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Late Period, 664-525 B.C. Restrung designer bracelet and with a modern magnetic clasp; composed primarily of disc-shaped and tubular beads, together with feature beads, one possibly amuletic. 4.3 grams, 18 cm long (7 1/8 in.). Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance. [No Reserve]

Late Period, 664-525 B.C. Composed of polychrome beads of mainly tubular and annular types; modern clasp. Cf. similar specimens in faience at the Worchester Art Museum, inventory no.1925.539. 31 grams, 72 cm long (28 3/8 in.). Acquired before 1979. From the private collection of Mr F. A., South Kensington, London, UK; thence by descent 2014. [No Reserve]

Early 1st millennium A.D. Comprising opaque polychrome glass beads of mainly spherical and tubular types, displaying an array of decorative techniques and patterns including millefiori, chequerboard, ribbon glass and others; restrung designer necklace with a modern clasp. 101 grams, 45 cm long (17 3/4 in.). Ex private collection, 1980s. Acquired on the UK art market in the 1990s.

Postcards, a mixed age collection, mainly French, of approx. 1200 cards and 46 booklets of cards. Approx. half the cards are modern European. Better cards include RPs of London Rd Southampton, Putney St Bath, Dorset Arms Withyham, Long St Cerne Abbas, New Town Rd Hove, High St Bedford, South Hayling War Memorial. Also unusual card of map of Japan commemorating the 1940 Olympic Games which didn't take place due to WW2, map card of Albania, Art Nouveau glamour (3), costume, ethnic French villages, street scenes, French literary etc. Sold with a few newspaper cuttings and South American coloured prints (mixed condition)

λ &nbspSIR JACOB EPSTEIN (BRITISH 1880-1959) BRONZE BUST OF POLA NIRENSKA Conceived in 1937, bronze with a gold patina, set on a marble base, unsigned bronze 33cm high, 38cm high overallProvenance: Purchased by the vendor's father approximately 25 years ago. Pola Nirenska (1910-1992) was a Polish performer and choreographer of modern dance. Fleeing Europe in 1935 due to rising antisemitism, she spent 14 years in the United Kingdom before emigrating to the United States. Living in Washington, D.C., was widely acknowledged as the city's leading choreographer and performer of modern dance until her death.Literature: R. Black, The Art of Jacob Epstein, New York and Cleveland, 1942, p. 242, no. 228R. Buckle, Jacob Epstein Sculptor, The World Publishing Company, Cleveland, 1963, p. 238, pl. 365, illustrated (another cast)Evelyn Silber's catalogue raisonné "The Sculpture of Epstein" (Phaidon 1986) illustrates and discusses the Pola Nerenska sculpture (no. 283) on page 183. Condition Report: As per cataloguing- purchased by the vendor's father approximately 25 years ago- he bought it from someone who had purchased it in a country house sale in Scotland. This is not the example that was offered at Bonhams earlier this year Exact height of bronze is difficult to measure- perhaps 32.6 or 32.7cm Wear, marks, knocks and scratches as per age, handling, use, and cleaning. As per cataloguing this is unsigned and without foundry marks. The overall appearance is good- with some paler patination from handling/wiping/dusting. Surface dirt which has begun to build up to recesses- may benefit from a light overall clean. Sits a little loose on the base which is a little tired around margins Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Various mixed collectibles to include a set of three graduated modern glass dishes, with art screenprint by Eloise Renouf, the largest 34.5 x 24.5cm, the smallest 25 x 15cm, a cast aluminium sports car, length 30.5cm, a pair of brass candlesticks, a set of modern Russian dolls and four vintage fishing reels comprising three wooden examples and a Bakelite example, also a vintage Louis Shabner print titled 'Melanie', unsigned, 45 x 39cm, framed and glazed (12).

Thirteen items of modern art glass, mostly vases, height of tallest 50cm, some similar examples with white twist decoration, etc (13).

ANCIENT GREEK DIADEM EASTERN MEDITERRANEAN, CIRCA 3RD - 4TH CENTURY B.C. bronze wire, adorned with gilded traces on the bronze ivy leaves, among them are delicate bronze strands securing white terracotta berries painted with white gesso Dimensions:24cm diameter Provenance:Provenance:Private collection, GermanyRoyal-Athena Galleries, New YorkIan Colverson (1940-2022) Collection, UK, acquired from the above on the 4 May 2009Ian Colverson was a Postwar & Contemporary printmaker whose works are held in many museums and galleries worldwide, including the Tate Gallery, London and the Museum of Modern Art, New York Note: Note:Cf. The Museum of Fine Arts Boston, cf. M. Constock and C. Vermeule Greek, Etruscan and Roman bronzes in the Museum of Fine Arts Boston, 1972, pp.199-200).

FRENCH GILT BRONZE, EBONY AND TULIPWOOD DESK STAND BY MAISON MILLET LATE 19TH CENTURY of circular form with a laurel wreath carry handle on a turned stem stamped 'Millet', set with a pounce pot and three wells, two with glass liners and four pen recesses, the sides mounted with female masks or laurel branch appliques, a concealed small drawer to one side, mounted on a mounted gilt bronze base with toupie feetDimensions:18cm diameter, 22cm highNote: Note: Maison Millet was a highly regarded furniture firm and produced furniture and works of art, especially with very fine bronze mounts, in both antique and modern styles. It was founded in 1853 by Théodore Millet and closed in 1918.

