100-300 AD. Gandharan. A grey schist torso of Buddha with a painted topknot (ushnisha), urna on the forehead, arched brow, heavily lidded, closed eyes, a bulbous nose, full, red lips, rounded chin and large, pendulous ears. He wears a heavy robe, depicted with carefully modelled drapery. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and south-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this example belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; on a custom-made stand.Size: L:723mm / W:270mm ; 23.4kg; Provenance; Property of a Central London gallery, obtained from a private London collection (M.A); formerly acquired on the UK art market in the 1970s and 80s.
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100-300 AD. Gandharan. A grey schist figure of standing Buddha. He is depicted wearing a flowing gown and sporting a topknot (ushnisha). He has urna on his forehead, arched brow, heavily lidded, half-closed eyes, a bulbous nose, full lips, rounded chin and large, pendulous ears. He stands atop a plinth bearing a scene from his life and is backed by a circular halo. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; some repairs; on a custom stand.Size: L:500mm / W:198mm ; 11.6kg; Provenance; Property of a Central London gallery, obtained from a private London collection (M.A); formerly acquired on the UK art market in the 1970s and 80s.
100-300 AD. Gandharan. A grey schist figure of a seated Buddha. He is depicted wearing a flowing robe and a topknot (ushnisha). There is an urna on his forehead, and he is characterised by his arched brow, heavily lidded, half-closed eyes, a bulbous nose, full lips, rounded chin and large, pendulous ears. He sit atop a square plinth is backed by a circular halo with a vegetal porch. His hands are arranged in his lap, upturned with one hand lying over the other. This is gesture is the Dhyana mudra or the gesture of meditation, of concentration on the Good law, and of the attainment of spiritual perfection. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; some repairs; on a custom stand.Size: L:534mm / W:330mm ; 9.35kg; Provenance; Property of a Central London gallery, obtained from a private London collection (M.A); formerly acquired on the UK art market in the 1970s and 80s.
600-900 AD. Byzantine. A rare medieval gold ring with a hexagonal hoop and zoomorphic bezel in the form of a bird in flight; the bird’s back is decorated with a teardrop shaped garnet cabochon and granulated borders. The medieval empire of Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the royalty and aristocracy, or in bronze for people further down the social ladder. This beautiful item may once have belonged to a Byzantine noblewoman. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: D: 17.13mm / US: 6 3/4 / UK: N1/2; 5.7g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
c. 323-31 BC. Greek Hellenistic period. A rare gold ring with a D-shaped hoop, scalloped shoulders and elliptical plate bezel bearing an engraved erotic scene. The bezel shows a male figure (right) engaged in coitus with a female figure (centre) who lies on her back, reclining against a second female figure (left). The second female figure places a crown on the head of the man. The Hellenistic period, which runs from the death of Alexander the Great in 323 BC to the battle of Actium is 31 BC, was an era in which Greek-speaking peoples controlled much of the Eastern Mediterranean and Western Asia as far as present-day Afghanistan. This period saw many momentous scientific discoveries and artistic developments, including the creation of intricate jewellery, as this gorgeous piece exemplifies. This beautiful piece may have belonged to an ancient courtesan of the Hellenistic period. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: D: 19.31mm / US: 9 3/8 / UK: S1/2; 16.2g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
C. 100-300 AD. Roman. A gold ring with a circular hoop and round red gemstone intaglio depicting the god Apollo in a chariot pulled by a pair of prancing horses. In Greek and Roman mythology, the god deity Apollo rode a chariot pulled by fiery horses across the sky every day to bring light to the world. This gorgeous piece may once have belonged to a priest of this major deity. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: D: 18.19mm / US: 8 / UK: Q; 10.6g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
1100-1300 AD. Byzantine. Stunning gold cross with rounded, ribbed suspension loop, gold terminals and crosspiece with elaborate filigree decoration and tapering red agate stone arms; the centre of the cross-piece is set with a hemispherical carnelian cabochon. Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy, or in bronze for people further down the social ladder. The Cross is the principal symbol of Christianity, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The Cross is thus a sign both of Christ himself and of the faith of Christians. The rich red of the garnets recalls the blood of Christ on the cross, adding to the powerful effect of this gorgeous piece. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size; L:63mm / W:38mm ; 15.6g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
