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William COOPER (1923-2011)South Coast TrawlerOil on boardSignedInscribed to verso15 x 20cm&Blue Moon FishingOil on boardSignedInscribed to verso9 x 12cm(2)The Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale. Condition report: These are both in good condition

Fayetta VARNEY (1922-1974)On the Way to St IvesOil on canvasSigned and dated '51Inscribed to verso40 x 50cmThe Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

Four prints from the 1975 'Portfolio of Prints by British Artists - Published by The United Kingdom National Committee of the International Association of Art'. Each signed and numbered 30/75. Paper size 68 x 47.5cm.Including Gertrude Hermes, Harvey Daniels, Blair Hughes Stanton, Robert Medley. (4)The Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale. Condition report: Blair Hughes Stanton - There are one or two minor spots of foxing to the image with more significant foxing to the margins of the paper, predominantly to the left-hand side. Please see images. Gertrude Hermes - peripheral foxing and minor creasing predominantly to the right-hand side of the paper, the image is unaffected Harvey Daniels - some very minor peripheral foxing, difficult to see with the naked eye Robert Medley - a little minor foxing, difficult to see with the naked eye

Edward H. ROGERS (1911-1994)Abstract DesignGouacheSigned and dated 194816 x 24cmThe Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.The Personal Collection of Jonathan Grimble Part II (Lots 501 to 625)Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

Edward H. ROGERS (1911-1994)Abstract DesignGouacheSigned and dated '68Signed, inscribed to verso14.5 x 22.5cmThe Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

Sylvia HARDAKER for Leach St Ives Pottery, a tenmoko glazed vase with twin lug handles, height 14.5cm; together with a tenmoko glazed jug and an ash glazed jug by the same, each with impressed potters and pottery seal (3)The Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

CHADWELL SMITH (19th Century)At Rye HarbourOil on boardSigned and dated 189230 x 40cmThe Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

Julian DYSON (1936-2003)Sea BirdBronzed resinHeight 54cmThe Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

An archive of photographs relating the art collection of Margaret Gardiner. Margaret Gardiner's superb art collection was donated by Gardiner in 1979 to the Island of Orkney, and became the basis for the Pier Gallery Collection on Stromness. The photographs in this archive are prints made from negatives held by the Courtauld Institute of Art. Many have been annotated for publication and it is likely that these photographs were the images used in the 1978 catalogue "The Pier Gallery, Stromness, Orkney" by Lucy Havelock-Allan and published by The Pier Arts Centre Trust.Containing approximately 80+ large format black and white photographs of individual works held in the collection, works by Roger Hilton, Barabara Hepworth, Ben Nicholson,Terry Frost, Margaret Mellis, Alfred wallis etc. Also some colour photographs of Ben Nicholson's 'Fireworks' and 13 colour tranparencies of works by Wallis, Nicholson and Hepworth etc. Six black and white photographs of the Pier Arts Centre including three copies of an Edwardian image of ladies and a gentleman in a rowing boat in front of the building in 1907, also a small number of modern colour images of the site.Together with approximately 40 black & white photograph showing interior and exterior shots of a Pier Gallery Collection exhibition held at the Tate gallery in London. And also 14 small colour photographs of Margaret Gardiner's own paintings and a framed certificate of appreciation to Margaret Gardiner from the Orkney Islands Council dated April 1994.The Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

Edward H. ROGERS (1911-1994)Abstract ShapesPaper collage, two worksEach signed and dated 1963Further signed, inscribed to verso32 x 22cm and 31.5 x 23cm The Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

Marjorie MORT (1906-1989)Loading the TrolleyOil on boardSignedInscribed to verso25 x 30cmThe Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

John BEDDING (1947) A raku vase raised on four feet, height 31cm.The Personal Collection of Jonathan Grimble Part IIJonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art. After the huge success of the first sale, held in situ, in Jonathan's stylish seafront home overlooking Mounts Bay, we now have the pleasure of selling Part II, which will be sold in our auction rooms as part of our February Cornish & Fine Art sale.

Two Museum of Modern Art gilt brooches, a lapis lazuli and white metal necklace, a malachite bangle, two enamelled bangles and other costume jewellery

A pair of mahogany and inlaid Sheraton style bedside tables with single drawers, modern mahogany wine table, magazine table, a Gordon Russell beech kitchen table on square tapered legs bearing label to underside inscribed "Gordon Russell Limited, Broadway, Worcs", mahogany folding table, Union Jack occasional table with drawer and Union Jack box, ash occasional table, oak two tier occasional table and Art Deco style oak two tier occasional table

§ SIR WILLIAM MACTAGGART P.R.S.A., R.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) PORT LOGAN Signed lower left, charcoal and black ink on buff paper(27.25cm x 39cm (10.75in x 15.25in))Provenance: From the collection of the late Dr Angus Gibson, to be sold to support the University of Edinburgh Art CollectionFootnote: Exhibited: Scottish National Gallery of Modern Art, Edinburgh, William MacTaggart 1903-1981,14 February - 10 Mat 1998, cat.no.43

A box of assorted women's modern & vintage shoes, in varying styles & colours. To include: Next, F&F, Pied A Terre, Rainbow Club, Ferragamo and Art Nouvean.

