We found 19747 price guide item(s) matching your search

LP, 7" and 10" single records, mostly Jazz, 118 LPs; thirty-five 10" and 7" singles, including artists Art Tatum; Lionel Hampton; The Modern Jazz Quartet; Ben Webster; Django Reinhardt and others.Qty: one box full

A Pair of Modern Decorative Table Lamps in the form of Art Nouveau maidens, the maidens holding two Ditchfield Glasform glass shades. Both measuring 20 inches in height.

Jazz Interest LP's, sixty seven releases with many notable albums including, Olivr Nelson Sextet - Eric Dolphy Screamin The Blues (XXtra 5039, 1967), Art Blakey and His Jazz Messengers (HMV CLP 1532, 1961), Mike Westbrook's - Metroplis (RCA Neon NE10, 1971), The Ornette Coleman Trio - At The Golden Circle Stockholme Volumes 1 & 2 (Blue Note BST 84224 and 84225, 1966), Thelonious Monk - Work (Transatlantic PR7169, 1967), and more by Dizzy Gilespie, Neil Ardley, Billie Holiday, Dave Brubeck, Charlie Parker, Modern Jazz Quartet, Benny Carter, Django Reinhards, Ry Cooder, Jean-Luc Ponty, George Duke, etc.

Collection of Modern Indian Art Catalogues, mostly Bombay, owned by Antonio Xavier and Angela Trindade  An important collection of rare Modern Indian Art Catalogues for researchers and collectors of Modern Indian Art. Mostly dating to the 1940's/50's the catalogues include hundreds of images and information re: artists, some also contain information of which collectors own the work. 

ALEXANDER NASMYTH (SCOTTISH 1758 - 1840), ITALIAN LANDSCAPE AT DUSK oil on canvas, signedframedimage size 68cm x 96cm, overall size 92cm x 119cm Provenance: Private German Country House Collection. Christies, Glasgow stencil mark and label versoNote: By the 1800s Alexander Nasmyth's skill as a landscape painter was such that he was confident working on an ambitious scale, yet due to the numerous demands on his time relatively few pictures survive from this period. Between 1790 and 1810 he was remarkably industrious: in addition to supporting his large young family, he was setting up an art school where he taught classes and was also working on an ever-expanding portfolio of theatrical, engineering and landscape design projects. Nasmyth came from a line of architect-builders, and as a youth had been trained to take over the family business by his father but opted to pursue painting instead. It was not until later in life that he began to take on architectural and landscape-design commissions, embodying the Italian ideal of the architetto-pittore. James Nasmyth wrote: ‘My father was much employed in assisting the noblemen and landed gentry in improving the landscape appearance of their estates, especially when seen from their mansion windows. His fine taste, and his love of natural scenery gave him great advantages in this respect… he designed alterations of the old buildings so as to preserve their romantic features, and at the same time to fit them for all the requirements of modern domestic life.’ (ed. S. Smiles James Nasmyth, Engineer: An Autobiography,London, 1883, pp.36-37)

Art, The Pop Art Movement - an Andy Warhol paper bag, from the Andy Warhol: A Retrospective exhibition, The Museum of Modern Art, New York, February 5th - May 2nd, 1989, featuring Andy Warhol's Cow screen print, mounted on card backing, unframed