c. 323-31 BC. Greek Hellenistic period. A gold pendant with a rounded, ribbed suspension loop, and disk-shaped body featuring concentric reliefs with alternating floral motifs and bands of gold baubles arranged around a central rosettevfeaturing an elaborate flower with a gem set at the centre.. The outermost edges of the disk are decorated with spherical baubles. The Hellenistic period, which runs from the death of Alexander the Great in 323 BC to the battle of Actium is 31 BC, was an era in which Greek-speaking peoples controlled much of the Eastern Mediterranean and Western Asia as far as present-day Afghanistan. This period saw many momentous scientific discoveries and artistic developments, including the creation of exceptionally intricate jewellery, as this gorgeous piece exemplifies. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: L:45mm / W:40mm ; 14.9g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
C. 100-300 AD, Roman. A beautiful gold pendant comprising an inverse tear-drop shaped charm with an integrated suspension loop, applied granulations along the outmost border, applied "woven" decoration on the interior border, and terminating in two stacked gold baubles crowned with tripartite applied granulation. This ornate item would probably have belonged to a well-off Roman matron. Good condition; on modern chain. Wearable.Size: L:43mm / W:21mm ; 3.6g; Provenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1990s on the UK /European art markets.
1100-1300 AD. Byzantine. A stunning pair of gold earrings, each comprising a hoop with three composite pendants made up of a cord woven from gold wire, a miniature gold Maltese cross with a central amethyst rondel from which hangs a larger, polished amethyst. The medieval empire of Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the royalty and aristocracy, or in bronze for people further down the social ladder. These beautiful items may once have belonged to a Byzantine noblewoman. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: L:95mm / W:25mm ; 16g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
100-200 AD. Roman. A set of two bone dice with carefully carved dot-in-circle pips which are typical of dice of the Roman period. Games involving were played throughout the Roman world, but the some of the biggest gamers were soldiers, who would have whiled away the long hours on watch duty by duodecim scripta, an ancestor of modern backgammon. These beautiful dice would probably have belonged to one such soldier, who served to defend the frontiers of an empire which at its peak stretched from Northern Britain to the Middle East. Good condition; Size: L:SET OF 2: 8mm, 12mm / W:12mm, 13mm ; 5.2g; Provenance: Private London collection, formed in the 1970s on the UK and European art market.
c. 100-300 AD. Roman. A rare gold ring with a circular hoop and elliptical bezel with a red hardstone setting engraved with a highly naturalistic portrait of Alexander the Great. He is depicted looking left, with flowing locks and a serious expression; he wears a lionskin, which identifies him with the demigod Hercules. After conquering much of the known world in the later 4th century BC, Alexander the Great, king of Macedonia. remained a major historical figure and subject of admiration for much of the rest of antiquity. He was commonly viewed as a model for aspiring generals and politicians; this exceptional item may therefore have belonged to a Roman soldier. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good condition; wearable.Size: D: 20.85mm / US: 11 1/4 / UK: W1/4; 6.8g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
c. 900-1100 AD. Viking Age. Twisted gold ring comprising of circular hoop comprised of interwoven strands of gold. This ring was intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: D: 18.61mm / US: 8 5/8 / UK: R; 10.3g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
CA. 600 AD; GOLD BYZANTINE RING WITH GLASS COBOCHON. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good condition; wearable; Size: D: 18.8mm / US: 8 7/8 / UK: R 1/2; 7.9g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
CA. 100 AD. ROMAN GOLD INTAGLIO RING WITH NICOLO PORTRAIT STONE. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good condition; wearable; Size: D: 14.05mm / US: 3 / UK: F; 4.19g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
