We found 19749 price guide item(s) matching your search

A suite of modern jewellery, to include pendant and earring set and a brooch, the pendant and earring set with Baltic amber, the brooch in art nouveau style.

A modern bronzed lamp base, with three glass shades, the base mounted with an Art Nouveau style maiden carrying fruit, 85cm high.

1950's Adie Bros silver cigarette box, a modern silver decanter label, Art Deco white metal compact, silver handled button hook, circular frame and assorted plated ware.

A large selection of modern volumes, including history, art and softback novels etc

Philome Obin (Haitian, 1892-1986) , "Les Vendeurs Chasses du Temple (Jesus Christ Expelling the Merchants and Money Changers from the Temple)", 1958, signed, dated and localized "Cap-Haitian" lower right, titled lower center, "Art Lending Service, The Museum of Modern Art , NY" with title and provenance of Galerie Naive, NY, "Christie's East, NY" and handwritten title labels en verso, 30 in. x 24 1/2 in., framed . Provenance: Gallerie Naive, NY; Christie's East, NY, May 15, 1991, lot 45; Collection of Angela Gross, Bernardsville, NJ . Note: According to the online archives of The Museum of Modern Art, they instituted the Art Lending Service from 1951 to 1982, and Gallerie Naive participated from 1964-1971

Modern art Nouveau style lamp

Marcantonio Raimondi (Italian, 1480 - 1527), "Ecce Homo" (Bartsch 603 i/iii) old master engraving, ca. 1505 to 1511 CE. An exceptional engraving by Marcantonio Raimondi (1480-1527) after Albrecht Dürer's small woodcut entitled "Passion", ca. 1512 (one of thirty-six Passion images), deemed to be the first state, depicting a dramatic episode of the passion of Christ. Raimondi was an Italian Renaissance master of engraving whose oeuvre disseminated the stylistic tenets of the High Renaissance throughout Europe, particularly the works of Raphael and Michaelangelo. There are two collector marks on the image. In the upper left corner of the front is stamped “RB” (representing Raimondi of Bologna - see more on Raimondi's biographical background below). The Department of Prints and Drawings at the Art Institute of Chicago has a Venus and Cupid print with this same "RB" collector mark. In the consignor's correspondence with Suzanne Karr Schmidt, Assistant Curator, she noted that the main resource for information is the Lugt collector mark database, which is now online (http://www.marquesdecollections.fr/detail.cfm/marque/9082). They did not have a solid attribution for the mark which was known by the 1880s; however, its owner may be one of several possibilities according to Schmidt. The second collector’s mark, on the reverse, is the signature of J. D. BÖHM (1794-1865), médailleur, sculpteur et graveur sur pierre, Vienne, - Estampes et dessins. Bohm’s collector’s seal is Lugt 1442. While not an exact match, the one on the engraving appears to be a variant. Attesting to Raphael and Raimondi's mutual respect for one another, Raphael included a portrait of Raimondi in the Vatican fresco entitled "Expulson of Heliodorus" (1513). Raimondi created his finest engravings in the initial years following his work with Raphael, and this piece exemplifies work from this period. The composition demonstrates Raimondi's interest in idealized figures, clear evidence of Raphael's influence; however, it also demonstrates the influence of Northern Renaissance masters, particularly that of Albrecht Dürer, in the use of crosshatching in modeling, rounding, shading, and the contextualizing background. Raimondi copied more than seventy of Dürer's engravings and woodcuts, though not with consent which brought Dürer to bring suit against his admirer. In Raimondi's defense, copying was and continues to be a form of education for artists. The "RB" mark on the upper left corner of this piece most likely stands for Raimondi of Bologna. Raimondi was from Argine, near Bologna, and trained with the famous painter and goldsmith of Bologna, Francesco Raibolini (known as Francia) until about 1506 when he left for Venice. According to the great Renaissance biographer Vasari, Marcantonio quickly surpassed his teacher and went on to become the most significant printmaker of the High Renaissance. A very important piece with intriguing provenance by a pivotal figure in the history of art, double-matted and in a gilded modern frame under glass. Size: 5" L x 4" W (12.7 cm x 10.2 cm); framed 11.25" L x 10" W (28.6 cm x 25.4 cm) Provenance: Ex-Private New Jersey collection acquired before 1990. "RB" collector's mark on upper right. The Department of Prints and Drawings at the Art Institute of Chicago has a Venus and Cupid print with this same "RB" collector mark. The second collector’s mark, on the reverse, is the signature of J. D. BÖHM (1794-1865), médailleur, sculpteur et graveur sur pierre, Vienne, - Estampes et dessins. Bohm’s collector’s seal is Lugt 1442. Bohm's collection was sold at his death in 1865: http://www.marquesdecollections.fr/detail.cfm/marque/7731/total/1. While there is no individual listing of this particular engraving, most of his Old Master engravings were sold in lots. Condition: Overall excellent. Tiny tear to lower margin that does not interfere with the image. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #116270