HOCHBEDEUTENDE UND ÜBERAUS SELTENE SILBERDOSE 'FABELTIER' DER WIENER WERKSTÄTTEN, 1920 Silber, getrieben, innen vergoldet, wohl Koralle (Augen). Höhe: 41 cm, Breite: 19,5 cm, Tiefe: 12,5 cm. Unterseite des Bodens mit geprägter Künstlermarke Dagobert Peche, Marke der Wiener Werkstätte, Made in Austria, Feingehaltsmarke '900' sowie den Dianakopf mit Feingehaltsangabe 2 (900/1000). Minimalste und unbedeutende kleinere Verbiegungen. Interne Sammlungsnummer 30/13-8 (Fabeltier, Silberdose, Tafelaufsatz ...) in der Dokumentation über die Aufstellung von Arbeiten der Wiener-Werkstätten der Sammlung Niescher (beigefügtes Dokument). Vgl. auch Fotografien des MAK zu Vitrine auf der Kunstschau 1920 im Österreichischen Museum für Kunst und Industrie, Wien I, Wollzeile 45 (heute Weiskirchnerstraße 3) (Inventarnummern WWF 137-72-1 und 137-72-2). Weiterhin vgl. Fotografien MAK Inventarnummer KI 9119 und WWF 96-237-4 Dagobert Peche wurde am 3. April 1887 in St. Michael im Lungau geboren. Seine Studienjahre begann der Künstler 1906 an der Technischen Hochschule in Wien, bevor er 1908 an die Akademie der bildenden Künste in Wien wechselte. Dort erfuhr er starke Einflüsse durch den Architekten Friedrich Ohmann. Es folgte 1910 eine Reise nach Großbritannien. Dort ist er möglicherweise mit Arbeiten des Grafikers Aubrey Beardsley in Kontakt gekommen. Durch den Verleger Alexander Koch (1860-1939) aus Darmstadt ergab sich für Peche die Gelegenheit zu Veröffentlichungen in der Zeitschrift "Kunst und Dekoration". Bei dem Architekten Otto Wagner kam Dagobert Peche in Kontakt mit Josef Hoffmann. Kurze Zeit später entstanden ersten Arbeiten für die Wiener Werkstätte. Nach Ausbruch des Ersten Weltkriegs 1914, wurde Peche im Frühjahr 1915 offiziell künstlerischer Leiter der Wiener Werkstätte. 1916 zum Kriegsdienst eingezogen, 1917 aufgrund einer Erkrankung wieder entlassen. Noch im selben Jahr übernahm er die Züricher Filiale der Wiener Werkstätte, die er bis 1919 leitete. 'Dort trat mit mehr Rhythmus und Bewegung ein Stilwandel ein, es kam zu einer Bereicherung des Blumen- und Blätterdekors, zu einer Verbindung von Körper und Pflanze (Daphne-Motiv), beeinflusst von Rokoko (Peche-Sternchen) und chinesischen Pinselzeichnungen.' Im Spätjahr desselben Jahres kehrte Peche nach Wien zurück. Ein Jahr später, 1920, entstand seine ikonenhafte Darstellung der 'Schmuckdose mit Fabeltier'. Am 16. April 1923 verstarb Dagobert Peche.1920 entstand eine von Peches bedeutendsten kunsthandwerklichen Silberarbeiten, die hier angebotene seltene Silberdose mit Fabelwesen, die als eine Ikone der frühen expressiven Silberarbeiten der Wiener Werkstätten im März 1921 von K. Winkler-Winkenau in der Deutschen Kunst- und Dekoration wie folgt kommentiert wurde: '... In den zehn Jahren, durch welche wir seine Entwicklung folgen, hat er sich stark gewandelt - aus dem Verehrer des Rokoko wurde ein Expressionist ... Charakteristisch für seinen jetzigen Stil ist das Scharfe, Kantige, Gratige. Die Flächen stoßen hart aneinander; wir fühlen das Bestreben, sie möglichst lebendig zu gestalten, was oft zu starken Kontrasten von Hell und Dunkel führt. - Peche liebt feingliedrige, zarte, manchmal schmächtige Motive, welche von einer starken Aktivität erfüllt sind, dabei meidet er ängstlich jede Gerade. Dieses Streben konnte man schon früher bei ihm beobachten; aber während damals alles auf Grazie, Eurythmien und Harmonie gerichtet war, fühlen wir jetzt eine beabsichtigte Herbheit und Sprödigkeit. Von den neuen Arbeiten des Künstlers scheinen mir die Schmuckstücke und einige der Silbergefäße am besten gelungen sein. Sie wirken in der Erfindung, in der Behandlung und Verwendung des Metalls und der Steine anziehend, originell, fesselnd. Peches Talent bewährt sich am besten bei Gegenständen kleinen Formates, wo das Feine, Zierliche, Gebrechliche gut zur Geltung kommen kann. Seine Vorliebe gilt dem Außerordentlichen, Festlichen, Auffallenden.'Das Metropolitan Museum in New York besitzt eines der wenigen Exemplare der Silberdose mit Fabelwesen. Die Arbeit wird als 'Jewel Box' dort wie folgt beschrieben:'Although the Wiener Werkstätte, founded in 1903, is perhaps best known for the strict and vigorous geometry of its earliest designs, a playful, ornamental spirit characterizes the work produced there after the start of World War I. Peche, who worked as a designer at the Wiener Werkstätte between 1915 and 1923 (becoming a co-director in 1917), was a driving force behind the development of a more exuberant and decorative aesthetic, derived in part from Baroque and Rococo influences and in part from folk art, which was typical of objects it produced in the 1920s. This jewel casket is a tour de force of artistic showmanship masquerading under a functional designation; indeed, the coffer would outshine any jewel it might contain. The domed box itself (raised on four bulb feet, each of which opens to reveal additional storage cavities) is dominated by the extravagant handle in the form of a flower-bedecked deer standing among grapevines.'Literatur:Deutsche Kunst und Dekoration. NEUE ARBEITEN VON DAGOBERT PECHE. März 1921, S. XXIV, hier mit ganzseitiger Abbildung. Die WIENER WERKSTÄTTE 1903-1928. Modernes Kunstgewerbe und sein Weg. Krystall-Verlag, Wien, 1929, hier mit ganzseitiger Abbildung.Penelope Hunter-Stiebel. "The Decorative Arts of the Twentieth Century." Metropolitan Museum of Art Bulletin37 (Winter 1979-1980), S. 14-15, Abb., datiert um 1920.Penelope Hunter-Stiebel in "Twentieth Century Art." The Metropolitan Museum of Art: Notable Acquisitions, 1975-1979. New York, 1979, S. 77, Abb., datiert um 1920.Varnedoe, Kirk: Wien 1900. Kunst, Architektur & Design. Köln, 1987, S. 104, Abb. Dort als Schmuckdose mit Datierung 1918. R. Craig Miller. Modern Design in The Metropolitan Museum of Art 1890-1990. New York, 1990, Abb. S. 92 (farbig mit Details), datiert um 1917.Matthew Martin in Vienna: Art and Design-Klimt, Schiele, Hoffmann, Loos. Exh. cat., National Gallery of Victoria. Melbourne, 2011, S. 212-14, Abb. (farbig).Jane Adlin. "Vanities: Art of the Dressing Table." Metropolitan Museum of Art Bulletin 71 (Fall 2013), S. 39, Nr. 52, Abb. (farbig).Ausstellungen: Museum für angewandte Kunst, Vienna. "Die Überwindung der Utilität- Dagobert Peche und the Wiener Werkstätte", 11. Februar bis 17. Mai, 1998, Nr. 48.New York. The Metropolitan Museum of Art. "A Century of Design, Part I: 1900-1925," 14. Dezember 1999 bis 26. März 2000.New York. Neue Galerie. "Dagobert Peche and Wiener Werkstätte," 11. Oktober 2002 bis 5. Januar 2003, Nr. 120.New York. The Metropolitan Museum of Art. "Modern Design", 30. März bis 3. Dezember 2006. New York. The Metropolitan Museum of Art. "Classic/Fantastic: Selections from the Modern Design Collection", 21. Dezember 2007 bis 5. April 2009.Melbourne. National Gallery of Victoria. "Vienna: Art and Design - Klimt, Schiele, Hoffmann, Loos," 18. Juni bis 9. Oktober 2011, unnummerierter Katalog (S. 213; als "Jewel box").New York. The Metropolitan Museum of Art. "Metropolitan Vanities: The History of the Dressing Table," 17. Dezember 2013 bis 13. April 2014, Nr. 52 (MMA Bulletin, Fall 2013).Neue Galerie New York. "Wiener Werkstätte 1903-1932: The Luxury of Beauty", 26. Oktober 2017 bis 29. Januar 2018, unnummerierter Katalog (S. 531).Provenienz: Bedeutende Sammlung des Chemnitzer Unternehmers und Fabrikanten Fritz Niescher (1889-1974). Über Erbe Privatsammlung Dr. Müller, Westfalen. Ursula Niescher war die einzige Tochter von Fritz Niescher. Ursula Niescher heiratete Dr. Wolfgang H. E. Müller (den Schwiegersohn von Fritz Niescher). Nach ihrem frühen Tod blieb die Sammlung dann im Besitz von Dr. Wolfgang H. E. Müller.

