Robert Motherwell (1915–1991) was an American abstract expressionist painter, printmaker, and editor. He played a significant role in the development of abstract expressionism, a post-World War II art movement that emphasized spontaneous, gestural expression. Here are some key points about Robert Motherwell:1. **Early Life and Education:** Robert Motherwell was born on January 24, 1915, in Aberdeen, Washington. He studied at Stanford University, where he initially pursued a degree in philosophy. Later, he shifted his focus to art and earned a Bachelor of Arts in 1937.2. **Academic Background:** Motherwell pursued graduate studies in philosophy at Harvard University and later studied art at the California School of Fine Arts in San Francisco.3. **Introduction to Surrealism:** During a trip to Europe in the 1930s, Motherwell became exposed to Surrealist art and met several prominent artists associated with the movement, including Roberto Matta and André Breton. This exposure had a profound impact on his artistic development.4. **Abstract Expressionism:** In the 1940s, Motherwell became a key figure in the abstract expressionist movement, along with artists like Jackson Pollock, Willem de Kooning, and Mark Rothko. He was associated with the New York School, a group of avant-garde artists based in New York City.5. **Elegy to the Spanish Republic Series:** One of Motherwell's most significant and enduring bodies of work is the "Elegy to the Spanish Republic" series, which he began in 1948. This series, consisting of over 100 paintings, prints, and collages, was inspired by the Spanish Civil War.6. **Collage and Mixed Media:** Motherwell was known for incorporating collage elements into his paintings, often using torn paper, newspaper clippings, and other materials. This technique added depth and texture to his works.7. **Writings and Publications:** In addition to his artistic practice, Motherwell was actively engaged in writing about art and aesthetics. He edited the documents of the Surrealist movement and wrote essays on art theory.8. **Teaching Career:** Motherwell had a notable career as an educator. He taught at several institutions, including Black Mountain College and Hunter College. His influence on younger artists was significant.9. **Exhibitions and Recognition:** Motherwell's works were featured in numerous solo and group exhibitions throughout his career. He received several awards and honors for his contributions to modern art.10. **Legacy:** Robert Motherwell's impact on abstract expressionism and the broader art world is considered profound. His dedication to exploring the emotional and intellectual dimensions of art has left a lasting legacy.11. **Death:** Robert Motherwell passed away on July 16, 1991, in Provincetown, Massachusetts.Robert Motherwell's work is characterized by its intellectual depth, use of symbolism, and exploration of the human experience. His contributions to abstract expressionism continue to be studied and celebrated.Measures 18 x 24.Linen backed.
We found 19749 price guide item(s) matching your search
There are 19749 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
19749 item(s)/page
Wilhelmina Barns-Graham (1912–2004) was a Scottish abstract painter associated with the St Ives School, a group of artists based in the Cornish town of St Ives in the United Kingdom. Born in St Andrews, Scotland, Barns-Graham studied at the Edinburgh College of Art and later at the Chelsea School of Art in London.Barns-Graham's early works were influenced by European modernism and abstraction. She was associated with the Scottish Colourists and later became a prominent member of the St Ives School. Her paintings often featured vibrant colors, dynamic compositions, and a strong sense of rhythm.Throughout her career, Wilhelmina Barns-Graham explored various styles, including abstract landscapes and geometric abstraction. Her work reflected a deep connection to nature and the surrounding landscapes of Cornwall, where she lived and worked.Barns-Graham was a key figure in the post-war British art scene and participated in numerous exhibitions both in the UK and internationally. In addition to her painting, she was also known for her printmaking and drawing.The Wilhelmina Barns-Graham Trust, established after her death, continues to promote her legacy and support research and education in the field of modern and abstract art. Wilhelmina Barns-Graham's contributions to abstract art, her engagement with the St Ives artistic community, and her impact on the Scottish art scene have secured her a place in the history of 20th-century British art.Measures 21.2 x 31.4.
Christopher Wool is an American contemporary artist known for his abstract paintings, particularly his large-scale works that often feature text-based compositions. Here are some key points about Christopher Wool:1. **Birth and Education:** Christopher Wool was born on March 16, 1955, in Chicago, Illinois, USA. He studied at Sarah Lawrence College in Yonkers, New York, and later at the New York Studio School.2. **Early Career:** Wool emerged as an artist in the 1980s in New York City. His early works included pieces influenced by street art and graffiti culture, showcasing a raw and urban aesthetic.3. **Text-Based Paintings:** Wool gained significant recognition for his text-based paintings, which often feature stenciled or spray-painted letters on white or neutral backgrounds. The words are fragmented, repeated, or obscured, creating a visual rhythm and ambiguity.4. **Exploration of Language:** Wool's text-based works explore the deconstruction and reconstruction of language, challenging traditional notions of communication and meaning. His paintings often provoke contemplation on the nature of language and its visual representation.5. **Abstraction and Process:** While known for his text-based pieces, Wool's body of work also includes abstract paintings that emphasize the process of creation. He employs various techniques such as layering, erasure, and the use of unconventional tools to create textured and dynamic surfaces.6. **Influence of Urban Environment:** Wool's early exposure to the urban environment of New York City, with its graffiti, street art, and industrial surroundings, has had a lasting impact on his artistic sensibilities.7. **Printmaking:** In addition to painting, Christopher Wool has engaged in printmaking, creating editions that complement his exploration of text and abstraction.8. **Recognition and Exhibitions:** Wool's works have been featured in numerous solo and group exhibitions, both in the United States and internationally. His art has been displayed in prestigious institutions, including the Museum of Modern Art (MoMA) in New York.9. **Market Success:** Christopher Wool's artworks have achieved significant success in the art market, with some of his pieces fetching high prices at auctions.10. **Retrospective:** In 2013-2014, the Solomon R. Guggenheim Museum in New York organized a major retrospective exhibition of Christopher Wool's work. The retrospective showcased his evolution as an artist and the various themes explored throughout his career.11. **Continued Innovation:** Throughout his career, Christopher Wool has continued to experiment with different techniques and materials, pushing the boundaries of contemporary art.Christopher Wool's contributions to contemporary art have left a lasting impact, particularly in the realm of text-based abstraction. His ability to balance the conceptual with the visual has made him a significant figure in the art world.Measures 24 x 36.
San Francisco, located on the northern tip of the San Francisco Peninsula in California, is a city known for its iconic landmarks, diverse neighborhoods, and cultural vibrancy. Here are some highlights of this dynamic and picturesque city:1. **Golden Gate Bridge:** One of the most recognized symbols of San Francisco, the Golden Gate Bridge spans the Golden Gate Strait and offers breathtaking views of the city and the bay. Visitors can walk or bike across the bridge or simply enjoy the scenery from various vantage points.2. **Alcatraz Island:** Home to the infamous Alcatraz Federal Penitentiary, a visit to Alcatraz provides a fascinating glimpse into the island's history and offers stunning views of the city skyline.3. **Fisherman's Wharf:** A bustling waterfront district, Fisherman's Wharf is famous for its seafood restaurants, street performers, and attractions like Pier 39, where sea lions often gather.4. **Chinatown:** San Francisco's Chinatown is one of the oldest and largest in North America, offering a vibrant atmosphere with colorful streets, markets, and authentic Chinese cuisine.5. **Union Square:** A central shopping and cultural hub, Union Square is surrounded by theaters, upscale shops, and renowned hotels. It's a popular gathering place for both locals and tourists.6. **Painted Ladies:** The Painted Ladies are a row of Victorian and Edwardian houses facing Alamo Square. This iconic postcard-worthy view of colorful houses against the city skyline is a must-see.7. **Golden Gate Park:** A sprawling urban oasis, Golden Gate Park offers lush greenery, museums, gardens, and recreational activities. The California Academy of Sciences and the de Young Museum are notable attractions within the park.8. **Cable Cars:** San Francisco's historic cable cars are both a mode of transportation and a tourist attraction. Riding a cable car provides a unique and nostalgic way to experience the city's hilly terrain.9. **The Castro:** Known as one of the first gay neighborhoods in the United States, the Castro district is vibrant and inclusive, with colorful shops, bars, and the iconic Castro Theatre.10. **Tech Hub:** San Francisco is a global technology and innovation hub, with Silicon Valley just south of the city. The tech industry has played a significant role in shaping the city's modern identity.San Francisco's diverse neighborhoods, cultural events, and stunning natural beauty make it a captivating destination for travelers seeking a mix of history, art, and contemporary urban experiences.Measures 29 x 21.Backed by linen.
Egypt, situated at the crossroads of Africa and the Middle East, is a nation steeped in millennia of history and cultural significance. With its iconic landmarks, including the Great Pyramids of Giza, the Sphinx, and the temples of Luxor and Karnak, Egypt stands as a living testament to one of the world's earliest civilizations. The Nile River, flowing majestically through the heart of the country, has been a lifeline for Egyptian civilization, nurturing fertile lands and providing a vital source of sustenance.Cairo, the bustling capital, is a vibrant metropolis where the ancient and the modern coexist. The Egyptian Museum in Tahrir Square houses an extensive collection of artifacts, including the treasures of Tutankhamun, showcasing the nation's rich archaeological heritage. The Islamic Cairo district boasts medieval architecture, with the towering minarets of mosques such as the Sultan Hassan Mosque and the Al-Rifa'i Mosque punctuating the skyline.Egypt's cultural heritage extends to the tranquil banks of the Nile, where traditional felucca boats sail against a backdrop of ancient temples and villages. The Valley of the Kings, on the west bank of Luxor, is a necropolis containing the tombs of pharaohs and nobles, revealing the intricate artistry and beliefs of ancient Egyptians.Beyond its historical allure, Egypt offers the Red Sea Riviera, where resorts like Sharm El Sheikh and Hurghada attract visitors with pristine beaches and vibrant coral reefs for snorkeling and diving. The Sinai Peninsula, with its rugged landscapes and the historic St. Catherine's Monastery, adds a touch of adventure and spirituality.Egyptian culture is deeply influenced by its Islamic traditions and a rich tapestry of art, music, and literature. The warmth and hospitality of the Egyptian people, combined with the flavorful cuisine that includes dishes like koshari and falafel, create an inviting and immersive experience for travelers.In contemporary times, Egypt continues to play a pivotal role in regional geopolitics and serves as a bridge between the Arab world and Africa. As the land of the pharaohs navigates the currents of history, its timeless monuments and vibrant culture ensure that Egypt remains a captivating destination for those seeking to unravel the mysteries of the past and savor the beauty of the present.Measures 24 x 36.Backed by linen .
Henri Cartier-Bresson (1908–2004) was a French photographer widely regarded as one of the pioneers of modern photojournalism. Born on August 22, 1908, in Chanteloup-en-Brie, France, Cartier-Bresson played a crucial role in shaping the field of documentary photography and the art of capturing "the decisive moment."Here are some key points about Henri Cartier-Bresson:1. **Founding Member of Magnum Photos:** Henri Cartier-Bresson co-founded Magnum Photos in 1947 along with Robert Capa, David Seymour, George Rodger, and William Vandivert. Magnum is a renowned international photographic cooperative.2. **"Decisive Moment":** Cartier-Bresson is famous for coining the term "the decisive moment" (French: "le moment décisif"). This concept emphasizes capturing the perfect moment when all elements of a scene come together to create a compelling and powerful image.3. **Early Life and Painting:** Before turning to photography, Cartier-Bresson studied painting. He was influenced by Surrealism and the works of artists like André Breton and Pablo Picasso. His early interest in the visual arts contributed to the composition and aesthetics of his photographs.4. **Travel Photography:** Cartier-Bresson traveled extensively throughout his career, capturing moments from different cultures and countries. His travels took him to places such as India, China, the United States, and the Soviet Union.5. **Capturing History:** Cartier-Bresson documented many significant events in the 20th century, including the Spanish Civil War, the liberation of Paris, the funeral of Mahatma Gandhi, and the Chinese Civil War.6. **Book Publications:** Cartier-Bresson published several books, including "The Decisive Moment" ("Images à la sauvette"), which became a classic in the field of photography. His other notable books include "The World of Henri Cartier-Bresson" and "Europeans."7. **Film:** In addition to photography, Cartier-Bresson worked in the film industry. He directed several documentaries, including "Victoire de la Vie" and "Southern Exposures."8. **Awards and Honors:** Cartier-Bresson received numerous awards for his contributions to photography, including the Overseas Press Club Award, the Hasselblad Award, and the Grand Prix National de la Photographie in France.9. **Later Years and Legacy:** In his later years, Cartier-Bresson focused more on drawing and painting. He passed away on August 3, 2004, in Montjustin, France. His legacy lives on through his iconic photographs, his influence on photojournalism, and the enduring impact of Magnum Photos.Henri Cartier-Bresson's work continues to inspire generations of photographers, and his contributions to the art of photography have left an indelible mark on the medium. His ability to capture the essence of a moment with precision and artistry remains a benchmark for photographers around the world.Verso is blank.
