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ZBIGNEW MAKOWSKI (POLISH B. 1930) Tak bedziemy odpowiedzialni, 1961 ink on board 29.8 x 41.6 cm (11 3/4 x 16 3/8 in.) signed and dated lower centre PROVENANCECollection of Bernard Davis, PhiladelphiaMiami Museum of Modern Art, Miami, FloridaPrivate Collection, Maryland (acquired by the current owner from the Museum circa 1963)EXHIBITEDMiami, Miami Museum of Modern Art, Makowski, 1963LOT NOTESThe exhibition of Makowski's works in 1963 took place at the Miami Museum of Modern Art, located at North Bayshore Drive in Miami on Biscayne Bay. The museum was owned by the eccentric millionaire and art collector from Philadelphia, Bernard Davis. Davis had a keen eye for exceptional modern art, and was also an early patron of Arshile Gorky.

THE MODERN ART OF COOKERY BY MRs . ANN SHACKLEFORD 1767 bound modern half leather

Nyemike Onwuka (Nigerian, b. 1972)Nkwado II, Preparation Series signed, dated 2011, oil on canvas, 166cm x 89cmA graduate of the Federal Polytechnic in Auchi, Edo State, Nigeria, Nyemike Onwuka exhibits regularly in Lagos, and his work has been displayed at the National Museum, Onikan.Provenance: Bonhams, Africa Now: Modern & Contemporary African Art, 22nd May 2013, Lot 186.

TRIGGS, H Inigo, The Art of Garden Design in Italy. Folio, 1906. Covers marked. With KUHN, Rev Albert, Roma: Ancient, Subterranean and Modern Rome, 4to 1913 (2)

Three modern cast figurines including Art Deco style

A modern Kosta Boda Art Glass bowl, together with eight iridescent glass vases, the bowl 22.5cm diameter. (9)

By Graham Watling, a pair of modern silver candlesticks, London 1979, circular form, pierced textured decoration, plain circular capitals, height 6cm, approx. weight 13.5oz. (2) Graham Watling (1930-1996) studied Silversmithing at Loughbourgh College of Art and by the mid-1950's became a teacher of Art and Crafts. In 1972 he set up a workshop in Lacock, in Wiltshire.

A MODERN ART DECO STYLE FIGURE GROUP, TWO DANCING FIGURES KNEELING, IN GREEN ATTIRE, ON VEINED BASE

MODERN ART DECO STYLE FIGURE GROUP OF A YOUNG WOMAN SEATED WITH TWO FAWNS, ON MARBLE AND BLACK PLINTH BASE

Nils Gren  (California / Sweden, 1893 - 1940) "Honore de Balzac" Portrait Painting.  San Francisco 1931 dated verso.  Oil on board.   Honoré de Balzac was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus.  With  Handwritten letter to friend by artist verso.  Sight Size: 21 x 15 in. Overall Size: 22.25 x 16.25 in. Provenance: Private California Collection.  In 1925 he had moved to southern California where he studied art with Stanton MacDonald-Wright. He lived in Los Angeles for only a few years before making his final move to San Francisco in the late 1920s. About 1930 he destroyed all of his earlier paintings; any works now extant are those done during the 1930s. During that period he produced lithographs for the WPA project. Gren was active in San Francisco until his death on Aug. 6, 1940.   Exh: Painters & Sculptors of LA, 1926; Modern Art Society of LA, 1926; San Francisco Art Association, 1928-29; Paul Elder Gallery (SF), 1932 (solo); Oakland Art Gallery, 1932, 1934; Calif. State Fairs, 1930s; SFMA Inaugural, 1935, 1939 (solo); GGIE, 1939. In: Mission High School, SF (mural); Smithsonian Inst.; Oakland Museum.

Willem George Frederick Jansen (1871 - 1949) Painting, "The Shepherdess" Modern Dutch school. Signed lower right. Label verso. Sight Size: 23.5 x 18 in. Overall Size: 33.5 x 28 in. Oil on canvas. He studied at the Industrial Arts School in Haarlem intending to become a machinist, but decided at 21 years to pursue a career as artist instead. He would live and work throughout the Netherlands: in Haarlem from 1902-03, then the Hague, Amsterdam and Blaricum. He would become a member of the Arti et Amicitae in Amsterdam and the Hague Art Society. Jansen exhibited officially in Rotterdam in 1902 and in Amsterdam the following year. One of his paintings is part of the permanent collection at the Rijksmuseum in Amsterdam.