Thomas Chippendale: 'The Gentleman and Cabinet Maker’s Director: being a large collection of the most elegant and useful designs of household furniture in the Gothic, Chinese and modern taste...and other ornaments', London, J. Haberkorn for the author and others, 1754, 1st edition, lacking leaves before pp. vii (i.e. half title, title page printed, and engraved dedication), but else complete, with [4]pp list of subscribers (pp. vii-x), 27pp letterpress (being a list of the plates with corresponding descriptions), plus 161 engraved plates as called for (two plates are numbered xxv), some plates with moderate foxing, slightly heavier and with some waterstaining to leaves at end, plate xxiv "Chinese Chairs" with area of surface wear (not affecting illustration itself), else leaves/plates complete and generally VGC commensurate with age, the plates dated 1753, and engraved by engraved by Tobias Müller (fl. 1754-90), Matthew Darly (fl. 1754-1778), Butler Clowes (d. 1782), Isaac I. Taylor (1730-1807), Edward Rooker (1711-1774), Johann Sebastian Müller (1715-1785), William Foster? (d. 1812), James Hulett (d. 1771) and Hemerick, Folio (45.5 x 28 cm), rebacked contemporary reverse calf very worn, part of original leather title label to spine, replenished end papers. Chippendale's breakthrough furniture design book. The Director was the most extensive pattern book to be created by a craftsperson and the first to have a wider audience outside tradesmen. The immense popularity of the 1754 first edition and subsequent reissues increased commissions for Chippendale's firm and cemented his position as one of the most premier 18th-century cabinetmakers. It was The Gentleman and Cabinet Maker’s Director, first published in 1754, that made his name and reputation. A talented draughtsman, Chippendale completed the drawings himself (many of them now in the Metropolitan Museum of Art) that were engraved for printing by Matthias Darly.While a handful of furniture designs had been printed before, The Director was the first publication on such a large scale. The 160 plates were either bound at £1.14 shillings or loose at £1.10 shillingsThe first edition of The Director attracted 308 subscribers, 49 of them members of the gentry, but the majority were fellow craftsmen (including the Affleck family in Philadelphia) who used it to inform their own work.The book was reprinted in two further editions with the third in 1762 including updates to the styles of furniture as neoclassicism became the fashion of the day. All of Chippendale’s known commissions (with the exception of one) date from after the appearance of The Director: clearly the catalogue had its intended effect on stimulating his career.

(J.M.W. Turner, John Martin, Thomas Stothard & others (illustrated); Robert Bell (edited): 'Art and Song, a Series of Original highly finished Steel Engravings from Masterpieces of Modern English Art. Accompanied by a Selection of the Choicest Poems in the English Language', London, H. Virtue & Company, c.1899, new edition, 30 steel engraved plates as called for after J.M.W. Turner, Thomas Stothard, John Martin, Henry Bright, Henry Corbould, Frederick Goodall and others, original decorative cloth gilt, top edge gilt, others uncut

