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FROM AN IMPORTANT COLLECTION OF BOOKS AND NEWSPAPERS WITH DESIGNS FROM KLUCIS (A COLLECTION OF POETRY BY THE UNION OF POETS, 1922) VSEROSSIYSKIY SOYUZ POETOV. VTOROY SBORNIK STIKHOV [All-Russian Union of Poets. Second Collection of Poems] (Moscow: SoPo [All-Russian Union of Poets], 1922). 12mo (180 x 125 mm). [30 pp.] Text in Russian. Including poems by Akhmatova, Mandelstam, Tsvetaeva, et al.LITERATUREThe Russian Avant-Garde Book 1910-1934 (New York: Museum of Modern Art, 2002), no. 394

[KLUTSIS, KRUCHENYKH] FROM AN IMPORTANT COLLECTION OF BOOKS AND NEWSPAPERS WITH DESIGNS FROM KLUCIS (METHODS OF LENIN'S SPEECH, 1928) GUSTAV KLUTSIS (LATVIAN 1895-1938), cover and illustrations by ALEKSEI KRUCHENYKH (RUSSIAN 1886-1968), PRIEMY LENINSKOY RECHI [Methods of Lenin's Speech] (Moscow: Izdanie Vserossiyskogo Soyuza Poetov, 1928). 12mo (170 x 130 mm). 60+[6] pp. Text in Russian. With original two-tone Constructivist cover and 4 full-page illustrations by Klutsis.LITERATUREThe Russian Avant-Garde Book 1910-1934 (New York: Museum of Modern Art, 2002), no. 596

KRUCHENYKH, THE BANDIT VAN'KA CAIN AND SON'KA THE MANICURIST, 1926 ALEKSEI KRUCHENYKH (RUSSIAN 1886-1968), author, MARIA SINYAKOVA (RUSSIAN 1890-1984), artist, RAZBOINIK VAN'KA-KAIN I SON'KA-MANIKURSCHITSA [The Bandit Van'ka Cain and Son'ka the Manicurist] (Moscow: Izdanie Vserossiyskogo Soyuza Poetov, 1925). 8vo (150 x 165 mm). 30 pp. Text in Russian. Cover and 5 full-page illustrations by Sinyakova.LITERATUREThe Russian Avant-Garde Book 1910-1934 (New York: Museum of Modern Art, 2002), no. 620

A French Art Deco frosted glass bowl, decorated with stylised foliate, marked 'Made in France' verso, diameter 31.5cm and six modern Lalique perfume bottles to include Molinard examples.Additional InformationCharger with flat chip to rim, approx 1cm in size, two perfume bottles missing stoppers, further perfume bottle with atomiser missing and damage to stopper.

Postcards, a collection of approx. 280 cards of Shipping interest in modern album, including RP's, Art and Company issues, also 86 Naval postcard size photos of submarines, mine sweepers etc. Company issues include Cunard, Union Castle, NDL, Bank Line, railway steamers, Isle of Man SP Co etc (mainly gd)

LE CORBUSIER: (1887-1965) Swiss-French Architect, Painter and Urban Planner. A good Autograph Manuscript and sketch by Le Corbusier, two pages, front and verso, folio, n.p., n.d., in French. To one side of the sheet a drawing by Le Corbusier, an attractive modern art sketch, in blue pencil. To the other side bearing an irregularly written text with several corrections and amendments. Le Corbusier annotates nineteen lines of a draft text stating in part `Let´s explain to end with, why…There is always a trampoline for a jumper or a diver. That Summer, August 1956, on my piece of rock to the far end of Roquebrune Cap Martin, I had painted my booth with some colour..´ further referring to a similar situation he lived time ago with some black paint remaining and an idea he suddenly got. One edge trimmed with few tears and a very small area of paper loss to the bottom corner, none of them affecting the drawing and only partially two words of the text. G £2500-3500

Unmade and Made-up OO Gauge Airfix and other Kits, Various packetted Airfix kits including Signal Gantries (2), lineside fences, platform canopy and others, Kitmaster/Nabisco issue class 9F and Deltic, original Kitmaster Mogul, 4 Peco coach interior kits, Anorma building kits ALR 2/3/4 and 5, Merit modern signal box (made-up but with box), H&M OO Gauge Loco tester (rolling road) in original box, various other wagon and vehicle kits, Kleeware Cornish Cottage in box, a track-repair Diorama with a Ratio P-way Engineer's coach, 5-coach articulated Eastern Region 'quint-art' coach set, small paint pots and other items (qty in 2 boxes)