A modern metal framed Classix Sports Car 1930's style, No 127, and 1:12 Scale Jaguar D Type by Auto Art, (2, unboxed).

Modern stained glass window with Art Nouveau style Iris flower to centre. 51 x 49cm. Marked ASG MMIV V&G. 2004

Johnson (Robert Underwood & Buel, Clarence Clough, editors). Battles and Leaders of the Civil War, volumes 1-4, facsimle reprint of 1884 edition, USA, monochrome illustrations, all original blue cloth in dust jackets, spines slightly rubbed to head, 8vo, together with Hamilton (Adrian), The Infamous Essay on Woman, or John Wilkes Seated Between Vice and Virtue, volumes 1 & 2, 1972, limited edition 689/2000, numerous facsimile monochrome illustrations, original boards and wrappers in slipcase, large 8vo, and Shahn (Ben), Love and Joy About Letters, About Letters and Lettering, 1st UK edition, 1964, numerous colour and monochrome illustrations, original cloth in slipcase, spine slightly worn and faded, oblong 4to, plus other modern miscellaneous literature including art and history reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (6 shelves)

Robiquet (Jean). La Femme Dans La Peinture Francaise, Les Editions Nationales, Paris, 1938, limited edition 1233/3000, numerous colour and monochrome illustrations, some minor toning, original gilt decorated light blue cloth, boards slightly marked, folio, together with Ward-Jackson (Peter), English Furniture Designs of the Eighteenth Century, HMSO, 1958, numerous monochrome illustrations, original blue cloth in price clipped dust jacket, covers slightly rubbed, spine slightly toned, 4to, and Blunt (Anthony, editor), Baroque & Rococo Architecture & Decoration, Elek, 1978, numerous colour and monochrome illustrations, original brown cloth in dust jacket, large 8vo, plus other modern art reference, mostly original cloth in dust jackets, G/VG, 8vo/folio (3 shelves)

History. A large collection of miscellaneous modern history, art and ecclesiastical reference, including publications by Oxford, Batsford, S.C.M. Press, Manchester University Press, mostly original cloth, many in dust jackets, some German language, G/VG, 8vo/4to (6 shelves)

History. A large collection of modern history, art and miscellaneous reference, including publications by Batsford, Penguin, Oxford, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (6 shelves)

Burgess (James). The Lives of the Most Eminent Modern Painters, who have lived since, or were omitted by Mons. De Piles, Thomas Payne, 1754, period annotations to the title page, some light spotting, top edge gilt, later gilt decorated brown half morocco, slightly rubbed, 8vo, together with Gibson (Frank), Charles Conder, His Life and Work, 1914, 121 monochrome illustrations, some light spotting, original white cloth spine to boards, slightly toned and rubbed, 4to, and Snare (John, publisher), The History and Pedigree of the Portrait of Prince Charles (afterwards Charles I), painted by Velasquez, Reading, 1847, monochrome portrait frontispiece, bookplate and news cuttings to front endpapers, some light spotting, contemporary gilt decorated blue half calf, boards and spine rubbed with minor loss, 8vo, plus other 19th and early 20th century art and artist reference, mostly original cloth, some gilt decorated, some leather bindings and odd volumes, G/VG, 8vo/folio (3 shelves)