A box of books to include a mid 19th century family bible, old dictionaries, Modern Masterpieces of British Art and Brand of a Legend by Bob Edgar & Jack Turnell.

A Collection of Figural and Modern Art Ceramic Ornaments Together with a Royal Doulton Spring Time Foal

Set of eight mahogany dining chairs, modern Art Deco style, scrolled backs, splayed legs, red sculpted upholstery, including two elbow chairs and six single chairs.

KATE BUSH/ PETER GABRIEL/ ALTERED IMAGES - 7" COLLECTION. Smashing collection of 39 7" singles by legends of the art-rock/ post-punk world. Artists/ titles include Kate Bush (x15) inc The Big Sky (picture disc), On Stage, This Womans Work (picture disc), There Goes A Tenner, Wow, The Dreaming, James And The Cold Gun, Sat In Your Lap, Breathing, Army Dreamers, The Man With The Child In His Eyes,, Hammer Horror, Cloudbusting, Running Up That Hill. Peter Gabriel (x10) inc I Have The Touch, Games Without Frontiers, DIY, No Self Control, Lead A Normal Life, S/T (x2), Modern Love. Altered Images (x14) inc I Could Be Happy (x3) inc (075P-182, Japanese), Change Of Heart, Song Sung Blue, Happy Birthday, Don't Talk To Me About Love, I Could Be Happy, Dead Pop Stars, A Days Wait. Condition is generally VG+ to Ex+.

HOUSE RECORDS NEW/REISSUE 12''. A varied collection of both classic reissue and more modern contemporary House records. Artists, labels and titles are Peven Everett - Stuck (12'', Soul Heaven Records, SHR001), Marcellus Pitman - Come See (Unirhythm, AR-13354, 12''). Other artists and labels include Jitwam, The Jazz Diaries, Heavenly Recording, Flowered Up, Gudu Records, Peggy Gou, A Certain Ratio, Matthieu Faubourg, DJ Negroni, Joaquin Joe Claussell, Sacred Rhythm Music, Kenny Larkin, Art Of Dance Records, Guidance Recordings, Hipbone Records, Tweekin Records, RZ09 Records, Jedi Knights, As One, Sonar Kollektiv, Yoruba Records, Rich Medina, Pepe Bradock, Recloose, Skylax Records, Caroline K, Angel A, LDF Recordings, Skymark and Louie Vega. All records appear to be in excellent condition.

MODERN ART DECO STYLE MANTEL CLOCK

MODERN METAL CASED MANTEL CLOCK IN THE ART NOUVEAU STYLE WITH QUARTZ MOVEMENT

THREE BOXES OF CERAMICS, LAMPS AND SUNDRY ITEMS, to include a Royal Doulton Mr Toadflax DBH10, a Beswick Goody Tiptoes, Royal Albert Timmy Tiptoes and Hunca Munca Sweeping figures, Border Fine Arts Mrs Rabbit and Mrs Apple resin figures, a Caithness glass perfume bottle, a boxed Habitat fondue set, a set of Cloverleaf herb jars and tureens, two copper candlesticks, a modern art glass vase height 41cm, an aneroid barometer, a vintage cased razor, two table lamps etc (sd) (3 BOXES)

A George V Art Nouveau silver spoon, D & M Davis, Birmingham, 1911, 18.2cm, together with a modern silver mounted wine coaster and a silver napkin ring.

A large collection of art reference books and auction catalogues principally covering modern art, design, jewellery, fashion etc

A large collection of Modern Art limited edition prints from the estate of Bill Jordan (The Jordan Gallery) to include works by Michael Fell, Alan Cox, Andrew Holmes etc.

SCULPTURE FROM ANTIQUITY TO THE PRESENT- TASCHEN (4 VOLS) Comprising: The Great Art of Antiquity from the Eight Century BC to the Fifth Century AD The Great Art of the Middle Ages from the Fifth Century to the Fifteenth Century The Great Tradition of Sculpture from the Fifteenth Century to the Eighteenth Century The Adventure of Modern Sculpture in the nineteenth and Twentieth Centuries 35cm high x 26cm Condition: Very little signs of use - in very good condition

Two pairs of decorative candlesticks, comprising a pair of Art Nouveau spelter figural candlesticks, in the form of medieval knights, a/f, repairs to both knight's raised hand, 38cm high, together with a large pair of modern bronze candlesticks, with barley twist columns, 45cm high. (4)

A Masriera 18ct Gold Enamel Plique a Jour Diamond and Pearl Set Brooch or Pendant at Will, Modern, in the "Art Nouveau" manner, the stylised seated female in pale green enamel draped dress holding and suspending a pearl within blue and green plique a jour wings, bordered by forty-four brilliant cut diamonds, 90mm x 50mm overall, on heavy 530mm 18ct gold chain for same, marked to reverse "Masriera", No. E-4580-C, contained in burgundy silk box retailed by Masriera and with numbered certificate and photograph for same Provenance: The Canterbury Auction Galleries, auction date 14/4/2015

Barbara and Michael Hawkins - Port Isaac Pottery, Cornwall, a late 20th century studio art stoneware pedestal bowl with flared rims and polychrome decoration of fruit, potters mark on the base, D24.5cm (small chip to the underside of the rim) plus a Carlton ware mushroom glaze dish with gilding and a large modern glass bowl with a black and green marble effect finish