signed and dated 21.2.68 in the plate lithograph in colours, Archers watermarked paper In the last decade of Picasso’s expansive life, theartist explored his child-like curiosity in multipleprints that celebrated the archetype of the clown.With the use of vibrant colour and his masterful freehand, Pablo Picasso managed to capture his ownlove of whimsy and folly.Throughout his prolific career, the artist, who wasonce considered a child prodigy, spoke often of thegenius of childhood. He famously remarked, “It tookme four years to paint like Raphael, but a lifetimeto paint like a child.”(1) Picasso was fascinated withthe freedom of the art of children, the expansiveoriginality and utter lack of self-consciousness.What would become known as the artist’s RosePeriod explored Picasso’s captivation with clowns,saltimbanques and harlequins. Despite the subjectmatter, the earlier period, often referred to as hisCircus Period, was still weighted with a sense ofmelancholia(2). As he unknowingly approachedhis death in 1973, the icon’s work became moreexpressive, experimenting with vivid colour anda multitude of varying styles. His final works,including his clown prints, now stand as testamentto the artist’s perpetual desire for rejuvenation andreinvention, even in his last chapter.1. Daniel. A. Siedell. Who’s Afraid of Modern Art? Essays on Modern Artand Theology in Conversation. Oregon: Wipf and Stock Publishers, 2015,p.1342. Victopria Charles. Pablo Picasso. Ho Chi Minh City: ParkstoneInternational, 2011, p.49

Modern British Art - Keith Vaughan (British, 1912-1977), Two Male Figures, oil on board, bearing signature 'Vaughan' and dated '61 to lower right, 47 x 35cm

Modern British Art - Robert H. Lee (British 1915-2007),'Look No Ladders!', acrylic on canvas mounted on panel, 1970/80's, titled verso on artist's address label, framed, 92x92cmProvenance: Artist's Studio Collection, to be sold on instructions from his widow Mrs Thelma Lee

Mihail Chemiakin (New York, Russia born 1943) "Untitled VIII" Color serigraph. Numbered (28/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 20 x 17.25 in. Sheet Size: 30 x 21 in. Unframed.

Lowell Nesbitt (1933 - 1993) "V - Dahlia Variabilis - '76". Oil on Canvas. Having Andrew Crispo Gallery label verso. Nesbitt exhibited frequently in both the United States and Europe and is represented in many public collections, including the Museum of Modern Art, the National Gallery of Art in Washington, the Art Institute of Chicago and the Philadelphia Museum of Art. His first one-man show in New York City was at the Howard Wise Gallery in 1965, and over the years he was represented in New York by the Stable Gallery, the Robert Stefanotti Gallery and the Andrew Crispo Gallery. His most recent New York show was in 1986 at the Marco DiLaurenti Gallery in SoHo. In 1980 the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. Sight Size: 50 x 36 in.

Mihail Chemiakin (New York, Russia born 1943) "Chapeau avec bande orange" Color serigraph. Numbered (22/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 25.25 x 18 in. Sheet Size: 30 x 21 in. Unframed.

Lowell Nesbitt (1933 - 1993) "Two Yellow Roses - '77". Oil on Canvas. Nesbitt exhibited frequently in both the United States and Europe and is represented in many public collections, including the Museum of Modern Art, the National Gallery of Art in Washington, the Art Institute of Chicago and the Philadelphia Museum of Art. His first one-man show in New York City was at the Howard Wise Gallery in 1965, and over the years he was represented in New York by the Stable Gallery, the Robert Stefanotti Gallery and the Andrew Crispo Gallery. His most recent New York show was in 1986 at the Marco DiLaurenti Gallery in SoHo. In 1980 the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. Sight Size: 50 x 72 in.

Mihail Chemiakin (New York, Russia born 1943) "Untitled VII" Color serigraph. Numbered (28/225) lower left. Pencil Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 19 x 16.5 in. Sheet Size: 30 x 21 in. Unframed.

Lowell Nesbitt (New York, Maryland, 1933 - 1993) "VI -Tulipa Hybrida - '76". Oil on Canvas. Having Original Andrew Crispo Gallery label verso. Nesbitt exhibited frequently in both the United States and Europe and is represented in many public collections, including the Museum of Modern Art, the National Gallery of Art in Washington, the Art Institute of Chicago and the Philadelphia Museum of Art. His first one-man show in New York City was at the Howard Wise Gallery in 1965, and over the years he was represented in New York by the Stable Gallery, the Robert Stefanotti Gallery and the Andrew Crispo Gallery. His most recent New York show was in 1986 at the Marco DiLaurenti Gallery in SoHo. In 1980 the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. Sight Size: 50 x 36 in.