Benevolo (Leonardo). The Architecture of the Renaissance, volumes 1 & 2, 1978, numerous monochrome illustrations, both original cloth in price clipped dust jackets, 4to, together with Whinney (Margaret), Sculpture in Britain 1530 to 1830, 1st edition, 1964, numerous monochrome illustrations, original red cloth in price clipped in dust jacket, 8vo, and Scheurleer (D.F. Lunsingh), Chinese Export Porcelain, Chine de Commande, 1974, numerous monochrome illustrations, original blue cloth in dust jacket, 4to, plus Gomme (Andor et al), Bristol, An Architectural History, 1st edition, 1979, numerous monochrome illustrations, original red cloth in dust jacket, 4to, and other modern art and architecture reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (3 shelves)

Lewis (John). John Nash, the Painter as Illustrator, The Pendomer Press, 1978, limited edition 33/150, signed by the author to the limitation page, numerous monochrome illustrations, original gilt decorated blue quarter morocco in slipcase, 8vo, together with Latham (Charles), In English Homes..., volumes 1-3, 2nd edition, 1907, numerous monochrome illustrations, some light marks, all edges gilt, uniform original gilt decorated blue cloth, boards and spines slightly rubbed to head and foot, folio, and James (J.T.), The Flemish Dutch and German Schools of Painting, John Murray, 1822, bookplate to front endpaper, some light marks and spotting, contemporary gilt decorated brown half calf, boards marked and rubbed, spine slightly rubbed to head and foot, 8vo, plus other 19th century and modern art reference, including The Studio, 8 volumes, numbers 11, 12, 16, 20-24, mostly original cloth, some in dust jackets, some leather bindings, G/VG, 8vo/folio (6 shelves + 2 cartons)

Horn (Walter, & Born, Ernest). The Plan of St. Gall, a study of the architecture and economy of, & life in a paradigmatic Carolingian monastery, volumes 1-3, University of California Press, USA, 1979, numerous monochrome illustrations, uniform original white cloth bindings with red morocco labels to spines, some minor marks, folio, together with Cramp (Rosemary, et al), The British Academy Corpus of Anglo-Saxon Stone Sculpture in England, volumes 1 (part 1 & 2), 2, 3, 7, all 1st editions, OUP, 1984-2006, numerous monochrome illustrations, all original blue cloth in dust jackets, spines slightly faded and rubbed to head and foot, 4to, and Kermode (P.M.C.), Manx Crosses..., Bemrose & Sons Ltd., 1907, 2 colour maps, 58 monochrome illustrations, plus 66 monochrome plates, bookplate and period inscription to front endpapers, some light spotting, original gilt decorated brown cloth, boards and spine slightly rubbed, large 4to, plus other modern medieval architecture and art reference, including Anglo-Saxon Architecture, volumes 1-3, by H.M. & Joan Taylor, 1965-78, with letters by the authors, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (3 shelves)

Sylvester (David, editor). Henry Moore, Complete Sculpture, volumes 1-6, mixed editions, 1986-88, numerous monochrome illustrations, all original black cloth in dust jackets, covers slightly toned and rubbed to head, 4to, together with Doisneau (Robert), Doisneau Renault, France, 1988, numerous monochrome illustrations, original wrappers in metal slipcase, spine slightly creased and rubbed, 8vo, and Grad (Bonnie Lee), Milton Avery, 1st edition, USA, 1981, numerous colour and monochrome illustrations, original cloth in price clipped dust jacket, spine slightly faded, 4to, plus other modern art, sculpture and graphic design reference, mostly original cloth in dust jackets, some paperback editions, G/VG, 8vo/folio (6 shelves)

Miscellaneous Reference. A large collection of modern sporting art and history and miscelleaneous reference, mostly original cloth, many in dust jackets, G/VG, 8vo/4to (6 shelves)

