oil on board, inscribed with title & 83 verso; together with A NEWSPAPER CUTTING OF ALBI, LANGUEDOC, SOUTH OF FRANCE, framed and glazed, 31cm by 28cm (2) Provenance: Fosse Gallery, John Lindsey Fine Art Ltd, Stow in the Wold, purchased Sotheby's Modern British Paintings Sale 8th March 1995, lot 262 for £1,800.00

Four modern gilded table lamps and one standard lamp, all with Art Deco style beaded shades (5).

Four modern lamps, one in the form of an Art Deco lady with a peacock on her shoulder and also a large wooden candlestick (5).