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After Richard Diebenkorn, 'Ocean Park no. 19', coloured print published by San Francisco Museum of Modern Art. Framed and glazed. ***

SIR JOHN EVERETT MILLAIS - The Baby House, etching, for "Art Union" edition 1872, 13.5cms x 17.5cms in modern frame

A piece of modern wall art.

An Art Deco style diamond set brooch, set with old cut stones in modern setting on pin fastener

* WILLIAM GEAR RA FRSA RBSA (BRITISH 1915 - 1997), TWO RED FORMS acrylic on paper, signed and dated '67 50cm x 61cm Framed and under glass Label verso: Louise Kosman: Modern British Art, Edinburgh

GWEN HARDIE, BODY 07.02.14 oil on canvas, signed and titled verso 51cm x 41cm (oval) Unframed, as intended Note: Hardie is the youngest artist ever to be awarded a solo show at The Scottish National Gallery of Modern Art in Edinburgh, Scotland (1990).Gwen Hardie is represented in many private and public art collections in Britain, Europe and America including two major works in The Scottish National Gallery Of Modern Art. Since moving to New York in 2000, she has shown with The Lennon Weinberg Gallery, Dinter Fine Art and has been awarded Residencies at Yaddo in 2004, 2005 and 2006 in a Bogliasco Fellowship at The Liguria Study Center in Italy. She lived in London between 1990 and 2000 and had 6 solo shows with galleries such as Annely Juda Fine Art, Beaux Arts and Fischer fine Art. In 1997 her painting was awarded a prize at the John Moores biennial, Liverpool and was included in the New British Painting" which toured America in 1986. Hardie left her native Scotland in 1984 when she was awarded a DAAD Scholarship to study with Georg Baselitz in Berlin. A documentary was broadcast on Scottish Television about her in Berlin in 1987. At Edinburgh College of art she was awarded the Richard Ford Award to study the paintings of Velasquez at the Prado Museum and received a first class honours degree in 1983. " Three of Gwen Hardie's paintings are currently included in "REALITY; Modern and Contemporary British Painting" at The Walker Art Gallery (until 29th November 2015) alongside the work of Walter Sickert, Lucien Freud, Francis Bacon, L S Lowry, Jenny Saville, Ken Currie, George Shaw, David Hockney, Alison Watt, Paula Rego and other important 20th century and contemporary artists.

A pair of modern art unframed oil on canvas signed W. F. Edwards.

ART DECO STYLE ROSEWOOD VENEER DESK, H 29", W 48", D 25", AFTER A DESIGN BY E. J. RUHLMANN: The modern, single-drawer rosewood veneer writing desk has ivory colored enhancements on each leg. No labels, after a design by E. J. Ruhlmann.

Andreas Christensen PH Grand Piano designed by Poul Henningsen A rare 'PH Grand Piano' circa 1934 in the Nordic Modern style by Poul Henningsen. The case of painted wood, white leather and chromium plated steel; the lid and music desk with later purple Perspex. Examples of this instrument have been exhibited at the Metropolitan Museum of Art in New York and the Danish Design Museum in Copenhagen.

*Philippe Auge (French, b. 1935) two still life Oils on Canvas, "A Cause d'une Pomme" and "Le Matin Comtait ses Oiseaux", both signed upper right "Auge", both gilt box framed, 35cm x 26.5cm (2) "Philippe Augé is one of the most accomplished painters of our time and a colorist of rare quality." With this unusually high praise from the modern master, George Braque, the young French artist Philippe Augé embarked on a painting career which, since the 1950's has catapulted him into a meaningful position in the contemporary art arena. Braque's assessment represents the quintessence of all the qualities associated with Augé's work today.

*Philippe Auge (French, b. 1935) "Melancholie du Coeur", No. 834, signed lower left Auge, moulded gilt frame with a linen fillet, annotated, numbered 834 and signed on the stretcher verso, 63cm x 52cm, "Philippe Augé is one of the most accomplished painters of our time and a colorist of rare quality." With this unusually high praise from the modern master, George Braque, the young French artist Philippe Augé embarked on a painting career which, since the 1950's has catapulted him into a meaningful position in the contemporary art arena. Braque's assessment represents the quintessence of all the qualities associated with Augé's work today.