Hardie (Martin). Water-colour Painting in Britain, volumes 1-3, mixed editions, 1967-68, numerous monochrome illustrations, plus colour frontispiece, uniform original cloth in dust jackets, covers rubbed to head and foot, large 4to, together with Grant (Maurice Harold), A Chronological History of the Old English Landscape Painters (in Oil), volumes 1-3, 1st edition, 1926-47, numerous monochrome illustrations, all original green cloth, boards slightly marked, spines rubbed to head and foot, folio, and Köster (August), Decorative Sculpture, 1927, numerous monochrome illustrations, some light spotting, original gilt decorated blue cloth, spine slightly rubbed to head and foot, large 4to, plus other early 20th century and modern art and sculpture reference, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (6 shelves)

Stewart (Basil). Subjects Portrayed in Japanese Colour-Prints, 1922, numerous colour and monochrome illustrations, some light spotting, cracked front guttering, original cloth spine to blue boards, marked and rubbed to head and foot, folio, together with Shwu-Shin (Lin), The Jade Carving Art in The Ching Dynasty, 2nd edition, China, 1991, numerous colour illustrations, original blue cloth in dust jacket and slipcase, 8vo, and Müntz (Eugene), Leonardo Da Vinci, Artist, Thinker, and Man of Science, volumes 1 & 2, 1898, 48 monochrome plates with tissue guards, plus 52 monochrome illustrations, uniform original decorated grey cloth, spines slightly rubbed to head and foot, large 8vo, plus other modern art and Oriental art reference, including Brabazon House Record, 6 volumes, 1933-37, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (6 shelves)

Wedmore (Frederick). Meryon and Meryon's Paris: with a descriptive catalogue of the artist's work, 1879, limited edition 13/113, some light toning, original vellum, spine slightly rubbed with loss to foot, 8vo, together with other modern art reference, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (6 shelves)

Jackson (Chales James). Illustrated History of English Plate, volumes 1 & 2, reprint edition, The Holland Press, 1967, numerous monochrome illustrations, original black cloth in dust jackets, covers slightly rubbed to head and foot, large 4to, together with Barbier (Carl Paul), William Gilpin, His Drawings, Teaching and Theory of the Picturesque, 1st edition, OUP, 1963, 16 monochrome plates, original blue cloth in dust jacket, small tear to foot of spine, 4to, and Dickson (Robert & Edmond, John Philip), Annals of Scottish Printing..., limited small paper edition 474/500, signed by John Edmond to the limitation page, 73 monochrome illustrations, ex library copy with associated stamps and marks, original blue cloth, covers and spine slightly marked and rubbed, large 4to, plus other late 19th century and modern historical, art and literary reference, including publications by Oxford, Cambridge, Batsford, Gollancz, mostly original cloth, some in dust jackets, G/VG, 8vo, folio (6 shelves)

Wentworth (Lady). Thoroughbred Racing Stock, 2nd edition, 1960, numerous colour and monochrome illustrations, original red cloth in dust jacket and slipcase, spine faded and chipped to head and foot, large 4to, together with Mortimer (Roger), the History of the Derby Stakes, new edition, 1973, numerous monochrome illustrations, original cloth in dust jacket, spine slightly faded and rubbed to head and foot, 4to, and Antique Collectors' Club (publisher), The Dictionary of British Equestrian Artists, by Sally Mitchell, 1985, Sport and the Artist, volume 1: Ball Games, by Mary Ann Wingfield, 1988, both 1st editions, Dog Painting, 1840-1940, A Social History of the Dog in Art, by William Secord, reprint edition, 1992, numerous colour and monochrome illustrations, all original cloth in dust jackets, 4to, plus 30 further volumes of modern sporting art and reference, all original cloth, mostly in dust jackets, G/VG, 8vo/4to (35)

