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A modern "Windsor" wall clock, a modern quartz mantel anniversary clock with German movement, a quartz Bentima carriage clock and a quartz "Whitehall" glass Art Deco style mantel clock (4).

Two modern Art Deco style mantel timepieces, the largest approx height 30cm and two further Art Deco style figures of young ladies (4).

FOUR WORLD WAR II SERVICE MEDALS VIZ 1939-45 WAR MEDAL FRANCE AND GERMAN STAR, Italy Star and 1939-45 Star with ribbons and list in original postal box TOGETHER WITH TWO GERMAN SHEATH KNIVES, with buck-horn handles inscribed to George Tod 1953 and the sheath with inscription Coronation 1953 , 7th Armd Division Desert Rats, a WORLD WAR I TRENCH ART BRASS PAPER KNIFE with bullet handle , post card silk and VARIOUS MAINLY MODERN R.A.F. RELATED AND OTHER BADGES (32 pieces in total)

A Pilkington's Lancastrian vase designed by Walter Crane painted by William S. Mycock, dated 1911, shape 2469, painted with a frieze of lion Passant, above heart shaped foliage and Tudor rose motif in bronze lustre on red and green lustre, with modern wooden stand, impressed marks, painted artist ciphers and date code 13cm. high Provenance Bill Coles collection Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 9 plate III for a comparable example illustrated. A Catalogue of the Lancastrian Pottery at Manchester City Art Galleries, catalogue number 186 for a comparable piece. This design, also known as the Lion Bowl, painted by Richard Joyce was exhibited at the Franco British Exhibition in 1908.

•David Bradford (born 1945) Tug Douglas fir signed in white pen 33cm high, 51cm wide Provenance Modern British Art Woolley and Wallis, 26th November 2013 lot 127.

•Moira Huntley (born 1932) Village Near Colne, Lancashire, 1996 watercolour and gouache on paper, framed signed lower right, titled on original label to reverse 34 x 35.5cm. (image) Provenance Alresford Gallery, Leslie Gooday OBE Modern British Art, Woolley and Wallis, 26th November 2013, lot 15

A Royal Albert bone china Art-Deco style part afternoon tea set; a modern stoneware part coffee set; a part Japanese coffee set; and two horse ornaments.

PUNK/ALTERNATIVE - Great collection of 5 x original 7" singles. Titles are Modern Art - Dreams To Live w/ poster (COLORS 1 - Ex/VG+), Buzzcocks - Are Everything promo (BP 365 DJ - Ex), The Cure - Killing An Arab (SMALL ELEVEN - VG+/Generic), Cult Hero - I'm A Cult Hero (FICS 006 - Ex/Generic) and Back To Zero - Your Side Of Heaven (FICS 004).

A boxed limited edition Harmony Kingdom 'Ark' teapot and two modern art glass vases

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003), SLEEPING WOMAN & CAT (1973) oil and mixed media on board, signed 122cm x 163cm Framed Provenance: Acquired at The Piccadilly Gallery, Cork Street, London (label verso). Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thakeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said "Painting is love. Painting is an affectionate devotion". More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield, The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

* ROBERT COLQUHOUN (SCOTTISH 1914 - 1962), HOUSE FRONT, MARSEILLES, 1938 watercolour and ink on paper 24cm x 20cm Label verso: Fine Art Society, 148 New Bond Street, London, September 1985. Note: At the time of writing, The Scottish National Gallery of Modern Art is staging "The Two Roberts: Robert Colquhoun and Robert MacBryde" (22nd November 2014 - 24th May 2015), a major exhibition of the work of two extraordinary artists. The resurgence of interest in Colquhoun's work in paricular is highlighted by the £68.500 (premium) selling price of "Two Actors" (Christie's London, 20th Nov 2014 lot 116) a 63.5cm x 48.2cm oil on canvas.