*Philippe Auge (French, b. 1935) "Silence Des Souges", No. 225, Oil on Canvas, signed lower left, Wally Findlay gallery labels verso, signed annotated and numbered on stretcher verso, dated Feb. 9-82, moulded gilt frame with linen fillet, 71.5cm x 90.5cm, "Philippe Augé is one of the most accomplished painters of our time and a colorist of rare quality." With this unusually high praise from the modern master, George Braque, the young French artist Philippe Augé embarked on a painting career which, since the 1950's has catapulted him into a meaningful position in the contemporary art arena. Braque's assessment represents the quintessence of all the qualities associated with Augé's work today.

Lincoln Seligman (British born 1950), best know for his large scale Works of Art for modern buildings around the world, his clientelle is international but the majority of his works are in high profile locations in Europe, USA and Asia, in addition he has undertaken many substantial mural commissions and has regular exhibitions of paintings and sculptures including a one man show of paintings at the Royal Academy, London, a large unframed Oil on Canvas Study abstract form, vertical rock like shapes, 153cm x 122cm

Lincoln Seligman (British born 1950), best know for his large scale Works of Art for modern buildings around the world, his clientelle is international but the majority of his works are in high profile locations in Europe, USA and Asia, in addition he has undertaken many substantial mural commissions and has regular exhibitions of paintings and sculptures including a one man show of paintings at the Royal Academy, London, an unframed Oil on Plywood Panel Abstract, three headless torso's, signed lower right, 91.5cm x 127cm

An extremely tall Emile Galle style (modern) blue and frosted glass Vase with wheel cut style raised decoration of lilies and other sinuous flowers and tendrils etc., in high Art Nouveau style, large waisted circular neck and bulb shaped base, (bears Galle signature), 73cm high CONDITION REPORT: All appears very good save for scratches to underside of base (see images), no chips, cracks or damage.

A fine and large boxed frosted Pate de Verre style glass Vase of high Art Nouveau inspiration (modern) by Daum (France), the heavy Vase with traces of opalescence and moulded in relief with a border of flower heads above leafy tendrils etc., signed (etched) to underside Daum, France, 25cm high, original box and paperwork CONDITION REPORT: Perfect condition in the original box.

A 1930's blue and frosted vase supported by 2 female figures; a modern signed Art Glass vase; decorative glassware

A fine Victorian iron and brass hour-striking turret clock with four-legged gravity escapement J.B. Joyce and Company, Whitchurch, dated 1884 The movement of flatbed construction with high count lantern pinions and six-spoke crossings to the brass wheelwork, the going train with Harrison's maintaining power and regulated by four-legged gravity escapement with one-and-a-quarter seconds period compensated pendulum incorporating massive cylindrical cast iron bob, with white painted Arabic five minute setting dial signed JOYCE, WHITCHURCH and dated 1884 to centre, overhead dial take-off and cam for lifting the strike locking detent, the countwheel striking train with single-arbor warning and three-arm fly with adjustable flags, complete with crank winder, take-off and motionwork for two dials, weights and purpose-made welded oblong section steel stand fitted with a bell to left hand side, the flatbed frame 99cm (39ins) wide, 51cm (21ins) deep, the clock on frame 195cm (77ins) high by 135cm (53ins) wide by 76cm (30ins) deep overall. Provenance: The property of a private collector. Originally supplied for the church of St Paul, Kings Norton Parish, Moseley Road, Balsall Heath, Birmingham. A file compiled by the current owner containing details relating to provenance and other relevant notes (including a rare original trade publication) are included with the lot. The former firm of J.B. Joyce and Co. can trace its roots back to Shropshire village of Cockshutt where John Joyce is recorded in Loomes, Brian Clockmakers of BRITAIN 1286-1700 as working in around 1690. His descendant, William Joyce, relocated from Cockshutt to High Street, Whitchurch in around 1790. The workshop was then passed down subsequent generations with Thomas Joyce moving into the specialist field of turret clock making from1834. In around 1849 the firm adopted Lord Grimthorpe's design of gravity escapement for their larger clocks eventually settling on a four-legged version (as used in the current lot). The business subsequently expanded to became one of the most respected maker's of turret clocks of the 19th century winning many important commissions globally including Chichester and Salisbury Cathedrals, The Sydney Post Office clock and The Customs House, Shanghai. By 1902 the firm had outgrown its High Street premises hence a new purpose-built factory in Station Road was commissioned by Arthur Joyce. The business continued trading from this site until being sold to Smith of Derby in 1964 who allowed the firm to operate as a subsidiary. The factory was eventually closed in 2012 and is now used as a fine art auction house. The current clock was commissioned as a gift to the church of St. Paul by Thomas H. Barns in 1884 as 'a memento of my late uncle Mr. Thomas Barns..'. At the time of installation the church building was already thirty years old having built by Samuel Briggs in 1852-3 to a design by James Lyndon Perry to serve the district of Kings Norton parish. The tower was supplied with a forty-inch bell cast by C. & G. Mears in 1855 and the clock was configured to drive four large dials - one on each face of the tower. Unfortunately the church and tower was demolished in the 1970's to make way for modern residential development; the bell was re-used mounted in a steel campanile outside the new church hall built on part of the site. The clock as supplied was built to the highest specification utilising Lord Grimthorpe's four-legged gravity escapement and temperature compensated pendulum made with rod composed from zinc an iron tubes configured one inside the other to counter-act expansion through heat. The pendulum bob is particularly heavy and can be very finely regulated with the addition or subtraction of small weights to obtain an accuracy of within a five seconds a month. Now mounted on a purpose built steel stand the clock has been carefully restored under instruction by the vendor with the frame repainted in its original shade of light green and strike train provided with a hammer and bell mounted to the left hand side. As such the timepiece can either be used as a fascinating display piece or restored to its original purpose in a tower utilising the original take-off and motionwork (for two dials) included with the lot.