Edward Weston (1886-1958), an influential American photographer known for his contributions to modern photography and his focus on capturing the essence of everyday objects and landscapes through a precise and artistic lens.Key points about Edward Weston and his work:1. **Sharp Focus and Precision:** Weston was known for his technical mastery and ability to achieve remarkable detail and sharpness in his photographs. He paid meticulous attention to composition, lighting, and form.2. **Still Life and Nudes:** One of his significant bodies of work includes his still life photographs of everyday objects such as peppers, shells, and vegetables. He also gained recognition for his nudes, which he approached with a sculptural sensibility.3. **Group f/64:** Weston was a founding member of Group f/64, a collective of photographers who championed a straight approach to photography, emphasizing sharp focus and clear detail, often achieved through smaller apertures.4. **Landscape Photography:** Weston captured the landscapes of the American West, often depicting natural forms and scenes with a unique perspective. His landscapes focused on the patterns and textures found in nature.5. **Imogen Cunningham and Modern Photography:** Weston was friends with fellow photographer Imogen Cunningham, and their artistic relationship influenced each other's work. They were both instrumental in shaping the development of modern photography.6. **West Coast Aesthetic:** As part of the West Coast modernist movement, Weston's work often reflected the unique aesthetic and approach of photographers on the Pacific coast of the United States.7. **Influence:** Edward Weston's work continues to be admired and studied by photographers and artists for his innovative approach to form, composition, and light.8. **Legacy:** His photographs are celebrated for their timeless quality and his ability to transform ordinary subjects into objects of beauty and contemplation.Edward Weston's contribution to photography's artistic evolution, his dedication to technique, and his pursuit of elevating the everyday to the realm of art have left a lasting mark on the medium. His legacy endures through his body of work and his impact on subsequent generations of photographers.Printed circa 1940s.Measures 7.25 x 5.5.
Cy Twombly (1928–2011) was an American painter, sculptor, and photographer, associated with the abstract expressionist and neo-expressionist movements. Here are some key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Education:** Twombly studied at the School of the Museum of Fine Arts, Boston, and later attended the Art Students League in New York City. He also spent time in North Carolina at Black Mountain College, where he studied under artists such as Robert Motherwell and Franz Kline.3. **Military Service:** Twombly served in the United States Army as a cryptologist during the Korean War. His experiences during this time influenced some of his later artworks.4. **Move to Italy:** In the 1950s, Twombly moved to Italy, where he spent much of his life. The landscapes, history, and classical influences of Italy had a profound impact on his artistic development.5. **Artistic Style:** Twombly's work is characterized by its gestural, expressive, and often chaotic quality. He employed a unique blend of abstract expressionism, minimalism, and graffiti-like scribbles. His works often feature a poetic and lyrical quality.6. **Use of Text:** Twombly was known for incorporating written words and phrases into his paintings. The text, often barely legible, became an integral part of the overall composition.7. **Series and Themes:** Twombly worked in series, exploring themes and motifs over extended periods. Some of his notable series include the "Blackboard Paintings," the "Hero and Leandro" cycle, and the "Nine Discourses on Commodus."8. **Mediums and Materials:** Twombly experimented with various mediums, including painting, drawing, sculpture, and photography. He often used unconventional materials such as house paint, wax crayon, and graphite.9. **Exhibitions and Recognition:** Twombly's works were exhibited in major galleries and museums worldwide. He gained recognition for his contributions to contemporary art, and retrospectives of his work were organized by institutions like the Museum of Modern Art (MoMA) in New York.10. **Influence on Younger Artists:** Twombly's innovative and free-spirited approach to art has influenced numerous contemporary artists. His ability to merge classical references with modern abstraction has left a lasting impact on the art world.11. **Legacy:** Cy Twombly is considered one of the most significant artists of the 20th century. His work is celebrated for its emotional intensity, intellectual depth, and its ability to evoke a sense of timelessness.Cy Twombly passed away on July 5, 2011, in Rome, Italy. His legacy continues to be celebrated, and his artworks remain influential and highly sought after in the world of contemporary art.Measures 24 x 36.
Claude Monet (1840–1926) was a French painter and one of the leading figures of the Impressionist movement. He is renowned for his innovative approach to capturing light and atmosphere in his paintings, especially in his series of works depicting the same subject under different conditions.Key points about Claude Monet include:1. **Early Life and Artistic Training:** Monet was born on November 14, 1840, in Paris, France. He showed an early interest in art and began his formal training at Le Havre secondary school of the arts. He later studied in Paris, where he met other artists who would become fellow Impressionists.2. **Impressionist Movement:** Monet was a key figure in the Impressionist movement, which emerged in the 19th century as a reaction against academic conventions. The Impressionists aimed to capture the fleeting effects of light and atmosphere, often using loose brushstrokes and vibrant colors.3. **Innovations in Technique:** Monet's innovative techniques included en plein air painting (outdoors), capturing the effects of changing light and weather. His use of broken brushstrokes and a focus on color over detail became hallmarks of the Impressionist style.4. **Series Paintings:** Monet is well-known for his series paintings, where he depicted the same subject in different lighting conditions or seasons. Famous series include "Water Lilies," "Haystacks," "Rouen Cathedral," and "Poplars."5. **Giverny:** Monet lived in Giverny, a small village in Normandy, from 1883 until his death. He cultivated beautiful gardens there, which served as inspiration for many of his later works, particularly the series on water lilies and Japanese footbridges.6. **Japanese Influence:** Monet, like many of his contemporaries, was influenced by Japanese art. He collected Japanese prints and integrated elements of Japanese composition and design into his own work.7. **Exhibitions and Recognition:** Monet exhibited his works at the official Salon in Paris but faced rejection and criticism early in his career. As the Impressionist movement gained recognition, he became celebrated, and his works were exhibited in independent Impressionist exhibitions.8. **Late Years:** In his later years, Monet suffered from cataracts, which affected his vision. Despite this, he continued to paint prolifically. His late works are characterized by a more abstract and expressive style.9. **Legacy:** Claude Monet's influence on modern art is immense. His dedication to capturing the transient qualities of light, his revolutionary techniques, and his commitment to exploring the same subject in various conditions inspired generations of artists.Claude Monet passed away on December 5, 1926, in Giverny, France. Today, his works are celebrated worldwide, and his contributions to the art world continue to be studied and appreciated.Measures 24 x 36.Sold "after" Monet.
Monaco, a tiny principality nestled on the French Riviera, is a glamorous and exclusive destination renowned for its opulence, breathtaking views, and prestigious events. Covering just over two square kilometers, Monaco is the second-smallest country in the world, yet it holds a grand allure.The Principality of Monaco is ruled by the Grimaldi family, and its capital, Monte Carlo, is synonymous with luxury and sophistication. Monaco's iconic Casino de Monte-Carlo, a belle époque masterpiece, is a symbol of the principality's elegance and attracts visitors from around the world.The glittering Mediterranean coastline, with its yacht-filled harbors, sets the stage for Monaco's high-end lifestyle. The Monaco Grand Prix, one of the most prestigious Formula One races, winds its way through the city's narrow streets, drawing racing enthusiasts and celebrities alike.Monaco's royal palace, perched on the Rock of Monaco, offers panoramic views of the Mediterranean Sea. The changing of the guard is a ceremonial tradition that adds to the regal ambiance. The Jardin Exotique showcases a stunning collection of succulent plants against the backdrop of the azure sea.Cultural attractions include the Oceanographic Museum, founded by Prince Albert I, which combines marine science with architectural beauty. The Grimaldi Forum, a modern conference and cultural center, hosts a variety of events, from art exhibitions to concerts.Monaco's commitment to sustainability is evident in projects like the Larvotto eco-district and efforts to expand green spaces. The country's reputation for hosting high-profile events, including the Monaco Yacht Show and the Monaco Yacht Club, solidifies its status as a playground for the world's elite.Monaco's dining scene reflects its international character, offering gourmet experiences in Michelin-starred restaurants and chic cafés overlooking the Mediterranean. The principality's tax haven status has attracted a diverse community of entrepreneurs and artists.In summary, Monaco is a captivating blend of sophistication, natural beauty, and exclusive luxury. Its reputation as a haven for the affluent, coupled with its cultural richness and commitment to sustainability, makes Monaco a unique and enchanting destination on the world stage.Measures 33 x 24.Backed by linen.
Edward Steichen was a prominent American photographer, painter, and curator. Born on March 27, 1879, in Luxembourg, he later became a naturalized American citizen. Steichen played a crucial role in the development of photography as an art form during the early 20th century.Steichen worked in various photographic styles, ranging from pictorialism to modernism. He was renowned for his work in fashion photography and portraiture. Additionally, Steichen served as the chief photographer for the magazine Vanity Fair and later as the director of the Department of Photography at the Museum of Modern Art (MoMA) in New York.One of his notable achievements was organizing the landmark exhibition "The Family of Man" at MoMA in 1955, which showcased photographs from around the world, celebrating the commonalities of humanity. Edward Steichen's influence extended beyond his own photography, as he played a significant role in shaping the way photography was perceived in the art world.Printed circa 1960s.Measures 9.3 x 7.6.
Oxford, often referred to as the "City of Dreaming Spires," is a historic and prestigious city located in Oxfordshire, England. Renowned for its world-famous university, the University of Oxford, the city has a rich academic and cultural heritage that spans centuries.At the heart of Oxford is the university itself, with its captivating medieval architecture, picturesque colleges, and well-maintained gardens. The Radcliffe Camera, Bodleian Library, and the iconic Sheldonian Theatre are just a few of the architectural gems that adorn the cityscape. The university's colleges, each with its own unique charm, contribute to the city's distinctive character. Exploring the cobbled streets and hidden passages, one can soak in the intellectual and historical ambiance that permeates the city.Beyond academia, Oxford offers a vibrant cultural scene. The Ashmolean Museum, one of the oldest museums in the world, houses a diverse collection of art and artifacts. Modern art enthusiasts can visit the Modern Art Oxford gallery, while literature aficionados may be inspired by locations associated with famous authors like J.R.R. Tolkien and C.S. Lewis, who were part of the renowned Inklings literary group.The River Thames flows gently through Oxford, providing a tranquil backdrop for scenic walks and boat rides. Parks and meadows, such as Port Meadow and University Parks, offer green spaces for relaxation and recreation.Oxford's charm extends to its diverse range of shops, restaurants, and pubs. The Covered Market, with its independent boutiques and food stalls, is a popular destination for shopping and culinary delights. The city's pubs, some dating back centuries, add to the atmospheric allure, inviting residents and visitors alike to enjoy a traditional pub experience.As a hub of learning, history, and cultural richness, Oxford stands as a beacon of intellectual achievement and timeless beauty. It continues to attract scholars, tourists, and those seeking to immerse themselves in a city that seamlessly blends tradition with innovation.Backed by linen.Measures 24 x 36.
Andy Warhol, a pioneering figure in the Pop Art movement, is renowned for his innovative approach to art, celebrity culture, and consumerism. Born in 1928, Warhol's contributions have left an indelible mark on contemporary art and popular culture.Warhol's artistic legacy can be encapsulated as follows:1. **Celebrity and Consumerism**: Warhol's art is characterized by its exploration of mass culture, celebrity, and consumerism. His iconic works often featured images of popular products, celebrities, and everyday objects, blurring the lines between high art and commercial imagery.2. **Silkscreen Technique**: Warhol's use of the silkscreen technique allowed him to mass-produce his art, reflecting the assembly-line nature of consumer culture. This technique became a signature element of his work.3. **Icons and Portraits**: Warhol's portraits of celebrities, such as Marilyn Monroe and Elvis Presley, elevated the status of these figures to modern-day icons. His art simultaneously celebrated and critiqued the cult of fame.4. **Exploration of Identity**: Warhol's art often explored questions of identity, fame, and the concept of the self in a media-saturated world. His "self-portraits" shed light on the constructed nature of personal identity.5. **Factory and Studio**: Warhol's "Factory" became a hub of creativity, collaboration, and experimentation, influencing not only his art but also the cultural scene of the time.6. **Transcending Mediums**: Warhol's creativity extended beyond painting to include film, music, and performance. His films, such as "Chelsea Girls," and collaborations with bands like The Velvet Underground, expanded the boundaries of his artistic expression.7. **Cultural Impact**: Warhol's art transcended the art world, influencing fashion, music, advertising, and the broader cultural landscape. His fusion of art and commerce challenged traditional notions of artistic purity.8. **Reflection of Society**: Warhol's work captures the essence of a changing society, addressing issues of celebrity obsession, consumerism, and the impact of mass media on identity and perception.Andy Warhol's legacy is synonymous with his ability to capture the essence of contemporary culture through his unique artistic lens. His iconic works, innovative techniques, and explorations of fame and consumerism continue to shape conversations about the intersection of art, society, and commerce, while inspiring subsequent generations of artists to challenge norms and embrace the transformative power of art.Measures 24 x 36.Mounted to linen.
