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A three-piece hallmarked silver-backed hand-held Art Deco-style mirror and brush set, together with modern and 19th century silver plate etc. to include christening cups and picture frames (selection)

A pair of heavy verdigrised bronze bookends modelled as figures restraining Shire horses; each on variegated green-marble base (modern) (16.5cm wide x 12.5cm high)Condition Report: in the Auctioneer's opinion these are very high quality pieces of very heavy patinated bronze with marble bases in the Art Deco tradition and the 1930s. These items of fine quality are reproductions. The undersides of the marble bases are lined with bright green baize and have either been replaced or they are the original. Very good condition.

Silver etc. to include an early 20th century engraved and monogrammed silver cigarette case (spring-loaded opening button missing), a modern hallmarked silver pepper grinder, a stylish silver-mounted (Walker & Hall) Art Deco style salt with blue-glass liner and a small silver three-legged dish modelled as a scallop shell (4)

Augustus Edwin John OM, RA (1878-1961) Portrait drawing of Dorelia McNeill, c.1903 - 05 Bears a signature in another hand, charcoal, 16cm by 15.5cm Mistakenly identified on the rear of the frame in a faint inscription, ALICK SCHEPELER / 3rd Wife, and indistinctly initialled J.K.? F Dorelia (b.1881) was Augustus John's muse and mistress. He never re-married after the death of his first wife, Ida, in 1907, but by the time Dorelia died in 1969 she had long since been referred to as 'Mrs John'. For a similar work see 1903 example sold at Christies, June 25 2015, Modern British and Irish Art Sale, London, Lot 8 which realised £146,500 (inc. premium) Our thanks to Rebecca John for her help in cataloguing this work. Provenance: Private Collection Artist's Resale Rights/Droit de Suite may apply to this lot, See illustration We are grateful to Rebecca John for her assistance in cataloging this lot. the sheet is loosely affixed at four corners to cartridge paper. drawn on a off white or buff paper with further time staining which accentuates the overall colour. small amount of tiny sized foxing spots, mainly one to lower right hand corner, one to upper right hand corner, one to area immediately above Dorelia's head and two to three to lower left hand quarter. there is a slightly more concentrated cluster of foxing to upper left hand corner. subtle horizontal cockling to sheet otherwise in a good state of preservation. contact dept for further assistance.

FAULKNER, William (1897-1962). Sanctuary. New York: Jonathan Cape and Harrison Smith, 1931.8vo. Original cloth-backed boards, figured grey and magenta endpapers [first state] (spine slightly soiled, lower hinge starting); original printed dust jacket (a few short tears and nicks with occasional small losses, some minor soiling, spine slightly faded); folding case. FIRST EDITION, FIRST BINDING. "Sanctuary was written in haste when Faulkner was tired of never selling; like the stories in These 13, it is Faulkner for the non-Faulknerites, determined to shock... It has been suggested that the enormous appeal of the underworld is that it contains the true vitality of America in its code. It is the world of the subconscious Id with the police and law as super ego... The novel was a popular success though attacked by Wyndham Lewis in his 'Men Without Art' and I offer it here for not liking Faulkner better" (Connolly, The Modern Movement, 69). Peterson A8b.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

MARCEL BROODTHAERS 1924 - 1976 MUSEUM OF MODERN ART, DEPARTMENT OF EAGLES 1968 Serigraphie auf Papier. 65 x 46 cm. - Provenienz: François Curlet, Paris.

MARCEL BROODTHAERS 1924 - 1976 MUSEUM OF MODERN ART, DEPARTMENT OF EAGLES 1968Serigraphie auf Papier. 59 x 42 cm. - Provenienz: François Curlet, Paris.

A 1960s colour lithograph printed exhibition poster for the Exeter Festival of Modern Art Surrealism, April 24th to May 20th 1967, unframed, the full sheet 76 x 50.5cm

FREDERICK PETER DELME RADCLIFFE: THE NOBLE SCIENCE, A FEW GENERAL IDEAS ON FOX-HUNTING..., London, Rudolph Ackermann, 1839, 1st edition, plates and plans collated complete, modern calf backed boards, morocco gilt, spine label + JAQUES DE SOLLEYSELL: THE COMPLEAT HORSEMAN..., London for H Bonwicke et al, 1702, 2 parts in one, part one lacking title page and frontis, "A compendious treatise on the art of riding" with separate title page dated 1701, modern blind stamped calf, spine gilt lettered (2)

FILM MAGAZINES AND MEMORABILIA TO INCLUDE 1966 Doctor Zhivago Calendar, "Picture Post" with Sophia Loren cover January 1956, "Picturegoer" with Kim Novak cover July 1957, "Picture Show & Film Pictorial" July 1957, August 1957, October 1957, December 1957, "The Modern Boy's Film Star Album" with Will Hay cover, souvenir booklet for the Cecil B. DeMille film "The Ten Commandments", "Picture Show Art Supplement" February 1931 "The Blue Angel" together with film related sheet music including Judy Garland's "Over The Rainbow" and two Disney pieces

Collection of sixteen modern advertising prints, some in the Art Deco taste (16)

A modern Art Deco style bronze figure of a dancer, on a stepped marble base,49cm high overallCondition report: No visible damage or repairs

A quantity of art and applied art related books, including Bernard Leach "A Potter's Book", plus others: Thomas Shorter Boys, M.C. Escher, Honore Daumier, tate Modern Handbook, "Painting the Garden, Monet to Matisse" etc (9)

A modern Chinese-made black and white art glass vase in the Murano style, of baluster form. 20.5cm tall

A Museum of Modern Art poster: "Bill Jacklin, urban Portrait, New York, 1986 - 1992, 1 Nov 1992 - 10 Jan 1993". Mon Ray: "Violin d'Ingres, 1924". Black and white print (2)

λ Felim Egan (Irish 1952-2020)Untitled (Yellow)Mixed mediaSigned with initials and dated 07 (verso) 76.5 x 76.5cm (30 x 30 in.)Unframed Provenance:Private Collection, Ireland Purchased from the above by the present owner Felim Egan was born in Strabane, Northern Ireland in 1952. After studying in Belfast and Portsmouth Egan attended the Slade School of Fine Art for his formal training. In 1980 Egan travelled to Rome where he spent a year at the British School before he returned to Dublin. Egan would spend the rest of his life living and working at Sandymount Strand and the Docklands at Dublin Bay. The success of his career as an abstract painter was signified by his major solo exhibitions in the 1990s at the Irish Museum of Modern Art and the Stedelijk Museum in Amsterdam. Throughout his career he exhibited internationally holding 72 solo shows. In 1986 Egan was elected to Aosdána, the Irish association of artists whose work is considered to have made an outstanding contribution the arts in Ireland. Whilst Egan's work has been placed in the abstract category he always said that it was the landscapes around Sandymount Strand and Dublin Bay that inspired his work: the large empty sands, vast everchanging skies and the long horizons. Egan's canvases became renowned for their monochromatic palette with hieroglyphic motifs and markings. The paintings are built up with layers of thin colour and stone powder ground into the acrylic. His work is tied to the place he lived and holds a deep emotional connection to the artist. Roisin McDonough, Chief Executive of the Arts Council, described Egan as one of the most important painters to emerge from Northern Ireland in the early 1980s. Egan was a 'genius for filling the cleared space in his canvasses and drawings and constructions with the pressure of something withdrawn or withheld.' Seamus Heaney, 1986

A cased set of Art Deco period silver and enamelled coffee spoons from Mappin & Webb, together with a modern silver handled grapefruit knife and cake slice

Art Deco Style 18ct White Gold Superb Quality Diamond Set Sunburst Design Dress Ring. Mark 750 - 18ct to Interior of Shank. The Princes Cut Diamonds, The Baguette Cut Diamonds, The Round Modern Brilliant Cut Diamond of Top Quality. Est Diamond Colour - F, Est Diamond Clarity - VVSI, Est Diamond Weight - 2.5 cts. Ring Size N - O. All Aspects of Condition Mint / As New, This Includes Setting / Shank. Very Expensive Ring Set with Superb Diamond at Low Estimate.