A large modern design art glass vase with a signed base 27/1982 TW 1947

A limited edition modern art print lithograph by Jean Baier (1932-1999), signed and numbered 148 of 250. Unframed with certificate

A modern design Swedish glass lamp and an Art Nouveau style metal lamp.

Modern buildings. Their planning, construction & equipment …Profusely Illustrated. G.A.T. Middleton ARIBA ed. Caxton. London: N.D. Cicra 1900-1905. Architectural & Art interest. Near fine. 6 vols complete. 4to. A veritible architectural tour de force. Profusely illustrated with plates, plans, pictures - some in colour. A fine set.

BOX; LEMON Robert, Catalogue of Printed Broadsides, 1866 Zaehnsdof, Art of Bookbinding, 1880; Morning Thomas, One Hundred Bookplates; TOMKINSON, Bibliography of Modern Presses; DUVERGER Eugene, Histoire de l'Invention, Paris 1940, folio paper wrap; and others of bibliographic interest (20)

Aviation, early to modern selection, inc. Nazi D2500, Daily Mail Waterplane, WW1, RP, Art, BEA, Concord, BOAC etc, mixed sizes. G-VG. (approx 47)

Collection in modern album Foreign, France, Gruss, Holland, Views, Towns, Street Scenes, Far East, North America, Mafeking Town Hall, Australia, Art Style etc. VR. (approx 200)

**A modern Reynolds of Ludlow, light Teak Dining suite comprising rectangular top dining table and six (including two carvers) Dining Chairs with art nouveau style pierced backs.

ART NOUVEAU STYLE MIRROR modelled as an elegant woman holding aloft a shaped frame, with children at her feet, 49cm high; a modern brass oil lamp reservoir and a smoked glass shade; a German pottery shaped vase; a ship in a Haig bottle; a novelty glass jug modelled as a pig and a glass and silver topped dressing table tidy, London 1925

Craig (Edward Gordon).- Furst (Herbert) - The Modern Woodcut, 1924 § Stanislavsky (Konstantin) My Life in Art, Moscow, Foreign Languages Publishing House, [c.1925] § Bablet (Denis) The Revolutions of Stage Design in the 20th Century, with 2 original colour lithographs by Joan Miro , Paris & New York, 1977 § Antonowa (I.) & Jörn Merkert, editors. Berlin Moskau 2950-1990, second printing, Munich & New York, 1995, first edtions , plates and illustrations, some by or of Gordon Craig, all original cloth or cloth-backed boards, first 3 with dust-jackets, rubbed ; and a large quantity of others, theatre, mostly relating to E.G.Craig, some periodicals or extracts, v.s. (large qty)

-. Roxburgh (David J., editor) - Turks A Journey of a Thousand Years, 600 - 1600, dust-jacket, original cloth, 2005 § Zarei (Mohammad Ebrahim, et al) Kurdistan, dust-jacket, original cloth, slip case, House of Culture and Art, Gooya, 2005, plus a quantity of Turkey / Kurdistan vol., mainly modern, some foreign language, v.s. (qty)

Collection of Modern Diecast Models. Including Mini champs White Caravan 400 905320, Corgi Detail Cars Art. 273 Volkswagen Golf, 1974 Cabrio 49718, Corgi Detail Cars Art. 276 Volkswagen Golf, 1974 with Soft Top 49721, Skoda Superb 1.43, Schabak VW Corrado No.1018, 1.43, VW Passat Variant ( 6 ) In Total.