The "Lips Sofa" is a distinctive and iconic piece of furniture designed by Italian artist and designer Salvador Dalà in 1936. Officially known as the "Bocca Sofa," it is sometimes referred to simply as the "Lips Sofa" because of its striking resemblance to a pair of red, voluptuous lips. Here are some key details about the Lips Sofa:1. **Designer**: The Lips Sofa was designed by Salvador DalÃ, one of the most famous and influential surrealist artists of the 20th century. Dalà is renowned for his imaginative and eccentric works of art, and the Lips Sofa is a testament to his unique artistic vision.2. **Inspiration**: Dalà was known for drawing inspiration from everyday objects and imbuing them with surreal and dreamlike qualities. The Lips Sofa was inspired by the sensual and provocative imagery often found in his paintings and drawings.3. **Design Concept**: The design of the Lips Sofa is whimsical and playful. It features a bright red, lip-shaped seat and backrest, with the two sides of the seat curling upward to resemble a pair of lips in the act of kissing. The upholstery is typically made from fabric or leather.4. **Cultural Significance**: The Lips Sofa is considered an iconic piece of surrealist furniture and a symbol of the Surrealist art movement. It blurs the boundaries between art and design and challenges conventional notions of functional furniture.5. **Limited Production**: The original Lips Sofa was produced in limited quantities and is considered a collector's item. Authentic vintage examples are highly sought after and can command significant prices in the collector's market.6. **Contemporary Versions**: Due to the enduring popularity of the design, contemporary reproductions of the Lips Sofa are also available. These reproductions adhere to the original design while using modern materials and manufacturing techniques.7. **Versatility**: While the Lips Sofa is often considered a work of art, it can function as a functional seating piece in various settings, including living rooms, lounges, galleries, and art studios. Its bold and provocative design can serve as a focal point in interior spaces.The Lips Sofa is a testament to Salvador DalÃ's ability to infuse everyday objects with surreal and artistic qualities. Its eye-catching and unconventional design continues to captivate art and design enthusiasts and serves as a reminder of the playful and imaginative spirit of the Surrealist movement.Measure 7 x 2.75 x 2.5.
Cy Twombly (1928–2011) was an American painter, sculptor, and photographer, associated with the abstract expressionist and neo-expressionist movements. Here are some key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Education:** Twombly studied at the School of the Museum of Fine Arts, Boston, and later attended the Art Students League in New York City. He also spent time in North Carolina at Black Mountain College, where he studied under artists such as Robert Motherwell and Franz Kline.3. **Military Service:** Twombly served in the United States Army as a cryptologist during the Korean War. His experiences during this time influenced some of his later artworks.4. **Move to Italy:** In the 1950s, Twombly moved to Italy, where he spent much of his life. The landscapes, history, and classical influences of Italy had a profound impact on his artistic development.5. **Artistic Style:** Twombly's work is characterized by its gestural, expressive, and often chaotic quality. He employed a unique blend of abstract expressionism, minimalism, and graffiti-like scribbles. His works often feature a poetic and lyrical quality.6. **Use of Text:** Twombly was known for incorporating written words and phrases into his paintings. The text, often barely legible, became an integral part of the overall composition.7. **Series and Themes:** Twombly worked in series, exploring themes and motifs over extended periods. Some of his notable series include the "Blackboard Paintings," the "Hero and Leandro" cycle, and the "Nine Discourses on Commodus."8. **Mediums and Materials:** Twombly experimented with various mediums, including painting, drawing, sculpture, and photography. He often used unconventional materials such as house paint, wax crayon, and graphite.9. **Exhibitions and Recognition:** Twombly's works were exhibited in major galleries and museums worldwide. He gained recognition for his contributions to contemporary art, and retrospectives of his work were organized by institutions like the Museum of Modern Art (MoMA) in New York.10. **Influence on Younger Artists:** Twombly's innovative and free-spirited approach to art has influenced numerous contemporary artists. His ability to merge classical references with modern abstraction has left a lasting impact on the art world.11. **Legacy:** Cy Twombly is considered one of the most significant artists of the 20th century. His work is celebrated for its emotional intensity, intellectual depth, and its ability to evoke a sense of timelessness.Cy Twombly passed away on July 5, 2011, in Rome, Italy. His legacy continues to be celebrated, and his artworks remain influential and highly sought after in the world of contemporary art.Measures 24 x 36.
James Dickson Innes (1887–1914) was a British landscape painter associated with the Post-Impressionist and Neo-Romantic movements. Born in Llanelli, Wales, Innes studied at the Slade School of Fine Art in London, where he developed an interest in innovative approaches to landscape painting.Innes is best known for his landscapes, particularly those inspired by the Welsh countryside. His work is characterized by a vibrant use of color and bold brushstrokes, influenced by the Post-Impressionist styles of artists like Paul Cézanne and Vincent van Gogh. Innes was also associated with the Camden Town Group, a collective of English artists known for their depictions of urban scenes and landscapes.During his short career, Innes produced a significant body of work, including landscapes of Wales and the French countryside. He was part of the generation of artists who embraced new ideas and techniques in the early 20th century, moving away from traditional academic styles.Tragically, James Dickson Innes died at the young age of 27 during a painting trip to Australia in 1914. Despite his brief career, Innes's work has been recognized for its innovation and impact on the development of modern landscape painting. His contributions to Post-Impressionism and his exploration of color and form continue to be appreciated by art enthusiasts and scholars.Measures 21.6 x 28.4.
Claude Monet (1840–1926) was a French painter and a leading figure in the Impressionist art movement. He was born on November 14, 1840, in Paris, France, and became one of the most influential artists of the 19th and early 20th centuries.Monet's early works were characterized by a Realist style, but he later became a central figure in the Impressionist movement, which was known for its emphasis on capturing the effects of light and atmosphere in outdoor scenes. The term "Impressionism" itself is derived from one of Monet's paintings, "Impression, Sunrise," which was exhibited in 1874 and is considered a seminal work in the movement.One of Monet's notable practices was to paint the same subject at different times of the day and under varying light conditions. This can be seen in his famous series paintings, including the Water Lilies series, Haystacks series, and Rouen Cathedral series. These series showcased his mastery in capturing the changing play of light and color.Monet was a key figure in the development of plein air painting, where artists painted outdoors rather than in a studio, enabling them to capture the fleeting effects of natural light. His use of loose brushstrokes and emphasis on color over detail were groundbreaking and had a profound influence on the course of modern art.Monet continued to paint and produce art until the end of his life. He lived in Giverny, where he created his well-known water garden, which became a major source of inspiration for his later works, particularly the Water Lilies series. Claude Monet passed away on December 5, 1926, but his legacy endures, and his contributions to the world of art continue to be celebrated worldwide.Measures 40 x 60 (image), 48 x 68 (framed).Sold "after" Monet.Oil on canvas.
Cy Twombly (1928–2011) was an American painter, sculptor, and photographer, associated with the abstract expressionist and neo-expressionist movements. Here are some key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Education:** Twombly studied at the School of the Museum of Fine Arts, Boston, and later attended the Art Students League in New York City. He also spent time in North Carolina at Black Mountain College, where he studied under artists such as Robert Motherwell and Franz Kline.3. **Military Service:** Twombly served in the United States Army as a cryptologist during the Korean War. His experiences during this time influenced some of his later artworks.4. **Move to Italy:** In the 1950s, Twombly moved to Italy, where he spent much of his life. The landscapes, history, and classical influences of Italy had a profound impact on his artistic development.5. **Artistic Style:** Twombly's work is characterized by its gestural, expressive, and often chaotic quality. He employed a unique blend of abstract expressionism, minimalism, and graffiti-like scribbles. His works often feature a poetic and lyrical quality.6. **Use of Text:** Twombly was known for incorporating written words and phrases into his paintings. The text, often barely legible, became an integral part of the overall composition.7. **Series and Themes:** Twombly worked in series, exploring themes and motifs over extended periods. Some of his notable series include the "Blackboard Paintings," the "Hero and Leandro" cycle, and the "Nine Discourses on Commodus."8. **Mediums and Materials:** Twombly experimented with various mediums, including painting, drawing, sculpture, and photography. He often used unconventional materials such as house paint, wax crayon, and graphite.9. **Exhibitions and Recognition:** Twombly's works were exhibited in major galleries and museums worldwide. He gained recognition for his contributions to contemporary art, and retrospectives of his work were organized by institutions like the Museum of Modern Art (MoMA) in New York.10. **Influence on Younger Artists:** Twombly's innovative and free-spirited approach to art has influenced numerous contemporary artists. His ability to merge classical references with modern abstraction has left a lasting impact on the art world.11. **Legacy:** Cy Twombly is considered one of the most significant artists of the 20th century. His work is celebrated for its emotional intensity, intellectual depth, and its ability to evoke a sense of timelessness.Cy Twombly passed away on July 5, 2011, in Rome, Italy. His legacy continues to be celebrated, and his artworks remain influential and highly sought after in the world of contemporary art.Measures 24 x 36.
Cy Twombly (1928–2011) was an American painter, sculptor, and photographer, associated with the abstract expressionist and neo-expressionist movements. Here are some key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Education:** Twombly studied at the School of the Museum of Fine Arts, Boston, and later attended the Art Students League in New York City. He also spent time in North Carolina at Black Mountain College, where he studied under artists such as Robert Motherwell and Franz Kline.3. **Military Service:** Twombly served in the United States Army as a cryptologist during the Korean War. His experiences during this time influenced some of his later artworks.4. **Move to Italy:** In the 1950s, Twombly moved to Italy, where he spent much of his life. The landscapes, history, and classical influences of Italy had a profound impact on his artistic development.5. **Artistic Style:** Twombly's work is characterized by its gestural, expressive, and often chaotic quality. He employed a unique blend of abstract expressionism, minimalism, and graffiti-like scribbles. His works often feature a poetic and lyrical quality.6. **Use of Text:** Twombly was known for incorporating written words and phrases into his paintings. The text, often barely legible, became an integral part of the overall composition.7. **Series and Themes:** Twombly worked in series, exploring themes and motifs over extended periods. Some of his notable series include the "Blackboard Paintings," the "Hero and Leandro" cycle, and the "Nine Discourses on Commodus."8. **Mediums and Materials:** Twombly experimented with various mediums, including painting, drawing, sculpture, and photography. He often used unconventional materials such as house paint, wax crayon, and graphite.9. **Exhibitions and Recognition:** Twombly's works were exhibited in major galleries and museums worldwide. He gained recognition for his contributions to contemporary art, and retrospectives of his work were organized by institutions like the Museum of Modern Art (MoMA) in New York.10. **Influence on Younger Artists:** Twombly's innovative and free-spirited approach to art has influenced numerous contemporary artists. His ability to merge classical references with modern abstraction has left a lasting impact on the art world.11. **Legacy:** Cy Twombly is considered one of the most significant artists of the 20th century. His work is celebrated for its emotional intensity, intellectual depth, and its ability to evoke a sense of timelessness.Cy Twombly passed away on July 5, 2011, in Rome, Italy. His legacy continues to be celebrated, and his artworks remain influential and highly sought after in the world of contemporary art.Measures 24 x 36.
Utagawa Hiroshige (1797–1858), also known as Ando Hiroshige, was a Japanese ukiyo-e artist of the Edo period. He is considered one of the last great masters of the ukiyo-e tradition, which focused on woodblock prints and paintings depicting scenes from everyday life, landscapes, and kabuki theater.Key points about Hiroshige:1. **Early Life:** Hiroshige was born in 1797 in Edo (modern-day Tokyo), Japan. He initially worked as a fire warden but later pursued a career in art.2. **Ukiyo-e Tradition:** Ukiyo-e, which translates to "pictures of the floating world," was a popular genre of art in Edo-period Japan. Hiroshige became renowned for his contributions to landscapes within this tradition.3. **Fifty-Three Stations of the Tōkaidō:** One of Hiroshige's most famous series is the "Fifty-Three Stations of the Tōkaidō." This series depicts scenes along the Tōkaidō, the main highway between Edo and Kyoto. It was a popular subject for artists, and Hiroshige's interpretation is considered a masterpiece.4. **One Hundred Famous Views of Edo:** Another notable series by Hiroshige is "One Hundred Famous Views of Edo," showcasing scenes of Edo (Tokyo). This series demonstrates his skill in capturing the changing seasons and atmospheric effects.5. **Influence on Western Art:** Hiroshige's works had a significant impact on Western art, especially during the late 19th century when Japanese woodblock prints became popular in Europe. Artists such as Vincent van Gogh and Claude Monet were influenced by Hiroshige's compositions and use of color.6. **Later Works and Death:** Hiroshige continued to produce art throughout his career, creating numerous series and prints. He passed away on October 12, 1858, in Edo.7. **Legacy:** Hiroshige's legacy extends beyond his lifetime. His innovative compositions, masterful use of color, and ability to capture the essence of nature and everyday life left a lasting impact on the world of art. His work is celebrated for its beauty, precision, and contribution to the ukiyo-e tradition.Hiroshige's prints are highly collectible, and his influence on the development of Western art movements, such as Impressionism, further solidifies his place in art history.Measures 24 x 36. Sold "after' Hiroshige.