1970s Artemide Tizio Lamp by Richard Sapper introduced in 1972, the Tizio Classic Task Lamp by Artemide features an angular and adjustable modern style. This lamp is one of the originals and was purchased back int the mid 70s. A permanent fixture in several museums of art in New York City, this stylish piece has a pair of completely adjustable arms that allow the owner to point the piece’s light in whatever direction they choose.Size: 25 x 30 in. (as photographed in first image, this lamp is fully adjustable)

Lowell Nesbitt (1933 - 1993) "XXIV - Morning Glories - '77". Oil on Canvas.Nesbitt exhibited frequently in both the United States and Europe and is represented in many public collections, including the Museum of Modern Art, the National Gallery of Art in Washington, the Art Institute of Chicago and the Philadelphia Museum of Art. His first one-man show in New York City was at the Howard Wise Gallery in 1965, and over the years he was represented in New York by the Stable Gallery, the Robert Stefanotti Gallery and the Andrew Crispo Gallery. His most recent New York show was in 1986 at the Marco DiLaurenti Gallery in SoHo. In 1980 the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. Sight Size: 50 x 36 in.

Mihail Chemiakin (New York, Russia born 1943) "Nature Morte w/ Fish" Color Lithograph on Japan paper. Numbered (60/78) lower left. Signed lower right. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 18 x 25.25 in. Sheet Size: 21 x 29.75 in. Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Untitled-Nature Morte" Color serigraph. Numbered (43/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 18 x 25.25 in. Sheet Size: 21 x 29.75 in. Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Purple Harlequin" Color serigraph. From the Carnival at St. Petersburg Suite. Numbered (29/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 20 x 17.25 in. Sheet Size: 30 x 21 in. Unframed.

Charles Frederick Tunnicliffe R.A. OBE (1901-1979), Porketts, signed, etching, 1927, edition size 75. Measurements 15 x 20cm (PL), framed measurements 38 x 41cm Note: Porketts appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 42, page 73 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.

Charles Frederick Tunnicliffe R.A. OBE (1901-1979), The Spotted Sow, signed, etching, dated 1928, framed. Measurements 17.5 x 25cm (PL), framed measurements 40 x 46.3cm Note: The Spotted Sow appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 52, page 92 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.

Will Roberts (1907-2000) Welsh 20th Century, Farmer, oil on paper, initialled WR bottom left, mounted and framed. Measurements 20 x 28cm (i), framed measurements 45.4 x 35.6cm Will Roberts (1907-2000) was a Welsh Expressionist artist from Ruabon. He studied at the Swansea Art School under William Grant Murray and was influenced by Polish artist Josef Herman, who was a close friend. Roberts drew upon his roots in South Wales for inspiration, depicting the scarred Glamorgan landscape and his representations of farmers and agricultural labourers have a rawness that characterises his work. Roberts was one of the original 56 Group of Wales and in 1962 won the Byng-Stamper prize for landscape painting, judged by Sir Kenneth Clark. He has been widely acknowledged as a Modern Welsh Master.

Graham Sutherland (1903-1980) British 20th Century, Sea Wall ii, signed bottom left and dated '39, inscribed with title and dated 26 V 39, watercolour, pencil and crayon on paper. Measurements 39 x 29cm (SH). Note: This piece is likely to have been a preparatory study for Sutherland's final painting 'Gorse on a Sea Wall' 1939 which is now located in the Ulster Museum. Graham Sutherland (1903-1980) British 20th Century, was one of the most influential British artists of the 20th Century. Born in Steatham, London, Sutherland studied at the Goldsmiths School of art, specialising in engraving and etching and then spent many years teaching at the Chelsea School of Art. Printmaking, predominantly raomantic landscapes, dominated his work during the 1920s, drawing inspiration from artists such as Samuel Palmer. He later switched to oil painting during his 30s following the collapse of the printmaking industry during the Great Depression and it was his surrealist abstract landscape compositions that secured his reputation as an international modern artist. Together with his close friend Francis Bacon, Sutherland was one of the main figureheads for surrealist painting in Britain. His landscapes covey haunted atmospheres that attempted to express the concept of brutality present within nature.

Ca.400-700 AD.An exceptional iron helmet dating to the period shortly after the fall of the Roman Empire. Battle helmet showing strong Roman influence, but clearly elements of other helmet styles found in western Europe at this time.It was not uncommon for blacksmiths to take design elements from several helmets and incorporate them into their own style.This is a helmed formed of hammered sheets of iron, riveted to a rigid strip running gently front to back.The cheekpieces are remarkably well preserved. Each piece is fixed to the helmet crown by iron hinges (these being modern replacements). The hinges are attached in the interior faces of the proximal end of the cheekpiece and interior of the helmet, the rivets passing through the crown band and bowl of the helmet. At the proximal end of the hinge are three rivets forming a triangle. On the distal end are two rivets. A neck guard well preserved Circumference of the guard decorated with punched rivet decoration. Flare to both ends, and concave in profile; Good condition; restored; H:350mm/L:270mm/H:475mm 13.78/10.63/18.7in (with stand);2125g/3513g(with stand); Provenance: From a private collection; preciously acquired on the UK and European art market in the 1980s. All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.