Bury (Shirley). Jewellery 1789-1910, The International Era, volumes 1 & 2, 1st edition, Antique Collectors' Club, 1991, numerous colour and monochrome illustrations, uniform original grey cloth in dust jackets, 4to, together with Gray (Todd & Rowe, Margery, editors), Travels in Georgian Devon, The Illustrated Journals of the Reverend John Swete, 1789-1800, volumes 1-4, Devon Books, 1997, limited edition 865/1000, numerous colour illustrations, original green cloth in dust jackets and slipcase, large 8vo, and Tunnicliffe (C.F.), Shorelands Summer Diary, 1st edition, 1952, 16 colour plates, plus monochrome illustrations, some minor toning, original red cloth in dust jacket, covers slightly marked, 4to, plus 12 further volumes of modern art and illustrated reference, all original cloth, mostly in dust jackets, G/VG (19)

Berthoud (Michael). An Anthology of British Cups, 1982, An Anthology of British Teapots, 1985, A Compendium of British Cups, 1990, A Directory of British Teapots, 2006, all 1st editions, all Micawber Publications, Kent, numerous monochrome and colour illustrations, all original boards, 3 in dust jackets, covers slightly rubbed to head and foot, large 8vo, together with Jewitt (Llewellyn), The Ceramic Art of Great Britain, volumes 1 & 2, 1878, numerous monochrome illustrations, bookplates to front pastedowns, top edge gilt, uniform original gilt decorated red cloth, spines slightly rubbed to head and foot, 8vo, and Marryat (Joseph), A History of Pottery and Porcelain, Medieval and Modern, 3rd edition, 1868, 6 colour plates with tissue guards plus monochrome woodcuts, some light spotting, plate 5 detached, slightly loose binding, original gilt decorated green cloth, spine rubbed with slight loss to front hinge, 8vo, plus other late 19th century and modern pottery and ceramic reference, mostly original cloth, many in dust jackets, G/VG, 8vo/4to Ex libris Geoffrey A. Godden. (3 shelves)

TAPLIN (WILLIAM), THE GENTLEMAN'S STABLE DIRECTORY OR MODERN SYSTEM OF FARRIERY, TWO EDITIONS, 4TH AND 13TH, CALF, WORN, BOARDS LOOSE OR DETACHED 1796 AND W. J, MILES, MODERN PRACTICAL FARRIERY A COMPLETE SYSTEM OF THE VETERINARY ART AS AT PRESENT PRACTISED AT THE ROYAL VETERINARY COLLEGE LONDON, COLOUR PLATES, HALF CALF, CIRCA 1870 (3)

A modern Sterling silver brooch of Art Nouveau design, set with a pendant freshwater pearl.

Modern Moorcroft Art Pottery tube lined, baluster shaped, jardiniere, decorated with a multi-coloured scaly dragon, printed, painted and impressed marks to base. CONDITION REPORT: No obvious damage or losses. Rather dirty especially internally. appears 1st quality.

Modern pop art print

PHOTOGRAPHY - a small selection; sold with a few others on modern art & design.

BRITISH ART - a small, modern miscellany.

ART & RELATED - a (mostly) modern miscellany.

Anglo-Indian School, pigment probably on ivory, of a tall minaret, presumably the Qutb Minar, built by Qutb-Ud-Din Aibak at Mehrauli in New Delhi; framed, overall dimensions including frame 20 x 18 cm; together with a rectangular Chinese textile, mounted as a tray, 71 x 32cm (2) For a modern photograph of The Qutb Minar, see page 205 of 'Islamic Art' by Barbara Brend. Brend states that the Qutb Minar was completed by Qutb-al-Din's successor, Iltutmish. The Alay Darvazah, to the right hand side of Qutb Minar, was built by Ala al-Din Muhammad from the Khalji Dynasty in 710/1311.