Eugenia Okoshi  (New York, Washington / Japan,  1921-2008)  "Equinox" Large Painting.  Oil on canvas.  Sight size: 38.75 x 38.75 in. Signed lower right.  Okoshi was born in Seattle, WA in 1921 during a family business trip to the U.S. She was raised and educated outside of Tokyo, Japan where she attended the prestigious Rikkyo Jogakuin, Futaba-kojo-Futaba-kai school.  She began working, studying, and making art with Fay Chang and Nicholas Damascus at Seattle University and Henry Frye at the Modern Art Museum of Seattle. Okoshi also found inspiration in the work of Mark Toby, another popular Seattle-based artist who incorporated Japanese sumi painting, brush gesture and calligraphy into his Abstract Expressionist paintings.

* ANDREW HAY, MINERS IN THE LIFT oil on canvas, signed 120cm x 120cm Framed. Note: Having started to paint at the age of 39, within a year the People's Palace Museum, Glasgow had purchased ten paintings and have given Hay his first solo exhibition. Since then his works have been included in numerous public and private collections. His work deals with both narrative and nature, sometimes subverting one or the other in order to advance his artistic practise. His insistence on invention, freedom and risk affirms continuity in his aesthetic spirit. He uses a network of codes, symbols and expressive techniques which play off his collective memory and familiarity of everyday objects and culture from his childhood and juxtaposes them with present day reality. In so doing he embodies them with a new philosophical discourse. Andrew’s work now features in many significant public and private collections and is in the permanent collections of Glasgow's Kelvingrove, Gallery of Modern Art and The People's Palace.

* GORDON BRYCE RSA RSW (SCOTTISH b 1943), ELDER FLOWERS AND POPPIES oil on board, signed and titled on label verso 32cm x 45cm Framed Note: This work is most likely a set exercise, based on a Peploe composition. B orn in Edinburgh in 1943. Gordon Bryce studied at Edinburgh College of Art, where his tutors were Sir Robin Philipson and Sir William Gillies. His love of colour and texture stems from that time and has remained with him since. After graduating, Gordon moved to Aberdeen, to Gray's School of Art, where he was appointed as a Lecturer in Printmaking. He later became head of Fine Art at Gray's, a post he held from 1986 to 1995 when he began to paint full time. Gordon Bryce is now a highly established figure, and his contribution to the art world is immense. His exhibitions both in London and in Scotland have spanned nearly 30 years. He has won numerous awards Including the RSA Latimer Award, May Marshall Brown Award, Shell Expo Premier Award and Sir William Gillies travelling Scholarship. His work is in many Private and Public Collections worldwide including those of the Fleming Collection and the Scottish National Gallery of Modern Art.

Group of twelve Native American weapons and tools, including one modern iron tomahawk; one Ojibwe trade knife, circa late 19th century; one Ojibwe ice fishing pole with carved fish and bear, circa 20th century; one Plains knife with sheath and belt of saddle leather with brass tacks, circa early 20th century; one Sioux sheath with seed beads and a hard rawhide insert, circa early 20th century, with knife; one Great Lakes rawhide-covered stone club decorated with beads, turkey feathers, and brass tacks, circa late 19th to early 20th century; one Northern Plains elk horn hide scraper with metal blade; one Arapaho sheath, sinew sewn painted parfleche with one beaded drop, with trade knife; one Oglala Sioux beaded sheath with floral motifs, circa 1890-1900, with Allen and Darwin Sheffield bone handled trade knife, circa 1860s; one Ojibwe black felt sheath, beaded with a floral motif, circa late 19th century, with Ontario Knife Company knife, circa mid-20th century; and one Apache quirt, rawhide wrapped with woven horsehair, missing lash, circa late 19th century. Provenance: Oglala Sioux Sheath and Darwin & Company Knife: Mark Francis Collection.Literature: The Mark Francis Collection of American Indian Art: A Photo Journal, #112.Dimensions: Lengths range from 11 in to 29 in.Condition: Some age-appropriate wear.