A modern Art Deco designed three panel folding room screen

Designer seesaw. Germany, 1960s-70s.Wood, chromed metal, hessian and leather.Measurements: 100 x 58 x 90 cm.Rocker with a design clearly belonging to the German Bauhaus school of design with the structure made of black lacquered wood and chromed metal in curved shapes. The cover is made of hessian covered in black leather. The Bauhaus School of Crafts and Design, or Staatliche Bauhaus, is one of the milestones of modern art. It touched on the various artistic fields, although it was architecture that was most influential. Fine art and craftsmanship had the same value within industrial production. Its meaning is "House of construction" and from it came some of the most interesting ideas and proposals of the early 20th century. It was not only a school, it also became a whole artistic movement.

AGAPIT VALLMITJANA I ABARCA (Barcelona, 1850 - 1915)."Lion Hunter or The African", ha. 1882-1883.Terracotta.Signed.Size: 63 x 45 x 40 cm.Smaller version of the work "The Lion Hunter" made by Agapit Vallmitjana in 1883, currently located in the Parc de la Ciutadella in Barcelona. Other examples of terracotta are kept in collections such as the National Art Museum of Catalonia. On 21 September 1883, Agapit Vallmitjana's sculpture "The Lion Hunter" (also known as "The African") was installed in the Parc de la Ciutadella. Made of marble and commissioned by the City Council, in 1884 the sculpture won a medal at the National Exhibition of Fine Arts in Madrid. Vallmitjana specialised in making sculptures representing animals, such as the lions on the main staircase of the Palace of the Generalitat of Catalonia and those on the monument to Columbus in Barcelona.The son of the sculptor Venanci Vallmitjana i Barbany, who was also a disciple of his at the Llotja School in Barcelona, Agapit Vallmitjana began his activity in 1883 when he opened a workshop with his father, where he also exhibited his works. He later combined his artistic activity with teaching, which he did from 1902 at La Llotja. He was known above all for his work in the animalistic genre, having produced numerous sculptural groups featuring wild animals, especially lions. He made a name for himself at the National Exhibitions of Fine Arts, being awarded third and second class medals in the 1884 and 1908 editions. He is currently represented in the National Art Museum of Catalonia, the Museum of Modern Art in Madrid, the Diocesan Museum of Barcelona and the Palace of the Generalitat de Catalunya, and has public monuments in Barcelona, Madrid and Valencia.

CHARLES EAMES (U.S., 1907 - 1978) & RAY EAMES (U.S., 1912 - 1988)."Lounge Chair & Ottoman", 1956 design.Edition from the 1970s-80s. Herman Miller EditionRosewood frame with black leather upholstery.Publisher's label on the seat.Measures: 83 x 80 x 80 cm.The "Lounge" armchair and footrest set, made of molded wood with leather upholstery, was designed by Charles and Ray Eames. An icon of 20th century design, this furniture is part of important collections such as that of the MoMA in New York. Vitra has manufactured the Charles and Ray Eames Lounge Chair using the same manufacturing methods since the 1950s.Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become 20th century classics. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