Quantity of assorted flatware, including boxed Regalia plate, Kings pattern spoons, Royal Worcester cake knife, boxed, boxed set Royal Wedding Souvenir spoons, 29 July 1981, a decanter with a silver plate collar and a plated sherry label, a modern skeleton clock, Art Deco fruit knives, bakelite handles and serrated edges, boxed, and other items (1 box)

A modern Continental silver enamel and peridot set pendant in the "Art Nouveau" manner, the face with an enamelled shoulder length portrait of a young woman in a lily pond, contained within a silver cage work border, hung with three small oval cut peridots, 90mm x 45mm overall (gross weight 37 grammes)

A modern 14ct gold and platinum mounted all diamond set ring in the "Art Deco" manner, the rectangular face set with an old cut diamond of approximately .33ct, four further diamonds of .25ct within a border pave set with smaller diamonds, the face 25mm x 14mm overall (gross weight 6.6 grammes - ring size H)

C.R.W. NEVINSON INTEREST - 'THE TWENTIETH CENTURY', Michael J. K. Walsh - 'C. R. W. Nevinson This Cult of Violence, Sue Malvern - 'Modern Art, Britain and the Great War', and 'Blasting The Future! Vorticism in Britain 1910 - 1920' (4)

Two modern desk lamps - one Art Deco with metal base and figure of a lady reading a book both with glass shade

A modern Art Deco style bronzed figure of a dancing girl.

A modern table lamp with Tiffany style shade, height 70cm and an art pottery table lamp decorated with an image of a horse, height 70cm (2).

14ct white gold modern diamond set pendant set in rectangular art deco motif on a fine white gold chain

Old wooden figure of an elderly man and a modern art wooden figure

A mid 20thC Art Deco plaster lamp, the column formed as a nude lady with knee outstretched aside a flowing curtain, with an upper part pierced metal dish holder and frosted and clear glass shade, modern conversion to electricity, 83cm high. (AF)

A modern bent metal bottle stand formed as a cat, 36cm high, and three English Miniatures Fine Art sculptures. (4)

Large modern art oil on canvas painting, signed L. Yearsley. 11 100 x 150 cm.

Vienna type two handled pedestal vase and cover, a large Victorian floral decorated water jug, a black and white transfer printed cream jug, modern Wedgwood part coffee set and two Art Deco sandwich sets

Modern terrestrial globe, wicker dog basket, Art Deco soda siphon and sundries

A walnut Art Deco clock and a marble one both with modern battery movements

A pair of early 20th Century Art Deco style decanters with cut and amber flash decoration, together with a set of three Georgian cut glass decanters, a further modern decanter, cut glass tazza and cut glass vase, raised on a circular stepped foot

Rare Ruston & Hornsby book 'Our Part in the Great War', vintage book by Shell of 'The Modern Motor Car', vol. 'The Gentle Art of Excavating' by W. Heath Robinson.

Le Clerc (Sebastien). Practical Geometry: Or, a New and Easy Method of Treating that Art, translated from the French of Monsieur S. Le Clerc, 3rd edition, 1727, 80 copper-engraved illustrations, first three letters of title overwritten in manuscript, occasional light soiling, contemporary calf, upper cover detached, spine rubbed, 8vo, together with Memoirs of the Lord Viscount Dundee, the Highland Clans, and the Massacre of Glenco: With an Accound of Dundee's Officers after they went over to France, by an Officer of the Army, 1st edition, 1714, manuscript poem 'An Epitaph on Dundee' to verso of His Epitaph leaf, some spotting, previous owner signature of Blackburne to title, bookplate, later panelled sheep, a little rubbed with small wormtracks, 8vo, plus Mordaunt Hall; Or, a September Night. A Novel, [by Anne Marsh, afterwards Anne Marsh-Caldwell], 3 volumes, 1st edition, 1849, a few light spots, contemporary half calf, a little rubbed, 8vo, with others including the Duke of Rochefoucault's Moral Maxims and Reflections, 2nd edition, 1706, Catherine Sinclair's Modern Flirtations, or a Month at Harrowgate, 3 volumes, 1841, Observations on the Trial by Jury, Particularly on the Unanimity Required in the Verdict, by John Longley, 1812, H.T. de la Beche's How to Observe Geology, 1835, Andrew Combe's The Physiology of Digestion, 1836 and Herbert Spencer's Social Statistics: Or the Conditions Essential to Human Happiness Specified, and the First of them Developed, 1851 (with manuscript note to title stating it was withdrawn) (34)