Carlton Ware - A 1930s Art Deco Modern Ware bowl decorated in the Tyrolean Bands pattern, printed script mark alongside original paper label, length 26.5cm, together with a Rainbow Stripe vase, an orange lustre bowl with wide brim, an eggcup on a matching saucer and a Royal Worcester Crown Works orange lustre vase and cover with a gilt overlay pattern, all S/D. (5)

El Anatsui (Ghanaian, born 1944)Mammoth Crowd Series I signed and dated 'El 93' (lower right plank 13), all panels numbered and inscribed 'Mammoth Crowd Series I' on verso of panel onecarved and incised wooden panels56 x 136 x 2cm (22 1/16 x 53 9/16 x 13/16in).(14 panels)Footnotes:Today, El Anatsui is an internationally celebrated artist. His works have graced the walls of the Metropolitan Museum of Art in New York, the Brooklyn Museum, the Smithsonian in Washington, the Hayward Gallery in London, the British Museum, the Centre Pompidou, and most recently the Haus der Kunst in Munich. He has twice been selected to exhibit at the Venice Biennale, and was awarded the prestigious Golden Lion award in 2015. The accolades are well deserved. It is difficult to think of a more versatile artist. Over his long career, El Anatsui has worked in terracotta, wood, print, textiles, and of course with his famous bottle tops! The present lot, Mammoth Crowd Series I, belongs to an early body of wooden plank hangings. The inspiration behind these is grounded in his experience of studying art in the years following Ghana's independence. El Anatsui was one of a group of artists to advocate the need for a new aesthetic, one that was not grounded in the design principles of European colonizers. He began to investigate the art form, uli, an ancient decorative scheme traditionally practiced by Igbo communities. It consists primarily of abstracted animal, plant and cosmic forms. At the same time, he began to incorporate nsibidi symbols into his work, a pictographic script employed by the Efik and north-eastern Igbo.Born in Anyako in 1944, Anatsui's formative years were shaped by his experience of British colonial rule. The accepted histories of the African continent at that time were primarily written by European outsiders. Anatsui believed that this had led to great distortions, and sought to redress the problem through his art. His research into various writing systems and codes was an attempt to enter into the minds of the societies that developed them, providing alternative insider narratives.Mammoth Crowd Series I is composed from wooden planks adorned with uli and nsibidi symbols, incised with a power saw and blow torch. The scorched, jagged fragments of wood are a powerful metaphor for the cultural devastation of colonialism and its legacy.BibliographyC. Okeke, 'The Quest: from Zaria of Nsukka, a story from Nigeria', in Whitechapel Gallery exhibition catalogue, Seven Stories about Modern Art in Africa, (London, 1995), pp.58-59.Y. Kawaguchi, 'A Fateful Journey', in El Anatsui: A Sculpted History of Africa, (London, 1995), p.59.C. Okeke, 'Mark-making and El Anatsui's Reinvention of Sculpture', in L. Binder ed., El Anatsui: When I Last Wrote to You About Africa, (New York, 2010).For further information on this lot please visit Bonhams.com

Kudzanai-Violet Hwami (Zimbabwean, born 1993)Adam and Steve joined by the knee, a study signed, dated and inscribed in pencil verso 'HWAMI / 2016 / Adam and Steve joined by the knee'oil on paper151 x 200cm (59 7/16 x 78 3/4in).Footnotes:ProvenanceAcquired directly from the artist;A private UK collectionA prodigious talent, Hwami has already received more acclaim in her short career than many artists achieve in a lifetime. She was selected to represent Zimbabwe at the Venice Biennale in 2019, aged only 26. Due to complete her masters in fine art at Oxford University's Ruskin School of Art this summer, she has already enjoyed successful solo exhibitions at the Tyburn Gallery and Gasworks in London. At the end of 2020, she was picked up by Victoria Miro, joining an impressive roster.When asked what precipitated her interest in art, Hwami credits her love of cartoons, Manga in particular. As a child, she was constantly sketching her favourite characters. The influence of these animations is evident in the dynamism of her compositions.Hwami's creative process is deliberate and thoughtful. It starts with a collage of images and photographs, around which she constructs a painted narrative. She says that this approach was partly influenced by the creative sharing of images on social media sites such as Tumblr:'I spent a lot of time on the internet as a pre-teen and, in that socially awkward stage of my life, I found it more comfortable to escape and exist in cyberspace. I started exploring sexuality and gender identity. I was obsessed with the idea of physically living in a different body. All my frustration and confusion was expressed through studying the queer body.'This spirit of enquiry and exploration can be seen in this oil, Adam and Steve. Although monumental in size, the work retains a delicate intimacy. The figure on the left looks out at us with an ambiguous expression - challenging, defiant, or aloof? Meanwhile, the figure on his right is completely oblivious to his audience. He has eyes only for his companion.Hwami's work asks the viewer to consider weighty topics - identity, sexuality, desire. But her handling is witty and fresh, as is evidenced by the title. The creeping tendril trailing along the bottom of the painting reaches towards the figure on the left, as if reaching out for its object of desire.Later this year, Hwami will showcase her works at a group exhibition at the Pompidou Centre in Paris. No doubt just one of many exciting developments yet to come for this artist.Bibliography:Amah-Rose Abrams, 'Kudzanai-Violet Hwami's modern pop portraits frame gender, sexuality and race', Wallpaper, accessed 12/02/21.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Benedict Chukwukadibia Enwonwu M.B.E (Nigerian, 1917-1994)Dance form ebony172 x 9 x 5cm (67 11/16 x 3 9/16 x 1 15/16in).Footnotes:ProvenanceA private collector, Lagos.Although undated, the above sculpture was most likely executed in the late 1970s. It bears a great stylistic resemblance to a bronze statue that Enwonwu created for Murtala Muhammed International Airport in 1978. Both pieces depict an elongated female figure rising up from the ground, back arched, both arms raised above her head. Enwonwu has abstracted the facial features in this wood carving, lending the figure a supernatural quality.Enwonwu received a number of public commissions in this period, including the famous Drummer for the Nigeria Telecommunications Headquarters in Lagos. Art historian and writer, Sylvester Ogbechie, describes these sculptures as having a 'mythopoetic sensibility'. In 1977, Lagos hosted the second World Festival of Black Arts and Culture (FESTAC). Enwonwu was appointed the director. His involvement in the festival cemented his belief that postcolonial Nigerian art must communicate the nation's independent cultural identity. A new visual language was needed for a country composed of such a wide range of ethnicities and art traditions. Ethereal sculptures such as Dance Form fuse these various influences:'(Enwonwu's) appropriation of Yoruba concepts of supernatural force and the classical human form as a vessel for expressing modern technology aspired to an inclusive national aesthetic.'BibliographyS. Ogbechie, Ben Enwonwu: The Making of an African Modernist, (Durham, 2008), pp.163, 187.For further information on this lot please visit Bonhams.com