Mark Speight - Black ink fine line pen, 14cm x 18.5cm. Framed and glazed. Mark Speight was born in Wolverhampton. He was a TV presenter and host of children?s art programme SMart alongside Jay Burridge and Kirsten O?Brien. Provenance: Acquired by Dorothy Claxton at the ArtWorks competition at the Tate Modern on 5th May 2000.

§ Salvador Dali (Spanish, 1904-1989). Surrealist Angel limited edition bronze sculpture signed 815 /1500, 56cm high, with certificate, sold with a copy Salvador Dali The Surrealist Angel by Rudolf Rom. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector Please note that artist resale right maybe additionally payable on this lot up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information. . § Date of production possibly between 1984 and 1986.Some wear and tear. Rubbing to exposed edges. Base also worn. Figure also with some green patination.Think base is also bronze. Base with scratching, wear and pitting.

Set of three limited edition prints of landscapes, two watercolours and a Gilda poster (6). Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Bardoulat, Annie (b.1962), Iris VI and Violets, oil on canvas, signed and dated October '99 verso, artist's label verso, 160 x 100 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

P Curran. Study of Chelsea Wharf, signed, watercolour, 36 cm x 54 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Giovanni Schoeman (South Africa, 1940-1980), Bronze effect figural wall sculpture, signed, 86 x 39 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Claude Weisbuch (French, 1927-2014). 'Le Gaucher' 103/120 print, signed in pencil, 63cm x 50cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Breebaart, F. Seascape with buildings, signed, oil on canvas, 38 cm x 48 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Jorge Perugachy. Abstract signed, mixed media, 2002, artist label verso, 100cm x 80cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Bernard Dufour (French, 1922-2016) pair of moored boats in a Continental harbour, signed, mixed media, each 35 cm x 40 cm (2)Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Cartoon of a Jazz band, and a collection of unframed prints and pictures 26cm x 64cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Rodrig, crucifixion, signed mixed media, 55cm x 39cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

K B Sturgess, pair of white marble doves, signed on foot, on polished slate marble bases, 31cm Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Colin Ruffell (British, b. 1939), a table top set with bottle, weighing scales and oranges, still life, oil on canvas, signed to lower left corner, 60 cm x 90 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

John Cotter Study of a female face, on wooden base dated 4/10/1987, 50cm Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

AMENDED DESCRIPTION: Jurgen Gorg, watercolour and pencil study of a woman and boy, signature indistinct, dated 68, 49cm x 37cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

T I Vivian. Spanish School, study of a bull, mixed media, signed and dated 90 verso titled No.3 in the Arena No2 1990 , 120 x 100 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector ..

Peter Burly 'Cultural Package'. Metal sculpture bust of a woman in pine crate with cast metal mounts, signed and titled verso, 80cm x 60cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

K B Sturgess, pair of white marble doves, on polished slate marble base, unsigned, 20cm Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Limited edition print of moored boats, 228/350, signature indistinct, 66 cm x 50 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector . glazing broken

Bardoulat, Annie (b.1962). 'Renoncules 2', oil on canvas, signed and dated 2000 verso, artist's label verso, 146 x 100 cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Silwood, Sussex Downs, watercolour, signed and titled, 48 cm x 40. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Miroslav Stojkovic (Serbian, b.1955). A pair of river frontage scenes, signed oil on canvases artist label verso, 46cm x 56cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

K B Sturgess, pair of white marble doves, signed on foot, on polished slate marble base, 31cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Glass panel, central cartouche decorated with Hanukkah lamp, diameter 32cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Gary Mauro (American), relief in fabric study of two nudes, signed, mixed media, 62cm x 180cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Paisco. Study of two ballerinas, signed and dated 1986, pastel 65cm x 50cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Pair of Greek brass sculptures signed in the Greek alphabet 21/30 on marble bases, 30cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Unknown artist. 20th century sculpture with taxidermy crow, rosewood metal, cloth and glass 'The hooded crow' sculpture, of monstrous form. 107cm high Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Set of Three limited edition prints, Blues I, II, III indistinctly signed in pencil, 4/12, and another 9/12 by the same artist, each 30cm x 45cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

S Raphaely, enamelled panel of a market scene signed 20cmx 20cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Mixed Media study of a Bird of Prey on card, signature indistinct, 65cm x 49cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

French market scene, signed with signature indistinct, oil on canvas, 22cm x 40cm. Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .

Gary Mauro (American) relief in fabric study of nudes, signed, mixed media, 270cm x 60cm Provenance: Part of single owner collection of modern art and sculpture sold in this sale consigned by a London based collector .