[ART, ARCHITECTURE & RELATED] publications mostly of more modern date.

ART MISCELLANY - a modern selection, mostly of a substantial, monographical nature.

10th century AD. A flat-section silver plaque depicting a standing female in profile in pleated skirt and ornate headdress holding a drinking horn in her extended hands, pierced lug to the reverse; remains of gold on the surface. 5.03 grams, 27mm (1"). From an old Munich collection; acquired on the German art market before 2000. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Cf. Graham-Campbell, J. Viking Art, London, 2013, item 34; Swedish History Museum, item 108864. Accompanied by an Art Loss Register certificate. Representations of female figures holding drinking horns have often been referred to as Valkyries. Although it is impossible to verify this identification securely, it is highly tempting to make the connection between Valkyries and serving of a magical drink in myths. Drinking horns, popular in modern picture of Vikings, were probably used only during special occasions, such as greeting important guests, celebration or seasonal holidays. They were closely connected to aristocracy, not only by virtue of their material value, but also as a result of their social and ritual roles. As M.J. Enright points out, it is probable that Germanic tribes adapted the concept of the military group, which played an important role in strengthening the bond between a king/chief and warriors, from Celts in the age of Roman expansion. In a Germanic environment, this concept was slightly modified, and the serving of a drink by a noble/spiritual woman under the supervision of king/chief was viewed as a cultic act to strengthen the bond in that specific group, with the god Wodan (Odin) as a patron (see Lady with a Mead Cup: Ritual, Prophecy and Lordship in the European Warband from La Tène to the Viking Age"). In later sources, especially Eddas, we can find several examples of goddesses serving or preparing a drink. Hel is waiting for Balder with mead in her realm of death, giantess Gunnlod is the guardian of the magic mead (later stolen by Odin) or Freyr's bride-to-be Gerd serving a drink to Skirni as an act of welcome and also reconciliation. The connection between giantess and a magic drink is strong, as goddess Freya asks another giantess, Hyndla, to serve a magic beer to her protégée Ottar. We can also find a reference to a minor goddess Beyla, servant of god Freyr, whose name can be a reference to a 'bee' and thus connecting her to preparation of an 'ordinary mead'. In Asgard (the realm of the gods) goddesses Sif and Freya served the drink as an act of peace and conciliation, but it had no magical attributes. Women with drinking horns are also depicted on famous Gotland picture stones either greeting a rider on a horse, approaching a bounded figure in a snake (?) pit (possibly Gunnarr or Ragnar Lodbrok) or serving a drink to a hero (possibly Sigurd"). The connection with rider scenes is one of the main reasons of identifying them as Valkyries, servants of Odin choosing the one who will die on a battlefield and go to Valhalla. It is possible that we observe the same ritual 'bonding' between fallen warrior and his king, Odin. An alternative identification for these female figures might be lesser deities. As R.Simek pointed out, the majority of small female figures have no drinking horn, but are richly adorned, and most likely represent minor fertility goddesses. These goddesses are named in Eddas as servants of Frigg and Freya, but originate in the much older tradition of the so-called matrones, known from the late Roman period. Whether fertility goddess or Valkyrie, the image of a noble 'lady with a drinking horn' had a special meaning developed through centuries, making it one of the most distinctive and mysterious features of Viking culture. Very fine condition. Excessively rare, possibly only one other example known.

1st century BC-2nd century AD. A bronze figure of a river god, possibly Nilus, reclining on his left arm, bearded and with a wreath composed of aquatic plants to the brow, garment draped around the hips; a cornucopia held in the left hand and frond in the right hand resting on the arm; hollow to the underside with modern mounting peg. 112 grams, 94mm (3 3/4"). Property of a gentleman; acquired in the late 1960s-early 1970s. Accompanied by an Art Loss Register certificate. The river Nile has been considered sacred since the pre-dynastic period in ancient Egypt and was later associated with the god Hapy, a hermaphroditic deity of fertility and abundance. In the Graeco-Roman period of Egypt Hapy disappears to a large extent and is replaced by a more classical representation of the river as an elderly male god called Nilus holding aquatic plants and often reclining on a crocodile. In Greek myth Nilus was the son of Oceanus and Tethys. Extremely fine condition.