Le Pho (1907-2001). Oil on canvas depicting two women among plants. Signed along the lower left. Provenance: Wally Findlay Galleries.Biography:Le Pho was born in Vietnam in 1907. As a child, he was constantly finding opportunities to make art. As the son of the Viceroy of Tonkin, he had the opportunity to study art at the newly established Ecole des Beaux-Arts in Hanoi under Victor Tardieu (1870-1937), a well-respected French painter. In 1931, he traveled to France with Tardieu, where he studied at the Ecole des Beaux-Arts in Paris on a scholarship. He then traveled to Italy to do research, also visiting the Netherlands and Belgium in his tour of Europe. After returning to Vietnam, Le Pho became a professor at the Ecole des Beaux-Arts in Hanoi. During his professorship, he decided to continue his education by making trips to China to study and make art. While in China, he studied traditional Chinese sculpture, visited museums, and even had the opportunity to paint the Emperor and Empress. In 1937, he was sent to Paris to work on the Indochina Pavilion at the International Exposition of Art and Technology in Modern Life. He stayed in France after the Exposition, where he found great success as an artist. His first solo exhibition was in 1938, and soon after, his work began getting international exposure. His works were widely distributed, particularly in the United States because of an exclusive contract he signed in 1964 with Wally Findlay Galleries, an American company. Despite his expatriate status, Le Pho kept close ties to his homeland. He was active in the Vietnamese community in Paris, and worked with Vietnamese dignitaries and intellectuals to advocate for better treatment of the colonized Vietnamese people. His ties to his homeland are also evident in his subject matter. His paintings featured women and flowers, which he depicted in ways influenced by Vietnamese traditions and aesthetics. This painting is an excellent example of these major themes of Le Pho’s work. The present work was painted during his “Findlay Period,†which is associated with his representation by Wally Findlay Galleries from 1963 to his death in 2001. During this stylistic period, Le Pho drew inspiration from his life-long admiration for Henri Matisse and created bright and colorful paintings. The present work features an idyllic scene with several green leafy plants scattered throughout the composition. Two women are standing in the center with another barely visible to the left. The main figure wears a soft coral colored robe that beautifully echos the other woman's shawl. She wears a cerulean blue robe wonderfully accenting the rug beneath her. The artist’s choice of colors skillfully creates a harmonious composition that helps draw the viewer into the scene.Dimensions: Sight; height: 38 1/2 in x width: 25 in. Framed; height: 46 1/2 in x width: 33 in. Condition: Good condition, very faint hairline cracks, measuring approximately 1/4 inch, to the white paint along the upper right quadrant.

DORA CARRINGTON (1893-1932) CIRCUS PERFORMERS Oil, ink and silver foil on glass, within a plain maple-veneered frame 38 x 29cm. Provenance. By descent from Lettice Kirkpatrick, to whom the picture was given as a wedding present in 1927 by Gerald Brenan, author and friend of the artist. Gerald Brenan (1894-1987), writer and Hispanist, is chiefly known for The Spanish Labyrinth, a historical work on the background to the Spanish Civil War and for South From Granada:Seven Years In An Andalusian Village. In 1919 he was introduced to members of the Bloomsbury Group and, despite moving to Spain, his contacts with the group continued, partly owing to his particular friendship with Ralph Partridge and Partridge's first wife, Dora Carrington, with whom Brenan had an affair. After working on a Spanish landscape, Dora wrote to Brenan: " I feel my picture is going to be one of the most beautiful in the world - is it partly because you blessed it with that magic one night?". The menage between Carrington, Partridge and Lytton Strachey is well documented. Carrington's "tinseled pictures" were often presented as gifts to friends. These designs were created by creating an outline in dark inks on the back of the glass pane, filling in the outline with textured foil paper and then covering the image with a blend of opaque and transparent paints. This fine balance of art and craft was much admired by art historian Jane Hill who noted Carrington's instinctive feel for "how much glass to leave uncovered and how much work the silver will do." Traditional `tinsel prints` were originally 15th-Century woodcuts decorated with tiny metal or quartz fragments after being hand-coloured. The popularity was revived with a similarly sparkling decoration applied to mainly theatrical subjects in the Regency era. In Carrington's works, there is an intentional and rather quaintly Victorian association with 19th-Century greeting cards. The unusual semi-mosaic quality shows an embrace of techniques that are at once modern and nostalgic.