(Japan), a Japanese woodblock printing illustrated book, modern pencil and pen notes on leaf loosely inserted state the book to be 'Bumpo Gafu', c.1813, woodblocks by Inoue Jihei, publishers Chojiya Genjiro and Kochiya Kihei, m/s pen notes beneath "Notes by British Museum Asian expert made at the Museum Prints & Drawings Dept 21.10.80. The book was described as being in very good condition...", [72] pages of illustrations, original decorative stitched wraps, housed in modern slipcase; together with 3 other 19th Century illustrated books of Japanese woodblock prints, housed together in modern slipcase; plus 'Choice masterpieces of Korin and Kenzan', [edited by Shungo Murayama], Tokyo, The Kokka Company, 1906, 1st edition, title page, preface and contents followed by 11pp text in English language, 2 b/w ilustrations in text, preceding 11 mounted colour plates depicting artwork, lacquer and ceramics produced by the two brothers Korin and Kenzan Ogata, all accompanied by guard sheets with descriptive letterpress in Japanese and English, folio (45 x 31cm), original decorative cloth covered boards very worn, lacks lower board, string ties, together with a similar circa early 20th Century Japanese work in 2 volumes, 30 double page chromolitho plates of Japanese art and antiquities, architecture etc, including Samurai swords, jewellery, bronze dishes, lacquer box, fabrics, houses, beds?, text in Japanese language, folio (35 x 25cm), uniform original decorative cloth, printed title labels in Japanese mounted to covers; plus Lafcadio Hearn, 2 titles: 'Kotto: Being Japanese Curios, with Sundry Cobwebs', New York, Macmillan, 1902, 1st edition, 1st issue (with title page illustration printed upside down), illustrations by Genjiro Yeto throughout, original pictorial cloth gilt, top edge gilt, 'Kwaidan: Stories and Studies of Strange Things', London, Kegan Paul, 1904, 1st edition, 2 plates as called for, original cloth gilt. Two titles on Japanese folklore, mythology, supernatural tales, social and religious life and customs, by Patrick Lafcadio Hearn (1850-1904), Irish-Greek-Japanese writer, translator, and teacher who introduced the culture and literature of Japan to the West; Yoshio Markino: 'A Japanese Artist in London', L, C & W, 1919, 5th impression, signed & inscribed by the author/artist in English and Japanese on FFEP, 8 colour plates + 4 b/w plates as called for, original decorative cloth gilt, dust wrapper; 'Hanasaki Jiji [The Old Man Who Made the Dead Trees Blossom]', Tokyo, Kobunsha, c.1885, illustrated colour woodblock book, in French language, [18]pp, original pictorial wraps (18 x 12.5cm); Kazunori Ishibashi (illustrated); William N. Porter (translated): 'A Year of Japanese Epigrams', OUP, 1911, colour frontis + 12 b/w plates for each month of the year as called for, some contemporary manuscript to verso of half title and verso of last leaf of introduction, orig. cloth gilt; Ernest Adolphus Sturge: 'The Spirit of Japan', [Tokyo] : Sturge Zenshu Kankokai, [1934], 2nd edition, 44 colour & b/w plates as called for, in English language, original cloth gilt, printed card slipcase; together with 2 early 20th Century German titles on Japan by Emil Schiller and Otto Kumel, plus two mid 20th Century similar by Klabund [i.e. Alfred Henschke], plus 2 others (19)

China teaware by Ashley, printed romantic scenes with blue and 22kt gold borders; a Royal Crown Derby trio in the "Vine" pattern; modern cream tea service marked "Foreign" silver coloured bands and handles in the Art Deco style; a pair of twin handled vases marked 1500, printed floral design and moulded decoration to neck and base, 34cm.2 Boxes

Banksy, British b.1974- Cut & Run exhibition posters, 2023; two offset lithographic posters, created for the 'Banksy: Cut & Run' exhibition at the Gallery of Modern Art, Glasgow, each sheet: 42 x 30 cm, (unframed) (ARR) (2) 

Modern art print, head study composed from multiple telephone motifs, indistinctly signed in pencil, dated 1970, 90 x 70cm

Two modern Art Glass bowls

A Chinese album of flower prints Wu Changshuo, published by Cao Bai, 1972, a book of Modern Japanese Art of Flower Arrangements, a fine silk commemorative handkerchief with a printed panel depicting the surrender in 1905 at Port Arthur, of the Russians to Japan, together with a bronze disc and a box of metal mounts and an album of Japanese ephemera and loose prints,

THREE BOXES AND LOOSE SEWING MACHINES, ART MATERIALS, TREEN AND SUNDRY ITEMS, to include a Janome Jem modern sewing machine, a vintage electric Singer sewing machine, a Daler Rowney folding artist's easel, a tool box containing palettes, paint, brushes and various craft items, metal wares including a cast iron book rest and Oneida mid twentieth century cutlery, wooden boxes, plates, letter racks, candle holder, and ornaments, etc, a pair of brass candlesticks, a Swan Brand vintage electric kettle (untested), modern decorative homewares, etc (3 boxes + loose) (sd)

THE SUGARLUMP STUDIO CERAMIC 'MOONBASE' FROM THE CLANGERS, with two Sugarlump Studio ceramic Clangers figures 'Major Clanger' and 'Mother Clanger', with several modern boxed plastic Clangers figures, including the Home Planet Playset and Musical Starlight Tiny Clanger, several still sealed in original packaging, boxed limited edition design mugs, boxed jigsaw, boxed wall plaques, a quantity of assorted 1970's and more modern Clangers books and annuals, includes a copy of 'The Art of Small films' by Johnny Trunk and Richard Embray, published by Four Corners Books which is still sealed in original polythene. Condition report the Moonbase is in fairly good condition with only minor wear except one Soup Dragon has damage to its head and both Clangers have damage, wear and losses, some wear to packaging of modern items (2 boxes)

Modern Art Books To include Howard Hodgkin, The Complete Prints, Thames Hudson; and books on Gillian Ayres, Grayson Perry, John Tunnard, John Piper. William Nicholson, and others.There are 21 books

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 29.2 x x 21.6.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Franz Marc (1880-1916) was a German painter and printmaker known for his significant contributions to the Expressionist movement. He was a prominent figure in the early 20th-century art scene and played a vital role in the development of abstract art. Here are some key points about Franz Marc:1. Early Life and Education: Franz Marc was born on February 8, 1880, in Munich, Germany. He studied at the Munich Academy of Fine Arts, where he encountered the works of various artists, including the Post-Impressionists and the Fauvists, which greatly influenced his artistic style.2. Expressionist Art: Marc was associated with the Expressionist movement, which sought to convey emotional and spiritual states through vivid colors, bold brushwork, and distortion of form. He was particularly interested in exploring the connection between the natural world and human emotions.3. Animal Symbolism: One of the distinctive features of Marc's artwork is his use of animals as symbolic representations. He believed that animals possessed a primal, spiritual connection to nature, which humans had lost. He often depicted animals in vibrant, unnatural colors, emphasizing their symbolic qualities.4. Der Blaue Reiter: Marc, along with Wassily Kandinsky, founded the artist group "Der Blaue Reiter" (The Blue Rider) in 1911. The group aimed to promote spiritual and abstract art and organized exhibitions to showcase their works. Marc contributed significantly to the group's activities and published articles on the philosophical aspects of art.5. Key Works: Some of Franz Marc's notable paintings include "The Large Blue Horses," "The Fate of the Animals," and "Tower of Blue Horses." These works exemplify his use of vibrant colors, symbolic animal imagery, and expressive brushwork to convey his artistic vision.6. World War I and Tragic Death: Marc's artistic career was cut short by the outbreak of World War I. He enlisted in the German army and tragically died in combat at the age of 36 in 1916.Franz Marc's innovative approach to color, symbolism, and abstraction made him a significant figure in the development of modern art. His works continue to be celebrated for their emotional impact, spiritual themes.Measures 32 x 24.