Edward Weston (1886-1958), an influential American photographer known for his contributions to modern photography and his focus on capturing the essence of everyday objects and landscapes through a precise and artistic lens.Key points about Edward Weston and his work:1. **Sharp Focus and Precision:** Weston was known for his technical mastery and ability to achieve remarkable detail and sharpness in his photographs. He paid meticulous attention to composition, lighting, and form.2. **Still Life and Nudes:** One of his significant bodies of work includes his still life photographs of everyday objects such as peppers, shells, and vegetables. He also gained recognition for his nudes, which he approached with a sculptural sensibility.3. **Group f/64:** Weston was a founding member of Group f/64, a collective of photographers who championed a straight approach to photography, emphasizing sharp focus and clear detail, often achieved through smaller apertures.4. **Landscape Photography:** Weston captured the landscapes of the American West, often depicting natural forms and scenes with a unique perspective. His landscapes focused on the patterns and textures found in nature.5. **Imogen Cunningham and Modern Photography:** Weston was friends with fellow photographer Imogen Cunningham, and their artistic relationship influenced each other's work. They were both instrumental in shaping the development of modern photography.6. **West Coast Aesthetic:** As part of the West Coast modernist movement, Weston's work often reflected the unique aesthetic and approach of photographers on the Pacific coast of the United States.7. **Influence:** Edward Weston's work continues to be admired and studied by photographers and artists for his innovative approach to form, composition, and light.8. **Legacy:** His photographs are celebrated for their timeless quality and his ability to transform ordinary subjects into objects of beauty and contemplation.Edward Weston's contribution to photography's artistic evolution, his dedication to technique, and his pursuit of elevating the everyday to the realm of art have left a lasting mark on the medium. His legacy endures through his body of work and his impact on subsequent generations of photographers.Measures 6.3 x 5.75.Printed circa 1940s.
Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images.One of Misrach's most notable bodies of work is titled "Desert Cantos," a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization.Another significant project by Misrach is "The Golden Gate," a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape.Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA).Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world.Measures 11.5 x 14.
Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY).Printed circa 1980s.Measures 5.4 x 8.2.
Miami, a vibrant and multicultural city located on the southeastern coast of Florida, is renowned for its unique blend of art, culture, diverse communities, and sun-soaked beaches. The city's skyline is adorned with modern architecture, and its neighborhoods offer a rich tapestry of experiences.The iconic South Beach, with its pastel-hued Art Deco buildings and lively Ocean Drive, is a world-famous destination known for its white sandy beaches, trendy boutiques, and vibrant nightlife. The Art Deco Historic District reflects Miami's architectural history and cultural influence.Wynwood, an artsy neighborhood, stands out for its colorful street art, galleries, and trendy cafes. The Wynwood Walls, an outdoor mural project, showcases the talent of local and international artists. Little Havana, with its Cuban influence, is a lively district filled with Latin music, dance, and authentic cuisine, providing a taste of Miami's diverse cultural heritage.Beyond the urban landscape, Biscayne Bay offers opportunities for water activities, while the nearby Everglades National Park allows visitors to explore unique ecosystems and encounter native wildlife. Miami's status as a major port city has contributed to its role as a hub for international trade and cruise travel.The city hosts major cultural events, such as Art Basel Miami Beach, attracting artists, collectors, and enthusiasts from around the globe. Miami's rich musical scene, influenced by Latin, Caribbean, and electronic beats, adds to its dynamic cultural identity.With its tropical climate, palm-lined streets, and a melting pot of cultures, Miami is not only a sought-after tourist destination but also a thriving hub for business, creativity, and innovation. The city's energy, diversity, and commitment to the arts make it a captivating and ever-evolving metropolis.Measures 33 x 24.Backed by linen.
Paul Cézanne (1839–1906) was a French Post-Impressionist painter whose work laid the foundation for the transition from 19th-century art to the revolutionary styles of the 20th century. Born in Aix-en-Provence, France, Cézanne's artistic career began in the mid-19th century, and he played a crucial role in the development of modern art.Cézanne's early works were influenced by Impressionism, but he eventually moved away from its emphasis on capturing fleeting moments and light effects. He developed a unique style that focused on geometric forms, spatial relationships, and the manipulation of color and perspective.Some of Cézanne's well-known paintings include "Mont Sainte-Victoire," "The Card Players," and "Still Life with Apples." His landscapes and still lifes are celebrated for their exploration of form, structure, and the use of color planes, which would become foundational elements of Cubism and other modern art movements.Cézanne's approach to painting had a profound impact on artists such as Pablo Picasso and Georges Braque, who later developed Cubism. Despite facing initial rejection and criticism, Cézanne's work gained recognition in the later years of his life, and he is now considered one of the most influential figures in the history of art. His innovative techniques and emphasis on form over color had a lasting impact on the trajectory of modern art.
Pierre Bonnard (1867–1947) was a French painter and printmaker associated with the Post-Impressionist and Nabis movements. He is known for his use of vibrant colors, intimate domestic scenes, and innovative compositions that often border on abstraction.Key points about Pierre Bonnard include:1. **Early Life and Education:** Bonnard was born on October 3, 1867, in Fontenay-aux-Roses, France. He studied law but chose to pursue art, attending the École des Beaux-Arts and Académie Julian in Paris.2. **Nabis Movement:** Bonnard was a member of the Nabis, a group of avant-garde artists influenced by Symbolism, Japanese prints, and the decorative arts. Other notable members included Édouard Vuillard and Maurice Denis.3. **Color and Composition:** Bonnard was known for his mastery of color, using it to convey emotion and atmosphere. He often painted domestic scenes, portraits, and landscapes, capturing the ordinary moments of everyday life. His compositions sometimes featured unusual perspectives and cropped views.4. **Intimism:** Bonnard's work is associated with Intimism, a style that emphasizes the personal and intimate aspects of life. He often depicted interiors, domestic settings, and scenes of his family and friends.5. **Use of Photography:** Bonnard used photography as a tool for composing his paintings, taking snapshots of his subjects and later translating them into his art. This contributed to his unique perspectives and dynamic compositions.6. **Later Works:** In his later years, Bonnard continued to explore color and form in his paintings. His style evolved, and he became more experimental, often using bold colors and creating works that leaned toward abstraction.7. **Decorative Arts:** Bonnard's interest in the decorative arts is evident in his paintings, where he incorporated patterns, textiles, and decorative elements. This connection to decorative arts aligned with the Nabis movement's broader interest in creating a total work of art.8. **Death and Legacy:** Pierre Bonnard passed away on January 23, 1947, in Le Cannet, France. His work continued to gain recognition posthumously, and he is considered a significant figure in the transition from Post-Impressionism to Modernism.9. **Museum Collections:** Bonnard's paintings are held in major museums and collections around the world. His contributions to modern art, particularly his exploration of color, composition, and the depiction of everyday life, continue to be studied and appreciated.Pierre Bonnard's art has had a lasting impact on the development of modern painting, and his innovative approach to color and composition continues to influence artists today.Measures 24 x 36.Sold "after" Bonnard.
Cy Twombly (1928–2011) was an American painter, sculptor, and photographer, associated with the abstract expressionist and neo-expressionist movements. Here are some key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Education:** Twombly studied at the School of the Museum of Fine Arts, Boston, and later attended the Art Students League in New York City. He also spent time in North Carolina at Black Mountain College, where he studied under artists such as Robert Motherwell and Franz Kline.3. **Military Service:** Twombly served in the United States Army as a cryptologist during the Korean War. His experiences during this time influenced some of his later artworks.4. **Move to Italy:** In the 1950s, Twombly moved to Italy, where he spent much of his life. The landscapes, history, and classical influences of Italy had a profound impact on his artistic development.5. **Artistic Style:** Twombly's work is characterized by its gestural, expressive, and often chaotic quality. He employed a unique blend of abstract expressionism, minimalism, and graffiti-like scribbles. His works often feature a poetic and lyrical quality.6. **Use of Text:** Twombly was known for incorporating written words and phrases into his paintings. The text, often barely legible, became an integral part of the overall composition.7. **Series and Themes:** Twombly worked in series, exploring themes and motifs over extended periods. Some of his notable series include the "Blackboard Paintings," the "Hero and Leandro" cycle, and the "Nine Discourses on Commodus."8. **Mediums and Materials:** Twombly experimented with various mediums, including painting, drawing, sculpture, and photography. He often used unconventional materials such as house paint, wax crayon, and graphite.9. **Exhibitions and Recognition:** Twombly's works were exhibited in major galleries and museums worldwide. He gained recognition for his contributions to contemporary art, and retrospectives of his work were organized by institutions like the Museum of Modern Art (MoMA) in New York.10. **Influence on Younger Artists:** Twombly's innovative and free-spirited approach to art has influenced numerous contemporary artists. His ability to merge classical references with modern abstraction has left a lasting impact on the art world.11. **Legacy:** Cy Twombly is considered one of the most significant artists of the 20th century. His work is celebrated for its emotional intensity, intellectual depth, and its ability to evoke a sense of timelessness.Cy Twombly passed away on July 5, 2011, in Rome, Italy. His legacy continues to be celebrated, and his artworks remain influential and highly sought after in the world of contemporary art.Measures 24 x 36.
Joan Miró (1893–1983) was a Spanish painter, sculptor, and ceramicist associated with the Surrealist movement. He was born in Barcelona, Catalonia, and his work is known for its playful, abstract, and symbolic elements. Miró's style evolved over the years, and he experimented with various artistic forms, including painting, sculpture, and ceramics.Some key characteristics of Miró's art include whimsical and biomorphic forms, vibrant colors, and a childlike sense of spontaneity. His work often incorporated symbols, signs, and imaginative shapes, creating a unique visual language that set him apart as a prominent figure in 20th-century art.Miró's notable works include "The Tilled Field," "The Birth of the World," and "The Harlequin's Carnival." His contributions to the art world have left a lasting impact, and he is considered one of the most influential modern artists.Measures 40 x 60.Sold "after" Miro.Oil on canvas.
Pablo Picasso (1881-1973) was a renowned Spanish painter, sculptor, printmaker, ceramicist, and stage designer who is widely regarded as one of the most influential artists of the 20th century. He is best known for co-founding the Cubist movement and for his contributions to Surrealism.Picasso's artistic career spanned over seven decades, during which he produced an estimated 50,000 artworks, including paintings, sculptures, ceramics, drawings, and more. His work is characterized by his innovative approach to form, color, and perspective, often pushing the boundaries of traditional artistic techniques.Some of Picasso's most famous works include "Les Demoiselles d'Avignon" (1907), a groundbreaking painting that is considered a precursor to Cubism, and "Guernica" (1937), a powerful anti-war mural depicting the bombing of the town of Guernica during the Spanish Civil War. These and many other works by Picasso continue to be celebrated and studied in the art world.Picasso's artistic style evolved throughout his career, and he experimented with various techniques and mediums. He was also highly prolific and produced works in different periods, including the Blue Period, Rose Period, African art-inspired Period, and later, his Cubist and Surrealist phases.In addition to his contributions as an artist, Picasso's influence extended beyond the art world. He was an important figure in shaping modern art and had a profound impact on subsequent generations of artists. His legacy and artistic achievements continue to be celebrated and studied to this day. Measures 12.8 x 10.5.Printed circa 1980s.