Franz Kline (1910-1962), Oil Painting. Image Size: 55 1/2 by 35 5/8 inches (141 by 90.5 cm) All measurements are approximate. Signed (reverse), with Gallery Label. Franz Kline (1910-1962) was an influential American abstract expressionist artist celebrated for his bold and powerful compositions. His iconic black-and-white works, characterized by sweeping brushstrokes and dynamic gestures, capture a raw energy and emotional intensity. Kline's innovative approach to abstraction, often using a monumental scale, created a sense of immediacy and a direct connection with the viewer. His art exudes a sense of controlled chaos, inviting audiences to explore the interplay of form and space. As a leading figure in the abstract expressionist movement, Franz Kline's legacy continues to inspire contemporary artists. His ability to convey emotion through abstraction and his fearless experimentation with form and color solidify his place as a master of modern art. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Zeng Fanzhi (B. 1964), Oil Painting. Image Size: 47 1/8 by 39 1/4 inches (120 by 100 cm) All measurements are approximate. Signed (lower right), with Gallery Label. Zeng Fanzhi (b. 1964) is a prominent Chinese contemporary artist celebrated for his captivating and introspective works. His distinctive style, often characterized by bold brushwork and emotive expressions, offers a profound exploration of the human condition. Zeng's art delves into themes of identity, societal changes, and personal struggles, reflecting the complexities of modern life in China. His portraits, often featuring enigmatic figures with haunting eyes, convey a sense of vulnerability and emotional depth. As a leading figure in the contemporary art scene, Zeng Fanzhi's contributions have resonated globally. His ability to evoke raw emotions and evoke introspection through his art showcases his mastery in capturing the nuances of the human experience, making him a source of inspiration for artists and art enthusiasts around the world. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Jackson Pollock (1912-1956), Oil Painting. Image Size: 39 1/4 by 27 1/4 inches (100 by 69.5 cm) All measurements are approximate. Signed (upper left), with Gallery Label. Jackson Pollock (1912-1956) was a trailblazing American artist and a driving force behind the Abstract Expressionist movement. Renowned for his innovative "drip painting" technique, Pollock redefined artistic boundaries by pouring and splattering paint onto canvases laid on the floor. His artworks, marked by dynamic swirls of color and intricate rhythms, reflect his inner emotional landscape. Pollock's groundbreaking approach encouraged a new dialogue between artist and canvas, as well as the viewer's interpretation. Pollock's radical departure from traditional methods made him an influential figure, shaping the trajectory of modern art. His legacy remains a testament to the transformative power of artistic experimentation and the ability to evoke emotions through abstract form. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Ca. 618-907 AD. A mold-formed pottery tomb attendant figure in the form of a woman who is wearing a lengthy robe with a red-painted skirt, upper clothing in green, her right arm by her side holding a vessel and her left hand outstretched, she is displaying a harmonic expression; her smiling face beneath a large hair bun. Excellent condition and original paintwork. For similar style holding ewer, please see The Metropolitan Museum of Art 1997.442.7.1. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:350mm / W:85mm ; 1.11Kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

Middle East, Ca. 13th - 14th century AD. A fine gold finger ring having a box form upper portion, finely engraved with an overall vine pattern, and inset with an orange carnelian intaglio carved with a long-horned animal. Wide tapered gold shank, highly decorated in relief and engraved with a fancy vine pattern, and inset with two fine turquoise teardrop stones. Engraved with a rearing animal on the underside of the box bezel. Intact, excellent condition. A beautiful example. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D: 19.1mm / US: 9 1/8 / UK: S; 14.38g Provenance: Property of a London Ancient Art gallery, acquired on the US Ancient Art market; Ex. Sumer Gallery, H. Anavian, NYC, acquired in the 1980s, to family by descent.

Ca. 330-200 BC. The slender terracotta rhyton formed with a flaring lip and conical shaped body terminating into a stag protome with the head drawn back on its long neck, its ears perked upright. The eyes and mouth are well defined. The animal’s antlers are drawn back on its neck. This form of rhyton is a fine example of its type used by the Greeks for religious rituals. The determination of the work rhyton derives from the Greek verb “to pour through,” which describes what happens when the liquid is added to the rhyton’s flared mouth. Item comes with a professional historical report from Ancient Report Specialists. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. For similar see: Miho Museum Japan: Accession Number 00002005e. Size: L:520mm / W:195mm ; 1.3kg Provenance: From the private collection of a gentleman; previously with A.R. London; formerly in an old British collection, formed in the 1980s on the UK / International art markets.