ALFRED WALLIS (1855-1942) FRENCH FISHIN BOAT [sic] Inscribed with title, oil on card 17.5 x 29.5cm approx. Provenance: Collection of Mr and Mrs Christopher Mason, London, to whom given by their close friend Alan Rowe who had purchased it for £1000 from Ann Stokes, second wife of the artist, critic and writer Adrian Stokes, November 1973. Christopher Mason (1928-2018) was married to the artist Joanna Carrington (1931-2003), niece of Dora Carrington. He was a film maker, writer and painter and made a film about Alfred Wallis as well as two about the Bloomsbury Group. Mason met Jim Ede in 1955 through a musician friend called Etienne Amyot. At that time, Ede was Wallis's most devoted collector. At Ede's meticulously furnished home, Les Charlottieres near Blois on the River Loire, Mason saw scores of works by Wallis for the first time. The two men remained friends and Ede was a vital and valued contributor to Mason's short film about Wallis in 1973, entitled Alfred Wallis - Artist and Mariner. Joanna Carrington had long coveted the picture and wrote in her diary, "I must say I am glad Alan has got it. It is such a beautiful one - and being selfish about it - apart from owning it myself, the next best thing as it does mean feasting one's eyes every time we go there." ___________________________________________________________________________________ In this painting inscribed "French Fishing Boat", Wallis recalls one of the French boats that would visit Cornwall in the summer months. French crabbers from Brittany first came from Camaret in 1902 to fish the Scillies and the north coast of Cornwall. Using crab-pots they fished for crayfish, lobster and crab and their vessels had wet wells to keep the shellfish alive till they returned to Brittany. These boats became a feature of the summer scene in St Ives, Newquay and Newlyn, and this practice continued until the mid-1960s. The early French crabbers were sail vessels and were gaff-rigged, but in this and one other painting Wallis remembers lug-sailed vessels. Ben Nicholson and Christopher Wood came to St Ives on a day visit in 1928. Their 'discovery' of Wallis has been described as a watershed in the history of modern art. They found in Wallis "An art, simple, direct, honest…unencumbered by theory, completely true to itself."(Oxford Times; Ben Nicholson). Wallis's work was to influence both artists. After the initial visit, Ben and Winifred Nicholson and Christopher Wood came to stay in St Ives; the Nicholsons stayed for three weeks and Wood for three months. Wood wrote to the Nicholsons: "Admiral Wallis I often see" and "more and more influence de Wallis, not a bad master though." Wallis's work acted as a liberating force on Wood who would also have seen the French crabbers in St Ives and later painted fishing boats in Brittany during visits in 1928 and 1930 shortly before his untimely death in 1930. Ben Nicholson received bundles of paintings posted to him by Wallis and introduced the work to a small group of collectors including Jim Ede. Wallis also sent bundles of paintings to Ede, then junior curator at the Tate Gallery, and the work he purchased formed the basis of the present day Tate and Kettle's Yard, Cambridge collections. Robert Jones 2018 Robert Jones is the author of Alfred Wallis Artist and Mariner (3rd edition, 2018). We are grateful to Robert Jones for his assistance with the cataloguing of this picture. Quotations are reproduced by kind permission of the executor of the estates of the late Christopher Mason & the late Joanna Carrington. ++ Slight wear at edges, bumped at corners; a little retouching; needs a light clean

Mixed lot of ceramics to include plates, a resin Art Deco style female figurine, Royal Doulton boxed cup and saucer, Wade Bells whiskey bottles, anniversary modern clock and pressed glasswares

Post Modern burr maple dining suite including a sideboard in Art Deco style, similar table on tapering column supports, the extending top in three sections, 100 x 240 cm extending to 300 cm, and a set of eight chairs with button detail and sabre legs, labels for Riedel . Suite in good condition: sideboard good, drawers are dovetailed, very minor nicks in finish edge of one cupboard door, See imageTable good, very minor nicks to finish on one edge and corner, see image. Chairs all structurally sound, upholstery is good, two have small very faint marks,

A LARGE CONTEMPORARY MODERN ART METAL FIGURAL SCULPTURE IN THE FORM OF A FEMALE DANCER? Approximate H 150 cm (Unsigned example by NEIL WOOD))

Hustle Ace Of Clubs Wall Art A Statement Piece For Players And Risk-Takers. The Hustle Is Laser Cut From A Sheet Of Steel For A Modern Take On The Classic Playing Card Graphic. The Metal Is Raised For A 3d Effect, And The Design Is Back-Lit For Added Drama Brushed Steel Frame 70 X 14 X 92cm RRP £2625