1996 Bugatti EB110 GT CoupéChassis no. ZA9AB01E0PCD39050Engine no. 00050• Livrée neuve en Autriche• Seulement trois propriétaires • Entretien complet en 2013• Environ 10 200 kilomètres d'origine• Delivered new to Austria• Only three owners from new• Fully serviced in 2013• Circa 10,200 kilometres from newFootnotes:Une des 95 EB110 GT de série Bugatti EB110 GT coupé 1996Châssis n° ZA9AB01E0PCD39050Moteur n° 0050Quarante ans après la mort d'Ettore Bugatti en 1947, la marque moribonde autrefois légendaire, l'une des plus célèbres de l'histoire de l'automobile, fut rachetée par l'ambitieux homme d'affaire italien Romano Artioli, dont le but était ni plus ni moins que de ressusciter Bugatti sous la forme d'une supercar dernier cri. Artioli choisit Modène, la ville de Ferrari, Lamborghini et Maserati pour construire son usine moderne dont la première voiture de série sortit en 1992. Baptisée EB 110 (pour ses débuts 110 ans après la naissance d'Ettore) la première nouvelle Bugatti depuis 1950 était une surpercar moderne à moteur central, accueillie comme la digne héritière de ses formidables devancières. La Bugatti EB 110 avait été conçu par nuls autres que l'ingénieur Paolo Stanzani et le styliste Marcello Gandini, co-créateurs de l'exotique Lamborghini Countach à laquelle l'EB 110 ressemblait fortement par son porte-à-faux avant court, sa carrosserie en coin et ses portes en élytre. Sous la carrosserie, on trouvait aussi quelques ressemblances, le moteur V12 à course courte avec la boîte de vitesse monté devant, déjà vu sur la Countach. Si l'EB 110 s'en était tenu à cela, elle aurait déjà constitué un assez remarquable départ pour un nouveau constructeur, mais à ses caractéristiques déjà exceptionnelles, elle ajoutait cinq soupapes par cylindre, quatre turbos, une boîte à six rapports spécifique et quatre roues motrices ! Malgré sa complexité, l'EB 110 marchait bien sur la route, ses dimensions compactes combinées aux quatre roues motrices lui conférant une agilité exceptionnelle, une excellente adhérence et un bon équilibre en toutes circonstances. Le V12 3,5 litres développait 561 ch, pour une vitesse de pointe de 340 km/h, un chiffre enregistré sur la piste d'essai de Nardo en Italie qui mettait l'EB 110 à égalité avec l'autre « voiture la plus rapide du monde », la Jaguar XJ220. Il existait aussi une version de compétition allégée, l'EB 110 SS qui fit ses débuts au Salon de Genève en 1992, six mois après le lancement de l'EB110 GT. Pour la Super Sport, Bugatti portait la puissance encore plus haut. Les chiffres publiés variaient, mais tous avaient en commun d'excéder les 600 ch. Ce surcroît de puissance avait été obtenu en installant un nouveau système de gestion électronique et de plus gros injecteurs, ainsi qu'un échappement plus libre. Le pois total avait été réduit de 202 kg en remplaçant quelques panneaux d'aluminium par des éléments en carbone Kevlar et en adoptant des jantes en magnésium BBS. Pour la Super Sport, Bugatti revendiquait un 0 à 60 miles à l'heure (0 à 97 km/h) en 3,14 secondes et une vitesse maximale de 355 km/h, des chiffres époustouflants encore aujourd'hui. Alors qu'invariablement les journalistes mettaient l'accent sur ses prodigieuses performances à l'exclusion de pratiquement tout le reste, excepté peut-être son prix (380 000 $ pour la version SS) l'EB110 était néanmoins une voiture bien construite possédant un intérieur spacieux et bien équipé.Malheureusement pour Artioli et ses collaborateurs, l'EB 110 avait été lancée juste au moment de la récession du début des années 1990 et la société fut mise en liquidation en 1994. En plus de cinq prototypes de pré-production en aluminium et huit à châssis en matériau composite, on estime (selon les sources) que seulement 125 de ces voitures exotiques furent construites (95 GT et 30 SS), le pilote de Formule 1 Michael Schumacher et son altesse royale le sultan de Brunei étant probablement les plus connus de ses propriétaires.Cette EB110 GT a été livrée neuve le 4 avril 1996 via Bruno de Cillia à Villach Landskron, près de Vienne, le concessionnaire Bugatti autrichien. Le premier propriétaire était un certain M. Schmidt, qui a conservé la voiture pendant dix années. Lorsque le second propriétaire a acheté la Bugatti, elle n'avait couvert que 1 000 kilomètres. En mai 2013, à 8 932 kilomètres, la Bugatti a été entièrement entretenu chez Bentley, à Vienne, dont la facture détaillée de 14 262 € figure au dossier. La voiture a été achetée par son actuel propriétaire (le troisième) en 2017 et n'a parcouru que 10 200 kilomètres en tout, dont un voyage à la célébration internationale Bugatti au Portugal en 2018.Équipée de deux pneus neufs, de sa housse et de sa valise d'origine, la voiture est vendue avec ses papiers d'immatriculation Autrichien originaux, diverses factures, un papier d'immatriculation portugais et un contrôle technique portugais.Bleue avec intérieur gris, 050 se présente en excellent état général et représente une rare opportunité de posséder et d'apprécier une des supercars emblématiques des années 1990, dont peu de voiture peuvent égaler les performances encore aujourd'hui. Il ne faut pas laisser passer cette chance, le marché de ces voitures de collection rares est particulièrement dynamique en ce moment. One of only 95 production EB110 GTs1996 Bugatti EB110 GT CoupéChassis no. ZA9AB01E0PCD39050Engine no. 0050Forty years after Ettore Bugatti's death in 1947, the once legendary but moribund marque, one of the most renowned in automotive history, was acquired by ambitious Italian businessman Romano Artioli, whose aim was nothing less than a resurrection of Bugatti in the form of a state-of-the-art supercar. Artioli chose Modena, home to Ferrari, Lamborghini and Maserati, as the place to build his modern factory from which the first completed production car rolled out in 1992. Designated 'EB110' (signifying its debut 110 years after Ettore's birth) the first new Bugatti since the 1950s was an advanced mid-engined supercar acclaimed as worthy successor to its formidable antecedents. The Bugatti EB110 GT was designed by none other than engineer Paolo Stanzani and stylist Marcello Gandini, co-creators of the exotic Lamborghini Countach supercar to which the EB110, with its short nose, wedge-shaped body and gull-wing doors, bore a strong resemblance. Beneath the skin there were similarities too, the short-stroke V12 engine with forward mounted gearbox having been pioneered on the Countach. Had the EB110 stopped there it would have constituted a remarkable enough debut for a fledgling manufacturer, but to the already outstanding specification Stanzani added five valves per cylinder, four turbo-chargers, a bespoke six-speed gearbox and four-wheel drive! Despite the complexity, the EB110 worked well on the road, its compact dimensions combined with four-wheel drive making for exceptional agility, with excellent grip and balance no matter what the conditions. The 3.5-litre V12 developed 561bhp, ... For further information on this lot please visit Bonhams.com

A PIECE OF MODERN WALL ART IN THE FORM OF A LARGE BOTTLE OPENER

A MODERN SWIVEL LEATHER OFFICE CHARI LABELLED ART FORMA (FURNITURE FOR THE FUTURE), GAINSBOROUGH MODEL

A MODERN ART NOUVEAU STYLE OAK BEDSIDE TABLE WITH DRAWERS

A modern art glass dish or centrepiece, of shaped design, with clear and brown detailing, 35cm wide.