GILLIAN HOOPER "Rural village scene", watercolour, signed lower right in pencil, together with two modern oils on canvas, an abstract print, four Art Nouveau prints entitled "Grand Theatre Nouveau" byPellerin et cie, and two Eastern prints

(BOOKS) Art Reference, including Hokusai Prints and Drawings by Matthi Forrer, An Introduction to the Study of Chinese Paintings by Arthur Waley, Atlas of Human Anatomy and Surgery, Taschen, and approximately 30 other similar art reference related, mostly modern publications

De Alberbi, abstract composition, metal and painted board, signed dated '69, 50cm x 100cm, Provenance: Single owner collection of modern art consigned from a local deceased estate

§ David Blackburn, 'Blue landscape with trees and water', pastel, signed and dated 1988, label verso, 40cm x 34cm, Provenance: Single owner collection of modern art consigned from a local deceased estate

B. A. Dummer, 'Man with the no Wife', signed, oil on paper, 25cm x 20cm, Provenance: Single owner collection of modern art consigned from a local deceased estate

Charles S. (Pic) Higgins (1893-1980) 'South of the Wall' horse and rider painted on rough cut of wood, signed, titled and dated 1947 verso, titled and dated 1947 verso, 29cm by 48cm Provenance: Single owner collection of modern art consigned from a local deceased estate

La Barbara, study of a tree, oil on canvas, signed dated '79, 48cm x 42cm, Provenance: Single owner collection of modern art consigned from a local deceased estate

David Blackburn, 'Sunlit Landscape with Bushes', pastel, signed and dated 1990, 40cm x 36cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Overall condition good no damage found

§ Raoul Dufy (1877-1953), Rideau de théâtre pour le ballet "Palm Beach", limited edition print, signed and dated 1933, 120/200, 48cm x 60cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Overall condition good no damage found

Lawrence Leifchild Toynbee, (1922-2002), 'The Bathers', monogrammed LLT and dated '71, oil on board, 91cm x 120cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Frame in poor order picture light surface scratches otherwise in good order no visible repairs front or verso

Salle Tomlinson, 20th century continental landscape, signed, oil on canvas, 56cm x 70cm, Provenance: Single owner collection of modern art consigned from a local deceased estate

Pair of pen and ink illustrations of two men fighting, unsigned 22cm x 20cm and 22cm x 17cm, framed as one, Provenance: Single owner collection of modern art consigned from a local deceased estate

§ Eiko Yoshimoto, 'Woman with Violin' signed, pastel, gallery label verso, 41cm x 29cm, Provenance: Single owner collection of modern art consigned from a local deceased estate

20th century sketch of a woman undressing, unsigned, oil on paper, 37cm x 22cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Has not been out of the frame condition appears good no visible damage

Donald Friend (1915- 1998), pen and ink sketch of a young lady, signed and dated '48, 37cm x 25cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Overall condition good no damage found

Donald Friend (1915- 1998) pen and ink sketch of a young girl, signed and dated '48, 37cm x 25cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Overall condition good no damage found

Donald Friend (1915- 1998) pen and ink sketch of a young boy, signed and dated '48, 37cm x 25cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Overall condition good no damage found

20th century Russian school oil on canvas of an archway signed and inscribed verso Bopnkha 59cm by 49cm Provenance: Single owner collection of modern art consigned from a local deceased estate

John Smith Willock (1887-1976), "Hostel", signed, artist's label inscribed on verso, oil on board, 34.5 x 34.5cm.; 13.5 x 13.5in. * Showed with Society of Modern Painters as a member, also at Manchester Academy of Fine Arts; New English Art Club; International Society of Sculptors, Painters and Gravers; Atkinson Gallery in Southport; Walker Art Gallery in Liverpool and Ferens Art Gallery, Hull. Manchester City Art Gallery has his work. Artists' Resale Right ("droit de suite") may apply to this lot.

Postcards - modern, travel, art, historical; qty (2boxes)

Thirty five volumes approx of good quality publications on modern art including works on Beckmann, Escher, Futurism, Klee, etc

Frank Reynolds (1876-1953) - Pen and wash - Cartoon from "Punch, March 1941" - "Oh God! They are going to give us the Ride of the Valkyries!". 9.75ins x 7ins, signed in full, in modern gilt moulded frame and glazed Note : Frank Reynolds was the Art Editor of Punch, inscribed in pencil to rear of frame and Cat. No. 165