A Collection of Seven Prints Framed and on Canvas Including Modern Art, Country Side Village Scene, Continental Village Scene and Woodland Scene. Artists to Include Alice Wonder and Jan Williams (7)

A recent participant in the Mille Miglia, a capable, well equipped European-spec MGA Roadster ideal for events and touring rallies.Officially launched at the Frankfurt Motor Show in 1955, the MG A's looks must have come as quite a shock to MG aficionados who had become accustomed to the perpendicular pre-war look of the company's sports cars. It was a complete departure in styling and its beautiful streamlined bodywork was as curvaceous and attractive as anything from Italy or France. The modern look required a modern engine and, with the old XPAG unit getting a touch wheezy, the shiny new 'B-Series', recently debuted in the new Magnette saloon, seemed to fit the bill. The appeal of the MG A was quite staggering, in the first full year of production in 1956, more than 13,000 cars were built, which far exceeded the entire production achieved over a four year period with the TF.Offered here at the Silverstone Festival, one of Europe’s most prestigious historic motorsport events, is this smartly presented, European-spec, MG A 1500 Roadster. It has been specially prepared with the intention of participating in historic regularity rallies with a strong focus on reliability and driveability. Over the past few years the MG A has successfully completed Gran Premio Nuvlari 2017 & 2019, Summer Marathon 2018, Winter Marathon 2018 & 2019, Coppa Franco Mazzotti 2021 and most recently the Mille Miglia 2021.It's an original European-spec, left-hand drive export car manufactured in 1956 and delivered new to Italy prior to being registered there in January 1957 and is classically finished in Old English White with a red leather interior, black hood and sits on a set of premium Turrino wire wheels. The cabin is fully equipped for the task with a state of the art Brantz set up including a WPT001 electronic precision stopwatch and a Brantz International 2S Pro Rally Meter with a remote. It sports a Vic Derrington steering wheel, correctly-mounted seat belts and has recently been treated to a new set of alloy side-screensThe MG is currently UK-registered and is accompanied by a history file containing its current FIVA Passport ready for transfer, the V5C, its MM Registro and various invoices for maintenance and parts over the years. Most recently the car has been maintained and supported by the highly regarded Noci Motoclassic in Italy.With many brilliantly organised events here in the UK and over in Europe, this MG A is absolutely on-the-button and ready to participate. HERO have some challenging and enjoyable events for which this car is perfectly suited or perhaps just enjoy open top motoring in this lovely British classic.SpecificationMake: MGModel: MGA ROADSTERYear: 1956Chassis Number: HDR3317380Registration Number: 862 UYVTransmission: ManualDrive Side: Left-hand DriveMake: LHDInterior Colour: RedClick here for more details and images

Vintage 1960s London Transport and Exhibition Posters a group of seven, includes, Village Churches, artwork by Gaynor Chapman, signed in the print, printed by McCorquodale & Co. Ltd., rolled, 25 x 40 inches; Country Churches, artwork by Marsden, signed in the print, rolled, 25 x 39 ½ inches; Alan Davie, a German Exhibition poster March 1968, rolled, 23 ¼ x 33 inches; (creasing to edges and corners) V.I.P.s der D5 im Tummel, 1972, rolled, 16 ½ x 23 ½ inches; Make Your Move at The Queens Ball, St. Kildas Town, sponsored by King & Godfree Bottle Shop, rolled, 17 ¾ x 25 inches; Picasso Paintings 1945-1961, Gimpel Fils Gallery, South Molton Street, London, 1964, printed by J.C. Muller, Zurich, rolled, 14 x 26 ¾ inches; George Braque papiers colles 1912-1914, rolled, 13 ½ x 33 ¾ inches; Joan Miro Exhibition, The National Mueum of Modern Art, The Mainichi Newspapers, Tokyo and Kyoto, Japan, 1966, rolled, 22 ½ x 15 ½ inches. (7)

NO RESERVE Quinn (John) Two Autograph Notes on the subject of collecting modern art, "Rousseau, he was a saint. Truly naive, and so a saint, a pure mind. I did not know him but I have talked by the hour, BC & others. No ?middle class. P. [Picasso] becoming French, a Spaniard to the bone...", 2pp., folds, small staple stain, [1910-20]; together with Roche (Henri) Autograph Letter signed to John Quinn, discussing several works y Maria Laurencin, amongst other topics, 3pp., green ink, hole-punches, Paris, 8th March 1920, v.s. (5)⁂ Henri Roche was John Quinn's chief advisor and represented him in many purchases between 1917-1924. Roche hired Man Ray to photograph potential purchases that he would send to Quinn look over and comment on. This letter offers insight into how Quinn approached collecting and what his his buying practices were. The trusted relationship between John Quinn and Henri Roche is an important piece in the history of modern art and collecting.