Paradise Table Lamp (EU) Natural The Paradise Shines Through Waves Of Pleasure Like Softly Rolling Seas, Transporting Art Deco Glamour Into The Modern Day. We’ve Redesigned Our Premium K-9 Optical Glass For Greater Light Diffusion To Set The Mood For Mellow Moments. 34.5 × 34.5 × 70 Cm RRP £1450

Rex Diamond Pendant Named After The Historic Rex Cinema In England; A 1930s Art Deco Gem Boasting A Beautiful Auditorium With Dramatic Chandeliers. Saved From Dereliction By A Local Entrepreneur, The Cinema Was Restored To Its Former Glory In 2005. The Diamond Shape Is A Modern Twist On Classic Elegance, For Contemporary Style With A Touch Of Glamour. 73 × 63 × 81 Cm RRP £3200

Paradise 5 Ring Chandelier The Paradise Pendant Shines Through Waves Of Pleasure Like Softly Rolling Seas, Transporting Art Deco Glamour Into The Modern Day.Premium K-9 Optical Glass For Greater Light Diffusion To Set The Mood For Mellow Moments. 82 x 82 x 51.5cm RRP £3575

Paradise Table Lamp The Paradise Pendant Shines Through Waves Of Pleasure Like Softly Rolling Seas, Transporting Art Deco Glamour Into The Modern Day.Premium K-9 Optical Glass For Greater Light Diffusion To Set The Mood For Mellow Moments. 34.5 x 34.5 x 70cm RRP £1350

Rex Diamond Pendant (UK) Named After The Historic Rex Cinema In England; A 1930s Art Deco Gem Boasting A Beautiful Auditorium With Dramatic Chandeliers. Saved From Dereliction By A Local Entrepreneur, The Cinema Was Restored To Its Former Glory In 2005. The Diamond Shape Is A Modern Twist On Classic Elegance, For Contemporary Style With A Touch Of Glamour. 73 x 63 x 81 cm RRP £3200

LEON DESHAIRS (INTRO) 'MODERN FRENCH DECORATIVE ART', pub. London, The Architectural Press 1926

A modern art style original oil on board depicting saxophone playing clown

A box of sundry items to include an SS Perfect Stuart Suttridge & Co. miniature cricket bat signed by Lord Mayor of Cardiff, also Colin Cowdray, G Clement, Benjamin Price, Laurence / Lawrence Hourahane, etc, together with a 3D viewmaster and various slides, a modern brass mirror frame in the Art Nouveau manner, brass letter rack, etc

ROY PETLEY "The picnic", chalk, pastel on paper, signed lower right and bears a "David Messum Fine Art" paper label verso CONDITION REPORTS 68cm tall by 61cm wide and yes it is framed. Condition appears to be good, some smudging lower left though this may be part of the original design. Some signs of what appears to be mildew beneath the glass on the mount particularly to the bottom left but in several areas all the way around. Frame guilded and modern with signs of surface ware again part of the original design.

BYROM (John) Miscellaneous Poems, by ----, inventor of the Universal English Short-hand. First edition, 2 vols., Manchester: J. Harrop 1773, 8vo, contemporary calf; An Antidote aganist Melancholy. Being a Collection of fourscore merry Songs. London: for D. Browne 1749, 8vo, calf; GREEN (Matthew) The Spleen an Epistle. First edition, London: A. Dodd 1737, 8vo, ex. libris Graham Pollard, later morocco by Maltby, Oxford; another copy, 2nd edition 1754, modern cloth; another edition 1796, 12mo; ARMSTRONG (John) The Art of Preserving Health. 2nd edition 1745, 8vo, mottled calf gilt; PENROSE (Rev. T) Poems, first edition, London 1781, small 8vo, calf; POTTER (T.; surgeon) The Moralist, or Portraits of the Human Mind, in 2 vols., 1785, covers worn in places

Cecil C. Bell, American (1906-1970) Oil on Canvas "The Rug Auction". Signed lower right, artist's estate stamp verso. Measures 25" x 30", frame measures 30-1/4" x 35". Born in Seattle, Bell (1906-1970) studied printmaking at the Chicago Art Institute before moving to New York to study at the Art Students League with John Sloan. He remained in New York, eventually settling in Staten Island with his wife, and most of his paintings depict famous locations around the city. Largely unknown during his lifetime, a retrospective was held at The Museum of Modern Art, New York, following his death in 1973. Condition: Good condition. Domestic Shipping: Third party Min Est. $5000.00 Max Est. $7000.00