Vasily Kandinsky (1866 – 1944) was a Russian painter and art theorist who is widely regarded as one of the pioneers of abstract art. He played a crucial role in the development of non-objective and abstract painting, breaking away from representational art and exploring the emotional and spiritual aspects of color and form.Key aspects of Vasily Kandinsky's life and work include:1. **Early Career and Influences:** Kandinsky initially pursued a career in law and economics before turning to art. He began his artistic training in Munich, Germany, and was exposed to various art movements and ideas that would influence his work, including Symbolism, Fauvism, and the Blue Rider movement.2. **Abstraction and Non-Objectivity:** Kandinsky is often credited with creating some of the earliest purely abstract artworks. He believed that art should evoke emotions and spiritual experiences, transcending the limitations of recognizable forms. His "non-objective" compositions sought to communicate directly through color, shape, and line.3. **The Blue Rider:** Kandinsky was a co-founder of the Blue Rider movement (Der Blaue Reiter) along with Franz Marc. The movement advocated for the spiritual and symbolic potential of art, emphasizing the use of color and form to express inner truths.4. **Synesthesia:** Kandinsky experienced synesthesia, a phenomenon where one sensory experience triggers another. He believed that colors and forms could evoke specific emotions and musical qualities. This belief influenced his use of color and the relationships between shapes in his art.5. **Art Theory:** Kandinsky was not only a painter but also a prolific writer on art theory. His book "Concerning the Spiritual in Art" (1910) is a seminal text that discusses the connections between art, spirituality, and emotion. He also taught at the influential Bauhaus school in Germany.6. **Evolution of Style:** Kandinsky's work evolved over his career. He moved from representational art to increasingly abstract and geometric compositions. His later works often featured more structured forms and a refined use of color.7. **Move to Abstraction:** Kandinsky's move toward abstraction was driven by his desire to convey deeper meanings and experiences through art. His art aimed to express the internal world and the spiritual aspects of human existence.8. **Legacy:** Vasily Kandinsky is considered a pioneer of abstract art and a pivotal figure in the history of 20th-century art. His theories and artworks laid the foundation for the development of abstract expressionism and other modern art movements.Vasily Kandinsky's innovative approach to art, his exploration of color and form, and his commitment to expressing emotional and spiritual truths have left an enduring legacy. His influence is evident in the work of subsequent generations of abstract and non-objective artists.Measures 13 x 16.Signed in the plate.
A charming Art Deco Diamond and Enamel Jockey Brooch, circa 1925, designed as a racehorse with jockey up, at full gallop, the horse neatly set with old single and rose cut diamonds, the jockey picked out in variously coloured enamels, set on yellow and white metal, probably gold and platinum, with modern case 5g (gross) Enormously popular in the early 20th century, these dashing horse racing brooches come up at auction from time to time. This is a particularly fine example with carefully thought out stone arrangement and a nicely enamelled jockey, the saddle and reigns picked out in yellow gold. Make yourself standout from the crowd at the next Point to Point or Royal Ascot!
† DAN ARBEID (1928-2010); a large stoneware twin handled fruit bowl covered in green ash glaze with an oily texture, impressed DA mark, diameter 46cm (including handles).Literature: Illustrated in 'Art of the Modern Potter' by Tony Birks (Country Life, revised & enlarged edition, 1976), pl. 158. Provenance: Artist's estate. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
BANKSY (B. 1975)People Who Enjoy Waving Flags Don't Deserve To Have One 2003 spray paint on found St. George's Cross Flag 132 by 95 cm. 51 15/16 by 37 3/8 in. This work was executed in 2003 and is a unique work from a series. Footnotes:This work is accompanied by a certificate of authenticity issued by Pest Control Office and will be issued with an updated certificate to the buyer. ProvenanceLazarides Gallery, London Private Collection, UKSale: Forum Auctions, London, Only Banksy, 23 April 2021, Lot 10 Acquired directly from the above by the present ownerPeople Who Enjoy Waving Flags Don't Deserve to Have One from 2003 is an exceptional example of Banksy's characteristically provocative and humorous oeuvre, which stirs discourse within a broader socio-political context. As one of the most acclaimed and sensationalist contemporary artists in the world, Banksy's career has garnered a following unlike any other. His political statements and subversive mise-en-scène have adorned cities across the globe at vital junctures in recent history, prompting alternative perspectives and fomenting spectacle and theatre in the art world. His first solo show in over a decade, Cut & Run, was recently hosted at Glasgow's Gallery of Modern Art and drew in crowds from all over the globe. People Who Enjoy Waving Flags Don't Deserve to Have One is a rare and amusing work, that carries with it the artist's classically witty and provocative social commentary. Not one to shy away from dark humour and pointed irony, Banksy takes St. George's flag, a historical symbol dating back hundreds of years, and mocks its common day use. St George's flag is the flag of England and is a derivation from St George's cross, dating back to the Middle Ages. The red cross can be traced back to the third crusade when French and English troops identified themselves from the opposition by wearing red and white crosses. At the same time, St George was adopted as a patron saint by various European countries, including England, since he was the personification of the ideals of Christian chivalry and known for his legendary myths of bravery. The red cross, which has been purposefully turned vertically in the present work might be taken as a reference to the crucifixion of Jesus Christ, possibly one of the most internationally recognised symbols of the Christian faith. Throughout history, the depiction of Jesus' crucifixion has been painted over and over again and Banksy himself is no stranger to the inclusion of religious connotations in his works. For example, his 2017 Grappling Hook sculpture is a strong statement on the struggles of the West Bank barrier. As an artist who uses art as a weapon, Banksy's religious imagery serves to question religion's place in today's society. In the present work, by combining the crucifixion motif with the stencilled phrase over the top of it, Banksy promotes the viewers to question the symbols of nationhood and allegiance to which humanity so easily conforms. Imbued with a rich history and religious connotations, the flag is now more often used as decoration, at royal events and especially sporting events; very commonly seen in football matches, where enthusiasts often paint their faces with the English flag. Banksy is interpreting society's obsession with sport, and the similarities of religious rituals with those actioned by fanatics during football and other sporting events, which often include their nation's flag. By using the phrase stencilled onto the present work as an expressive commentary on nationalism and the often-blind allegiance to, and pride in, one's country, Banksy is also critiquing the population's simplistic manner of pompously waving their country's flag and being proud doing so, no matter the context. Waiving a flag can give people an often unfounded sense of unity, purpose and togetherness, and Banksy parodies these actions that humans take just to feel a sense of belonging, without questioning what the flag really represents. Firmly written into the art history books, alongside the likes of Jean-Michel Basquiat, Keith Haring and Richard Hambleton, Banksy belongs to a rarified group of artist-outcasts whose inimitable styles took seed in their early years as rogue street artists; styles and stories that were hotly embraced by their local contemporary art scene. With his distinct, cool, disarming wit and charm, Banksy's anti-establishment panache has earned him a cult following and unparalleled acclaim. His iconic and universally recognisable works are fiercely sought after by collectors globally and achieve high prices at auction. Banksy has gained unparalleled acclaim for his anti-establishment street art that is universally recognisable whilst his own identity, has remained intriguingly anonymous for decades. He has left an indelible mark on the walls of art history as a true maverick of the genre and cemented his journey from outsider street artist to one of the most important and admired political and cultural voices of the 21st century.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
GLENN BROWN (B. 1966)The Music of the Mountains 2016 signed on a label affixed to the reverse of the backing boardIndia ink and acrylic on panel 135 by 95 cm. 53 1/8 by 37 3/8 in. This work was executed in 2016. Footnotes:This work is registered in the archives of the Glenn Brown Studio, London. ProvenanceGagosian Gallery, London Acquired directly from the above by the present ownerExhibitedFlorence, Museo Stefano Bardini, Glenn Brown: Piaceri Sconosciuti, 2017London, Gagosian Gallery, Glenn Brown: Come to Dust, 2018Guernsey, The Rona Cole Art Gallery, Guernsey Museum at Candie, 2018 - 2022, work on loan to the museumEmerging from a shimmering veil of woven, fluttering lines and threads of acrylic and ink, the timeless subject of Glenn Brown's The Music of the Mountains impresses upon us the uniqueness of his talent and the thrilling nature of his daring artistry that calls upon the benevolent gods of art history, from Da Vinci, Fragonard, Rembrandt and Boucher to John Martin, Dali, and Frank Auerbach. These apparitions don't simply appear as facsimile, however, but instead deconstruct the very humanity that comprises their historicity. Brown produces an intensified vision of painting qua painting that is captivating to behold and supremely contemporary in their notions of authorship and subject. Since his emergence in the 1990s, he has been a maverick of contemporary practice who has gone against the grain consistently, earning a Turner Prize nomination in 2000 and carving out a place amongst the most significant and lauded painters of his generation, with works in major institutions including The Art Institute of Chicago; the Centre Georges Pompidou, Paris; the Museum of Modern Art, New York; and the Walker Art Center, Minneapolis. He will further solidify his standing as one of the leading contemporary British artists with a museum dedicated to his practice and works from his personal collection, including Dutch and Italian masters, opening in Marylebone during the 2022 October Frieze week.In The Music of the Mountains, one cannot escape the elegance of Brown's virtuoso hand that lures and enthrals our gaze with its fluidity, poetry and sensitivity to form. Above all else, Brown is an artist who produces beautiful paintings. But therein lies the complexity and tragedy of his practice that makes his work some of the most challenging conceptual feats of contemporary art. Christoph Grunenberg, Director of the Kunsthalle Bremen, seized upon this essential quality, describing his art as 'one of extreme attraction – in subject matter, execution and look – yet at its heart there is darkness, a melancholic vision of death, destruction and loneliness. Belying their aesthetic perfection, masterly technical dexterity and formal integrity, Brown's paintings reveal surprising contradictions and ambiguities' (Christoph Grunenberg in Glenn Brown, London: 2009, p. 15). In this way, through The Music of the Mountains we are given access to a transcendent vision of art history that reveals fresh narratives and upends contemporary questions by placing them on a timeline that shrinks their fleeting pertinence. Here, Brown's wisps of paint and ink call upon the delicate and unsurpassed sketches of Da Vinci, blending and folding about one another to manifest a ghost-like head of a woman caught in a three-quarter glance, her eyes cast down appearing transfixed and intent. It is an arresting vision whose features evoke the playful fullness of a Boucher, yet her apparent seriousness lends an air of Judith beheading Holofernes. These epistemic questions tug at our knowledge of art history and the history of images themselves, proving an elaborate contemporary challenge to the validity of painting today. Brown thus goes beyond the reproduction of an original image; he reconstructs the composition, subjects it to distortion, and ultimately imbues it with a new sense of narrative. In his skilful handling of paint and conceptual ingenuity grounded in Postmodern critical theory, The Music of the Mountains draws us in with a timeless beauty that teeters on collapse, as exquisite and gossamer as the painted surface is. In opening his practice to the questions and tribulations of originality, Brown places himself amongst a rarefied group of artists for whom appropriation practices have defined their careers, from Marcel Duchamp, Cindy Sherman, Sherry Levine, Richard Prince, and Jeff Koons. Brown stands apart, however. His paintings leave doors open to ambiguity and revivification, not least in his titles that can appear oftentimes as banal or overly romantic, but interestingly turn to music as a source of inspiration. 'The connections between my paintings and my titles are not always obvious but they are never random,' the artist says: 'I am trying to puzzle viewers. The work is supposed to stick in their heads and make them ask why. Again, that is the base with good music; something, perhaps a sense of disharmony or miss alignment of timing, catches your attention but you often cannot articulate why. I think it is the same with a painting: it has to catch you by being enigmatic and intriguing – whether it is through colour or meaning, beauty or ugliness, a celebration of life or the devastation of death' (the artist interviewed by Rochelle Steiner in Glenn Brown, London: 2004, p. 100).In a perfectly balanced synthesis, Brown's execution is bonded to the grandeur of his ideas, which enables him to operate with an unparalleled nuance, cutting right between what the image is and what it represents. Without the masterly hand of the artist, such notions of beauty and decay, of life and death, would not uphold. As evidenced in the present work, these sumptuous swirls and painterly panache permit us to glimpse the sublime. But Brown allows darkness to creep in, where trailing threads and spirals appear to create a kind of smog, a putridity that hangs in the air of the piece. Ultimately, what the artist captures is pure affect – the remnant of an impression that casts itself back through time: 'the naked flesh of the original model may be long dead, but that just aids the imagination Fragonard, Auerbach and Rembrandt painted the living. Their flesh has become paint so I paint paint. The paint is the crusty residue left after the relationship between the artist and his model is over. It is all that there is left of real love, so I paint that' (the artist in Ibid., p. 17).Glenn Brown's The Music of the Mountains is an exemplary painting that illustrates the richness and vastness of his practice. In Brown's dextrous hand, we sense the timelessness of his subject that is conjured spirit-like before us. She hangs in the air as a vision of art that was, and art as it is now – constantly evolving, emerging, dwindling, and reconstituting. Brown continues to be one of the most exciting and talented contemporary artists, whose communion with art history's masters has surely placed him amongst them.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