Ibrahim El-Salahi (Sudanese, born 1930)Untitled, circa 1960 signed 'Salahi' (lower right)ink and whitewash on paper60 x 45.4cm (23 5/8 x 17 7/8in).Footnotes:ProvenanceThe collection of the artist;The Vigo Gallery, London;A private collection.LiteratureHassan, S. M., 'Ibrahim El-Salahi, A Visionary Modernist', pub Tate, 2013, illust p. 56.El-Salahi is perhaps Sudan's most celebrated living artist. A career spanning five decades, his work was brought to international attention when a major retrospective of his work was held at London's Tate Modern in 2013. The exhibition showcased the breadth of Salahi's oeuvre and explored his key themes: the legacy of colonialism, the creative influence of faith, and his own hybrid identity. Following his graduation from the Slade School of Fine Art in London, El-Salahi returned to Sudan in 1957 where he devoted his attention to the ancient artistic traditions of the region and the study of calligraphy. His works from this period reflect these interests, fusing African, Arab, Islamic and Western influences.Executed circa 1960, this ink drawing is an excellent example. The graceful lines show a clear debt to calligraphy. The dense imagery threatens to burst out from the confines of the page, the dynamic lines pulse with energy and life. As an older man, El Salahi reflected on these early drawings:'It was almost like I had a fever and I had so many ideas coming through me and I had to put them through. So the picture plane was covered, with objects, with figures, with shapes, near and far, big and small, it was packed...there was no space - you cannot travel through it easily...' (El Salahi, interview with Sarah Adams in April, 2002)This drawing is not easily navigable. It asks the viewer to really look, to concentrate and engage. The reward is well worth the effort.A similar piece was sold in these rooms in March 2019.El-Salahi's work can be found in the collections of the Museum of Modern Art, New York, Metropolitan Museum, New York, The Art Institute of Chicago, Chicago, The British Museum, London, Tate Modern, London, The Smithsonian Institute, Washington DC, The Guggenheim Museum, Abu Dhabi, The National Gallery, Berlin, and many others.We are grateful to Toby Clarke from the Vigo Gallery for providing provenance and information used in the above footnote.For further information on this lot please visit Bonhams.com

William Joseph Kentridge (South African, born 1955)Homecoming signed and dated 'Kentridge '(19)86 15/6' (lower left)charcoal91 x 63.5cm (35 13/16 x 25in).Footnotes:ProvenanceAcquired from Cassirer Fine Art, 'William Kentridge', Johannesburg, 1988;A private collection.Kentridge has described his work as 'a portrait of Johannesburg'. However, it is the psychological landscape of South Africa that truly interests him. The social upheaval, racial injustice, and violence that characterised apartheid is reflected in his creative process. Kentridge's works in charcoal are created by 'partial erasure', a process in which parts of one drawing are rubbed out and the next drawing is begun over the top of the remnants. This erasure alludes to the way in which the authorities have selectively 'disremembered' the atrocities that have been visited upon sections of South African society throughout modern history.'I have never tried to make illustrations of apartheid, but the drawings are certainly spawned by and feed off the brutalized society left in its wake. I am interested in a political art, that is to say an art of ambiguity, contradiction, uncompleted gestures and uncertain things. An art (and a politics) in which my optimism is kept in check and my nihilism at bay.' (Kentridge)In this charcoal drawing, Homecoming, fragmented images are layered one on top of the other. In the background, a built up street with derelict looking buildings recedes into the distance. In the foreground, a man embraces a cheetah, whilst the naked figure to the right turns away from us. The shadowy and indistinct scene is more of a dreamscape, than any recognizable location.Curator, Carlyn Christov-Barkargiev, describes Kentridge's work as an 'elegiac art that explores the possibility of poetry in contemporary society, and provides a powerful satirical commentary on that society, while proposing a way of seeing life as a continuous process of change rather than a controlled world of facts'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Books - Observers Books, all different, including Modern Art (20)

A modern art painting of a busy workshop, titled '?? Day at the Workshop' lower left and indistinctly signed and dated '03 lower right, gouache on paper, within a glazed frame, 49 cm x 77 cmLocation: Pic 1

A modern plaster cast figure Michelangelo's David, two composite Art Nouveau style figures with the bases marked Fisher and indistinct and another composite bust of a young lady wearing a hat a modern metal mounted glass vase, large trumpet shaped studio glass vase, a copper jug, Crown Ducal posy bowl and four woodblock prints etc (qty)

Seven boxes of art reference books including works on British artists, Old Masters, maritime artists, modern art, small group of antiques reference works and books on the Royal Navy

Unusual multi-coloured art glass possibly French sculpture of a stylised bull, modern.(B.P. 21% + VAT) No obvious damage.

2 modern art glass bowls. A large orange/red foil backed bowl with a blue glass boat shaped bowl. Largest approx 41cm diameter.

Quantity of modern reference books, including Roy Stuart, Vol II and V, Taschen (photography of the female nude); Susan Hill, The Rolling Stones - Unseen Archives; Prof P Greenhalgh, Art Nouveau 1890-1914, V&A; etc.

Painting and drawing books, art instruction, technique, including by Edward Seago mid 20th Century plus Modern Masters of Etching, ES Lumsden

MODERN ART DESIGN TOGETHER WITH A SIMILAR DESIGN OF A SPORTS CAR

SIX VARIOUS MODERN TABLE LAMPS, A QUARTZ CUCKOO CLOCK, a box of books including art, history, autobiographries, a plastic cutlery tray containing kitchen utensils, a wooden Slazenger tennis racquet with Dunlop press, a Wilson tennis racquet, the cuckoo clock comes with two wooden pine covers, pendulum hanging arm broken (quantity)

1930's Art Deco mahogany framed settee, upholstered in modern duck fabric (W167cm) and pair matching armchairs (W76cm)Click here to view further images, condition reports, sale times & delivery costs for this lot.

LACE: Entwurfe Fur Moderne Spitzen von Professor J. Hrdlicka [Designs for Modern Lace], title-page, 30 plates loose in original half cloth portfolio, printed boards slightly soiled, contents in very good order, tall folio, Stuttgart, n.d. c1902. * a rare portfolio of innovative designed bobbin lace in the art nouveau style, illustrating lace as an art from, known as the Austrian Art Nouveau lace.

Modern art abstract green patina lady figure: Label to base reading Hardman 1938 Original Bronze ' Helen of Troy', height 27.5cm.

Collectables; comprising, a modern composite bronze figural table lighter, formed as a pilot, 26cm high, a later faux bronze figure, 31cm high, two Art Nouveau pewter trays, 28cm wide, a hanging ceiling light formed as a cherub, 25cm high, and a Victorian flat iron, (6).

Julie Moss Breaking Free, 2021 Watercolour and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Julie Moss is a painter who lives and works in Cornwall and studied Fine Art at Falmouth University.   She grew up in Lancashire and attended Bolton school of Art in 1973 -76, after training to become a florist and working as a textile designer she moved to Cornwall to raise her family. Julie is a member of the Newlyn Society of Artists.   Education   University Falmouth, BA honours fine Art   Exhibitions/Awards   RA summer/winter 2021 exhibition, Gallery of Modern Art Malaysia, finalist John Ruskin prize. Finalist Windsor and Newton painting prize, Edgar Modern gallery, Arusha gallery , Newlyn Society of Artists   About the postcard artworks   The two watercolour and inks postcards were a emotional response to my time in lockdown, a need for escapism and a feeling of connection a recognition that we are all in this together.  