8 French works on Greece and art in 13 volumes, comprising Saint-Sauveur, André Grasset Voyage historique, littéraire et pittorespe dans les isles et possession ci-devant Vénitiennes du Levant. Paris: Taverner, an VIII [1798-99], 3 volumes, 8vo, contemporary calf, some spotting, rubbed, one spine crudely repaired; Chandler, Richard Voyages dans l'Asie Mineure et en Grèce. Paris: A. Bertrand, Buisson, 1806, 3 volumes, 8vo, 2 folding maps & 1 folding plan, contemporary calf gilt; Volney, C.F. Considerations sur la Guerre Actuelle des Turcs. "Londres", 1788. 8vo, engraved title & folding map, contemporary quarter calf, spine gilt; Salaberry, Charles Marie d'Irumberry, comte de Voyage a Constantinople, en Italie, et aux îles de l'Archipel. Paris: Crapelet, Maradan, [n.d.]. 8vo, contemporary quarter calf, vellum corners, lacks front free endpaper; Bory de St. Vincent, J.B. Histoire de la Grèce. Descriptions des Iles Ioniennes. Paris: Dondet-Dupré, 1823. 8vo, 1 lithographed portrait frontispiece, contemporary quarter morocco, slightly spotted, lightly rubbed; Volney, C.F. Les ruines, ou méditation sur les Révolutions des Empires. Paris: Courcier, 1817. 5th edition, frontispiece and 2 folding plates, contemporary tree calf, rubbed; Millin, A.L. Les Beaux-Arts en Angleterre. Paris: F. Buisson, 1807. 2 volumes, contemporary pink boards, lettering pieces, slightly rubbed ; Quatremere de Quincy Considérations morales sur la destination des ouvrages de l'art. Paris: Crapelet, 1815. 8vo, modern quarter calf (13)Footnote: Provenance: From the Library of the Late William St Clair

Classical Art, Architecture and Archaeology including Flaxman, John Lectures on Sculpture. London: John Murray, 1829. First edition, 8vo, portrait and 51 plates as usually found (plate 18 never engraved), original cloth; Michaelis, Adolf Der Parthenon. Leipzig: Breitkopf und Härtel, 1870. 2 volumes (text and atlas), 8vo and folio, 15 double-page plates, atlas volume in original boards, text volume in contemporary half calf with upper cover detached; Schöll, Adolf Archaeologische Mittheilungen aus Griechenland... Frankfurt, 1843. Large 8vo, first book only, 7 plates, contemporary boards with later paper spine, foxing; Rous, Francis Archaeologiae Atticae Libri Septem. London: Richard Denis, 1685. Ninth edition, 8vo, later wrappers, a few marginal tears slightly affecting text; Leigh, Peter The Music of the Eye, or Essays on the Principles of the Beauty and Perfection of Architecture... London: William Walker, 1831. 8vo. red cloth; Taylor, John Marmor Sandvicense. Cambridge, 1743. Small 4to, two folding plates and two folding tables, modern half calf, previous owner's name cut from title, some foxing; and 7 others (14)Footnote: Provenance: From the Library of the Late William St Clair

Studio, The An Illustrated Magazine of Fine and Applied Art Volumes 4-50, and Masters of English Landscape Painting, (The Studio) 1903, and Modern Etching and Engraving, (The Studio) 1902, 4to, plates, all uniform contemporary dark green half calf, slightly rubbed (48)

Works by female writers 17th-19th Century Behn, Aphra All the Histories and Novels written by the Late Ingenious Mrs Behn... London: R. Wellington, 1705. Fifth edition, 8vo, advertisement leaves, contemporary calf neatly rebacked; Williams, Helen Maria Sketches of the State of Manners and Opinions in the French Republic... London: G.G. and J. Robinson, 1801. 2 volumes, 8vo, modern quarter calf, endpapers renewed; [Idem] Letters Written in France, in the Summer of 1790... London: T. Cadell, 1794. Fourth edition, 3 volumes, 12mo, contemporary tree calf; Aveling, Eleanor Marx and Edward The Woman Question, [London, 1886]. Pamphlet in wrappers, possibly author's proof with corrections, lacking title-page; Hemans, Felicia The Restoration of the Works of Art to Italy, a poem. Oxford: J. Murray, 1816. Second edition, 8vo, contemporary green calf; Betham, Matilda A Biographical Dictionary to the Celebrated Women of every Age and Country. London: B. Crosby and Co., 1804. 8vo, contemporary half calf rebacked; Montague, Mary Wortley Letters... London: T. Cadell, 1789. 2 volumes, 8vo, contemporary half calf; and four others, sold not subject to return (14)Footnote: Provenance: From the Library of the Late William St Clair