FRANK AUERBACH (B. 1931)From the Studios II 1992 oil on board43.2 by 40.6 cm. 17 by 16 in. This work was executed in 1992.Footnotes:Provenance Marlborough Fine Art Ltd., London Acquired directly from the above by the present owner Exhibited London, Marlborough Fine Art Ltd., Frank Auerbach: Recent Works, 1997, n.p., no. 36, illustrated in colour Literature William Feaver, Frank Auerbach, New York 2009, p. 318, no. 704, illustrated in colourWilliam Feaver, Frank Auerbach, New York 2022, p. 360, no. 704, illustrated in colourFrom the Studios II is a strikingly fresh and beautiful example of Auerbach's inimitably personal and deeply emotive body of North London cityscapes. Rendered in a majestic and jewel-like palette of green, red, yellow and ochre pigment, the intensity of the artist's response to the subject is gloriously brought to life through Auerbach's bravura handling of oil paint, for which he is so well known. Executed in 1992 as part of a suite of paintings on the same subject, the composition focuses on a view of Auerbach's studio that the artist encountered day in, day out. He journeyed to the studio every day since he first took up residence in a Victorian building in Camden over sixty years ago. It is a place with a long history of art: before Auerbach, the building had been used by painters Frances Hodgkins and Leon Kossoff. This painting shows us a place that is obviously dear to Auerbach's heart, the approach along a narrow, unassuming alleyway to his cluttered, paint-flecked studio space. First capturing its image in 1977, this is a subject that the artist has repeatedly returned to throughout his oeuvre. And yet each version has its own unique qualities, its own distinct methods and manners. While hardly a picturesque spot in any conventional sense, the artist locates beauty in this messy corner of a busy city.The considerable complexities of colour and composition apparent in this present work distinguish the painting from previous paintings of this scene. Compared to the predominantly dark hues of the earlier To the Studios series executed between 1979-80 where, principally, blues are set against strokes of purple and sombre hues, the palette seen here is particularly bold, ranging from the liberal use of an acid yellow sky, to arresting juxtapositions of red and green pigments. Space and form emerge from a dense lattice of lines and patches of colour are built up and scraped back in rich layers of impasto. The tension between Auerbach's treatment of the surface as a material object and the image's illusion of three-dimensional depth invigorates the entire composition.With two works from the series owned by Tate, London, the The Studios series is unanimously considered one of the finest series in Auerbach's oeuvre: these works herald the unmistakable 'all-at-onceness' of Auerbach's vision across an exquisite range of captured moments. The present work draws upon Walter Sickert's cityscapes of North London, as well as the quality of 'individuality, independence, fullness and perpetual motion' within the landscapes of Auerbach's mentor and teacher David Bomberg (the artist in: Frank Auerbach, 'Frank Auerbach in conversation with Catherine Lampert', Frank Auerbach, London 1978, p. 8). Hailed as one of the most influential painters of the 20th century, Frank Auerbach was born in Berlin, Germany in 1931. Arriving in England as a Jewish refugee in 1939, he attended St Martin's School of Art, London, and studied with David Bomberg in night classes at Borough Polytechnic, before culminating his final studies at the Royal College of Art and has since remained in London. His first exhibition was held at London's Beaux Arts Gallery in 1956. Initially he was criticised for his thick application of paint, but found support from the critic David Sylvester, who identified the exhibition as one of the most exciting and impressive first one-man shows by an English painter since Francis Bacon. By the early 1960s, Auerbach had established himself among the ranks of what would later become known as the 'School of London', a group that included Lucian Freud and Francis Bacon. The latter, in particular, shared much of Auerbach's sensibility: the two artists favoured painterly intuition over carefully studied precision, viewing painting as a means of pinning down human sensation. However, despite his affiliation with the School of London artists and comparisons to Francis Bacon, Auerbach also sought to engage in the explicit dialogue with the art historical canon, and cites numerous old and modern masters as influences, including Rembrandt, Rubens, Titian, Constable and Picasso. Auerbach would continue to exhibit regularly at the Beaux-Arts Gallery until 1963. From 1965 he first exhibited at the Marlborough Gallery, and today his works have become some of the most internationally collected of a living artist. Indeed, his career-defining 2015-2016 retrospective at London's Tate Britain demonstrated not only the variety of the artist's works, but also his global following, and included works gathered from private collections across the world. From the Studios II presents a unity of architectonic structure, organic brushwork and luscious combinations of vibrant, rich hues. Through brilliant colour and a faultless exhibition of Auerbach's charismatic painterly gesture, this present work carries a powerful, personal and emotional charge. The work encapsulates a seminal exposition of Auerbach's thoroughly compelling Studio series, that is completely fresh to the market having remained in the same Private Collection since the early 1990s.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
WILLIAM KENTRIDGE (B. 1955)Drawing from the History of the Main Complaint 1996 signed and dated '96charcoal and pastel on paper123 by 160 cm.48 7/16 by 63 in.Footnotes:ProvenanceAnnandale Galleries, SydneyPrivate Collection, SydneyAcquired directly from the above by the present ownerLiterature Carolyn Christov-Bakargiev, William Kentridge, Brussels 1998, p. 112, illustrated in colour Dan Cameron, Carolyn Christov-Bakargiev, J.M. Coetzee, William Kentridge, London 1999, p. 87, illustrated in colourCaptivating and poignant, Drawing for the Main Complaint is one of twenty-one large-scale drawings constituting Kentridge's film, 'History of the Main Complaint.' The present work's expansive scale and gestural execution coupled with its thematic exploration of apartheid, colonialism, memory, and time firmly establish Kentridge as a significant artist who has made a compelling contribution to contemporary art. Other drawings from the film are housed in esteemed collections such as the Museum of Modern Art, New York and the Museum of Contemporary Art, Chicago, affirming the importance of the present work, and of Kentridge's stature as one of today's most notable living artists. In the present work Kentridge is rendering a striking portrayal of an austere black-and-white hospital ward with curtains drawn around a solitary bed, revealing only two discernible hints of red and blue – red in the light on the wall to the right and blue in the bowl of water to the left. These sparingly applied colours carry profound aesthetic and allegorical significance, transforming into a device imbued with powerful symbolism. Drawing lies at the core of Kentridge's artistic practice. 'I guess it all starts from charcoal drawings; you can change charcoal as quickly as you can change your mind. There's a flexibility and granularity that I really like.' (the artist in an interview with Tate, London, William Kentridge – 'Art Must Defend the Uncertain' | Artist Interview | TateShots, youtube.com/Tate, 20 April 2018) This immediacy becomes palpable in the artwork, where the velvety smudged lines and sooty surface coalesce to deliver a tactile and evocative visual experience. Each drawing represents a singular scene within the animation, changing subtly through the swift process of erasing and redrawing with each new image photographed in 16 or 35-mm film. The lingering imprints of these stages on the paper transcend their physicality, emerging as an important metaphor for the layering of memory, a central and resonant theme that permeates Kentridge's extensive body of work. Kentridge comments further on his unique and labour-intensive process, 'The technique I use is to have a sheet of paper stuck up on the studio wall and, halfway across the room, my camera, usually an old Bolex. A drawing is started on the paper, I walk across to the camera, shoot one or two frames, walk back to the paper, change the drawing (marginally), walk back to the camera, walk back to the paper, to the camera, and so on. So that each sequence as opposed to each frame of the film is a single drawing. In all, there may be twenty drawings to a film rather than the thousands one expects. It is more like making a drawing than making a film (albeit a grey, battered, and rubbed-out drawing). Once the film, editing, adding sound, music, and so on proceeds like any other.' (the artist in: C. Christov-Bakargiev, William Kentridge, Brussels 1998, pp. 61-64).Hypnotic and deeply moving, Kentridge's films go beyond politics to express a profound humanitarian perspective. They are a powerful collection of images tapping into a shared consciousness. Viewed collectively, these films evoke a lingering, almost overwhelming sadness extending beyond the confines of Johannesburg. 'History of the Main Complaint' is featured in many prominent publications and holds a pivotal place in Kentridge's filmography. Editions of the film are found in the collections of prestigious institutions such as the Museum of Modern Art, New York and Tate London.Drawing from the Main Complaint features in the sixth film, 'History of the Main Complaint,' which spans 5 minutes and 50 seconds. It is a part of Kentridge's ongoing series of animations entitled 'Drawings for Projection,' initiated in 1989. Created in 1996 during the Truth and Reconciliation Commission's initial hearings in post-apartheid South Africa, 'History of the Main Complaint' delves into the profound social and historical wounds inflicted by apartheid. The Commission, established under Archbishop Desmond Tutu, aimed to address human rights abuses during the apartheid era through public hearings where individuals recounted personal suffering for reparation and reconciliation. Kentridge's film centres on the theme of white responsibility, portraying a 'medical' investigation into Soho Eckstein, a white property-developing magnate, and the protagonist in preceding films. As Soho lies comatose in a hospital ward, weighed down by the burdens of his past actions and those implicated by his race and class, MRIs and CAT scans visually articulate his affliction. Memories of violence against black South Africans permeate the screen, reflecting the intricate interplay between individual and collective guilt. Soho's awakening from his coma hinges on acknowledging his personal responsibility, embodying a powerful revelation of conscience within the broader narrative of societal healing and historical reckoning. Kentridge's work has been exhibited in renowned museums and galleries worldwide since the 1990s, including the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia Museum in Madrid, the Kunstmuseum in Basel, Zeitz MOCAA, and the Royal Academy of Arts in London. He has also been featured multiple times in Documenta in Kassel (2012, 2002, 1997) and the Venice Biennale (2015, 2013, 2005, 1999, and 1993).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