A SMALL SELECTION OF COLLECTABLES TO INCLUDE A MODERN ART NOUVEAU STYLE ALPHONSE MUCHA 3PC TILE PANEL. BRONZE PENDANT ETC

A modern metal Art Deco style desk ornament of twin propellor Aeroplane form, with polished finish

Three publications Movements in Modern Art: Modernism. Charles Harrison. Published 1997 by Tate Publishing.Modern British Art 2001. Offer Waterman & Co. Exhibition catalogue.20th Century British Art. Paisnel Gallery 2011. Exhibition catalogue.

Four publications Francis Bacon. Exhibition catalogue. Tate Gallery Liverpool 1990.Goldmark June 2006. Exhibition catalogue.Impressionist & Modern Art. Bonhams sale catalogue 2012.Johnathan Clark Fine Art Spring 2001. Exhibition catalogue.

The Scottish Gallery Exhibition Poster Edinburgh Festival Exhibition 1979: Alan Davie, Magic Pictures Lithograph, signed and dated '79, numbered 4/65, poster size 77 x 57cm. Frame size 90 x 76.5cm.Provenance purchased from Scottish Gallery Edinburgh, Edition featured in The Scottish National Gallery of Modern Art, Edinburgh, collection catalogue 2000. This piece has not been examined out of the frame. There is some yellowing present to each of the edges, and some foxing to the lower third.

Two publications Kenneth Martin & Mary Martin: Constructed Works. Published 2007 by Camden Arts Centre.Stuart Davis. James Johnson Sweeney. Museum of Modern Art. Exhibition catalogue.

Drei DesignbücherMutant Materials in Contemporary Design, The Museum of Modern Art, New York 1995; Industrial Design, Unikate und Serienerzeugnisse, Hans Wichmann, München bei Prestel 1985; Raymond Loewy, Pionier des Amerikanischen Industrie-Designs, München bei Prestel 1990; Format max. 4°, normale Gebrauchs- und Altersspuren.

Pokemon Trading Card Game - a collection of modern holographic and full art cards to include; Iron Treads ex 248/198, Galarian Darmanitan 044/189. Simisear VSTAR 023/159, Vileplume 6/147, Radiant Steelix 124/196, Ariados TG09/TG30 and many others. Lots of 'V',  'VMAX' and ' VSTAR' cards are present with the majority appearing in pack fresh condition. Some rainbow cards are also included as is a Japanese Charizard V 014/100. 

A Victorian papier mache snuff box, painted with Glasgow’s Royal Exchange, what is now the Gallery of Modern Art (GOMA) Condition Report:Available upon request

•Natalie Sergeevna Gontcharova (1881-1962). Costume design for Le Coq d'or Pochoir with coloured crayon, signed in pencil, titled verso, 21cm x 17.5cm. Label Christie's Impressionist and Modern Art 5 April 2006, Lot 141.

A German Art vase Poole pottery biscuit barrel and dish and modern art glass together with other Poole pottery ceramics (a lot) NO RESERVE

Budd Johnson QuintetLet's SwingLPPrestigePrestige2015Johnny Griffin/Eddie “Lockjaw” Davis QuintetTough TenorsLPJazzland RecordsJLP31Tony ScottThe Modern Art of JazzLPSeecoCELP 425Various ArtistsJazz Studio One - Tenderly + Let's SplitLPBrunswick gold text labelLAT 8036

Dóra Maurer (*1936), international bedeutende ungarische Künstlerin und Filmemacherin, Vertreterin der Neoavantgarde. Wurde zuletzt 2019 mit einer Einzelaustellung in der Tate Gallery of Modern Art in London geehrt. Aquatintaradierung ''B 12'', 1991, auf schwerem Kupferdruckpapier, u. re. mit Bleistift handsign. u. dat., u. li. bez., leichte Altersspuren, Blattmaße 70 x 50 cm