Julie Moss We are All in this Together, 2021 Watercolour and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Julie Moss is a painter who lives and works in Cornwall and studied Fine Art at Falmouth University.   She grew up in Lancashire and attended Bolton school of Art in 1973 -76, after training to become a florist and working as a textile designer she moved to Cornwall to raise her family. Julie is a member of the Newlyn Society of Artists.   Education   University Falmouth, BA honours fine Art   Exhibitions/Awards   RA summer/winter 2021 exhibition, Gallery of Modern Art Malaysia, finalist John Ruskin prize. Finalist Windsor and Newton painting prize, Edgar Modern gallery, Arusha gallery , Newlyn Society of Artists   About the postcard artworks   The two watercolour and inks postcards were a emotional response to my time in lockdown, a need for escapism and a feeling of connection a recognition that we are all in this together.  

Amanda Denny Untitled from the 'Meanwhile Series' 2020, 2021 Photographic Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Denny is a London based visual storyteller and photographic artist working with both analogue and digital image making processes. All of her practice now deals with the interplay of image, literature and archival documentary material in order to create new narratives. That 'fickle friend' memory, the imbrication of time and connections co-joined by chance circumstances tend to be at the start of her projects. Her practice explores issues of our mental spaces, including urban living, solitude versus loneliness, social stigmas and conflicted choice. She is also concerned with the pressures of achievement - 'happiness' too seems to have entered the fray and something to judge by, it misses the point. She believes that stories can help you exist in the world and by producing narrative spaces you can respond to everyday life and the social environment. There is the story and then there is the meaning to be got from it through the gaps, juxtapositions and conversations. The photo book and the development of photo-text are core to her practice as is creating tangible, tactile artwork that is designed to be viewed in person not on screen, and are not quick reads. Amanda's work is held in private collections and she has been exhibited in group shows worldwide.   Education   Amanda holds a BA (Hons) in Literature and History and graduated from the University of Westminster in 2019 with a BA (Hons) in Photography. 'The Book as Frame' workshop at the ICP in New York, 2020.   Exhibitions/Awards   She is currently part of the Modern Art Oxford "Activating our Archives: Community Dialogues" group project responding to the COVID-19 lockdown Exhibitor at the Royal Academy Summer Exhibition 2020 (6 October 2020 - 3 January 2021) Featured in the 'Yearbook 2020' online exhibition, organised by Shutter Hub in partnership with BenQ, Exposure Photography Festival, Fujifilm Original Photo Paper and Newspaper Club. Exhibitor in the 'Everyday Delight (Windows) Edition' exhibition running nationwide (from 1 August 2020).   Joint recipient of the Dentons Art Prize 2020 and Winner of the Dentons Arts Committee Prize 2020.   Exhibition at Dentons Law Firm, London, (December 2019 - December 2020). 'No Place Like Home' 2018 photo book displayed at La Biblioteca Nacional de España during the PHotoESPAÑA Festival 2019 Exhibitor in the 'Time to Think' Shutter Hub exhibition at Festival Pil'Ours, France 4th Edition. 1st July - 30 November 2019 and 2020 Cold Cases, Brighton Fringe, The Old Police Cells, Brighton 29 September 2018 City to Sea Coney Island* 2018 Wall Ortiz Gallery, NY 13th September 2018 to 15th November 2018 Peckham 24 Photography Festival 2018 - featured in the slideshow projection of works at the Overhaul exhibition. Friday 18th May - Sunday 20th May, Safehouse 1, 139 Copeland Road, London, SE15 3SN. 'Intrusion' 2017 group show at Paddington Central, London Crossrail's Street Hoardings Photography Display Dean Street W1 since 2011   Her book 'No Place Like Home' (2018) was shortlisted for the La Fabrica and Photo London Book Dummy Award 2019 and was nominated for the First Book Award 2018.   About the postcard artworks   The images selected are all part of an ongoing work in progress entitled 'Meanwhile' particularly the 'Down, down, down and still the weeds prevail' series. As Rhiannon Lucy Cosslett says, "so much femininity is unspoken. Moving through the world as a woman - the way you are viewed and treated, your emotions, your approach to your body - involves subtleties and complexities that are often unarticulated, sometimes even between women themselves." All suffering is unique to ourselves and not having the mental resilience, coping mechanisms or support structures to enable a safe space for self validation is detrimental to our wellbeing and sense of place in the world. Often society is too quick and too keen to label and judge. Habitually erroneous assumptions, based on the slightest details and often fleeting physical and environmental associations, lead to abhorrent stigmatisations and instantly deny the recipient any positive audience. Amanda's work continues to deal with the real estate of mental spaces and questions inherited prejudices and biases and memory associations. More than ever this is a time for reflection and reassessment. Her work offers a space for this personal revaluation and a space to create new narratives in. Condition Report:   Condition Report Disclaimer

Amanda Denny Untitled from the 'Meanwhile Series' 2020, 2021 Photographic Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Denny is a London based visual storyteller and photographic artist working with both analogue and digital image making processes. All of her practice now deals with the interplay of image, literature and archival documentary material in order to create new narratives. That 'fickle friend' memory, the imbrication of time and connections co-joined by chance circumstances tend to be at the start of her projects. Her practice explores issues of our mental spaces, including urban living, solitude versus loneliness, social stigmas and conflicted choice. She is also concerned with the pressures of achievement - 'happiness' too seems to have entered the fray and something to judge by, it misses the point. She believes that stories can help you exist in the world and by producing narrative spaces you can respond to everyday life and the social environment. There is the story and then there is the meaning to be got from it through the gaps, juxtapositions and conversations. The photo book and the development of photo-text are core to her practice as is creating tangible, tactile artwork that is designed to be viewed in person not on screen, and are not quick reads. Amanda's work is held in private collections and she has been exhibited in group shows worldwide.   Education   Amanda holds a BA (Hons) in Literature and History and graduated from the University of Westminster in 2019 with a BA (Hons) in Photography. 'The Book as Frame' workshop at the ICP in New York, 2020.   Exhibitions/Awards   She is currently part of the Modern Art Oxford "Activating our Archives: Community Dialogues" group project responding to the COVID-19 lockdown Exhibitor at the Royal Academy Summer Exhibition 2020 (6 October 2020 - 3 January 2021) Featured in the 'Yearbook 2020' online exhibition, organised by Shutter Hub in partnership with BenQ, Exposure Photography Festival, Fujifilm Original Photo Paper and Newspaper Club. Exhibitor in the 'Everyday Delight (Windows) Edition' exhibition running nationwide (from 1 August 2020).   Joint recipient of the Dentons Art Prize 2020 and Winner of the Dentons Arts Committee Prize 2020.   Exhibition at Dentons Law Firm, London, (December 2019 - December 2020). 'No Place Like Home' 2018 photo book displayed at La Biblioteca Nacional de España during the PHotoESPAÑA Festival 2019 Exhibitor in the 'Time to Think' Shutter Hub exhibition at Festival Pil'Ours, France 4th Edition. 1st July - 30 November 2019 and 2020 Cold Cases, Brighton Fringe, The Old Police Cells, Brighton 29 September 2018 City to Sea Coney Island* 2018 Wall Ortiz Gallery, NY 13th September 2018 to 15th November 2018 Peckham 24 Photography Festival 2018 - featured in the slideshow projection of works at the Overhaul exhibition. Friday 18th May - Sunday 20th May, Safehouse 1, 139 Copeland Road, London, SE15 3SN. 'Intrusion' 2017 group show at Paddington Central, London Crossrail's Street Hoardings Photography Display Dean Street W1 since 2011   Her book 'No Place Like Home' (2018) was shortlisted for the La Fabrica and Photo London Book Dummy Award 2019 and was nominated for the First Book Award 2018.   About the postcard artworks   The images selected are all part of an ongoing work in progress entitled 'Meanwhile' particularly the 'Down, down, down and still the weeds prevail' series. As Rhiannon Lucy Cosslett says, "so much femininity is unspoken. Moving through the world as a woman - the way you are viewed and treated, your emotions, your approach to your body - involves subtleties and complexities that are often unarticulated, sometimes even between women themselves." All suffering is unique to ourselves and not having the mental resilience, coping mechanisms or support structures to enable a safe space for self validation is detrimental to our wellbeing and sense of place in the world. Often society is too quick and too keen to label and judge. Habitually erroneous assumptions, based on the slightest details and often fleeting physical and environmental associations, lead to abhorrent stigmatisations and instantly deny the recipient any positive audience. Amanda's work continues to deal with the real estate of mental spaces and questions inherited prejudices and biases and memory associations. More than ever this is a time for reflection and reassessment. Her work offers a space for this personal revaluation and a space to create new narratives in.