C. 386-534 AD. Northern Wei Dynasty. A painted pottery figure of a horse. The horse stands foursquare with its head drawn inwards, and its tail lowered. Its coat is picked out in a beautiful deep red, reminiscent of the tones traditionally associated with wealth in Chinese society, while its mane is reserved the light tan colour The creature is decked out with a carefully-modelled strap-and-boss bridle, a prominent breastgirth ornamented with bells, and a long, tasselled saddle. The horse is the seventh of the twelve animals in a zodiac cycle and represents strength, energy and an outgoing nature. Indeed, some peoples including Mongolians and Manchurians, revere and worship the horse and its power. Ceramic figures such as this item would often have ritual functions, reflecting beliefs in the ability of the horse to provide assistance, luck and companionship. The Northern Wei dynasty ruled northern China from c. 386 to 534 AD, and its most famous achievement was unifying a large empire following a long period social and political turbulence. However, craftsmen working under this dynasty were also responsible for beautiful works of art, as this object exemplifies. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:400mm / W:295mm; 3.05kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
c. 700 AD. Viking Age. Gold ring comprising a circular hoop with ribbed shoulders and a double plate bezel. The bezel plates, which are slightly convex and oval in form, are each decorated with a raised central rib flanked by two rows of stamped dots; each rib ends in trumpet-shaped terminal. This beautiful item would probably once have adorned the hand of a Viking noble. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Expertly cleaned and conserved. Excellent condition; wearable; Size: D: 19.22mm / US: 9 1/4 / UK: S1/4; 7.5g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
Ca. 100 AD, Roman. Silver lunar amulet comprising a crescent moon with applied silver baubles and a wide banded suspension loop. In Roman mythology, Luna (the Moon) is sometimes viewed as a goddess in her own right, and sometimes appears as an epithet of more senior goddesses like Diana or Juno, meaning this item may be a sign of devotion to senior gods within the Roman pantheon. Excellent condition; on modern chain. wearable.Size: L:33mm / W:28mm ; 4.3g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
c. 900-1100 AD. Viking Age. Twisted silver ring comprising of circular hoop comprised of interwoven strands of silver which were melded into a single strand at the shoulders. This ring was intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. All samples correspond to the metal content of the period specified; no modern trace elements were detected in the patina; expertly cleaned and conserved. Excellent condition; wearable. Size: D: 17.4mm / US: 7 / UK: O; 5.1g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
100-300 AD. Roman. Gold ring with a D-shaped hoop and bulging elliptical plate bearing an engraved depiction of a cow and her calf below the bow of a tree. This motif of nurturing would have been an appropriate motif for a ring which may have once belonged to a Roman matron. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable.Size: D: 18.61mm / US: 8 5/8 / UK: R; 7.1g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
CA. 600 AD. BYZANTINE GOLD RING WITH BIRD AND CROSS. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good Condition; Size: D: 16mm / US: 3 5/8 / UK: K 1/2; 5.66g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
C. 100 AD, Roman. Well-preserved Gold ring with circular hoop and flattend round bezel featuring and engraved lion and gryphon motif. This item may have belonged to a Roman senator and perhaps served as a signet ring to seal letters. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition, wearable.Size: D: 16.92mm / US: 6 1/2 / UK: N; 7.3g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
CA. 100 AD. ROMAN SOLID GOLD INTAGLIO RING WITH BULL . In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good Condition; Size: D: 19.31mm / US: 9 3/8 / UK: S 1/2; 18.71g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
c. 100-300 AD. Roman. A spectacular bronze pendant comprising a phallus and closed fist joined by a smaller phallus and pair of testes. The piece is decorated with linear incised decoration and suspended from a round suspension loop. Phallic charms, often winged, were ubiquitous in Roman culture and relate to the fascinus or fascinum which was the embodiment of the divine phallus. The word can refer to the deity himself (Fascinus), to phallus effigies and amulets, and to the spells used to invoke his divine protection against evil. The closed fist is generally considered an emblem of good luck. Excellent condition; wearable; restrung on a modern necklace.Size: L:40mm / W:61mm ; 48.9g; Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.