Cecil C. Bell, American (1906-1970) Oil on Canvas "Travelling Carousel". Signed Lower left and dated '38, artists name address and title, inscribed on stretcher en verso. Measures 20" x 24", frame measures 26-3/4" x 31" Born in Seattle, Bell (1906-1970) studied printmaking at the Chicago Art Institute before moving to New York to study at the Art Students League with John Sloan. He remained in New York, eventually settling in Staten Island with his wife, and most of his paintings depict famous locations around the city. Largely unknown during his lifetime, a retrospective was held at The Museum of Modern Art, New York, following his death in 1973. Measures 20" x 24", frame measures 26-3/4" x 31" Condition: Good condition. Domestic Shipping: $235.00 Min Est. $5000.00 Max Est. $7000.00

MILLHOFF, complete (9), inc. Art Treasures 1st & 2nd, England Historic & Picturesque 1st & 2nd, Picturesque Old England, Gallery Pictures (all large); Antique Pottery, Art Treasures, In the Public Eye, in modern album, VG to EX, 525

The Gallery of British Artists Containing upwards of One Hundred Steel Engravings from Their Most Popular Works, As Exhibited at the National Gallery, Royal Academy etc with Biographical Sketches by John Sherer in 6 volumes, The London Printing & Publishing Co (c1870s) including works by J.M.W. Turner, Sir E. Landseer, David Roberts, T. Gainsborough, T. Stothard, Benjamin West etc, in gilt and black decorated cloth with a copy of The Royal Gallery of Art Ancient & Modern illustrated with Steel Engraved plates and 2 others (9)   

Old England - two voloumes and Modern Art book

Five Art Deco 925 silver brooches CONDITION REPORT: We believe the brooches to probably be modern reproduction. All five have pins intact with no damage.

Glyn Warren Philpot (1884-1937). A modern British bronze of Perseus, with the head of Medusa, numbered 1/8 from the Fine Art Society edition, 32.5cm high. Provenance: From the estate of Dr. John Birch, Woolley & Wallis, 12th December 2012, lot 281. The Collection of Sir Jeremy Lever.

Three modern art nouveau design framed mirrors. (3)(B.P. 24% incl. VAT)

Ca 1924-26. Designed by Rodchenko. Silver. Screwback. Multienameled. Hallmarked (84) on a loop and pin. M. Dabrowski, L. Dickerman, P. Galassi, Aleksandr Rodchenko, New York, The Museum of Modern Art, 1998, p. 191, No. 92 (a–f, h and i). Oval shape. Large chip of an enamel at 3:00, otherwise very nice

Cigarette Cards, De Reszke, Millhoff, a collection of sets contained in a modern ringbinder to name, In the Public Eye, Art Treasures (L) 2nd series, England Historic & Picturesque, Things to Make and Real Photos (F27) 1st, 2nd, 3rd, 4th, 5th and 6th Series (10)(gd/vg)

Cigarette Cards, Wills, a further collection of L sized cards, to name, British Castles, Modern British Sculpture, Garden Flowers New Varieities 2nd, Roses, Celebrated Pictures, Beautiful Homes, Old London, Kings Art Treasures, and Old Furniture 1st & 2nd Series, (g/vg)(10)

A mixed lot comprising a Chinese blue and white gourd storage jar, further blue and white china items, glass serving bowls etc together with a mixed lot comprising Nittsio Swedish art pottery plates, further bowls, modern art pottery cruet, together with a 19th Century walnut writing box

A PAIR OF CERAMIC ART DECO STYLE TABLE LAMPS, modelled as women holding aloft a globe, height approximately 62cm, together with an alabaster lamp base and shade and a modern copy of an art deco desk lamp (4)

An abstract modern art style landscape possibly of local interest

A French Art Deco marble mantle clock, lozenge dial, Roman numeral, modern movement, 33 cm wide x 20 cm high. Together with a mid 20th Century French table lamp, cast metal model of a seagull, white glass lamp bowl marble base, 20 cm wide x 14 cm high; and a French ceramic model of a spaniel, marked 'France' to base, 28 cm high (3)

Large modern contemporary art bronze sculpture of a nude reclining lady (overall length 150cm)