Amanda Denny Untitled from the 'Meanwhile Series' 2020, 2021 Photographic Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)Amanda Denny is a London based visual storyteller and photographic artist working with both analogue and digital image making processes. All of her practice now deals with the interplay of image, literature and archival documentary material in order to create new narratives. That 'fickle friend' memory, the imbrication of time and connections co-joined by chance circumstances tend to be at the start of her projects. Her practice explores issues of our mental spaces, including urban living, solitude versus loneliness, social stigmas and conflicted choice. She is also concerned with the pressures of achievement - 'happiness' too seems to have entered the fray and something to judge by, it misses the point. She believes that stories can help you exist in the world and by producing narrative spaces you can respond to everyday life and the social environment. There is the story and then there is the meaning to be got from it through the gaps, juxtapositions and conversations. The photo book and the development of photo-text are core to her practice as is creating tangible, tactile artwork that is designed to be viewed in person not on screen, and are not quick reads. Amanda's work is held in private collections and she has been exhibited in group shows worldwide.   Education   Amanda holds a BA (Hons) in Literature and History and graduated from the University of Westminster in 2019 with a BA (Hons) in Photography. 'The Book as Frame' workshop at the ICP in New York, 2020.   Exhibitions/Awards   She is currently part of the Modern Art Oxford "Activating our Archives: Community Dialogues" group project responding to the COVID-19 lockdown Exhibitor at the Royal Academy Summer Exhibition 2020 (6 October 2020 - 3 January 2021) Featured in the 'Yearbook 2020' online exhibition, organised by Shutter Hub in partnership with BenQ, Exposure Photography Festival, Fujifilm Original Photo Paper and Newspaper Club. Exhibitor in the 'Everyday Delight (Windows) Edition' exhibition running nationwide (from 1 August 2020).   Joint recipient of the Dentons Art Prize 2020 and Winner of the Dentons Arts Committee Prize 2020.   Exhibition at Dentons Law Firm, London, (December 2019 - December 2020). 'No Place Like Home' 2018 photo book displayed at La Biblioteca Nacional de España during the PHotoESPAÑA Festival 2019 Exhibitor in the 'Time to Think' Shutter Hub exhibition at Festival Pil'Ours, France 4th Edition. 1st July - 30 November 2019 and 2020 Cold Cases, Brighton Fringe, The Old Police Cells, Brighton 29 September 2018 City to Sea Coney Island* 2018 Wall Ortiz Gallery, NY 13th September 2018 to 15th November 2018 Peckham 24 Photography Festival 2018 - featured in the slideshow projection of works at the Overhaul exhibition. Friday 18th May - Sunday 20th May, Safehouse 1, 139 Copeland Road, London, SE15 3SN. 'Intrusion' 2017 group show at Paddington Central, London Crossrail's Street Hoardings Photography Display Dean Street W1 since 2011   Her book 'No Place Like Home' (2018) was shortlisted for the La Fabrica and Photo London Book Dummy Award 2019 and was nominated for the First Book Award 2018.   About the postcard artworks   The images selected are all part of an ongoing work in progress entitled 'Meanwhile' particularly the 'Down, down, down and still the weeds prevail' series. As Rhiannon Lucy Cosslett says, "so much femininity is unspoken. Moving through the world as a woman - the way you are viewed and treated, your emotions, your approach to your body - involves subtleties and complexities that are often unarticulated, sometimes even between women themselves." All suffering is unique to ourselves and not having the mental resilience, coping mechanisms or support structures to enable a safe space for self validation is detrimental to our wellbeing and sense of place in the world. Often society is too quick and too keen to label and judge. Habitually erroneous assumptions, based on the slightest details and often fleeting physical and environmental associations, lead to abhorrent stigmatisations and instantly deny the recipient any positive audience. Amanda's work continues to deal with the real estate of mental spaces and questions inherited prejudices and biases and memory associations. More than ever this is a time for reflection and reassessment. Her work offers a space for this personal revaluation and a space to create new narratives in.

Nettie Wakefield Two Meters Apart, 2021 Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Nettie Wakefield (b.1987) is a British artist who lives and works between London and LA. It is human ephemera and the aspects of everyday life which tend to be over looked or taken for granted that for Nettie become a rich resource for artistic meditation. Taking as her subject matter, the backs of people's heads as in her 'Reverse Portraits' - the owner always unknown, discarded beer cans, sweet wrappers and crumpled cigarette packets, Nettie imbues these commonplace subjects with a sense of both the uncanny as well as a certain poetry which speak of the humans to which they belong or have been discarded by. A striking discord exists between the evidence of life lived in constant flux and the manner in which these 21st century specimens are then immortalized by Nettie's stark and uncompromising artistic attention. Rejecting the new wave digital era, Nettie's commitment is to traditional forms of draughtsmanship such as drawing watercolour and most lately bronze casting. Through meticulous and highly focused powers of observation, Nettie isolates a moment or thing in space and time, often suspending it within an otherwise blank background as she grants it an importance it is usually denied. For Nettie, pencil is a medium she continually returns to. There is no hiding with pencil. It's where so many artists have started; the source of the stream. Most people associate it with the beginning of something, a plan. For Nettie it is the main medium: the end product, it's monochromacy perfect for an artist who is far more interested in tonality than colour. While the speed of life becomes increasingly fast, Nettie views her work as an act of mindfulness, a slowing down of sorts, through which to take time over the act of looking, an effect also replicated in the viewer on encountering Nettie's works. Education She spent summers at the Charles Cecil studios in Florence before completing a foundation year at Chelsea College of Art, a BA in Art History at Leeds University and her Masters degree in Drawing at Wimbledon College of Art, graduating September 2013. Exhibitions/Awards UNIT GALLERY, Online exhib opening 11th June 2020, Unit London will stage an expansive online exhibition of Works on Paper. 'Drawn Together' will feature the work of over one-hundred and fifty artists from all over the world in order to raise funds for both Medecins Sans Frontières and World Vision. SOHO REVUE GALLERY 'idle thoughts' August 2020 Art on a Postcard - International Women's Day - All Bright Members club, 2nd March 2020 ART WARS 9 - Old Brompton Gallery, 238 Old Brompton Road, SW5 0DE - 12th -19th December 2019 'CORNER SHOP' - Nettie Wakefield, Hayden Kays, Tobias Ross-Southall, David Shillinglaw, Lily Mixe, Mathew Lawrence - Soho Revue Gallery, 8-10 Brewer Street, London, W1F 0SE The Ministry of Arts - Diversion ahead, 13th Nov 2019, 7-10pm, The Nave, Bishopsgate, EC2N 4AG Affordable Art Fair Battersea showing with Jealous Gallery Woolwich Art Fair showing with Jealous Gallery 2019: PAINTED BLIND - An Exhibition by Nettie Wakefield and Nichole Fitch - Soho Revue Gallery, 8-10 Brewer Street, W1F 0ED - 30th August - 25th September 2019 ART CARBOOT with Jealous Gallery 28th Sept 2019 Launch of Mark Hix's new book 'HOOKED', Illustrations by Nettie Wakefield - The launch will co inside with an exhibition showing all the illustrated works ONE NIGHT ONLY - HIX ART - Downstairs at the Tramshed 11th June 2019 - 32 Rivington Street, EC2a 3LX FACE VALUE 3 - Katie Piper Foundation - 'Dirty Work', Jealous Gallery East shown at Jealous North throughout May 2019 Jealous Gallery East group charity show with The Big Issue - 2019 pending 2020 2018: 12x12 The Stockroom Gallery, Group exhibition, Australia - December 2018 SOLO SHOW | 'BRANDY' - JASON VASS GALLEY - 1452 E 6th street 90021 | LOS ANGELES - Show will run 6 weeks until 21st July ART BELOW / HIX ART - ART WARS EAST Downstairs at the Tramshed - 32 Rivington Street, EC2a 3LX Digital online campaign for KODAK x JIGSAW - In aid of International Women's Day, March 2018 2017: CONTEXT MIAMI ART FAIR with Corey Helford Gallery - Herald Site, Biscayne Bay, Downtown Miami - 5-10 December 2017 SUBLIMINAL PROJECTS - Group exhibition, 1331 W. Sunset Blvd, Los Angeles, CA 90026 BRITISH ART WEEKEND - blueprint fine art, Oxfordshire - 17th-19th Nov 2017 A tightly concentrated selection of art made by British artists, or artists working in Britain from the 1960's to the present day. The selection consists of around fifty museum quality works on paper and editions, paintings, photography and sculpture by some of the most iconic and respected names in modern and contemporary art. NETTIE WAKEFIELD solo show - Beauty in the Ordinary, 3rd October 2017 Mary Lou room at The Groucho Club, ONE NIGHT ONLY - 45 Dean St, Soho, LONDON ART BELOW REGENTS PARK - Group show, Le Dame Gallery, 1 Albany St, London NW1 3UP - Runs 22nd-229th Sept ART BELOW Summer group show 2017 - 22nd June - 1st July, Rose and King galleries - 41 -43 Brook Street, W1K 4HJ NO ARTIST NO ART LAUNCH - 19th June 2017, Lights of soho, Brewer St, Soho, London One drawing in the permanent Soho House collection on display from Summer 2017 - Cecconi's, 53-83 Water Street - Dumbo, Brooklyn, New York CONTEXT Art fair NYC - Corey Helford Gallery, Pier 94, 55th Street and West Side Highway, New York City, 3rd-7th May 2017 ART BELOW GOES TO LA - 13th Feb - 28th Feb 2017 / Group Show, Sur le Mer Gallery, Pacific Design Centre in West Hollywood About the postcard artworks These figures are taken from a series i did called 'Lost in time and space'. The drawings are a visual representation of what social distancing felt like. A feeling of drifting through.  