A GROUP OF CUT CRYSTAL AND OTHER GLASSWARES, to include a Caithness Tranquillity pale aqua and clear bowl with blue flower design, height 12cm x diameter 16cm, a modern art glass sculpture of three birds on a branch, a green swirl Caithness vase, a Royal Brierley tapering crystal vase, three crystal bowls, a Krosno claret jug engraved with flowers, etc (9) (Condition Report: pieces appear in good condition, one vase - not included in description - has engraved personalisation, no obvious damage)

Lino-cut print on paper mounted on foam core board with black mat in brushed metal frame and satin finished glass glaze. Features two abstracted owls illustrated with intersecting lines and loops and ink sprays; printed with black ink. Signed by artist in brown marker on lower left corner. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Sight size: 9.75"H x 11.5"W; frame: 15.75"H x 17.25"W x 0.5"D. Artist: Jacques PouchainCountry of Origin: FranceCondition: Age related wear. Minor chip to glaze on right edge.

Abstract oil painting on canvas in wood frame. Signed by artist in black on lower right corner. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Sight size: 10.25"H x 13.5"W; frame: 11.5"H x 15"W x 1.5"D. Artist: Jacques PouchainCountry of Origin: FranceCondition: Age related wear. Joining on lower right corner shows minor gap.

Large linocut print on paper mounted on board framed with black mat. Features an abstracted owl with large wagon wheel eyes illustrated with intersecting lines and loops and ink sprays. Artist's initials printed to lower right corner. Ground is brushed white with tan tones. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Sight size: 25"H x 20"W; with mat: 29.25"H x 24"W. Artist: Jacques PouchainCountry of Origin: FranceCondition: Age related wear.

A comically charming clay frog vase masterfully crafted as a man's head with applied simplified facial features and a brushed white enamel glaze with brown tones. The body has a drum-like appearance with its flattened head and cone base. L'atelier Dieulefit inscribed to base, which is the city in which the artist's studio was located. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 4.5"L 4.5"W x 9"HCountry of Origin: FranceCondition: Age related wear.

Wheel-thrown clay art pottery bowls with dipped brown and white glazes; applied wheel-thrown handles. Largest bowl has pour spout. L'atelier Dieulefit inscribed to base, which is the city in which the artist's studio was located. Largest bowl measures 9.5"L x 7.25"W x 3"H. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainCountry of Origin: FranceCondition: Age related wear. Large white bowl has chip to spout.

Hand-built red clay plate with square shape. Rim is brushed black with brown slashes; center has crackled blue crystalline glaze finish. Dieulefit and artist initials stamped to base. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 7"L x 7.5"WCountry of Origin: FranceCondition: Age related wear.

Figurative art pottery vase modeled as a woman with her arms upraised and hands clutching the sides of her head. She has a conical wheel thrown body, elongated neck, simplified yet expressive facial features, and a brushed white enamel glaze with brown tones. L'atelier Dieulefit inscribed to base, which is the city in which the artist's studio was located. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 2.5"L x 3"W x 8"HCountry of Origin: FranceCondition: Arm on viewer's right has signs of restoration and cracks.

Fabulous art pottery vase characterized by a white glazed face with simplified facial features and bewildered expression. Hand-built clay coil body with a flattened cylinder shaped base ascending to a rounded face with pinched horns to rim. Rough textured red and white glazes used with brown tones. L'atelier Dieulefit inscribed to base, which is the city in which the artist's studio was located. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 4"L x 8.5"W x 14"HCountry of Origin: FranceCondition: Age related wear.

Wheel-thrown vase modeled into an abstracted female form with applied coil arms clasped in front. Red and white glaze with brown tones. L'atelier Dieulefit inscribed and stamped to base, which is the city in which the artist's studio was located. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 4.75"L x 4.25"W x 9"HCountry of Origin: FranceCondition: Age related wear.

Hand-built clay wall plaque featuring six abstracted human forms with celebratory gestures and a neolithic-like style. Ground is a white glaze with brown tones; figures are green with red outlines. L'atelier Dieulefit inscribed to base, which is the city in which the artist's studio was located. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 12.5"L x 8.75"HCountry of Origin: FranceCondition: Age related wear.