Books from the Library of George A. Zabriskie Including works of Americana Squier, E.G. Notes on Central America. New York: Harper & Brothers, 1855. 8vo, contemporary calf, lower cover detached; Read, John Meredith A Historical Inquiry concerning Henry Hudson... Albany: John Munsell, 1866. 8vo, ALS from the author bound in, orange half morocco gilt, bookplate; Lossing, Benson J. The Hudson from the Wilderness to the Sea. New York; Smith, James Reuel Springs and Wells of Manhattan and the Bronx, New York City. New York: The New York Historical Society, 1938. 8vo, brown quarter morocco; The Evolution of New York. New York, 1897. 4to, blue half morocco gilt, Zabriskie bookplate; Darley, Felix O.C., illustrator The Legend of Sleepy Hollow. The American Art-Union, 1849. Oblong 4to, original wrappers, slight dampstaining; Milbert, J. Picturesque Itinerary of the Hudson River... , facsimile reproduction in green card folder; Murphy, Henry C. Journal of a Voyage to New York. Brooklyn, 1867. 8vo, later cloth; Loomis, Elias A Treatise on Meteorology... New York: Harper & Brothers, 1868. 8vo, contemporary calf, upper cover detached, lower cover lacking; Henslow, T. Geoffrey Ye Sundial Booke. London, 1914. 8vo, contemporary blue half morocco gilt; Du Chaillu, Paul B. The Viking Age. London: John Murray, 1889. 2 volumes, 8vo, original red cloth gilt; Eutropius Eutropij de Gestis Romanorum Libri Decem. Paris: Simon de Colines, 1539. 8vo, contemporary calf, upper board detached, a few neat notes in an early hand; Buchanan, George Poemata... Leiden: Elzevir, 1628. 24mo, later red morocco, upper cover detached; Villon, Françoys. Le Testament Françoys Villon. Paris: la Sirène, 1918. 8vo, red calf gilt with embossed hanging men motif, chipped and darkened; [Scott, Tom] The Cruise of the Midge. Edinburgh: William Blackwood and Sons, 1836. 2 volumes, 8vo, blue straight-grained morocco gilt, bookplates of George A. Zabriskie and Lilian Henkel Haas; The Society of the Antiquaries of Scotland Transactions, volume 1. Edinburgh: William and Alexander Smellie, 1792. 4to, modern boards; An Elementary Manual of Heraldry. New York: Gorham Company, 1905. 16mo, red half morocco gilt; Pater, Alastair and Walter Sebastian van Storck. London: John Lane The Bodley Head, 1927. 4to, number 352 of 1050 copies, original cloth, slipcase; The Universal Historical Atlas... New York: Warren Cockroft and Company, 1873. Folio, original green half morocco gilt; and 6 others, sold not subject to returnFootnote: Provenance: from the collection of George A. Zabriskie

A Minton Art Nouveau Secessionist vase with tube lined decoration in greens and browns, factory mark to base, height 14cm (af), a 1930s studio pottery vase with blue and green drip glaze decoration on an orange ground, on a terracotta body, unmarked, a modern Moorcroft small baluster vase in the 'Anemone' pattern on a blue ground, factory marks and stamp to the base, height 10cm and a Chinese tall slender temple vase of baluster shape with lion finial to outspread dome lid, white blossoms, leaves and scrolling pattern to a pink ground, with red stamped mark to base, height to top of lid 32cm (4).

Various vintage and early 20th century collectible ceramics to include a Clarice Cliff Newport Pottery 'Rhodanthe' Art Deco sparrow beak jug, with orange and yellow flowers and angled handle, an Art Deco Wedgwood jug, a Belleek tall slender jug and a Belleek small shallow bowl, both decorated with shamrock designs, an Art Deco pained oval dish, three preserve pots, a studio pottery jug, a studio pottery beaker with embossed flowers and leaves, a small, possibly Beswick, dog ornament, a kookaburra salt and pepper pot and two modern, possibly Swedish, mostly wooden toast rack and condiment sets.

Three unusual modern art/stained glass blue and white abstract panels of circular form within a white circular frame. Indistinct signature possibly R.H.H and dated 2003. (3)(B.P. 21% + VAT)

Two modern Tiffany style lamps with moulded Art Nouveau style bases and multi-coloured shades. (2) (B.P. 21% + VAT)No obvious damage. Passed PAT.

Moorcroft art pottery tube lined ashtray of oval form, together with a modern Moorcroft art pottery tube lined pin dish, both with flowerhead decoration. Ashtray 16cm long and pin dish 12cm diameter approx. (2)(B.P. 21% + VAT) No obvious damage.

Modern Moorcroft art pottery tube lined anemone pattern vase of baluster form. 14cm high approx. With painted and printed marks to the base. (B.P. 21% + VAT) No obvious damage.

Modern Moorcroft art pottery tube lined jardiniere in the anemone pattern. 19cm high approx. Painted and impressed marks to the base. (B.P. 21% + VAT) A little grubby to the interior but no obvious or serious damage noted.