100-300 AD. Roman. A set of two bone dice with carefully carved dot-in-circle pips which are typical of dice of the Roman period. Games involving were played throughout the Roman world, but the some of the biggest gamers were soldiers, who would have whiled away the long hours on watch duty by duodecim scripta, an ancestor of modern backgammon. These beautiful dice would probably have belonged to one such soldier, who served to defend the frontiers of an empire which at its peak stretched from Northern Britain to the Middle East. Good condition; Size: L:set of 2: 11mm, 12mm / W:10mm, 11mm ; 3g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
700-1100 AD, Viking Age. A gold coiled ring comprising a circular hoop formed from a strand of gold with coiled terminals and trailings ends which wrap back around the hoop. This ring is intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;†Old Norse Jörmungandr, “Great Beastâ€), also called the “Midgard Serpent,†is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable; Size: D: 16.51mm / US: 6 / UK: M; 9.4g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
CA. 1400 AD MEDIEVAL GOLD RING WITH EMERALD STONE. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable; Size: D: 17.97mm / US: 7 3/4 / UK: P 1/2; 1.58g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1990s.
1100-900 BC. Early Western Zhou Dynasty. Bronze cast vessel Gui comprising a broad shelf-like lip, hemispherical bowl, wide loop handles topped with moulded dragons, and a cylindrical base. Just below the rim is a horizontal frieze showing a stylised dragon. At the part of the frieze which lays midway between the two handles is a projecting dragon’s head. The Gui is a classic vessel shape in Chinese bronzewares, which originated in the Shang dynasty in the 16th century BC but continued to be made for many centuries thereafter. Dragons, the fifth animal of the Chinese zodiac are a symbol of power, strength and good fortune in Chinese art, and this beautiful object may have once been used during rituals or for dining. A similar item was recently sold at Christies for $100,000, see https://www.christies.com/lotfinder/lot/a-bronze-ritual-food-vessel-gui-early-6276466-details.aspx?from=searchresults&intObjectID=6276466. Expertly cleaned and conserved. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; beautiful patina.Size: L:170mm / W:215mm ; 2.8kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
Ca. 206 BC-220 AD. Han Dynasty. A beautiful rare ceramic vase with a beige fabric and glossy brown slip. The vase comprises an elongated neck and an ovoid body supported by a cylindrical ring foot. Several bands of incised direction run around the vessel and feature geometric patterns as well as depictions of dragons and other beasts; two applied taotie masks on the shoulder feature long tongues which also serve as handles. The taotie are mythological creatures commonly appearing in ancient Chinese art, where they are commonly associated with the Four Evils of the World, possibly suggesting that this vase was used for ritual purposes. The Han Dynasty, which ruled between 202 BC–220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:550mm / W:290mm ; 7.45kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
900-1100 AD. Viking age. A large gold ring with a round hoop bearing coiled decoration and a curved elliptical bezel with a border of stamped triangles filled with circles arranged around a star formed from circles and crescents. Vikings were expert navigators, and the constellations signified mystery and power to them; this gorgeous item probably once belonged to a Viking captain. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: D: 19.51mm / US: 9 5/8 / UK: T; 14.2g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
Ca. 206 BC-220 AD. Han Dynasty. A beautiful rare ceramic vase with a beige fabric and glossy brown slip. The vase comprises an elongated neck and an ovoid body supported by a cylindrical ring foot. Several bands of incised direction run around the vessel and feature geometric patterns as well as depictions of dragons and other beasts; two applied taotie masks on the shoulder feature long tongues which also serve as handles. The taotie are mythological creatures commonly appearing in ancient Chinese art, where they are commonly associated with the Four Evils of the World, possibly suggesting that this vase was used for ritual purposes. The Han Dynasty, which ruled between 202 BC–220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:520mm / W:300mm ; 7.5kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
100-200 AD. Roman. A set of two bone dice with carefully carved dot-in-circle pips which are typical of dice of the Roman period. Games involving were played throughout the Roman world, but the some of the biggest gamers were soldiers, who would have whiled away the long hours on watch duty by duodecim scripta, an ancestor of modern backgammon. These beautiful dice would probably have belonged to one such soldier, who served to defend the frontiers of an empire which at its peak stretched from Northern Britain to the Middle East. Good condition; Size: L:set of 2: 10mm, 10mm / W:10mm, 11mm ; 3.6g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