CARLOS CRUZ-DIEZ (1923-2019)Induction Chromatique á Double Fréquence Montalbán 11 2016 signed, signed with the artist's initials, titled, dated and inscribed PARIS 2016 and EDA on a plaque affixed to the reversechromatography on aluminium 100 by 150 cm. 39 3/8 by 59 1/16 in.Footnotes:This work is accompanied by a photo-certificate of authenticity issued by the Cruz-Diez Art Foundation, Paris.Provenance Atelier Cruz-Diez, ParisAcquired directly from the above by the present owner in 2016Exhibited Madrid, In Situ Art Projects, Odalys Group, Ambientación Cromática Montalbán 11: Carlos Cruz-Diez, 2016-2017Carlos Cruz-Diez, one of the leading protagonists of the Kinetic and Optical Art movements, was born in Caracas, Venezuela in 1923 to parents who encouraged his artistic inclinations at an early age. When he was seventeen, Cruz-Diez enrolled at the Art School of Caracas and supported himself as an illustrator and graphic designer. After cementing his career as an artist and deciding to expand his practice, Cruz-Diez moved to Europe, first living in Spain, and later settling in France in 1960. With Victor Vasarely, Joseph Albers and Bridget Riley as contemporaries, Cruz-Diez merged Pop-Art, Kinetic Art, and Op-Art to explore ways in which art can be interactive. He has dedicated his life to the research of colour, line and perception and is widely considered as one of the greatest artists of the 21st century. Induction Chromatique á Double Fréquence Montalbán 11 is a superb example of artist's technique of layering colours and combining them to produce a stunning environment that demonstrates the variability and ambiguity of colour. Another work of this series is located in the Museum of Fine Arts, Houston. Cruz-Diez's work is based on the moiré effect, in which lines of contrasting colour give the viewer an impression of movement. As described by the artist himself 'the Chromatic Inductions offer a solution in order to assimilate real space and time to a static plan. A chromatic event occurs in these works and continuously evolves depending on the spectator's position but also the changes of light, in contrast to nature and the purpose of the traditional painting space.' (the artist in: Cruz-Diez, 'Induction Chromatique, 1963' cruz-diez.com, 27 February 2024) In the Induction Chromatique series, Cruz-Diez studies the phenomenon of the 'after image', also known as retinal persistence. When staring at a colour for a certain amount of time, the retina preserves an image of the surface even after looking away, but in its complementary colour. For example, the viewer will see the complimentary colour green after staring at a red surface for a while. In Induction Chromatique, the artist manages to stabilise and make visible a fleeting phenomenon, that can only be observed under particular circumstances. Cruz-Diez shows that the colour induced on our retina, is just as real as the painted colour; essentially depicting the two phases of the phenomenon simultaneously, creating an optical effect and providing a more intense art experience. The present work carries with it a truly remarkable cluster of sensations by removing colour from the plane and bringing it into the physical space as a reality. The work confronts the viewer with real time movement and the continuous development of colour, generated by Cruz-Diez's fascinating ability to evoke a hypnotic state. As explained by Cruz-Diez, his practice faces the viewers with a real-time event. Colour is created by the viewer through their own means of perception. In Induction Chromatique á Double Fréquence Montalbán 11 the colour gains an intrinsic value that behaves independently to affirm itself in its own environment. As seen in nature, colour is ever-evolving and in the present work, Cruz-Diez allows for this change of colour to happen, mirroring the changes that happen in nature to provoke engagement between the viewer and the work.Carlos Cruz-Diez has been in countless exhibitions, including the seminal exhibition 'The Responsive Eye' at The Museum of Modern Art, New York in 1965. In 1970, the artist was included in the 35th Venice Biennale at the Venezuelan Pavilion. In 2002, he was awarded by France the medal for Commandeur de l'Ordre des Arts et des Lettres. Exhibitions in New York and Houston in 2008 and 2011 brought further recognition to his work that would be followed by Op Art retrospectives at the Royal Academy, London and El Museo del Barrio, New York. Since then, Cruz-Diez has shown his works at the Tate Modern, London; Museo Nacional Centro de Arte Reina Sofía, Madrid; The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles; Centre Pompidou-Metz, Metz and the Moderna Museet, Stockholm, amongst many others.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Collins (Ian) Bird on a Wire: The life and art of Guy Taplin, Marlow, 2007 § Taplin (Guy) Birds of Creation, Sonning-on-Thames, 1998 § LeGrove (Judith) Geoffrey Clarke: A Sculptor's Materials, signed by the author on title, Bristol, 2017 § Barker (Ian) Anthony Caro: Quest for the New Sculpture, 2004 § San Lazzaro (G. di) Homage to Calder, with an original colour lithograph, Paris, 1972 § Physick (John) Designs for English Sculpture 1680-1860, 1969, the first two signed & inscribed by Taplin on title, the first with sketch of bird, plates and illustrations, many colour, original cloth or boards with dust-jackets; and c.30 others, sculpture, mostly modern including several more by Taplin, some signed, 4to & 8vo (c.35)
Lynton (Norbert) William Scott, 2004 § Bowness (A.) & Luigi Lambertini. Victor Pasmore with a Catalogue Raisonné of the Paintings, Constructions and Graphics 1926-1979, 1980 § MacCarthy (Fiona) Stanley Spencer: An English Vision, 1997 § Stephens (Chris) & others. Richard Smith Artworks 1954-2013, 2022 § Spalding (Frances) Prunella Clough: Regions Unmapped, Farnham, 2012 § Tait (S.) & John Russell Taylor. Philip Sutton: Life and Work signed by the artist on half-title, 2008, illustrations, many colour, original cloth or boards with dust-jackets; and c.60 others, modern British art, some catalogues & pamphlets, v.s. (c.65)
Engine turned silver cigarette case, and various small silver items to include, cheroot holder and case, cigarette holder and case, another cigarette holder marked 925, modern silver lighter case, two money clips, small heart shaped box, art nouveau overlay scent bottle, silver bladed folding fruit knife, letter opener marked 925, silver handled moustache brush, folding knife and nail file, quarter and dime cuff link, plated meat skewer, agate handled book mark, mother of pearl handled seal, and a religious pendant, weighable silver 6oz 185gm
Maurice Utrillo, 1883 Paris – 1955 DaxLA PLACE DU TERTRE À MONTMARTRE, 1920 – 1922Öl auf Leinwand.46 x 61 cm.Rechts unten signiert „Maurice. Utrillo, V.“.In vergoldetem barockisierendem Rahmen.Beigegeben ein Zertifikat des Wildenstein Institute vom 26. Februar 2002, in Kopie.Ein Platz der trapezförmig nach rechts zuläuft ist von mehreren Bäumen bestanden, deren Grün den Passanten, die sich dorthin vor der senkrecht stehenden Sonne geflüchtet haben, Schutz bietet. Die Vertikalen der Baumstämme und die dazwischen gesetzten stehenden Staffagefiguren kontrastieren mit den Horizontalen, die durch die Etagenbegrenzungen der umstehenden Häuser gebildet werden. Diese architektonischen Gebilde gehören zu Utrillos Lieblingswerkzeugen, werden in diesem Gemälde jedoch von der domestizierten Natur beherrscht.Provenienz:Kurt Sponagel-Hirzel, Zürich, 1955.Schweizer Privatsammlung.Sotheby´s London, 25. März 1992, Lot 62.Anmerkung:Der Platz ist einer der Lieblingsmotive Utrillos am Montmartre.Literatur:Pierre Courthion, Montmartre, Lausanne 1956, S. 118 und 142 (abgebildet auf S. 118).Paul Pétridès, L´oeuvre complet de Maurice Utrillo, Bd. II, Paris 1962, Nr. 901, S. 320 (abgebildet auf S. 321 mit nicht korrekten Maßen).Ausstellungen:Basel, Kunsthalle, Maurice Utrillo. Graphische Blätter von Corot und Daumier, Juni-Juli 1942, Nr. 205.Vevey, Musée Jenisch, Maurice Utrillo, Valadon, Modigliani, Utter, Juli-September 1955, Nr. 50, S. 24 (mit inkorrekten Maßen).München, Haus der Kunst, Maurice Utrillo V., Suzanne Valadon, Juni-September 1960, Nr. 77, S. 12 (abgebildet Tafel 39).Bern, Kunstmuseum, Utrillo, Januar-März 1963, Nr. 69.Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art, Maurice Utrillo, April-Juni 2010, Nr. 23, S. 55 (abgebildet), Wanderausstellung.Nigata, The Nigata Prefectural Museum of Modern Art, Juli-August 2010.Kyoto, Museum Eki Kyoto, September-Oktober 2010.Aichi, Toyohashi City Museum of Art & History, Oktober-Dezember 2010. (1391507) (13) (†)Maurice Utrillo1883 Paris – 1955 DaxLA PLACE DU TERTRE À MONTMARTRE, 1920 – 1922Oil on canvas.46 x 61 cm.Signed “Maurice. Utrillo, V.” lower right.Accompanied by certificate by Wildenstein Institute, dated 26 February 2002, in copy.Provenance:Kurt Sponagel-Hirzel, Zurich, 1955.Private collection, Switzerland.Sotheby´s London, 25 March 1992, lot 62.Notes:The square is one of Utrillo´s favourite subjects at Montmartre.Literature:Pierre Courthion, Montmartre, Lausanne, 1956, pp. 118 & 142 (ill. on p. 118).Paul Pétridès, L´oeuvre complet de Maurice Utrillo, vol. II, Paris 1962, no. 901, p. 320 (ill. on p. 321 with incorrect dimensions).Exhibitions:Basel, Kunsthalle, Maurice Utrillo. Graphische Blätter von Corot und Daumier, June-July 1942, no. 205.Vevey, Musée Jenisch, Maurice Utrillo, Valadon, Modigliani, Utter, July-September 1955, no. 50, p. 24 (with incorrect dimensions).Munich, Haus der Kunst, Maurice Utrillo V., Suzanne Valadon, June-September 1960, no. 77, p. 12 (ill. panel 39).Bern, Kunstmuseum, Utrillo, January-March 1963, no. 69.Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art, Maurice Utrillo, April-June 2010, no. 23, p. 55 (ill.), touring exhibition.Nigata, The Nigata Prefectural Museum of Modern Art, July-August 2010.Kyoto, Museum Eki Kyoto, September-October 2010.Aichi, Toyohashi City Museum of Art & History, October-December 2010.
George Morrison (Ojibwe, 1919-2000). Woodcut on paper depicting an intricate pattern of contrasting woodgrains in gold metallic ink, 1976-78. Pencil signed and dated along the lower right; numbered P.P. 1/4 along the lower left; Vermillion Editions Limited blindstamp along the lower left.Provenance: Private Minnesota Collection.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 29 1/2 in x width: 44 1/2 in. Framed; height: 33 1/2 in x width: 48 in.
Frank Stella (American, b. 1936). Lithograph and screenprint on paper titled "Sinjerli Variation Squared with Colored Ground 1A," depicting the artist's signature geometric protractor composition with a painterly quality on a mustard yellow ground. The geometric circle is comprised of interlocking shapes in a rainbow of colors. Executed in 1981, this work is number six of ten artist's proofs along with a further edition of 61. Pencil signed, numbered, and dated along the lower left.Provenance: Private Connecticut Collection, 1988; Private Minnesota Collection.Reference: Richard H. Axsom, "Frank Stella Prints: A Catalogue Raisonne," New York 2016, cat. no. 130, pp. 217-218, illustrated in color.Lot Essay:By the age of 25, Stella was already being recognized for his talents, being included in "Three Young Americans" at the Allen Memorial Art Museum at Oberlin College as well as "Sixteen Americans" at the Museum of Modern Art in New York all before 1960. By 1961 he had moved on from illusionistic space to flat and often irregular shapes, which would become his artistic signature. His works became increasingly minimalistic during this time, though he would extend into three-dimensional space in the 1970s and 80s, which he would self-describe as maximalist.The "Sinjerli" series was based on a painting done during his "Protractor Series" executed between 1967-71. Sinjerli was an ancient Anatolian city that reached its zenith in the 14th century BCE. The fortified citadel was surrounded by a nearly perfect double-walled circle, whose symmetry and geometry inspired the "Sinjerli Variation" series. With each subsequent work, he introduced a subtle new variation, experimenting with unique color combinations and mediums.In addition to numerous solo and group exhibitions throughout the world, his works are held in the collections of prestigious institutions such as the Hirshhorn Museum, the Whitney, the Toledo Museum of Art, LACMA, the Guggenheim, MoMA, and many others. In 2009, he was awarded the National Medal of Arts by President Barack Obama.Sight; height: 31 3/4 in x width: 31 3/4 in. Framed; height: 39 1/2 in x width: 39 1/2 in.
Joan Miro (Spanish (Catalan), 1893-1983). Etching and aquatint from "Les Brisants" depicting an abstract form in primarily red, 1958. Pencil signed along the lower right; numbered II/X (2/10) along the lower left.Provenance: Private Minnesota Collection.Reference: Dupin 238; Cramer 46.Lot Essay:Joan Miro's early works were influenced by Catalan folk art and Fauvism, but it was his encounter with Surrealism in Paris during the 1920s that profoundly shaped his artistic vision. Embracing the Surrealist ethos of unlocking the subconscious mind, Miro developed a unique visual language characterized by biomorphic forms, dreamlike symbols, and vibrant colors. His paintings, such as "The Farm" (1921-1922) and "The Tilled Field" (1923-1924), evoke a sense of poetic spontaneity and primal energy.Throughout his career, Miro continued to innovate, exploring various mediums including painting, sculpture, ceramics, and printmaking. His experimentation with automatic drawing and spontaneous mark-making liberated his artistic process, allowing for a fluid and intuitive approach to creation. Miro's iconic works, such as "The Harlequin's Carnival" (1924-1925) and "The Birth of the World" (1925), exemplify his playful yet profound exploration of form and color.In addition to his artistic achievements, Miro was a committed advocate for social and political causes, particularly during the tumultuous period of the Spanish Civil War and World War II. His art often served as a vehicle for political commentary, expressing solidarity with the oppressed and advocating for peace and freedom. Miro's enduring legacy as a pioneer of Surrealism and a champion of artistic experimentation continues to inspire generations of artists, as his boundless imagination and creative spirit remain as relevant today as ever before. Through his daring exploration of the subconscious and his fearless embrace of spontaneity, Miro transcended artistic conventions, leaving an indelible mark on the trajectory of modern art.Sight; height: 7 in x width: 5 3/4 in. Framed; height: 18 in x width: 14 in.
Joan Miro (Spanish (Catalan), 1893-1983). Aquatint etching on paper from the "El Pi de Formentor (The Pine of Formentor)" Suite, 1976. Depicting an abstracted composition of bold black shapes surrounding a burst of bright, primary colors in the artist's signature style. Pencil signed along the lower right; numbered 34/50 along the lower left. Published by Sala Gaspar, Barcelona. "The Pine of Formentor" is a well-known Catalan poem by Miquel Costa i Llobera.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Lot Essay:Joan Miro's early works were influenced by Catalan folk art and Fauvism, but it was his encounter with Surrealism in Paris during the 1920s that profoundly shaped his artistic vision. Embracing the Surrealist ethos of unlocking the subconscious mind, Miro developed a unique visual language characterized by biomorphic forms, dreamlike symbols, and vibrant colors. His paintings, such as "The Farm" (1921-1922) and "The Tilled Field" (1923-1924), evoke a sense of poetic spontaneity and primal energy.Throughout his career, Miro continued to innovate, exploring various mediums including painting, sculpture, ceramics, and printmaking. His experimentation with automatic drawing and spontaneous mark-making liberated his artistic process, allowing for a fluid and intuitive approach to creation. Miro's iconic works, such as "The Harlequin's Carnival" (1924-1925) and "The Birth of the World" (1925), exemplify his playful yet profound exploration of form and color.In addition to his artistic achievements, Miro was a committed advocate for social and political causes, particularly during the tumultuous period of the Spanish Civil War and World War II. His art often served as a vehicle for political commentary, expressing solidarity with the oppressed and advocating for peace and freedom. Miro's enduring legacy as a pioneer of Surrealism and a champion of artistic experimentation continues to inspire generations of artists, as his boundless imagination and creative spirit remain as relevant today as ever before. Through his daring exploration of the subconscious and his fearless embrace of spontaneity, Miro transcended artistic conventions, leaving an indelible mark on the trajectory of modern art.Sight; height: 41 1/4 in x width: 35 1/2 in. Framed: height: 56 1/2 in x width: 50 1/2 in.