Large Murano red glass vase, a modern etched glass decanter and six drinking glasses, together with a small quantity of art glass, (at fault)

Modern gilt metal five light electrolier of ribbon design, 20.5ins high together with a similar, smaller light fitting and an Art Deco oval chrome mirror, 22ins wide

Modern Tibetan carpet of Art Nouveau design in shades of green, blue and gold on a rose ground, 11ft 4ins x 8ft approximatelyOverall in good condition, not faded, no holes or damage. Couple of small black spots from what appear to be a drinks spillage so a gentle clean would be needed.

Token ID 371I fell in love with the wild, beautiful, uncanny and profound results that came with the first round of Eponym. With Stories, I began to explore what result would come telling Ai that this was ""for a museum"". One of the first results was 'for the museum of modern art' which looked like an abstract landscape hanging on a white wall but it also had a 3d element that was breaking the fourth wall of perspective. It felt like the perfect piece to represent modern Ai driven art with the intent of being FOR a museum. It even came with what looks like an information placard about the art hanging on the wall in lower right corner of the frame.For subsequent stories, I picked museums I've been to that inspire me and tried many permutations for the art. The ones that stood out were ones that looked like they might belong in the museum referenced but also said something to the museum about its history, its present and its future. To me, each piece honors the museum's style but also says something about the art within its walls that can be interpreted in myriad ways. 'for the louvre' has a similar feeling of breaking the fourth wall. The frame and walls evoke an Egyptian artifact that was taken by Napoleon himself and brought to Paris. It was too rich in artificial mystique to pass up.'for the guggenheim' looks like a pen and ink masterpiece Peggy herself would hang on the walls of her spiral halls. The touches of blue in the black and white figures is striking.In 'for the smithsonian' I was looking for something American that also evoked the 'shining city on the hill'. The result that came looks like a sketch that George Washington or one of his officers may have sketched in their journal during the American Revolution.With 'for the van gogh museum' I had originally set out to show how the Ai could recreate or construct a new Van Gogh painting. There were many impressive options but then the result you see here popped up. While not in the style of Van Gogh, it seems to reference the artist himself, it looks like a portion of one of his self-portraits but it also seems to be saying something. Perhaps that Van Gogh is still with us, his haunting blue eye, watching the progress of art and humanity and culture. The cryptic signature on the bottom right. The DaVinci like canvas it's painted on. I don't know. I just couldn't pass up minting it.I mean, come on, 'for the picasso museum in barcelona' looks like late-era Picasso painting, celebrating the spirit of Spanish life as well as the freedom of how children are free with their art. To me, what's minted looks like what Picasso might have painted today and perhaps minted to the chain. 'for the dali museum in paris' to me, looks like two elongated figures embracing, intertwined; surreal and Jungian, the integration of the psyche, of the self, the id and ego, the light and shadow, together as one.'for the national gallery' made me laugh. I kept trying to create a new JMW Turner painting, something quintessentially British, and there were some good options, but then this popped up and it just looked like someone hung the painting up backwards and we were looking at the back of the frame. It also had great shading for the back of the painting. As for the title, this belongs in a museum, it's a reference to Indiana Jones and the Last Crusade, when he rescues the Cross of Coronado...Enjoy.For more information about the artist and their story please visit:https://epostories.auction/epostory/371/this-belongs-in-a-museum

MASRIERA Y CARRERAS pendant; Barcelona, 40-50s.In white gold, pliquè-a-jour enamels, diamonds, emerald and ivory.Signed.Measurements: 7,5 x 3,5 cm (pendant).Pendant with oriental figure by the prestigious Catalan firm Masriera y Carreras with the same design, although with some changes in the materials, as the one published in "Els Masriera, Un segle de joieria i orfebreria", page 136, whose original Indian ink drawing (scale 1/1) appears, in turn, in the "Catàleg de models de Masriera Hermanos y Joaquín Carreras", vol. 3, n. 2998 and vol. 4, num 3672. Both pieces have also been published in "Els Masriera. Josep, Francesc i Lluis", Mnac, Editorial Proa, 1996, p. 131.Within the iconographic repertoire of Lluis Masriera's jewellery, the numerous representation of female figures stands out, in contrast to the almost non-existent presence of male figures. This pendant, which has an oriental figure as its subject, is one of the exceptions.The pendant's exceptional design features a frontal decorated with the image of a turbaned man whose face has been worked in ivory. The surface is decorated with pliqué-à-jour enamels, in the style of Masriera and Carreras, with the background in dark blue with vegetal and floral decoration in oranges and ochres, and with brilliant-cut diamonds around the whole of the piece. The upper part of the pendant features a knob-cut emerald, bordered with diamonds and contained in a masterly interplay of openwork. With a yellow-gold chain and a loop clasp.The plique-à-jour technique, French for "letting the light in", is a vitreous enamelling technique in which the enamel is applied in cells, similar to cloisonné, but without any backing material on the finished product, so that light can pass through the transparent or translucent material. It is an extremely expensive technique (up to 4 months to produce a piece), with a high failure rate.The silverware and jewellery firm was founded in Barcelona in 1839 by Josep Masriera Vidal. The process of making the pieces, from the design to the final polishing, was carried out in the family workshop, which gradually expanded as demand increased and, with it, production. By the end of the 19th century, the Masriera workshop was already the most important in the city of Barcelona, winning the Gold Medal and the Unique Prize awarded by the Associació d'Artífexs en Joieria i Plateria de Barcelona (Association of Jewellers and Silversmiths of Barcelona). In 1887 the firm was renamed Masriera y Hermanos, with Josep Masriera Manovens at the helm. At this time, production was extended to jewellery, partly thanks to the revival of various enamelling techniques, and Lluís Masriera Rosés, Josep's son, became the jeweller of Catalan modernism, achieving international renown. In the second decade of the 20th century, the firm left the Art Nouveau style behind in favour of more geometric lines, close to the new Art Deco. At the height of the Noucentisme, in 1915, two of the oldest families of silversmiths and jewellers in Catalonia, the Masriera and Carreras families, who had been in business since 1766, merged thanks to the association of Masriera and his brothers with Joaquim Carreras Nolla. The Masriera and Carreras firm was born, focused on the production of Lluís Masriera's designs and on the new and thriving European Art Deco style. Their participation in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925, and in the Universal Exhibition in Barcelona in 1929, brought the firm definitive international recognition. In 1985, Masriera y Carreras and Bagués, another of Barcelona's historic firms, joined forces. The Bagués-Masriera firm remains active to this day.