Nettie Wakefield Two Meters Apart, 2021 Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Nettie Wakefield (b.1987) is a British artist who lives and works between London and LA. It is human ephemera and the aspects of everyday life which tend to be over looked or taken for granted that for Nettie become a rich resource for artistic meditation. Taking as her subject matter, the backs of people's heads as in her 'Reverse Portraits' - the owner always unknown, discarded beer cans, sweet wrappers and crumpled cigarette packets, Nettie imbues these commonplace subjects with a sense of both the uncanny as well as a certain poetry which speak of the humans to which they belong or have been discarded by. A striking discord exists between the evidence of life lived in constant flux and the manner in which these 21st century specimens are then immortalized by Nettie's stark and uncompromising artistic attention. Rejecting the new wave digital era, Nettie's commitment is to traditional forms of draughtsmanship such as drawing watercolour and most lately bronze casting. Through meticulous and highly focused powers of observation, Nettie isolates a moment or thing in space and time, often suspending it within an otherwise blank background as she grants it an importance it is usually denied. For Nettie, pencil is a medium she continually returns to. There is no hiding with pencil. It's where so many artists have started; the source of the stream. Most people associate it with the beginning of something, a plan. For Nettie it is the main medium: the end product, it's monochromacy perfect for an artist who is far more interested in tonality than colour. While the speed of life becomes increasingly fast, Nettie views her work as an act of mindfulness, a slowing down of sorts, through which to take time over the act of looking, an effect also replicated in the viewer on encountering Nettie's works. Education She spent summers at the Charles Cecil studios in Florence before completing a foundation year at Chelsea College of Art, a BA in Art History at Leeds University and her Masters degree in Drawing at Wimbledon College of Art, graduating September 2013. Exhibitions/Awards UNIT GALLERY, Online exhib opening 11th June 2020, Unit London will stage an expansive online exhibition of Works on Paper. 'Drawn Together' will feature the work of over one-hundred and fifty artists from all over the world in order to raise funds for both Medecins Sans Frontières and World Vision. SOHO REVUE GALLERY 'idle thoughts' August 2020 Art on a Postcard - International Women's Day - All Bright Members club, 2nd March 2020 ART WARS 9 - Old Brompton Gallery, 238 Old Brompton Road, SW5 0DE - 12th -19th December 2019 'CORNER SHOP' - Nettie Wakefield, Hayden Kays, Tobias Ross-Southall, David Shillinglaw, Lily Mixe, Mathew Lawrence - Soho Revue Gallery, 8-10 Brewer Street, London, W1F 0SE The Ministry of Arts - Diversion ahead, 13th Nov 2019, 7-10pm, The Nave, Bishopsgate, EC2N 4AG Affordable Art Fair Battersea showing with Jealous Gallery Woolwich Art Fair showing with Jealous Gallery 2019: PAINTED BLIND - An Exhibition by Nettie Wakefield and Nichole Fitch - Soho Revue Gallery, 8-10 Brewer Street, W1F 0ED - 30th August - 25th September 2019 ART CARBOOT with Jealous Gallery 28th Sept 2019 Launch of Mark Hix's new book 'HOOKED', Illustrations by Nettie Wakefield - The launch will co inside with an exhibition showing all the illustrated works ONE NIGHT ONLY - HIX ART - Downstairs at the Tramshed 11th June 2019 - 32 Rivington Street, EC2a 3LX FACE VALUE 3 - Katie Piper Foundation - 'Dirty Work', Jealous Gallery East shown at Jealous North throughout May 2019 Jealous Gallery East group charity show with The Big Issue - 2019 pending 2020 2018: 12x12 The Stockroom Gallery, Group exhibition, Australia - December 2018 SOLO SHOW | 'BRANDY' - JASON VASS GALLEY - 1452 E 6th street 90021 | LOS ANGELES - Show will run 6 weeks until 21st July ART BELOW / HIX ART - ART WARS EAST Downstairs at the Tramshed - 32 Rivington Street, EC2a 3LX Digital online campaign for KODAK x JIGSAW - In aid of International Women's Day, March 2018 2017: CONTEXT MIAMI ART FAIR with Corey Helford Gallery - Herald Site, Biscayne Bay, Downtown Miami - 5-10 December 2017 SUBLIMINAL PROJECTS - Group exhibition, 1331 W. Sunset Blvd, Los Angeles, CA 90026 BRITISH ART WEEKEND - blueprint fine art, Oxfordshire - 17th-19th Nov 2017 A tightly concentrated selection of art made by British artists, or artists working in Britain from the 1960's to the present day. The selection consists of around fifty museum quality works on paper and editions, paintings, photography and sculpture by some of the most iconic and respected names in modern and contemporary art. NETTIE WAKEFIELD solo show - Beauty in the Ordinary, 3rd October 2017 Mary Lou room at The Groucho Club, ONE NIGHT ONLY - 45 Dean St, Soho, LONDON ART BELOW REGENTS PARK - Group show, Le Dame Gallery, 1 Albany St, London NW1 3UP - Runs 22nd-229th Sept ART BELOW Summer group show 2017 - 22nd June - 1st July, Rose and King galleries - 41 -43 Brook Street, W1K 4HJ NO ARTIST NO ART LAUNCH - 19th June 2017, Lights of soho, Brewer St, Soho, London One drawing in the permanent Soho House collection on display from Summer 2017 - Cecconi's, 53-83 Water Street - Dumbo, Brooklyn, New York CONTEXT Art fair NYC - Corey Helford Gallery, Pier 94, 55th Street and West Side Highway, New York City, 3rd-7th May 2017 ART BELOW GOES TO LA - 13th Feb - 28th Feb 2017 / Group Show, Sur le Mer Gallery, Pacific Design Centre in West Hollywood About the postcard artworks These figures are taken from a series i did called 'Lost in time and space'. The drawings are a visual representation of what social distancing felt like. A feeling of drifting through.  