Eocene Period, 58-36 million years BP. A museum-quality reproduction of a green river turtle trionyx displaying predatory bite-marks from Wyoming, USA. 1.4 kg, 31x23x1cm (12x9x1/2"). Property of a Lincolnshire, UK, gentleman; acquired on the UK art market. The original of this specimen was found at 7200 feet elevation in the Green River formation, near Kemmerer, Wyoming. A complete articulated specimen such as this one is extremely rare. Trionyx is a soft shelled aquatic turtle which still lives today but dates back to the Jurassic age. Modern trionychid turtles are found in North America, Africa and Asia. This is a replica of the original specimen and the bite marks are probably from an alligator or crocodile which are clearly shown in the middle of the shell. [No Reserve] Very fine condition.

Modern buildings. Their planning, construction & equipment …Profusely Illustrated. G.A.T. Middleton ARIBA ed. Caxton. London: N.D. Cicra 1900-1905. Architectural & Art interest. Near fine. 6 vols complete. 4to. A veritible architectural tour de force. Profusely illustrated with plates, plans, pictures - some in colour. A fine set.

ART GALLERY POSTERS - a collection of 2004 art gallery posters from the National Portrait Gallery, The Royal Academy of Arts, The Victoria and Albert Museum and the Tate Modern. Posters to include NPG's Cecil Beaton Portraits featuring Marilyn Monroe (x3), the Modern Tate's Constantin Brancui the essence of things, The V&A's the meeting of Asia and Europe (x2) and the RAA's The Art of Philip Guston. All in excellent condition (7)

Large Goebel figure of a Pekingese, together with twelve various other figures of dogs, including Sylvac, Beswick, Midwinter, Crown Devon and a pair of modern art pictorial sculptures signed Devyk, 27ins x 15ins

Single box of assorted auction catalogues to include Christies Impressionist Modern Post War Art, Bonhams and Sotheby's etc

David Octavius Hill (1802-1870) 'Stamped envelope addresses to DO Hill at 39 Moray Place, Edinburgh, with four drawings on the opened-out envelope' Pencil, envelope date stamped Feb 1843, 16 x 25cm (open) Footnote: This is an important relic of a great movement in Scottish Art History and the History of Photography. DO Hill was secretary of the Royal Scottish Academy from its foundation in 1826. Although a distinguished landscapist, he is best known as the father of modern documentary photography between 1843 - 1847, in partnership with Robert Adamson. The envelope is date stamped just as Hill was starting his great series of caloptype photographs of eminent Scots, Newhaven fishwives, soldiers in Edinburgh Castle and other subjects.

Five assorted modern art posters, two examples from Edinburgh Art Gallery (5)

* A collection of felts, including four Nepalese cushions, black and white, diameter 39 cm, a Kazakhstan mat by Saule & Alibay, Bapanov, modern art students 1994, brown and white, 46 cm x 42 cm, a Liora Manne Lamontage, striped, 33 cm x 46 cm, a cushion and a mat with Coir Tsetsgee.

Shackleford (Mrs. Ann), The Modern Art of Cookery Improved; Or, Elegant, Cheap, and Eafy Methods, of preparing moft of the Dishes now in Vogue..., To Which is Added, An Appendix; Containing a Differation on the different Kinds of Food, their Nature, Quality, and various Ufes. By a Physician. And Marketing Manual, And other ufeful Particulars. By the Editor (sic), first edition, J. Newbery, London 1767, 284pp + index, 16mo, full period calf, raised bands and gilding to spine

MOORE (HENRY) - EXHIBITION OF MODERN ART IN ZURICH, THE WORK OF THE BRITISH SCULPTURE HENRY MOORE, CATALOGUE 3 JUNE - 28 AUGUST 1976, SIGNED BY MOORE ON THE FFE FOR PETER PALMER WITH BEST WISHES FROM HENRY MOORE MUCH HADHAM SEP 1976, ALAN SILLITOE - A FALLING OUT OF LOVE AND OTHER POEMS, SIGNED PRESENTATION COPY 1965, 1964 AND ANOTHER ITEM

A modern pine five drawer chest of drawers and a small pine side cabinet, two magazine racks and a round Art Deco style occasional table (5).