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker known for his abstract art that emphasized simplicity, color, and form. He was associated with the minimalist and hard-edge painting movements and is considered one of the most important artists of the 20th century.Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and later studied art at the Pratt Institute in Brooklyn, New York, and the School of the Museum of Fine Arts in Boston. In 1948, he moved to Paris, where he was exposed to the works of European artists and began developing his unique style.Kelly's art was characterized by geometric shapes, bold colors, and a focus on the relationship between form and space. He often drew inspiration from everyday objects and shapes found in nature. His work encompassed painting, sculpture, and printmaking, and he explored various mediums throughout his career.One of Kelly's notable series is the "Color Field Paintings," which featured large, solid-color canvases. He also created numerous abstract sculptures, often composed of simple shapes such as curves, rectangles, and circles. Kelly's artworks are known for their precise lines, clean edges, and vibrant hues.Over the years, Kelly received numerous accolades for his contributions to the art world. In 2013, he was awarded the National Medal of Arts by President Barack Obama. His works can be found in major museums and galleries worldwide, including the Museum of Modern Art (MoMA) in New York, the Centre Pompidou in Paris, and the Tate Modern in London.Ellsworth Kelly passed away on December 27, 2015, at the age of 92, leaving behind a rich artistic legacy that continues to inspire and influence artists today. His work is celebrated for its simplicity, beauty, and its ability to evoke emotional and sensory responses through its pure abstraction.Measures 40 x 32.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 18.8 x x 31.4.

Juan Gris (1887-1927) was a Spanish painter and sculptor who was an important figure in the Cubist movement. He is known for his innovative approach to composition, use of geometric forms, and incorporation of collage elements into his artwork. Here are some key points about Juan Gris:1. Early Life and Artistic Development: Juan Gris was born José Victoriano González-Pérez on March 23, 1887, in Madrid, Spain. He initially studied engineering but later decided to pursue his passion for art. He moved to Paris in 1906, where he immersed himself in the vibrant artistic scene.2. Cubist Aesthetic: Gris became associated with the Cubist movement, which was pioneered by Pablo Picasso and Georges Braque. Cubism sought to depict objects from multiple viewpoints, deconstructing and rearranging their forms in a geometric manner. Gris developed his own unique style within Cubism, characterized by precise lines, subtle colors, and intricate compositions.3. Analytical Cubism: Gris's early work aligned with Analytical Cubism, which emphasized the analysis and fragmentation of forms. He deconstructed objects into geometric shapes and explored their relationship in space, often incorporating elements of collage to further disrupt the boundaries between reality and representation.4. Synthetic Cubism: Gris later transitioned to Synthetic Cubism, which involved the use of flat, overlapping planes and more decorative elements. He incorporated newspaper clippings, sheet music, and other materials into his paintings, creating a sense of depth and texture.5. Subjects and Themes: Gris's subject matter primarily consisted of still lifes, interiors, and portraits. He often depicted everyday objects, such as glasses, pipes, and musical instruments, arranging them in complex compositions that challenged traditional notions of representation.6. Influence and Legacy: Gris's contributions to Cubism were highly influential, and his unique style and innovative techniques had a lasting impact on the development of modern art. His work inspired subsequent generations of artists, and his emphasis on structure, form, and the manipulation of space continues to be appreciated by art enthusiasts and scholars.Juan Gris's artwork reflects his intellectual approach to art-making, his keen sense of composition, and his ability to transform ordinary objects into complex and thought-provoking visual experiences. His contributions to Cubism, alongside Picasso and Braque, solidified his place in art history as a key figure of the movement and a talented artist in his own right.Measures 24 x 36.Frame measures 41.25 x 29.25.Sold "after" Gris.

Franz Marc (1880-1916) was a German painter and printmaker known for his significant contributions to the Expressionist movement. He was a prominent figure in the early 20th-century art scene and played a vital role in the development of abstract art. Here are some key points about Franz Marc:1. Early Life and Education: Franz Marc was born on February 8, 1880, in Munich, Germany. He studied at the Munich Academy of Fine Arts, where he encountered the works of various artists, including the Post-Impressionists and the Fauvists, which greatly influenced his artistic style.2. Expressionist Art: Marc was associated with the Expressionist movement, which sought to convey emotional and spiritual states through vivid colors, bold brushwork, and distortion of form. He was particularly interested in exploring the connection between the natural world and human emotions.3. Animal Symbolism: One of the distinctive features of Marc's artwork is his use of animals as symbolic representations. He believed that animals possessed a primal, spiritual connection to nature, which humans had lost. He often depicted animals in vibrant, unnatural colors, emphasizing their symbolic qualities.4. Der Blaue Reiter: Marc, along with Wassily Kandinsky, founded the artist group "Der Blaue Reiter" (The Blue Rider) in 1911. The group aimed to promote spiritual and abstract art and organized exhibitions to showcase their works. Marc contributed significantly to the group's activities and published articles on the philosophical aspects of art.5. Key Works: Some of Franz Marc's notable paintings include "The Large Blue Horses," "The Fate of the Animals," and "Tower of Blue Horses." These works exemplify his use of vibrant colors, symbolic animal imagery, and expressive brushwork to convey his artistic vision.6. World War I and Tragic Death: Marc's artistic career was cut short by the outbreak of World War I. He enlisted in the German army and tragically died in combat at the age of 36 in 1916.Franz Marc's innovative approach to color, symbolism, and abstraction made him a significant figure in the development of modern art. His works continue to be celebrated for their emotional impact, spiritual themes.Measures 30 x 24.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 27.7 x x 21.6.