Ramsey (L.G.G.). Montague Dawson, The Greatest Sea Painter in the World, limited edition 63/65, numerous colour and black and white illustrations, publisher's original gilt decorated red morocco, all edges gilt, 4to, together with Garsen (Peter, et al), Pierre Molinier, Comme Je Voudrais Etre, Cabinet Gallery, 1993, limited edition 46/100, original disbound leaves with fold out poster and black and white postcard, contained in original black cloth book box, large 8vo, and other modern art and antique reference, plus miscellaneous literature, including fiction, non-fiction, bibliography reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (5 shelves + a carton)

Waring (J.B.). Masterpieces of Industrial Art & Sculpture at the International Exhibition, 1862, volumes 1 & 2 (of 3) only, 1863, additional chromolithograph title to each volume, 200 chromolithograph plates, each with ink library stamp to verso, scattered spotting, heavy in places, ink library stamps to additional titles at lower blank margins, title-pages, and three pages of text in each volume, plate 197 with repaired closed tear to inner blank margin, renewed endpapers with ink library stamps to front free endpapers, ink library stamps to top edges, modern library buckram, lightly marked, large folio (2)

Wyld (Samuel). The Practical Surveyor, or, The Art of Land-Measuring Made Easy..., to which is added, an appendix added shewing how to draw buildings, &c. in perspective..., 2nd edition: corrected and enlarged by a careful hand, printed for H. Lintot, circa 1730, folding engraved frontispiece and 6 folding engraved plates, some marks and soiling, one plate restrengthened to fore-edge, contemporary calf, good-quality antique-style modern reback, together with Wilson (Henry), Surveying Improved: or, The whole art, both in theory and practice, fully demonstrated, 6th edition, with additions, two which is now added, Geodoesia Accurata... also, a new essay upon solids, by William Hume, 1769, 11 folding engraved plates, some light browning to title and margins of preliminary leaves, contemporary calf, good-quality antique-style modern reback, plus a 4th edition of the same work, 1755, 11 folding engraved plates, contemporary calf, modern antique-style reback, retaining old spine label, all 8vo (3)

Art Catalogues. A large collection of approximately 360 modern art auction catalogues, including Sotheby's, Christies, Phillips, all original wrappers, G/VG, 8vo (6 cartons)

Reilly (Robin). Wedgewood, volumes 1 & 2, Stockton Press, 1989, numerous colour and black and white illustrations, ex library copy with associated marks and stamps, uniform original blue cloth in slipcase, 8vo, together with James (Philip), Early Keyboard Instruments from their beginnings to the year 1820, 1st edition, 1930, 67 black and white illustrations including frontispiece, some light toning, ex library copy with associated marks and stamps, original brown cloth spine to embossed cream boards, rubbed with minor loss to head and foot, 4to, and other late 19th century and modern art, antique and architecture reference, many original cloth in dust jackets, some paperback editions and leaflets, G/VG, 8vo/folio (5 shelves)

Gilbert (Christopher). Furniture at Temple Newsam House and Lotherton Hall, volumes 1 & 2, 1978, volume 1 title page signed by the author, 2 tipped in colour frontispieces, numerous black and white illustrations, original blue cloth in dust jackets and slipcase, spines slightly faded, 4to, together with Cahill (James), Hills Beyond a River, 1976, Painting at the Shore, 1978, The Distant Mountains, 1982, The Painter's Practice, 1994, USA, all 1st editions, numerous colour and black and white illustrations, all original cloth in dust jackets, spines slightly faded and rubbed to head and foot, 8vo, and Greene (Vivien), English Dolls' Houses of the Eighteenth and Nineteenth Centuries, 1st edition, 1955, numerous black and white illustrations, some minor spotting, original red cloth, spine slightly faded, 4to, plus other modern art and antique reference and related, mostly original cloth in dust jackets, G/VG, 8vo/folio (3 shelves)

A collection of three American silver vesta cases, comprising: one with a scene of the White House and 'Washington D. C', plus one with Art Nouveau decoration and a modern one with a mermaid, approx. weight 3oz. (3)

Modern bronze of an Art Deco style dancing lady on marble base