Figurative art pottery vase modeled as mother and child. This piece has a humble and simplistic design with impressed circular patterns, applied coil arms, and brushed enamel glaze in brown and white tones. One can see the masterfully crafted details in the hair and balanced form. L'atelier Dieulefit inscribed to base, which is the city in which the artist's studio was located. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 4.75"L x 3"W x 9.25"HCountry of Origin: FranceCondition: Age related wear.

Wheel-thrown clay vase with impressed scale like texture pattern applied to exterior. Piece has white glaze applied to interior and a brick red glaze exterior with black tones. L'atelier Dieulefit inscribed to base, which is the city in which the artist's studio was located. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. Artist: Jacques PouchainDimensions: 4.75"H x 4" dia.Country of Origin: FranceCondition: Age related wear.

Hand-built red clay vase modeled into an abstracted owl with large peering eyes, line striations, and impressed circular textures. Dipped white glaze applied to interior and exterior. Jacques Pouchain is an institutionally recognized painter, sculptor, and ceramicist and has been featured in many major art museums including the Museum of Modern Art of Paris. He is well known for creating utilitarian art objects and abstracted works. This item has a steel metal base included measuring 11.25"L x 5.25"W. Artist: Jacques PouchainDimensions: 5"L x 10"W x 17.25"HCountry of Origin: FranceCondition: Chip to base. Left handle shows signs of restoration.

Vincent Van Gogh (1853-1890), Oil Painting Signed (lower left) Image Size: 26 3/4 x 18 7/8 inches (68cm x 48cm) Vincent van Gogh, in full Vincent Willem van Gogh, (born March 30, 1853, Zundert, Netherlands-died July 29, 1890, Auvers-sur-Oise, near Paris, France), Dutch painter, generally considered the greatest after Rembrandt van Rijn, and one of the greatest of the Post-Impressionists. The striking colour, emphatic brushwork, and contoured forms of his work powerfully influenced the current of Expressionism in modern art. Van Gogh's art became astoundingly popular after his death, especially in the late 20th century, when his work sold for record-breaking sums at auctions around the world and was featured in blockbuster touring exhibitions. In part because of his extensive published letters, van Gogh has also been mythologized in the popular imagination as the quintessential tortured artist. WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE.

Wu Guanzhong (1919-2010), Ink with Watercolor on Paper Signed (lower right) Image Size: 29 7/8 x 20 3/4 inches (76cm x 53cm) Wu Guanzhong (1919-2010) was a master painter of the twentieth century in the Chinese and international art circles. Born in Yixing, Jiangsu province, he was admitted to the National Arts Academy of Hangzhou as a young man where he learnt from Lin Fengmian and Pan Tianshou. In 1947, he was the recipient of a national scholarship that put him on the road of further studies in France. His travel companion to France was the sculptor Xiong Bingming. In 1950, Wu Guanzhong decided to return to China through Hong Kong. Since then, he taught at the Central Academy of Fine Arts, Tsinghua University, Beijing Academy of Fine Arts and Central Academy of Fine Arts and Crafts respectively. During the Cultural Revolution, Wu was sent to the farmland of Hebei province for hard labour, yet he persisted in painting throughout the days of hardship. He first started painting with oil and then moved on to ink, searching for a way to fuse Eastern and Western art. His works bring together the aesthetics of traditional Chinese ink and modern Western art, pioneering the unique "Wu studio style" and endowing us with a wealth of great classics. WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE.

* Peter Hoggard black suit illustrated has been withdrawn by the family *Modern Gents Stylish Clothing comprising a Peter Hoggard black wool two piece suit with bright blue lining, a Paul Smith faux leopard fur mounted waistcoat, with cotton back and lining printed with designs from WW1 first aid bandage (size L), Troopers London light brown snake skin style leather jacket with long sleeves, Laurence Roberts Mens Wear Designer RCA camel coat with leopard print mounted patch pockets, matching leopard print waistcoat, and similar camel wool trousers, an Old Gold smoking jacket in velvet printed with leopard print, black silk lapels cuffs and waist tie, (5) Americana Dreams: The Peter Leathers CollectionLaurence Roberts studied at the Royal College of Art, London, this photograph dated 1972, illustrates similar suits. Peter Hoggard black suit illustrated has been withdrawn by the family.