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker known for his abstract art that emphasized simplicity, color, and form. He was associated with the minimalist and hard-edge painting movements and is considered one of the most important artists of the 20th century.Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and later studied art at the Pratt Institute in Brooklyn, New York, and the School of the Museum of Fine Arts in Boston. In 1948, he moved to Paris, where he was exposed to the works of European artists and began developing his unique style.Kelly's art was characterized by geometric shapes, bold colors, and a focus on the relationship between form and space. He often drew inspiration from everyday objects and shapes found in nature. His work encompassed painting, sculpture, and printmaking, and he explored various mediums throughout his career.One of Kelly's notable series is the "Color Field Paintings," which featured large, solid-color canvases. He also created numerous abstract sculptures, often composed of simple shapes such as curves, rectangles, and circles. Kelly's artworks are known for their precise lines, clean edges, and vibrant hues.Over the years, Kelly received numerous accolades for his contributions to the art world. In 2013, he was awarded the National Medal of Arts by President Barack Obama. His works can be found in major museums and galleries worldwide, including the Museum of Modern Art (MoMA) in New York, the Centre Pompidou in Paris, and the Tate Modern in London.Ellsworth Kelly passed away on December 27, 2015, at the age of 92, leaving behind a rich artistic legacy that continues to inspire and influence artists today. His work is celebrated for its simplicity, beauty, and its ability to evoke emotional and sensory responses through its pure abstraction.Measures 30 x 30.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Arthur Dove (1880-1946) was an American painter and one of the early pioneers of abstract art in the United States. He is recognized as one of the leading figures in American modernism and played a significant role in the development of abstract art during the early 20th century.Dove was born on August 2, 1880, in Canandaigua, New York. He initially pursued a career in the field of commercial illustration and worked as a magazine illustrator in New York City. However, his passion for art led him to explore more experimental and abstract approaches to painting.Dove's artistic style evolved over the years, and he embraced abstraction as a means of expressing his inner experiences and the essence of nature. He was particularly inspired by the natural world, and his paintings often captured the organic forms, colors, and rhythms found in landscapes and seascapes.Dove's works are characterized by their simplified forms, bold colors, and expressive brushwork. He utilized various techniques, including overlapping shapes, vibrant hues, and rhythmic patterns, to convey a sense of dynamism and energy in his compositions. His paintings often had a spiritual and contemplative quality, reflecting his deep connection with nature.Dove was associated with the group of American artists known as the Stieglitz Circle, which included renowned photographers, painters, and sculptors. He had a close friendship and artistic collaboration with photographer and art promoter Alfred Stieglitz, who showcased Dove's work in his gallery, 291. Stieglitz's support and recognition played a significant role in bringing attention to Dove's innovative artistic vision.Throughout his career, Dove continued to experiment with different mediums, including painting, drawing, collage, and assemblage. He also incorporated elements of music and poetry into his artworks, exploring the interplay between different art forms.Arthur Dove's contributions to abstract art helped pave the way for future generations of American abstract painters. His innovative approach to capturing the essence of nature and his expressive use of color and form left a lasting impact on the development of modern art. Dove's works can be found in major museums and art institutions worldwide, and he is celebrated as one of America's pioneering abstract artists.Measures 22 x 27.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 31.4 x x 17.1.

"Donald Sultan is a contemporary American artist known for his distinct style and use of industrial materials. He was born on April 27, 1951, in Asheville, North Carolina, United States. Sultan gained recognition in the 1980s for his large-scale still-life paintings featuring everyday objects like flowers, fruits, and other mundane items. Sultan's works often incorporate bold and simplified forms with rich textures, achieved through the use of materials like tar, enamel, and vinyl tiles. He employs a limited color palette, predominantly black, red, and white, creating a graphic and impactful visual language. Throughout his career, Donald Sultan has exhibited his works internationally and has been featured in numerous solo and group exhibitions. His art can be found in various prestigious collections, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York, among others. Measures 7.75 x 7.74 Printed circa 1980sVerso is blank.Mounted to archival quality paper.

Henri Cartier-Bresson was a French photographer widely regarded as one of the pioneers of modern photojournalism and street photography. He was born on August 22, 1908, in Chanteloup-en-Brie, France, and passed away on August 3, 2004, in Céreste, France. Cartier-Bresson is known for his ability to capture decisive moments—those fleeting and significant instants that convey the essence of a scene or subject. He had a keen eye for composition, geometry, and the interplay of elements within a frame. His photographs often displayed a strong sense of storytelling, capturing the human condition and the complexities of everyday life. In 1947, Cartier-Bresson co-founded Magnum Photos, a prestigious international cooperative agency for photojournalists. This allowed him to work on various assignments around the world, covering significant events and capturing memorable images. He photographed the aftermath of World War II, the independence of India and Indonesia, the Chinese Revolution, and many other important moments in history. Cartier-Bresson's images reflect a deep humanistic approach, showing empathy for his subjects and their stories. He had a unique ability to blend into the environment, becoming an observer rather than an intruder. His photographs often showcased candid and unposed moments, capturing the authenticity and raw emotions of the people he photographed. In addition to his photojournalism, Cartier-Bresson was also a masterful street photographer, capturing ordinary moments in public spaces and turning them into extraordinary compositions. His work had a significant influence on the development of street photography as an art form. Cartier-Bresson's contributions to photography were recognized with numerous awards and accolades throughout his career, including the inaugural Hasselblad Award in 1980 and the International Center of Photography's Infinity Award for Lifetime Achievement in 2003. His photographs continue to inspire generations of photographers and have left an enduring impact on the field of documentary and street photography. Measures 6.75 x 9.75 Printed circa 1950sVerso is blank.Mounted to archival quality paper."