Nettie Wakefield Two Meters Apart, 2021 Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Nettie Wakefield (b.1987) is a British artist who lives and works between London and LA. It is human ephemera and the aspects of everyday life which tend to be over looked or taken for granted that for Nettie become a rich resource for artistic meditation. Taking as her subject matter, the backs of people's heads as in her 'Reverse Portraits' - the owner always unknown, discarded beer cans, sweet wrappers and crumpled cigarette packets, Nettie imbues these commonplace subjects with a sense of both the uncanny as well as a certain poetry which speak of the humans to which they belong or have been discarded by. A striking discord exists between the evidence of life lived in constant flux and the manner in which these 21st century specimens are then immortalized by Nettie's stark and uncompromising artistic attention. Rejecting the new wave digital era, Nettie's commitment is to traditional forms of draughtsmanship such as drawing watercolour and most lately bronze casting. Through meticulous and highly focused powers of observation, Nettie isolates a moment or thing in space and time, often suspending it within an otherwise blank background as she grants it an importance it is usually denied. For Nettie, pencil is a medium she continually returns to. There is no hiding with pencil. It's where so many artists have started; the source of the stream. Most people associate it with the beginning of something, a plan. For Nettie it is the main medium: the end product, it's monochromacy perfect for an artist who is far more interested in tonality than colour. While the speed of life becomes increasingly fast, Nettie views her work as an act of mindfulness, a slowing down of sorts, through which to take time over the act of looking, an effect also replicated in the viewer on encountering Nettie's works. Education She spent summers at the Charles Cecil studios in Florence before completing a foundation year at Chelsea College of Art, a BA in Art History at Leeds University and her Masters degree in Drawing at Wimbledon College of Art, graduating September 2013. Exhibitions/Awards UNIT GALLERY, Online exhib opening 11th June 2020, Unit London will stage an expansive online exhibition of Works on Paper. 'Drawn Together' will feature the work of over one-hundred and fifty artists from all over the world in order to raise funds for both Medecins Sans Frontières and World Vision. SOHO REVUE GALLERY 'idle thoughts' August 2020 Art on a Postcard - International Women's Day - All Bright Members club, 2nd March 2020 ART WARS 9 - Old Brompton Gallery, 238 Old Brompton Road, SW5 0DE - 12th -19th December 2019 'CORNER SHOP' - Nettie Wakefield, Hayden Kays, Tobias Ross-Southall, David Shillinglaw, Lily Mixe, Mathew Lawrence - Soho Revue Gallery, 8-10 Brewer Street, London, W1F 0SE The Ministry of Arts - Diversion ahead, 13th Nov 2019, 7-10pm, The Nave, Bishopsgate, EC2N 4AG Affordable Art Fair Battersea showing with Jealous Gallery Woolwich Art Fair showing with Jealous Gallery 2019: PAINTED BLIND - An Exhibition by Nettie Wakefield and Nichole Fitch - Soho Revue Gallery, 8-10 Brewer Street, W1F 0ED - 30th August - 25th September 2019 ART CARBOOT with Jealous Gallery 28th Sept 2019 Launch of Mark Hix's new book 'HOOKED', Illustrations by Nettie Wakefield - The launch will co inside with an exhibition showing all the illustrated works ONE NIGHT ONLY - HIX ART - Downstairs at the Tramshed 11th June 2019 - 32 Rivington Street, EC2a 3LX FACE VALUE 3 - Katie Piper Foundation - 'Dirty Work', Jealous Gallery East shown at Jealous North throughout May 2019 Jealous Gallery East group charity show with The Big Issue - 2019 pending 2020 2018: 12x12 The Stockroom Gallery, Group exhibition, Australia - December 2018 SOLO SHOW | 'BRANDY' - JASON VASS GALLEY - 1452 E 6th street 90021 | LOS ANGELES - Show will run 6 weeks until 21st July ART BELOW / HIX ART - ART WARS EAST Downstairs at the Tramshed - 32 Rivington Street, EC2a 3LX Digital online campaign for KODAK x JIGSAW - In aid of International Women's Day, March 2018 2017: CONTEXT MIAMI ART FAIR with Corey Helford Gallery - Herald Site, Biscayne Bay, Downtown Miami - 5-10 December 2017 SUBLIMINAL PROJECTS - Group exhibition, 1331 W. Sunset Blvd, Los Angeles, CA 90026 BRITISH ART WEEKEND - blueprint fine art, Oxfordshire - 17th-19th Nov 2017 A tightly concentrated selection of art made by British artists, or artists working in Britain from the 1960's to the present day. The selection consists of around fifty museum quality works on paper and editions, paintings, photography and sculpture by some of the most iconic and respected names in modern and contemporary art. NETTIE WAKEFIELD solo show - Beauty in the Ordinary, 3rd October 2017 Mary Lou room at The Groucho Club, ONE NIGHT ONLY - 45 Dean St, Soho, LONDON ART BELOW REGENTS PARK - Group show, Le Dame Gallery, 1 Albany St, London NW1 3UP - Runs 22nd-229th Sept ART BELOW Summer group show 2017 - 22nd June - 1st July, Rose and King galleries - 41 -43 Brook Street, W1K 4HJ NO ARTIST NO ART LAUNCH - 19th June 2017, Lights of soho, Brewer St, Soho, London One drawing in the permanent Soho House collection on display from Summer 2017 - Cecconi's, 53-83 Water Street - Dumbo, Brooklyn, New York CONTEXT Art fair NYC - Corey Helford Gallery, Pier 94, 55th Street and West Side Highway, New York City, 3rd-7th May 2017 ART BELOW GOES TO LA - 13th Feb - 28th Feb 2017 / Group Show, Sur le Mer Gallery, Pacific Design Centre in West Hollywood About the postcard artworks These figures are taken from a series i did called 'Lost in time and space'. The drawings are a visual representation of what social distancing felt like. A feeling of drifting through.  