* JAMES COWIE RSA LLD (SCOTTISH 1886 - 1956), ABSTRACT COMPOSITION, UNTITLED oil on board, signed 51cm x 61cm (20 x 24 inches) Framed Note: James Cowie was always fascinated by the way a reflective surface could create an illusion of reality and he constantly experimented with perspective. In this extremely rare example, Cowie has created a near abstract work. It is undated but was probably completed near the end of his career. This is an important work by one of Scotland's most individual and influentiual painters of the 20th century. Born in Aberdeenshire, Cowie studied at Glasgow School of Art and famously completed his Diploma course in a mere two years. He taught at Bellshill Academy, near Glasgow 1915 - 1935 and later became Warden at Hospitalfield House, Arbroath. His style of painting was precise and linear. Cowie was an admirer of Poussin and the Pre-Raphaelite painters and believed in the classical values of self-restraint and objectivity. He had a meticulous way of working and believed that art was a product of thought and reason. His pupils included Robert Colquhoun, Robert MacBryde and Joan Eardley. Thirty-two of James Cowie's paintings are held in Public Collections including at The Tate, The Hunterian, Glasgow Museums & Art Galleries, The Fleming Collection, The National Galleries of Scotland, Edinburgh City Council, the Royal Scottish Academy, Dundee Art Galleries & Museums, Angus Council, Perth and Kinross Council, Aberdeen Art Galleries & Museums, University of Edinburgh, University of Aberdeen, City of Edinburgh Council and The Scottish National Gallery of Modern Art. Private Edinburgh collection.

THE MAGAZINE OF ART, nine vols, 1882 - 1902; various copies of The Art Journal; MEYNELL (W), THE MODERN SCHOOL OF ART, 4 vols; THORWALDSEN (B), THE ENTRANCE OF ALEXANDER THE GREAT TO BABYLON; Dante's Inferno & Purgatory and Paradise, illustrated by Dore; and other illustrated books and bindings (three shelves)

Roman Gold and Lapis Lazuli Bead Necklace 1st millennium BC and later. A restrung necklace of barrel-shaped lapis lazuli beads with gold globular and tubular spacers, central gold tubular bead with volute scrolls; modern clasp. 10 grams, 43cm (17"). Acquired on the UK art market before 1980. Very fine condition.

Roman Glass Bead Necklace with Gold and Garnet Pendant 2nd-3rd century AD. A restrung necklace of black glass beads with gold conical pendant decorated with granulation and three mounted garnets and loops; modern hook-and-eye closure. 11 grams, 42cm (16 1/2"). UK art market, acquired prior to 1980. Very fine condition.

Roman Green Glass Bead Necklace 1st-3rd century AD. A designer necklace of collared oval and melon-shaped greenish glass beads; modern clasp. 121 grams, 50cm (19 3/4"). Acquired on the UK art market before 1980. Fine condition.

Viking Varangian Silver Bracelet 9th-11th century AD. A bracelet formed from a round-section bar with butted ends. 34 grams, 64mm (2 1/2"). From an old Munich collection; acquired on the German art market before 2000. Cf. similar plain silver bracelets in the Rijnieki hoard ( Latvia) in Hårdh, B. Silver in the Viking Age. A Regional-Economic Study, Acta Archaeologica Lundensia, no.25, Stockholm, 1996, fig.32. Varangians or Varyags (Old Norse: Væringjar; Greek: ????????, ????????, Varangoi, Variagoi) is the name used by Greeks and East Slavs to Scandinavian and Baltic peoples who created the medieval state of Rus' in eastern Europe in the 9th century. Young men from among them formed the Byzantine Varangian Guard who protected the emperor. They formed an important link in the trade network connecting Byzantium with the Baltic and modern Russia. Very fine condition.