Jim Dine is an American contemporary artist known for his contributions to the Pop Art movement. He was born on June 16, 1935, in Cincinnati, Ohio. Dine gained prominence in the 1960s for his unique artistic style, which combined elements of traditional painting, sculpture, and assemblage. Dine's work often incorporates everyday objects, such as tools, hearts, bathrobes, and skulls, which he uses as symbolic motifs. He is particularly recognized for his series of "happenings," which were interactive art events that blurred the boundaries between art and life. Throughout his career, Dine has explored a variety of mediums, including painting, drawing, printmaking, sculpture, and photography. He has experimented with different techniques and materials, including collage, assemblage, and incorporating found objects into his artwork. Dine's work has been exhibited extensively in galleries and museums around the world, and he has received numerous awards and honors for his contributions to the art world. His art is represented in major collections, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. Jim Dine's artistic career spans several decades, and he continues to create and exhibit his work to this day. His unique style and innovative approach to art have made him an influential figure in contemporary art history. Measures 9.27 x 9.01 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Hans Namuth was a German-born American photographer known for his portraits of artists, especially those associated with the Abstract Expressionist movement. He was born on March 17, 1915, in Essen, Germany, and passed away on October 13, 1990, in East Hampton, New York, United States.Namuth gained recognition for his close collaborations with artists such as Jackson Pollock and Willem de Kooning. His photographs captured the artists at work in their studios, providing insight into their creative process and shedding light on the Abstract Expressionist movement. Namuth's images often showcased the physicality and gestural nature of the artists' techniques, helping to convey the energy and intensity of their artistic practice. Namuth's most famous photographs are arguably those of Jackson Pollock. In 1950, he photographed Pollock in his studio, capturing the artist in action, engaging with his large-scale canvases. The resulting photographs, which included dramatic shots taken from different angles and perspectives, are considered iconic and have become synonymous with Pollock's artistic persona. Beyond his work with Abstract Expressionist artists, Namuth also photographed other prominent figures in the art world, including Mark Rothko, Barnett Newman, and Jean Tinguely, among others. His photographs have been widely exhibited and published, contributing to the understanding and appreciation of these artists and their contributions to modern art. Hans Namuth's photographs continue to be celebrated for their intimate and insightful portrayal of artists and their creative processes. His work remains an important documentation of a pivotal period in American art history. Measures 10.27 x 12.99 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

"Henri Cartier-Bresson was a French photographer widely regarded as one of the pioneers of modern photojournalism and street photography. He was born on August 22, 1908, in Chanteloup-en-Brie, France, and passed away on August 3, 2004, in Céreste, France. Cartier-Bresson is known for his ability to capture decisive moments—those fleeting and significant instants that convey the essence of a scene or subject. He had a keen eye for composition, geometry, and the interplay of elements within a frame. His photographs often displayed a strong sense of storytelling, capturing the human condition and the complexities of everyday life. In 1947, Cartier-Bresson co-founded Magnum Photos, a prestigious international cooperative agency for photojournalists. This allowed him to work on various assignments around the world, covering significant events and capturing memorable images. He photographed the aftermath of World War II, the independence of India and Indonesia, the Chinese Revolution, and many other important moments in history. Cartier-Bresson's images reflect a deep humanistic approach, showing empathy for his subjects and their stories. He had a unique ability to blend into the environment, becoming an observer rather than an intruder. His photographs often showcased candid and unposed moments, capturing the authenticity and raw emotions of the people he photographed. In addition to his photojournalism, Cartier-Bresson was also a masterful street photographer, capturing ordinary moments in public spaces and turning them into extraordinary compositions. His work had a significant influence on the development of street photography as an art form. Cartier-Bresson's contributions to photography were recognized with numerous awards and accolades throughout his career, including the inaugural Hasselblad Award in 1980 and the International Center of Photography's Infinity Award for Lifetime Achievement in 2003. His photographs continue to inspire generations of photographers and have left an enduring impact on the field of documentary and street photography. Measures 6.5 x 9.75 Printed circa 1950sVerso is blank.Mounted to archival quality paper."""

Henri Cartier-Bresson was a French photographer widely regarded as one of the pioneers of modern photojournalism and street photography. He was born on August 22, 1908, in Chanteloup-en-Brie, France, and passed away on August 3, 2004, in Céreste, France. Cartier-Bresson is known for his ability to capture decisive moments—those fleeting and significant instants that convey the essence of a scene or subject. He had a keen eye for composition, geometry, and the interplay of elements within a frame. His photographs often displayed a strong sense of storytelling, capturing the human condition and the complexities of everyday life. In 1947, Cartier-Bresson co-founded Magnum Photos, a prestigious international cooperative agency for photojournalists. This allowed him to work on various assignments around the world, covering significant events and capturing memorable images. He photographed the aftermath of World War II, the independence of India and Indonesia, the Chinese Revolution, and many other important moments in history. Cartier-Bresson's images reflect a deep humanistic approach, showing empathy for his subjects and their stories. He had a unique ability to blend into the environment, becoming an observer rather than an intruder. His photographs often showcased candid and unposed moments, capturing the authenticity and raw emotions of the people he photographed. In addition to his photojournalism, Cartier-Bresson was also a masterful street photographer, capturing ordinary moments in public spaces and turning them into extraordinary compositions. His work had a significant influence on the development of street photography as an art form. Cartier-Bresson's contributions to photography were recognized with numerous awards and accolades throughout his career, including the inaugural Hasselblad Award in 1980 and the International Center of Photography's Infinity Award for Lifetime Achievement in 2003. His photographs continue to inspire generations of photographers and have left an enduring impact on the field of documentary and street photography. Measures 6.77 x 9.75 Printed circa 1950sVerso is blank.Mounted to archival quality paper."""""""