Two modern plaster wall plaques in an Art Nouveau style

A pair of Art Nouveau WMF style three branch bronze candelabra, with stylised decoration, 31 cm high (2) See illustration Condition report Report by GH The pair of three branch candelabras: On one of the two candelabras - just starting at the top, all three branches are loose and there is a recent repair on one of the arms, where it attaches to the body with a modern screw. The arms on the other candelabra are also loose in two places, otherwise the castings on both the candelabra are good with no obvious damage. Moving down to the stems of these candelabras there is evidence of an older surface coating which has mostly been rubbed off to leave a patinated bronze finish. There appear to be no missing parts with the exception of the screw that has been replaced as mentioned earlier. One to two of the arms are possibly slightly bent or misshapen and there appear to be no cracks and we could not find any numbers or marks on these.

A modern Denby china teaset decorated in an Art Nouveau style design.

A pair of Art Nouveau WMF style three branch bronze candelabra, with stylised decoration, 31 cm high (2) See illustration Condition report Report by GH The pair of three branch candelabras: On one of the two candelabras - just starting at the top, all three branches are loose and there is a recent repair on one of the arms, where it attaches to the body with a modern screw. The arms on the other candelabra are also loose in two places, otherwise the castings on both the candelabra are good with no obvious damage. Moving down to the stems of these candelabras there is evidence of an older surface coating which has mostly been rubbed off to leave a patinated bronze finish. There appear to be no missing parts with the exception of the screw that has been replaced as mentioned earlier. One to two of the arms are possibly slightly bent or misshapen and there appear to be no cracks and we could not find any numbers or marks on these.

Eight various Art Deco style coloured glass scent bottles. Condition Report: BLUE FAN BOTTLE: Has minor chipping to both rim and one to stopper top and the rim end is missing, stopper appears original. Interior slightly bloomed. LARGE GREEN BOTTLE: Has one minor chip to the top of stopper. Stopper appears original. Interior clean. PINK BOTTLE: Has very minor chipping to the inner rim of the body and two minor chips to stopper. The stopper appears original. Interior slightly bloomed. PINK BOTTLE (tall stopper): Has several chips to top rim and stopper. Stopper appears original but stem end is missing. Very slightly bloomed. PALE GREEN BOTTLE: Has chipping to rim interior and stopper, the stem end is missing. Interior clean. CLEAR BOTTLE: Has very minor chipping to top rim and body base and larger chip to stopper top. Stopper appears original. Interior clean. Possible reproduction. BRONZE BLUE: Modern perfume bottle 'De Jour'.

VARIOUS MODERN ROYAL WORCESTER TABLEWARES AND TRINKETS, to include James Stinton 'Game Birds', Samuel Astles 'English Flowers', boxed Art Deco mugs etc

"Allies in Art." A Collection of Works in Modern Art by Artists of the Allied Nations. Issued by 'Colour Magazine.' 96 tipped-in col plts comp, (incls Laura Knight 'Daughters of the Sun.' orig gilt bds 4to 1917 good

LARGE SELECTION OF SILVER JEWELLERY including Rennie Mackintosh, Celtic inspired designs, Art deco style earrings, modern silver rippled pendant, modern silver necklaces, earrings and pendants

Late Nineteenth Century Oriental ginger jar - drilled as a lamp base, modern art glass bottle, and a circular leaded stained glass panel

An Art Deco gilt metal figure of a female dancer, height 7"; a modern bronzed figure "Swill Making"

WILLS, complete and part sets, inc. Railway, Romance of the Heavens, King's Art Treasures, Alpine Flowers, Roses, Sectional, Embassy, New Zealand issues etc., in four modern albums (two floral), FR to EX, 1200*

A modern Art Glass vase, formed from two sheets of glass, 38cm

A limited edition modern art print lithograph by Jean Baier (1932-1999), signed and numbered 148 of 250. Unframed with certificate

Pair of George V pierced quatrefoil Bon bon Dishes, Birmingham 1926, a modern silver Coaster, pair of silver mounted Knife Rests, an EP mounted Claret Jug and an Art Deco glass Atomiser with blue line overlay

Approx 60 modern postcards of cycling including reproduction. Edwardian and Art Nouveau advertising examples.