C. 100-300 AD. Roman. Gold ring comprising circular hoop and round bezel with a carnelian setting. The setting bears an engraved double bust of Janus, with both faces sporting thick curling hair, full beards and fierce facial expressions. In the Roman pantheon, Janus was the god of beginnings, gates, transitions, time, duality, doorways passages, frames, and endings. His two faces symbolise his ability to look both to the future and to the past. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition. Wearable.Size: D: 19.51mm / US: 9 5/8 / UK: T; 5.3g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
1000-1500 AD, Crusader Period. Rare gold ring with elegant circular hoop and round plate bezel bearing a niello cross motif, comprising a large central cross with a smaller cross at the end of each of its arms. The Cross, the principal symbol of Christianity, recalls the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. The cross that the Crusaders wore on their robes was a symbol of martyrdom, and to die in combat was considered a great honour that assured a place in heaven. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: D: 17.97mm / US: 7 3/4 / UK: P1/2; 6.9g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
C. 600 BC, Bronze Age European. Openwork bronze sun pendant comprising a single large circle with raised decorative dots at regular intervals on the outer rim. The sun is commonly depicted in Bronze Age art and seems to have been a powerful symbol of fertility and the passage of time. However, the sun was not just a natural phenomenon but was often viewed as a god in many Bronze Age societies. Good condition; on modern neck loop.Size: L:76mm / W:76mm ; 40.5g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
C. 100-300 AD, Roman. Long golden chain comprising extremely fine links formed into a faux weave. This beauitful chain probably belonged to a Roman noblewoman. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition, wearable.Size: L:232mm / W:mm ; 27.7g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1990s.
Ca. 100 AD, Roman. Silver lunar amulet comprising a crescent moon with applied silver baubles and a wide suspension loop. In Roman mythology, Luna (the Moon) is sometimes viewed as a goddess in her own right, and sometimes appears as an epithet of more senior goddesses like Diana or Juno, meaning this item may be a sign of devotion to senior gods within the Roman pantheon. Excellent condition; on modern chain. wearable.Size: L:31mm / W:27mm ; 6.2g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
Ca. 1000 AD. Viking era. An early Scandinavian gold pendant comprising a disk with an elaborate corded border and bearing a filigree cross design arranged around a central rondel. The disk hangs from a rounded suspension loop and has been professionally restrung. The Cross, the principal symbol of Christianity, recalls the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. The era known as the Viking age lasted for more than 300 years, from the late 8th century to the late 11th century. The history of the Vikings is closely linked to their role as masters of the sea. They were feared as fierce and ruthless raiders, but later converted to Christianity, as this gorgeous item testifies. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: L:40mm / W:32mm ; 6.8g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.
100-300 AD. Roman, A rare gold pendant with a rounded suspension loop, a disk-shaped body with a filigree border featuring a repeating chevron pattern, and a hardstone cameo. The handsome red hardstone cameo depicts a lion in high relief with flowing mane and highly idealised features. Lions were symbols of courage and strength in the Roman world and this piece may have once belonged to a Roman officer. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Good condition; wearable.Size: L:37mm / W:30mm ; 9g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1980s.
Ca. 100-300 AD. Roman. A restrung necklace of beads comprising multiple opaque and transparent multi-coloured discoid glass beads of of Roman date as well as beautiful modern lapis lazuli beads. This necklace features a beautiful repeating pattern of and a stunning central section comprised of three exquisite lapis lazuli beads. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Excellent condition. Wearable.Size: L:333mm / W:303mm ; 13.5g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
Ca. 100 AD, Roman. Silver lunar amulet comprising a crescent moon made of three strands of silver, two with incesed decorations, applied silver baubles and strands as well as a wide banded suspension loop. In Roman mythology, Luna (the Moon) is sometimes viewed as a goddess in her own right, and sometimes appears as an epithet of more senior goddesses like Diana or Juno, meaning this item may be a sign of devotion to senior gods within the Roman pantheon. Excellent condition; on modern chain. wearable.Size: L:34mm / W:30mm ; 5.7g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
C. 3500 BC. Sumerian. Gold head comprising a grotesque head with prominent nose and grimacing mouth, depicting Pasuzu. In ancient Sumerian religion, Pasuzu was king of the demons and the wind, as well as the bearer of storms. This pendant may have once belonged to a worshipper of this powerful and malevolent figure. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition; wearable. Size: L:21mm / W:18mm ; 11.5g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1990s.