Large red modern art sculpture

Quantity of Asian Art, including a Chinese porcelain vase and cover, Kangxi mark but 19th century, a Satsuma koro, two pairs of modern cloisonne vases, hardwood stands etc. (two trays)Chinese Porcelain vase and cover, significant chips and damage to the lid rim, minor chip to the foot rim, body is in good condition with no visble restoration. All modern cloisonne enamel vases are in good conditionSatsuma Koro is in good condition, no visble restoration or repairs Other modern items are in good condition

A Pair of Modern Bedside Tables, 65cm by 38cm by 67cm; together with an art deco style easy chair and matching foot stool (3)

λ&nbspJOHN CYRIL HARRISON (BRITISH 1898-1985) MATURE AND IMMATURE RINGED PLOVERS Watercolour Signed (lower right) 18.5 x 30.5cm (7¼ x 12 in.)Provenance: By descent to The Hon. Mrs James Tennant Please Note: This lot was likely purchased by a family member of Oskar Reinhart and then passed down by descent Please note measurements do not include the frame unless otherwise stated. Oskar Reinhart was born in Winterthur, Switzerland in 1885. His father Theodor Reinhart (1849-1919) worked as a textile merchant running Volkart Brothers, which was founded by his wife's family, and facilitated the trade of cotton across the continent mainly from India. Theodor was an active art collector and devoted to supporting the careers of promising artists. By the age of 39 Oskar, inspired by his father, retired from the family firm to focus on building his already established art collection. Reinhart travelled across Europe visiting museums and private collectors devoting his time to art patronage. Reinhart purchased villa Am Römerholz in his hometown which was to become his own private gallery to house his collection as well as his private residence. In 1940 Reinhart donated the Austrian, German and Swiss works of art from his collection to the town of Winterthur which was housed from 1951 in the Museum Oskar Reinhart, now within the Kunst Museum including pieces by Caspar David Friedrich and Adolph Menzel. The rest of the collection was bequeathed to the Swiss Confederation including his home in 1958 and this opened to the public in 1970 and is still available to visit today. The original bequest included over five hundred paintings and several thousand drawings.Reinhart was particularly drawn to French Impressionists and he enjoyed mixing old masters with modern masters arranging displays in order of form and colour rather than period. It was the focus on colour and light used by the Impressionists that sparked Reinharts' interest. Reinhart was conscious of seeking talent and artists with potential in order to support and encourage their careers. The collection on display at Am Römerholz includes works by Pierre-Auguste Renoir, Vincent Van Gogh, Edouard Manet, Paul Cezanne and Alfred Sisley amongst a selection of old masters such as Pieter Brughel the Elder.   Condition Report: Unexamined out of glazed frame. Some very light spots of staining scattered throughout.  Please note Dreweatts is not liable for damage to frames.  Condition Report Disclaimer

Art Reference - English & Modern Art.  7 illus. quarto monographs & exhibition catalogues.

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018) ZAHARA (SPAIN) oil on board, signed and dated '05 - titled and dated 14.09.05 verso but obscured by the backboardframed and under glassimage size 48cm x 39cm, overall size 66cm x 57cm Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi-abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely, especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In recent times we have offered a growing number of Sheila Macmillan's paintings with several achieving more than £1000. The current leading price is £1700 (hammer) for "Ronda, Spain", a 45 x 48cm oil on board (lot 510A, The Scottish Contemporary Art Auction 24th October 2021).

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), GORDES FROM THE SUNFLOWER FIELD oil on board, signed and dated '94, titled verso but obscured by the backboardframed and under glassimage size 37cm x 41cm, overall size 56cm x 60cm Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi-abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely, especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In recent times we have offered a growing number of Sheila Macmillan's paintings with several achieving more than £1000. The current leading price is £1700 (hammer) for "Ronda, Spain", a 45 x 48cm oil on board (lot 510A, The Scottish Contemporary Art Auction 24th October 2021).