Western Asiatic Bronze Chariot Hunter Mid 3rd millennium BC. A diorama on a rectangular framework base comprising: two stationary horses with halters attached to a round-section balustered yoke; a two-wheeled hunting chariot with stepped axle-tree and linch-pins to the solid wheels; a kilted hunter standing bare-chested and bearded holding the reins (part absent), with a slaughtered animal across the frame before him, game-bag behind to his left and quiver with arrows to his right; to the rear, a small hunting dog riding on the chariot's beam. 692 grams, 18.5cm (7 1/4"). Ex Auction FR, Paris, 17 December 2008, Lot 83; formerly in an important North London collection formed before 1980. See Frankfort, H. The Art and Architecture of the Ancient Orient, Middlesex, 1954. The horse was first domesticated on the Eurasian steppe, its original habitat, perhaps as early as the 4th millennium BC; it may have been bred as a food source initially, but its use as a traction animal had begun by the beginning of the 2nd millennium BC, replacing the ox for this purpose. Wheeled vehicles had already appeared in the 3rd millennium BC, but the spoked wheel is not evidenced until the late 2nd millennium BC. The earliest known physical remains of chariots are in the chariot burials of the Andronovo Culture, an Indo-Iranian population in the area of modern Russia and Kazakhstan dating to around 2000 BC. The combination of multiple horses and light-framed two-wheeled vehicles offered the possibility of travel at speed, both for war and for hunting. Chariot warfare originated with the Hittites, with the invention of spoked wheels around 1900 BC. Depictions of hunting in a chariot appear in Egypt after the vehicle's introduction by the Hyksos in the 16th century BC, notably at Abu Simbel where the Battle of Kadesh fought in 1274 BC is represented, showing Ramses II fighting from a chariot with two archers accompanying him. See similar example made from gold that forms part of the Oxus Treasure now in the British museum. Very fine condition. Very rare. Accompanied by an Art Loss Register certificate.

Western Asiatic Lapis Lazuli Bead Necklace 1st millennium AD and later. A restrung necklace of polyhedral lapis lazuli beads with small modern oblate metallic beads between; modern clasp. 63 grams, 49.5cm (19 1/2"). UK art market, acquired prior to 1980. [No Reserve] Fine condition.

Western Asiatic Mammoth Bone Bead Necklace 1st millennium BC. A necklace of oblate mammoth bone beads; modern clasp. 202 grams, 66cm (26"). Acquired on the UK art market before 1980. Very fine condition.

Honor‚ Daumier, French (1808-1879) Oil on Canvas "Nature Morte (Symoles de la Justice)" Initialed h.D. Lower Right. Labels on Stretcher En Verso "Museum Of Modern Art Eighth Loan Exhibition No. 65"," Tentoonstelling, Het Stilleven, Amsterdam" "Gustave ?.auer". Provenance: Matthiesen, Art Dealer, Berlin by 1927, Eduard Fuchs, Berlin, Lent to Matthiesen Exhibition 1927, Lent to MOMA Exhibition 1930: Private Miami Collection from ? To Present. Catalogs from Both The MOMA Exhibition and Het Stilleven Accompany This Lot. Very Good Condition. Measures 15 Inches by 18 Inches, Frame Measures 19-3/4 Inches by 23-1/4 Inches. Shipping $125.00

Four old art books. Leather bound edition of Great English Portrait Painters of the 18th Century plus Engraving and two editions of Modern Masters of Etching. (4)

A modern blue and white Japanese Kimono jacket, with black and gold wave design, and graff art figure verso

A collection of vintage and modern wristwatches, including a children’s Hopalong Cassidy wristwatch, a Lord Wellington example, several Art Deco style wristwatches and others (parcel)

Twenty Jazz EPs. Includes the rare ANNIE ROSS "Nocturne For Vocalist"; two ART BLAKEY "A Night In Tunisia" & "I Remember Clifford Brown"; MILES DAVIS "Blue Miles" (Esquire label); OSCAR PETERSON TRIO "A Portrait Of Frank Sinatra"; JIMMY GUIFFRE "Sounds Of Jazz". Also: BILLIE HOLIDAY; HORACE SILVER; MODERN JAZZ QUARTET; ARTIE SHAW; DUKE ELLINGTON; CANNONBALL ADDERLEY etc.

A pair of brass chestnut roasters with steel handles; a pair of elm bellows; a trench art brass jug; a terracotta ware two-handled vase; various modern ware ornaments; and sundries.

Judy Buxton, British b.1961- "Winter Cove"; oil on board, signed, titled and dated 2006 on the reverse of the frame, 15x60cm (may be subject to Droit de Suite) Provenance: with Gray Modern & Contemporary Art, according to label attached to the reverse of the frame