George Morrison (Ojibwe, 1919-2000). Color lithograph on Japan paper titled "Surrealist Landscape" depicting a horizon in vibrant colors, 1990-96. The colors fit together perfectly, as if pieces of a puzzle, to form a colorful whole. Pencil signed and dated along the lower right; numbered CTP 10/22 along the lower center; titled along the lower left.Provenance: Private Minnesota Collection.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Height: 21 in x width: 17 in.
Joan Miro (Spanish (Catalan), 1893-1983). Etching and aquatint with colors on paper from "Le Courtesan Grotesque" by Adrian de Monluc (French, 1571-1646), published by Iliazd, Paris, 1974. Pencil signed along the lower right; numbered 2/12 along the lower center.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Dupin 660-675; Cramer 182.Lot Essay:Joan Miro's early works were influenced by Catalan folk art and Fauvism, but it was his encounter with Surrealism in Paris during the 1920s that profoundly shaped his artistic vision. Embracing the Surrealist ethos of unlocking the subconscious mind, Miro developed a unique visual language characterized by biomorphic forms, dreamlike symbols, and vibrant colors. His paintings, such as "The Farm" (1921-1922) and "The Tilled Field" (1923-1924), evoke a sense of poetic spontaneity and primal energy.Throughout his career, Miro continued to innovate, exploring various mediums including painting, sculpture, ceramics, and printmaking. His experimentation with automatic drawing and spontaneous mark-making liberated his artistic process, allowing for a fluid and intuitive approach to creation. Miro's iconic works, such as "The Harlequin's Carnival" (1924-1925) and "The Birth of the World" (1925), exemplify his playful yet profound exploration of form and color.In addition to his artistic achievements, Miro was a committed advocate for social and political causes, particularly during the tumultuous period of the Spanish Civil War and World War II. His art often served as a vehicle for political commentary, expressing solidarity with the oppressed and advocating for peace and freedom. Miro's enduring legacy as a pioneer of Surrealism and a champion of artistic experimentation continues to inspire generations of artists, as his boundless imagination and creative spirit remain as relevant today as ever before. Through his daring exploration of the subconscious and his fearless embrace of spontaneity, Miro transcended artistic conventions, leaving an indelible mark on the trajectory of modern art.Sight; height: 16 in x width: 22 1/2 in. Framed; height: 30 in x width: 36 in.
Robert Natkin (American, 1930-2010). Oil on canvas painting titled "The Point of the Story Is..." depicting the artist's signature abstract style in bold colors, 1990. Signed along the lower left. Stamped, titled, and dated along the stretcher along the verso.Provenance: Private Minnesota Collection.Lot Essay:Robert Natkin spent his early years in Chicago, renovating and operating the Wells Street Gallery with his wife Judy Dolnick, also an artist. In the late 1950s, they moved to New York and then in 1970 to Redding, Connecticut, where he would spend the rest of his life. His work has been associated with abstract expressionism, color field painting, as well as Lyrical Abstraction.He was described as mischievous in his obituary in the New York Times, having once purportedly licked a Vermeer painting in the Frick collection. He also once removed a Nicolas Poussin painting from the wall in the Art Institute of Chicago and replaced it with his own, hiding the Poussin behind a velvet curtain, before switching it back when his replacement went unnoticed. His playful nature lent itself to equally playful canvases. The shapes in the present work seemingly bounce off of one another and are interspersed with polka dots and lines that heighten the energy of the painting.His use of cloth and netting as stencils led New York Times journalist John Russell to comment in 1978 that his artworks had a “worked-over look that suggests that the painting has been traversed over and over by a very small truck that has just had its tires retreaded.†This texture can be spotted throughout the present work in the net-like patterns that weave through the composition.His artworks are held in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art, The Fogg Art Museum, Centre Pompidou in Paris, the Museum of Modern Art, and the Whitney Museum of American Art among many other prestigious collections.Unframed; height: 36 3/4 in x width: 23 1/2 in. Framed; height: 37 1/2 in x width: 24 1/2 in.
George Morrison (Ojibwe, 1919-2000). Mixed media on paper painting depicting an abstracted figure in blue, red, yellow, and black, 1946. Pencil signed and dated along the lower right.Provenance: Private Minnesota Collection.Reference: "Modern Spirit: The Art of George Morrison," Minnesota Museum of American Art, 2013. A very similar work is illustrated in this exhibition (plate 5, pg. 68), depicting three figures.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 10 1/4 in x width: 8 in. Framed; height: 23 1/4 in x width: 19 in.
Joan Miro (Spanish (Catalan), 1893-1983). Aquatint and etching on Guarro paper depicting an abstract composition in bright colors, plate 5 from the "Espriu" Suite, 1974. Pencil signed along the lower right; numbered 20/50 along the lower left.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Lot Essay:Joan Miro's early works were influenced by Catalan folk art and Fauvism, but it was his encounter with Surrealism in Paris during the 1920s that profoundly shaped his artistic vision. Embracing the Surrealist ethos of unlocking the subconscious mind, Miro developed a unique visual language characterized by biomorphic forms, dreamlike symbols, and vibrant colors. His paintings, such as "The Farm" (1921-1922) and "The Tilled Field" (1923-1924), evoke a sense of poetic spontaneity and primal energy.Throughout his career, Miro continued to innovate, exploring various mediums including painting, sculpture, ceramics, and printmaking. His experimentation with automatic drawing and spontaneous mark-making liberated his artistic process, allowing for a fluid and intuitive approach to creation. Miro's iconic works, such as "The Harlequin's Carnival" (1924-1925) and "The Birth of the World" (1925), exemplify his playful yet profound exploration of form and color.In addition to his artistic achievements, Miro was a committed advocate for social and political causes, particularly during the tumultuous period of the Spanish Civil War and World War II. His art often served as a vehicle for political commentary, expressing solidarity with the oppressed and advocating for peace and freedom. Miro's enduring legacy as a pioneer of Surrealism and a champion of artistic experimentation continues to inspire generations of artists, as his boundless imagination and creative spirit remain as relevant today as ever before. Through his daring exploration of the subconscious and his fearless embrace of spontaneity, Miro transcended artistic conventions, leaving an indelible mark on the trajectory of modern art.Sight; height: 33 3/4 in x width: 27 1/2 in. Framed; height: 45 1/2 in x width: 39 in.
George Chann (Chinese/American, 1913-1995). Mixed media on canvas abstract painting in blue, yellow, and red. Signed along the lower right.Provenance: Private Texas Collection, 2023; Private Minnesota Collection.Lot Essay:George Chann was a Chinese-American artist known for his significant contributions to modern art in the mid-20th century. Born in Canton, China, Chann immigrated to the United States in 1933, where he later became a prominent figure in the American art scene. His work is characterized by a fusion of Eastern and Western artistic traditions, blending traditional Chinese calligraphy with modern abstract expressionism. Chann's unique style and innovative approach garnered attention, leading to numerous exhibitions and accolades throughout his career.In the 1950s and 1960s, Chann played a key role in the California art scene, particularly in the San Francisco Bay Area. His paintings often featured bold brushstrokes, vibrant colors, and a sense of spontaneity that reflected his deep understanding of both Chinese and Western artistic philosophies. Chann's artistry transcended cultural boundaries, offering viewers a bridge between two worlds. His legacy continues to influence contemporary artists, highlighting the rich tapestry of cultural exchange in the realm of modern art.Unframed; height: 16 3/4 in x width: 21 1/4 in. Framed; height: 20 3/4 in x width: 25 in.
Joan Miro (Spanish (Catalan), 1893-1983). Aquatint depicting an abstract composition in black, red, yellow, and blue. Plate IV from the "Espiru" series, 1975. Pencil signed along the lower right; numbered 20/50 along the lower left.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Dupin 194, no. 872.Lot Essay:Joan Miro's early works were influenced by Catalan folk art and Fauvism, but it was his encounter with Surrealism in Paris during the 1920s that profoundly shaped his artistic vision. Embracing the Surrealist ethos of unlocking the subconscious mind, Miro developed a unique visual language characterized by biomorphic forms, dreamlike symbols, and vibrant colors. His paintings, such as "The Farm" (1921-1922) and "The Tilled Field" (1923-1924), evoke a sense of poetic spontaneity and primal energy.Throughout his career, Miro continued to innovate, exploring various mediums including painting, sculpture, ceramics, and printmaking. His experimentation with automatic drawing and spontaneous mark-making liberated his artistic process, allowing for a fluid and intuitive approach to creation. Miro's iconic works, such as "The Harlequin's Carnival" (1924-1925) and "The Birth of the World" (1925), exemplify his playful yet profound exploration of form and color.In addition to his artistic achievements, Miro was a committed advocate for social and political causes, particularly during the tumultuous period of the Spanish Civil War and World War II. His art often served as a vehicle for political commentary, expressing solidarity with the oppressed and advocating for peace and freedom. Miro's enduring legacy as a pioneer of Surrealism and a champion of artistic experimentation continues to inspire generations of artists, as his boundless imagination and creative spirit remain as relevant today as ever before. Through his daring exploration of the subconscious and his fearless embrace of spontaneity, Miro transcended artistic conventions, leaving an indelible mark on the trajectory of modern art.Sight; height: 33 3/4 in x width: 27 1/2 in. Framed; height: 45 1/2 in x width: 39 in.
Grace Hartigan (American, 1922-2008). Large oil on canvas painting titled "Dublin" depicting an abstract expressionist painting executed in muted colors with splashes of bright blue and purple, 1958-59. Part of her "European Place" painting series, inspired by her travels to eight cities in Europe and Ireland from 1958 to 1959. This painting is very similar to a work in the collection of the Guggenheim titled "Ireland," which is the largest work in this series. This series did not depict literal views of the cities or places she visited, but were rather "evocations of place" inspired by her experiences there.Provenance: The artist via Tibor de Nagy Gallery, New York; Collection of Beatrice & Hart Perry, New York; Collection of John Raimondi, Palm Beach, Florida; Private Connecticut Collection; Private Minnesotan Collection.Exhibition History: Columbus Gallery of Fine Arts, "Contemporary American Painting," Columbus, Ohio, January 14 - February 18, 1960; Newport Harbor Art Museum "Action/Precision: The New Direction in New York 1955-1960," Newport Beach, California, 1984-1986.Reference:Robert S. Mattison, "Grace Hartigan: A Painter's World," New York: Rizzoli International Publications, 1990. Pgs. 46 & 47."Action/Precision: The New Direction in New York 1955-1960," Newport Beach, California: Newport Harbor Art Museum, 1984. Pgs. 86 & 87.Lot Essay:Grace Hartigan (March 28, 1922 – November 15, 2008) was a trailblazing American Abstract Expressionist painter, celebrated for her bold and dynamic contributions to the mid-20th-century art scene. Born in Newark, New Jersey, her artistic journey began at an early age, and she later pursued formal training at the Newark College of Engineering and the George Washington University. However, it was in the vibrant atmosphere of post-war New York City that Hartigan truly found her artistic voice.In the early 1950s, Hartigan became associated with the famed New York School, a group of avant-garde artists who played a pivotal role in the development of Abstract Expressionism. She was notably close to Willem de Kooning, Jackson Pollock, Helen Frankenthaler, Alfred Leslie, Franz Kline, and other influential artists of the era, yet her unique approach to painting set her apart. Hartigan's work often blended abstraction with elements of figurative representation, creating a distinctive style that defied easy categorization.The European Place paintings, to which the present work belongs, were inspired by her travels to eight cities in Europe and especially Ireland from 1958 to 1959. She felt a special affinity for her "dear, dirty Dublin" which reminded her of New York as well as her Irish heritage. The dark, rectangular planes of the work suggest the sooty buildings while the blue expanse in the center recalls the feeling of strolling along the seaside boardwalk at the edges of the city. The delicate, white linear patterns along the lower edge reflect Hartigan's romanticism. At the time of this painting's conception, she was involved in a love affair with Franz Kline and has described these white lines as "a love letter to Franz." The white also suggests the word "Dublin" itself, showing the lyrical and poetic nature of Hartigan's artworks.Hartigan's impact on the art world extended beyond her prolific studio practice. She was a prominent figure in the burgeoning feminist art movement, advocating for greater recognition and opportunities for women artists. In 1982, she was appointed the first female full professor of art at the Maryland Institute College of Art, solidifying her role as a trailblazer for women in the arts.Her extensive body of work has been exhibited in major institutions around the world, including the Museum of Modern Art, the Whitney Museum of American Art, and the National Museum of Women in the Arts. Grace Hartigan's legacy endures as a testament to her innovative spirit and unwavering commitment to pushing artistic boundaries. Her influence continues to inspire contemporary artists, ensuring that her contributions to the rich tapestry of American art remain both celebrated and influential.Sight; height: 83 1/2 in x width: 71 in. Framed; height: 84 3/4 in x width: 72 1/4 in.
Loading...-
19749 item(s)/page