Vinyl - Jazz over 50 LP's including modern jazz / art jazz / free jazz etc including rarities from Stanley Cowell (GXY 5131) Vg/Ex, Marion Brown (ECM 1004) Vg+/Vg+, Jim Hall (Horizon 16) Vg+ / Ex, Ken McIntyre Sextet, Dollar Brand, Mahavishnu Orchestra, Marilyn Moore, Paul Bley, Keith Jarrett and many others. Condition varies

Three modern Chinese panels painted gold to one side produced by the Quintessa Art Collection Ltd in 2006, 110cm h x 45cm wLocation: RWF

A BRASS HANGING 'WALPOLE' LANTERN BY CHARLES EDWARDS, MODERN 72cm high, 32cm wide, 32cm deep Condition Report: Sold as a decorative work of art only and not as a working electrical item, if wished to be used all would need to be rewired by a professional electrician prior to useThe gilt metal has dirt and discolourationOne pane of glass is cracked through the centre, this can be seen in the catalogue online image - this would need replacing if wished by the purchaser Please see additional images for visual reference to conditionCondition Report Disclaimer

A SET OF FIFTEEN MODERN MOUSTIERS FAIENCE BOTANICAL PLATES AFTER AN ORIGINAL SCEAUX FAIENCE DESIGNScript marks verso, 24.5cm diameterFour modern Portuguese (VA) plates decorated in blue and yellow in the 18th century manner, 27cm diameter; and four modern Quimper plates in the late 18th century revolutionary style, script marks, 23.5cm diameter See The Metropolitan Museum of Art, Accession no. 17.190.1923 for a version of the Sceaux original gifted by J. Pierpont Morgan similar to the lead items in this group.Condition Report: No serious damage noted. Slight wear to the Quimper plates.Condition Report Disclaimer

A PAIR OF BLUE AND WHITE PORCELAIN AND GILT METAL MOUNTED TABLE LAMPS LATE 19TH CENTURY AND LATER CONVERTED TO ELECTRICITY62cm high including fitments 83cm high including white pleated shades Condition Report: Unexamined out of the mounts, the ceramic elements appear intact, there are modern light fitting mounts to the tops but there is no cable - these are sold as decorative works of art only and would need to be wired and tested by a professional electrician prior to use in a domestic setting The gilt metal with dirt and discolouration, some pitting Please see additional images for visual reference to conditionCondition Report Disclaimer

Horn (Roni). 153 Drawings, 1st edition, Zurich: Hauser & Wirth and Xavier Hufkens, 2013, numerous colour illustrations, original cloth in dust jacket, large 4to, together with:Tuchman (Maurice, et al), Chaim Soutine (1893-1943), catalogue raisonné, 2 volumes, 1st edition, Köln: Taschen, 1993, numerous colour & monochrome illustrations, original cloth in dust jackets, some minor rubbing, large 8vo, plus other modern art reference, mostly original cloth, some paperbacks, G/VG, 8vo/folioQTY: (A carton)

Brown (Horatio F.). The Venetian Printing Press, an historical study based upon documents for the most part hitherto unpublished, London: John C. Mimo, 1891, monochrome examples & vignettes, some minor marginal toning, top edge gilt, contemporary green half morocco bound by Zaehnsdorf, spine lightly faded, some minor rubbing, 4to, limited edition 289/520, together with:Credazzi (Fabritio), Guida Della Monaca Religiosa..., 1st edition, Rome: Apprello Andrea Fei, 1622, engraved title page, 19th century endpapers, some toning & marks, 19th century gilt decorated full calf, boards & spine rubbed, hinges cracked, 4to, plusQuintana (Don Manuel José), Memoirs of Gonzalo Fernandez de Cordova, styled The Great Captain, translated by Joseph Russell, London: Edward Churton, 1851, some very minor toning, all edge gilt, modern half morocco, slightly rubbed, 8vo, and other 17th to early 20th century history, art, & ecclesiastical reference & literature, some leather bindings, some many original cloth, some odd and defective volumes, overall condition is generally good/very good, 8vo/folioQTY: (6 shelves)