Asger Jorn, Danish 1914-1973- "De Vitaliteit in de Kunst" a proof for the exhibition poster De Vitaliteit in de Kunst, February 6, 1960- March 13, 1960, Louisiana Museum of Modern Art, Humlebaek; lithograph printed in colours, signed and dated 1959 within the plate, 100x70cm, (may be subject to Droit de Suite) Provenance: with Molton Gallery, London, according to label attached to the reverse Note: see Stedelijk Museum, Amsterdam, object number: 1959_44, for example of a similar print CONDITION REPORT: Framed and glazed in gold finish frame Frame has marks and scratches throughout Two labels on reverse of frame Top of frame is slightly loose , bears label on reverse Printed on what appears to be thin poster paper however the paper has not been taken out of the frame and inspected Creasing throughout print, with a loss to paper in top left grey printed form, exposing backing board

A modern Art Deco style 9ct synthetic emerald and cubic zirconia dress ring, the rectangular step cut synthetic emerald within a border of twenty two brilliant cut cubic zirconias, claw set to knife edged shoulders, ring size O.

Modern brass standard lamp and art nouveau style lamp. Condition report: see terms and conditions

Modern Art A Diptych, Cellular Forms in Blue acrylic on canvas, 100cm x 56cm; Modern Art Three Glass Panels, Geometric Shapes, in Purple, Red and Green acrylic on canvas, 100cm x 30cm; Modern Art, Three Glass Panels, Geometric Shapes, in Purple, Red and Green, acrylic on canvas, 100cm x 30cm; Modern Art, A Diptych, Cellular Forms in Blue, acrylic on canvas, 153cm x 40cm; Modern Art, Heliozoic flare, Membranes in Red and Yellow, acrylic on canvas, 175cm x 175cm; Modern Art, A Diptych, Cellular Shapes, in Pink, Red and Orange, acrylic on canvas, 100cm x 61cm (5)

A PAIR OF ART DECO STYLE MIRROR GLASS TABLE LAMPS, TWO AND A PAIR OF OTHER POTTERY OR BRASS TABLE LAMPS AND A MODERN FLOOR STANDING TWIN REEDING LAMP

MODERN ART NOUVEAU-STYLE SILVER FRONTED PHOTOFRAME, with cherub design, London 1988, 8 ½" (21.5cm) high

MODERN ELECTROPLATED ART NOUVEAU STYLE TWO HANDLED BOMBE SHAPED CENTRE PIECE, raised on four scroll supports, 13 ½" (34.2cm) wide, AN ELECTROPLATED RECTANGULAR GALLERY TRAY, gadroon border with chased centre, 18 ½" (47cm) wide, TWO OVAL ELECTROPLATED TRAY, AN OVAL ELECTROPLATE HORS D'OEUVRES TRAY, WITH GLASS LINERS

Modern Art Glass bowl, indistinctly signed together with a similar vase CONDITION REPORT No chips. some very, very slight marks/scratches

Group of three modern reproduction Art Nouveau style table lamps with coloured glass shades together with a 1930's etched glass light bowl

Moorcroft Pottery - a modern rectangular plaque decorated in a floral design, framed foe Moorcroft by the Art Studio, frame size 25 cm x 15 cm - Est £90 - £130

20th-21st century AD. A mixed group of exhibition catalogues and magazines on artistic themes including Imagines Imperatorum, Sotheby's African, Oceanic and Pre-Columbian Art catalogue (1), Christie's Watercolours, Drawings and Prints catalogue (1), Sotheby's Martin Bell catalogue (1), Sotheby's Preview (1), Sun Asian Stamps and Philatelic History catalogue (1), Bloomsbury Erotica catalogue (1), Bloomsbury Coins, Medals, Banknotes and Tribal Art (1), Bloomsbury Bibliophile (1), Numisart Antike Kunstobjekte (1), Bonhams Chines Art (1), Bonhams Medals, Banknotes and Coins (1), Spink Derek Clifford Lacquer collection catalogue (1), Spink Insider magazine (1), Sotheby's Irish Art catalogue (1), Financial History Magazine (1), Royal Academy of Arts magazine (2), Tate magazine (1), Anthony Frost catalogue (1), Art Quarterly magazine (1), Alain Bertrand catalogue (1), Apollo magazine (3), Celator magazine (2), Millner Manolatos catalogue (2), Alan Davie catalogue (1), E&R Cyzer Modern Masters catalogue (1), Danish Journal Hans Christian Anderson catalogue signed by the actor Tommy Steel, 1993 (1"). 11.9 kg Ex Steinberg collection; acquired London art market, 1960s-1970s. [32, No Reserve] Mainly fine condition.