Modern Gilt Painted Blue Art Glass Sculpture Resting on Stand. Signed and dated 2000. Measures 14" H x 20-1/4" W. Domestic Shipping: Third party Min Est. $200.00 Max Est. $400.00

Decorative items to include a brass framed pedestal mirror, a pair of cast metal model pheasants, a model swan dish, six silver plated candlesticks, a modern Art Nouveau style mirror and four Chinese metal bulbs

Metalware to include a pair of model pheasants, a set of candlesticks, a modern Art Nouveau style mirror, Chinese balls, tankards and other items

Indian Art. A group of three Indian miniature paintings India, 19th-20th century . An ink, colors and gold portrait of Sultan Jalal Al Din Miran Shah, son of Timur. An ink, colors and gold miniature depicting enthroned Mohammad Azam Padeshah, Mughal Agra and dated 1707 A modern Indian miniature depicting Raja in the wood ((h 177 X 106 mm). . Cm 21,30 x 32,30.

GROUP OF VARIOUS ART DECO AND LATER WATCHES, comprising examples by Welsbro, Bulova, Roamer, Lanco, Elgin and Waltham, the Waltham a gold plated example with rectangular dial with applied gold coloured Arabic numerals, subsidiary seconds at 6, railroad outer seconds track in black, on a modern strap, with original strap loose, in box, lacking papers, the other watches all lacking boxes and papers (7)

A pair of Wedgwood Queen’s ware printed and enamelled under glaze wall plaques, referred to as ‘The Medieval King and Queen’, they were designed by Peter Wall, shape No.5129, pattern no TL636, 1963, black printed mark, King 35cm high, 11cm wide, Queen, 36cm high, 12cm wide (2)Note: These plaques form a part of an experiment in modern design where Peter Wall and Robert Minkin were given freedom to create highly individual works. They were part of the ‘Design ‘63’ range which was launched commercially in June 1963.  Peter Hall joined Wedgwood in 1951 after training in Art Schools in London & Burslem. He became Deputy Art Director in 1961 holding this position, until he became head of the School of Ceramics at Birmingham Polytechnic.Condition Queen: broken through and re attached.  King: good no damage or restoration

Art Deco Revel 'Zephyr design' chrome cocktail shaker (William Welden) named after the streamline modern 1930's trainsRe: Enquiry - Toys, Dolls, Models, Antiques & Interiors (4th and 5th December)There are some chips to the enamel of the spout lid, and some slight marks to the outside. 

 PICASSO PABLO: (1881-1973) Spanish Painter, a co-founder of the Cubist movement. A good signed and inscribed paperback edition of an exhibition catalogue entitled Pablo Picasso Exhibition Japan 1964, the works appearing at the National Museum of Modern Art in Tokyo, 23rd May – 5th July, the National Museum of Modern Art in Kyoto, 10th July – 2nd August, and the Prefectural Museum of Art in Nagoya, 7th August – 18th August. The exhibition catalogue is published by the National Museum of Modern Art and Mainichi Newspapers and contains printed text in Japanese, French and English, as well as numerous illustrations (some of them colour plates) of works by Picasso. Signed by Picasso in bold blue fountain pen ink to the half title page, ‘Pour Monsieur, Villefranche, Picasso’ and dated 12th October 1964 in his hand. Accompanied by the publisher’s yellow, red and black printed paper wrappers and with two loosely inserted errata slips. Contained within a custom made red cloth case with a gilt stamped black leather label to the spine. A few very slight, minor stains and light age wear to the paper wrappers, otherwise VG 

1980's Liberty of London Large Paisley Pattern Wool Shawl; a Erfurt, Denmark Cotton Shawl, printed with Art Nouveau stylised birds and flowers, bright pink fringe; 20th Century Wool Long Shawl, with a border of stylised foliaged and boteh on a red ground; Modern Bright Red Pashmina and Silk Stole; and an Hermes Parfums Silk Corsage Brooch, of the design Calech in cream and mustard

A modern silver clam shell box; an Art Nouveau style pill box; a Camelot silverware model of a frog; enamelled boxes and others

THREE WRIST WATCHES, comprising two gold plated gentleman's examples and a modern art deco style lady's example, all on black straps

An Art Deco style scent bottle and stopper, 22.5 cm highReport NGThis is a modern item and has only recently been manufactured. No visible cracks or chips.