C. 900 AD. Viking age. A medieval Scandinavian pointed knife with a straight blade; expertly cleaned and conserved with a hand-carved, reconstructed bone handle depicting a raven. Knives were a vital part of everyday life in the Viking world, where forks were not used, and everyone had to carry their own knife, both for self-defence and for eating. The item is extremely well preserved and has been professionally cleaned; it comes on a custom-made stand. Please note that the handle is a hand-made modern reconstruction based on medieval originals and using traditional techniques. Size: L:308mm / W:40mm ; 440g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
C. 900 AD. Viking age. A medieval Scandinavian pointed knife with a straight blade; expertly cleaned and conserved with a hand-carved, reconstructed bone handle depicting the god Odin in the guise of an old man. The sheath fitting comprises a hammered sheet of silver with punched decoration and two loops for attachment to a belt; the leather of the sheath has not survived. Knives were a vital part of everyday life in the Viking world, where forks were not used, and everyone had to carry their own knife, both for self-defence and for eating. The item is extremely well preserved and has been professionally cleaned; it comes on a custom-made stand. Please note that the handle is a hand-made modern reconstruction based on medieval originals and using traditional techniques. Size: L:515mm / W:33mm ; 770g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000.
C. 360 BC. Ancient Greek. A rare red figure terracotta krater with a broad rim, bell-shaped body flanked by two lug handles, and a pedestalled ring foot. Side A depicts a cloaked female figure holding a branch and a circular object, perhaps a drum, who follows a nude male, who holes a staff and a bucket. Side B features a sacrifice scene comprising two figures holding staffs who stand either side of a flame-topped altar. The scenes are separated by vegetal motifs and are framed by a wave frieze (above) and a geometric spiral frieze (below) running around the whole of the vessel. Ancient wine was considerably stronger than its modern counterparts and often had to be mixed with water, spices and honey in kraters like this one order to make it less potent. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:390mm / W:400mm ; 11kg; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.
600-200 BC. Apulia. A large Daunian terracotta jug in a cream fabric with an out-turned rim, constricted neck, globular body and applied, L-shaped strap handle. Several painted bands of red and brown decoration run horizontally around the body. Jugs like this were used for serving wine during drinking parties (symposia) in ancient societies. Ancient wine was considerably stronger than its modern counterparts and often had to be mixed with water, spices and honey in order to make it less potent. Excellent condition.Size: L:160mm / W:140mm ; 530g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.
Ca.200-100 BC. A hollow-formed terracotta bust of a goddess wearing a high-girdled chiton and a radiate headdress; aperture to the reverse. In the Hellenistic period, votive figures were given in fulfilment of vows to the gods, but this piece would now make an excellent centrepiece to any modern collection. Good condition; Size: L:145mm / W:130mm ; 370g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.
600-200 BC. Apulia. A Daunian terracotta cup with a flaring rim, carinated body, ring foot, and two high, ear-shaped handles. Several bands of brown painted decoration are visible on the body and neck. Cups like this were used for serving wine during drinking parties (symposia) in ancient societies. Ancient wine was considerably stronger than its modern counterparts and often had to be mixed with water, spices and honey in order to make it less potent. Excellent condition.Size: L:120mm / W:150mm ; 230g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.
600-200 BC. Apulia. A Daunian terracotta jug with a flaring rim, carinated body, ring foot, and two high, ear-shaped handles. Several bands of reddish orange painted decoration are visible on the body and neck. Jugs like this were used for serving wine during drinking parties (symposia) in ancient societies. Ancient wine was considerably stronger than its modern counterparts and often had to be mixed with water, spices and honey in order to make it less potent. Excellent condition.Size: L:140mm / W:170mm ; 440g; Provenance: From an important British collection of Mr. C.S.; originally acquired in the 1980s on the UK/European art markets.