Anne Desmet RA Building Site 1, 2021 Lithograph, Pen and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Anne Desmet RA Building Site 2, 2021 Lithograph Signed verso 15 x 10cm (5¾ x 3¾ in.)   Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Anne Desmet RA Building Site 3, 2021 Lithograph, Pen and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Anne Desmet RA Looking Up, 2021 Wood engraving and Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   Anne Desmet RA. Born Liverpool, UK, 1964. Lives/works in London. Printmaking artist specialising in wood engravings, linocuts and collages. Author of 7 published books on printmaking and drawing. Editor of "Printmaking Today" magazine (1998-2013). Curator of "Scene through Wood - A Century of Modern Wood Engraving" for Ashmolean Museum, Oxford, 2020 & touring to other UK museums until 2023. Only the 3rd artist ever elected as a wood engraver to the Royal Academy of Arts in the RA's 253-year history. Oxford University BA Fine Art Degree (1986) & MA (1991); Central School of Art Postgraduate Diploma in Printmaking (1988); British School at Rome Scholarship in Printmaking (1989-90) Have won over 40 national and international awards and prizes, 1987-2019 inclusive and have works in numerous national and international museum collections. Have had over 40 solo exhibitions, mostly in London but including major retrospectives in Moscow Ex Libris Museum, Russia (1995); Ashmolean Museum Oxford (1998 & touring UK until 1999); Whitworth Art Gallery, Manchester (2008 & touring UK until 2010); Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); + "Olympic Metamorphoses" solo exhibition toured UK museums inc. Bluecoat Arts, Liverpool (2012) www.longandryle.com www.kevishouse.com www.banksidegallery.com "Looking Up" is a view up the historic winding staircase of Gainsborough's House Museum, Suffolk, rendered as a wood engraving. My other 3 postcard submissions are all lithograph and pencil studies of the building site at London's Royal Academy as it undertook its massive expansion project a few years ago. The interior and exterior of buildings with the play of light, pattern and form are prevailing themes in my work.

Ceal Warnants Entitled (Repeat), 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."  

Ceal Warnants And What?, 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."

Yui Kugimiya Untitled, Study West, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) YUI KUGIMIYA (b. 1981, Tokyo) is a painter based in Brooklyn, NY.   Education   She received her MFA from Yale University School of Art, BFA from Massachusetts College of Art, and she attended the Skowhegan School of Painting and Sculpture.   Exhibitions   Her work is held in various collections including the Museum of Modern Art (New York), Everson Museum of Art (Syracuse), The Bass Museum of Art (Miami), and the New York Prespertyrian Hospital (New York). MFA - Yale School Of Art 2007Yui Kugimiya has held solo exhibitions at the Everson Museum of Art (Syracuse,NY), Galeria Enrique Guerrero (Mexico City), Taymour Grahne Gallery, (New York City), Marlborough Broome Street (New York City), PAGE (New York City), Kunsthall Stavanger (Stavanger, Norway), Taka Ishii Gallery (Kyoto, Japan), Horton Gallery (New York City), and Carroll and Sons (Boston, MA), amongst others.   Gallery Representation   Galeria Enrique Guerrero   About the postcard artworks   These watercolour drawings are of flowers in a vase. I paint from imaginations to create images that resembles memories and emotional realities.  

Yui Kugimiya Untitled, Study South, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) YUI KUGIMIYA (b. 1981, Tokyo) is a painter based in Brooklyn, NY.   Education   She received her MFA from Yale University School of Art, BFA from Massachusetts College of Art, and she attended the Skowhegan School of Painting and Sculpture.   Exhibitions   Her work is held in various collections including the Museum of Modern Art (New York), Everson Museum of Art (Syracuse), The Bass Museum of Art (Miami), and the New York Prespertyrian Hospital (New York). MFA - Yale School Of Art 2007Yui Kugimiya has held solo exhibitions at the Everson Museum of Art (Syracuse,NY), Galeria Enrique Guerrero (Mexico City), Taymour Grahne Gallery, (New York City), Marlborough Broome Street (New York City), PAGE (New York City), Kunsthall Stavanger (Stavanger, Norway), Taka Ishii Gallery (Kyoto, Japan), Horton Gallery (New York City), and Carroll and Sons (Boston, MA), amongst others.   Gallery Representation   Galeria Enrique Guerrero   About the postcard artworks   These watercolour drawings are of flowers in a vase. I paint from imaginations to create images that resembles memories and emotional realities.  

Yui Kugimiya Untitled, Study North, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) YUI KUGIMIYA (b. 1981, Tokyo) is a painter based in Brooklyn, NY.   Education   She received her MFA from Yale University School of Art, BFA from Massachusetts College of Art, and she attended the Skowhegan School of Painting and Sculpture.   Exhibitions   Her work is held in various collections including the Museum of Modern Art (New York), Everson Museum of Art (Syracuse), The Bass Museum of Art (Miami), and the New York Prespertyrian Hospital (New York). MFA - Yale School Of Art 2007Yui Kugimiya has held solo exhibitions at the Everson Museum of Art (Syracuse,NY), Galeria Enrique Guerrero (Mexico City), Taymour Grahne Gallery, (New York City), Marlborough Broome Street (New York City), PAGE (New York City), Kunsthall Stavanger (Stavanger, Norway), Taka Ishii Gallery (Kyoto, Japan), Horton Gallery (New York City), and Carroll and Sons (Boston, MA), amongst others.   Gallery Representation   Galeria Enrique Guerrero   About the postcard artworks   These watercolour drawings are of flowers in a vase. I paint from imaginations to create images that resembles memories and emotional realities.  

Yui Kugimiya Untitled, Study East, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) YUI KUGIMIYA (b. 1981, Tokyo) is a painter based in Brooklyn, NY.   Education   She received her MFA from Yale University School of Art, BFA from Massachusetts College of Art, and she attended the Skowhegan School of Painting and Sculpture.   Exhibitions   Her work is held in various collections including the Museum of Modern Art (New York), Everson Museum of Art (Syracuse), The Bass Museum of Art (Miami), and the New York Prespertyrian Hospital (New York). MFA - Yale School Of Art 2007Yui Kugimiya has held solo exhibitions at the Everson Museum of Art (Syracuse,NY), Galeria Enrique Guerrero (Mexico City), Taymour Grahne Gallery, (New York City), Marlborough Broome Street (New York City), PAGE (New York City), Kunsthall Stavanger (Stavanger, Norway), Taka Ishii Gallery (Kyoto, Japan), Horton Gallery (New York City), and Carroll and Sons (Boston, MA), amongst others.   Gallery Representation   Galeria Enrique Guerrero   About the postcard artworks   These watercolour drawings are of flowers in a vase. I paint from imaginations to create images that resembles memories and emotional realities.  

Tinsel Edwards Bathroom Self Portrait with Toothbrush, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."  

Tinsel Edwards Utensils with Yellow Spoon, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."

Tinsel Edwards Colander with Red and White Socks, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."

Annabelle Shelton On The Go 1, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Annabelle Shelton was born in London. Currently based in Milton Keynes and holds a studio at New Bradwell Workspace. Predominately works in painting and photography.   In 2010 Shelton was a resident artist at the Aberystwyth Art Centre, Wales, on the University campus, where, she took part in the main gallery show Five. In the same year she selected for the John Moore's Painting Prize. In 2011 she had a solo show at Chapter in Cardiff. She has provided critical texts and reviews for a-n.   Gallery Representation   Shelton has been represented and shown by national and international galleries showing work at the Rarity Gallery, Mykonos, Greece, Caudwell Snyder San Francisco, Corte Real Portugal, Rebecca Hossack London and Jill George London. Her work is in many private and public collections internationally.   Education   BA Fine Art from Staffordshire University and a Postgraduate Diploma and MA Fine Art from Birmingham City University   Exhibitions/Awards   Neo Art Prize Bolton 2nd place 2013 Discerning Eye 2015, 2009 Mall galleries Times watercolour Prize Exhibition 2015 John Moores Painting Exhibition 2010   About the postcard artworks   My work explores the modern condition of space and place focusing on the arrangements of people in the Beachscape or urbanscape. The work exposes the geographical arrangements the timings and the sequencing of a time and space.