A retro kitchen cupboard together with a modern table lamp, stool and metal wall art

Set of 6 vintage reproductions of London Underground travel posters. 1. Brightest London featuring artwork by a British Impressionist and Modern artist Horace C. Taylor (1881-1934) depicting an Art Deco design with ladies and gentlemen in elegant dresses and tuxedos seated at the tables with champagne bottles and glasses entertained by a dance performance with colourful lanterns above the dance floor, the caption reads - Brightest London and home by Underground. - . Printed by The Dangerfield Printing Co. Ltd. London. Reissued by London Transport Museum in 1983. Designed and Printed by Beric Tempest & Co Ltd. St. Ives, Cornwall. Good condition, creasing, staining, paper loss in bottom right corner. Country of issue: UK, designer: Horace Taylor, size (cm): 69x49, year of printing: 1983; 2. The West-End is awakening with artwork by Ernest Michael Dinkel (1894-1983) depicting a silhouettes of theatre goers by Shaftesbury Memorial Fountain, cars and busses on the road, bright lights on the West End buildings advertising Army Club Cigarettes, Sand Port Wine, Guinness, Bovril on Cafe Monico facade, Avalanche, State Express, with silhouettes of London buildings with St. Paul's Cathedral at the top. Originally issued in 1931 by London Regional Transport. Published in 1988 by London Transport Museum, Covent Garden. Good condition, foxing. Country of issue: UK, designer: E. M. Dinkel, size (cm): 89.5x59, year of printing: 1988; 3. Summer Sales Quickly Reached by Mary Koop (1884-1967) promoting quick travel to London’s shopping destinations. The colourful illustration depicts a sea of vibrant umbrellas leading up towards the entrance of a shop. The doorway at the top of the frame is symbolic of the metro tunnel, as the Underground offered a quick commute to cities exciting summer sales of 1925. Originally issued in 1925 by London Regional Transport. Published in 1983 by London Transport Museum, Covent Garden. Good condition, creasing, staining. Country of issue: UK, designer: Mary Koop, size (cm): 88x59, year of printing: 1983; 4. The Way Home by a Belgian artist and graphic designer Marc Fernand Severin (1906-1987) depicting people rushing towards the Homeward Line underground station, with newspaper seller at the entrance, elegant ladies and gentlemen in the streets, cafe and stores, dancing hall, London Transport logo in the centre doubling as a clock. Originally issued in 1938 and reproduced from London Regional Transport's Historic Poster Archives in 1985 by Charterhouse Printing, London. London Regional Transport, United Kingdom. Good condition, creasing, minor staining. Country of issue: UK, designer: Marc Fernand Severin, size (cm): 42x30, year of printing: 1985; 5. Lure of the Underground by Alfred Leete (1882–1933) is one of the bestselling posters in London Transport Museum's collection. Originally issued in 1927 by Underground Electric Railway Company Ltd. Published in 1988 by London Transport Museum, Covent Garden. Very good condition, light creasing on the margins. Country of issue: UK, designer: Alfred Leete, size (cm): 89x58, year of printing: 1988; 6. Some suggestions for doubling available road space - featuring a fun caricature illustration by an English cartoonist, illustrator and artist William Heath Robinson (1872-1944), depicting narrow triple deck busses carrying elegantly dressed ladies and gentlemen in top hats, narrow double decked cab with luggage on the roof, unicycle, and two wheeled car, traffic police on the road, a lady pushing a pram with a child in it, and an iconic red letter box. Good condition, creasing, folds, small paper loss in the top left corner, tears. Country of issue: UK, designer: W. Heath Robinson, size (cm): 89x60, year of printing: 1974

Original vintage advertising poster for a Serge Poliakoff exhibition that took place at the National Museum of Modern Art / Musee National D'art Moderne from 23 September to 16 November 1970. Design features an abstract painting by Serge Poliakoff (1900-1969) using his signature bold shapes and vibrant blue, yellow, orange and red colours. Very good condition, minor creasing. Country of issue: France, designer: Serge Poliakoff, size (cm): 67x42, year of printing: 1970