600-1 BC. Etruscan or Early Roman. A bronze hand-mirror with a circular pllate and elongated handle with engraved decoration. The Etruscans were an Italic people who occupied the area of modern Tuscany and neighbouring regions in Italy in the pre-Roman period, before coming into conflict and eventually being conquered by Rome. Mirrors such as this one would have been used by Etruscan or Roman noble ladies. Excellent condition; beautiful patina. On a custom stand.Size: L:375mm / W:110mm ; 115g; Provenance: Private London collection, formed in the 1980-90s on the UK and European art market.
Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting four dragon heads arranged around a central rondel containing a small loop for suspension. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina.Good condition. Size: L:215mm / W:215mm ; 1.5kg; Provenance: From an old British collection, acquired on the UK art market in the 1990s.
Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting banded decoration including repeating dragons, vegetal motifs, geometric designs, and a stellate central medalion as well as small loop for suspension. The dragons' eyes, mouths and scales are carefully depicted, indicating the many hours of workmanship which must have been spent on making this piece. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition.Size: L:185mm / W:185mm ; 775g; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
Ca. 700 AD. Tang Dynasty. A circular bronze mirror with intricate relief depicting banded decoration including repeating birds, monkeys, vegetal motifs, geometric designs, and a small loop for suspension. The birds' feathers are picked out individually indicating the many hours of workmanship which must have been spent on making this piece. Dragons are a symbol of power, strength and good fortune in Chinese art. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This beautiful mirror may have belonged to a noble lady who lived under the Tang. In order to confirm its authenticity, this piece has undergone X-Ray Fluorescence analysis by an independent Belgian Laboratory. The samples collected show the chemical composition to reflect the typical metal contents of the described period, whilst also showing no modern trace elements in the patina. Excellent condition.Size: L:160mm / W:160mm ; 790g; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
C. 386-534 AD. Northern Wei Dynasty. A painted pottery figure of a horse. The horse stands foursquare with its head drawn inwards, and its tail lowered. Its coat is picked out in a beautiful creme, while the trappings are highlighted in shades of oragne. The creature is decked out with a carefully-modelled strap-and-boss bridle, a prominent breastgirth ornamented with bells, and a long, tasselled saddle. The horse is the seventh of the twelve animals in a zodiac cycle and represents strength, energy and an outgoing nature. Indeed, some peoples including Mongolians and Manchurians, revere and worship the horse and its power. Ceramic figures such as this item would often have ritual functions, reflecting beliefs in the ability of the horse to provide assistance, luck and companionship. The Northern Wei dynasty ruled northern China from c. 386 to 534 AD, and its most famous achievement was unifying a large empire following a long period social and political turbulence. However, craftsmen working under this dynasty were also responsible for beautiful works of art, as this object exemplifies. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:410mm / W:330mm ; 3.4kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
Art reference.- Anthologie du Livre Illustré par les Peintres et Sculpteurs de l'école de Paris, plates, modern half-morocco, Geneva, 1946 § Ballard (J. G.) The Atrocity Exhibition, illustrations, several full-page, original pictorial stiff-paper wrappers, San Francisco, 1990 § Wyeth at Kuerners, illustrations, many full-page, original cloth, original dust-jacket, a little rubbed, Boston, 1976 § The Whitechapel Art Gallery Centenary Review, illustrations, original pictorial stiff-paper wrappers, a little rubbed, 2001; and others, 20th and 21st century art including exhibition pamphlets and catalogues, v.s. (c.145)
NO RESERVE Private Press & Modern Illustrated.- Strachan (W.J.) The Artist and the Book in France: The 20th Century Livre d'artiste, New York, 1969 § Ray (Gordon N.) The Art of the French Illustrated Book 1700 to 1914, 2 vol. in 1, reprint, original wrappers, New York, 1986 § Castleman (Riva) A Century of Artists Books, original wrappers, New York, 1994 § Harrop (D.) A History of the Gregynog Press, Pinner, 1980 § Arnold (John) The Fanfrolico Press, Pinner, 2009 § Hughes-Stanton (P.) The Wood-Engravings of Blair Hughes-Stanton, Pinner, 1991 § Franklin (Colin) The Private Presses, 1969, illustrations, all but the second and third original cloth, the first with dust-jacket; and 9 others, some catalogues, 4to & 8vo (16)
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