Jim Dine is an American contemporary artist known for his contributions to the Pop Art movement. He was born on June 16, 1935, in Cincinnati, Ohio. Dine gained prominence in the 1960s for his unique artistic style, which combined elements of traditional painting, sculpture, and assemblage. Dine's work often incorporates everyday objects, such as tools, hearts, bathrobes, and skulls, which he uses as symbolic motifs. He is particularly recognized for his series of "happenings," which were interactive art events that blurred the boundaries between art and life. Throughout his career, Dine has explored a variety of mediums, including painting, drawing, printmaking, sculpture, and photography. He has experimented with different techniques and materials, including collage, assemblage, and incorporating found objects into his artwork. Dine's work has been exhibited extensively in galleries and museums around the world, and he has received numerous awards and honors for his contributions to the art world. His art is represented in major collections, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. Jim Dine's artistic career spans several decades, and he continues to create and exhibit his work to this day. His unique style and innovative approach to art have made him an influential figure in contemporary art history. Measures 9.27 x 9.01 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Willem de Kooning was a Dutch-American abstract expressionist painter. He was born on April 24, 1904, in Rotterdam, the Netherlands, and passed away on March 19, 1997, in East Hampton, New York. De Kooning is considered one of the most important artists of the 20th century, known for his influential contributions to abstract art and his distinctive style. De Kooning's early artistic training began in Rotterdam, and he immigrated to the United States in 1926, eventually settling in New York City. He became associated with the Abstract Expressionist movement that emerged in New York in the 1940s and 1950s, alongside artists such as Jackson Pollock and Mark Rothko. De Kooning's paintings are characterized by their dynamic brushwork, bold colors, and expressive compositions. He often employed vigorous and gestural brushstrokes, creating a sense of movement and energy on the canvas. His works range from abstracted figures and landscapes to pure abstractions, showcasing his ability to evoke a wide range of emotions through his art. One of de Kooning's most famous series is his "Woman" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in various states of abstraction and distortion, reflecting themes of sexuality, femininity, and the complexities of human relationships. Throughout his career, de Kooning received numerous awards and accolades for his contributions to art. He had significant solo exhibitions at prestigious institutions, including the Museum of Modern Art (MoMA) in New York and the Tate Gallery in London. De Kooning's influence on the art world has been far-reaching. His bold and expressive approach to painting helped redefine the boundaries of abstraction and inspired subsequent generations of artists. His work continues to be celebrated and studied for its innovation, emotional depth, and mastery of the medium. Measures 5.76 x 7.02 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Edward Steichen was an influential American photographer, painter, and curator who lived from 1879 to 1973. He is considered one of the most prominent figures in the history of photography and played a pivotal role in establishing photography as a recognized art form.Steichen began his career as a painter and later transitioned to photography, where he gained widespread recognition for his innovative techniques and artistic vision. He was a pioneer in using photography for both artistic expression and commercial purposes. During his early career, Steichen was associated with the Pictorialist movement, which aimed to elevate photography to the status of fine art by emphasizing soft focus, painterly effects, and emotional content. He produced a significant body of Pictorialist work, often focusing on landscapes, portraits, and allegorical themes.In the 1920s, Steichen's style shifted as he embraced modernism and adopted a more straightforward and objective approach to photography. He became known for his sharp, precise images that captured the essence of modern life, including fashion, celebrity portraits, and urban landscapes. Notably, he served as the chief photographer for the fashion magazine Vogue and contributed to its artistic and commercial success. Aside from his own photographic work, Steichen made significant contributions to the field as a curator and promoter of photography. He organized several influential exhibitions, including the landmark exhibition "The Family of Man" at the Museum of Modern Art in 1955, which showcased the universality of human experiences through photographs from around the world. Edward Steichen's contributions to photography earned him numerous awards and accolades throughout his career. His work continues to be celebrated and exhibited in galleries and museums worldwide, and he remains an enduring figure in the history of photography. Measures 8.75 x 10 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

The "Head of a Youth" sculpture refers to various artworks depicting the head or bust of a young person. There have been numerous sculptures throughout art history that fall under this category. Since there isn't a specific artist or artwork mentioned, I'll provide a general overview of sculptures depicting the head of a youth.1. Ancient Greek and Roman Sculptures: In ancient Greece and Rome, sculptors often created lifelike and idealized representations of youthful figures. These sculptures aimed to capture the beauty and idealized proportions of the human form. Examples include the "Apollo Belvedere" and the "Antinous Mondragone."2. Renaissance and Baroque Sculptures: During the Renaissance and Baroque periods, artists explored the human form with a focus on naturalism and emotion. Sculptors such as Donatello, Michelangelo, and Bernini created exquisite busts and portraits of young individuals, showcasing their skills in capturing realistic features and expressions.3. Neoclassical Sculptures: In the late 18th and early 19th centuries, the Neoclassical movement drew inspiration from ancient Greek and Roman art. Artists like Antonio Canova and Jean-Baptiste Carpeaux produced sculptures depicting the idealized beauty of youth, often representing mythological or allegorical figures.4. Modern and Contemporary Sculptures: In more recent times, artists have continued to explore the theme of the head of a youth, sometimes offering abstract or stylized interpretations. Artists such as Auguste Rodin, Constantin Brancusi, and Henry Moore have created sculptures that express emotions, individuality, or symbolic meanings through their representations of youthful heads.It's important to note that without specific details about the artwork in question, it is challenging to provide a more specific analysis or interpretation. If you have a particular sculpture or artist in mind, please provide more information, and I'll be happy to offer a more focused response.Original is in the Israel Museum, Jerusalem.Measures 8 x 3.5 x 3.25.

Franz Marc (1880-1916) was a German painter and printmaker known for his significant contributions to the Expressionist movement. He was a prominent figure in the early 20th-century art scene and played a vital role in the development of abstract art. Here are some key points about Franz Marc:1. Early Life and Education: Franz Marc was born on February 8, 1880, in Munich, Germany. He studied at the Munich Academy of Fine Arts, where he encountered the works of various artists, including the Post-Impressionists and the Fauvists, which greatly influenced his artistic style.2. Expressionist Art: Marc was associated with the Expressionist movement, which sought to convey emotional and spiritual states through vivid colors, bold brushwork, and distortion of form. He was particularly interested in exploring the connection between the natural world and human emotions.3. Animal Symbolism: One of the distinctive features of Marc's artwork is his use of animals as symbolic representations. He believed that animals possessed a primal, spiritual connection to nature, which humans had lost. He often depicted animals in vibrant, unnatural colors, emphasizing their symbolic qualities.4. Der Blaue Reiter: Marc, along with Wassily Kandinsky, founded the artist group "Der Blaue Reiter" (The Blue Rider) in 1911. The group aimed to promote spiritual and abstract art and organized exhibitions to showcase their works. Marc contributed significantly to the group's activities and published articles on the philosophical aspects of art.5. Key Works: Some of Franz Marc's notable paintings include "The Large Blue Horses," "The Fate of the Animals," and "Tower of Blue Horses." These works exemplify his use of vibrant colors, symbolic animal imagery, and expressive brushwork to convey his artistic vision.6. World War I and Tragic Death: Marc's artistic career was cut short by the outbreak of World War I. He enlisted in the German army and tragically died in combat at the age of 36 in 1916.Franz Marc's innovative approach to color, symbolism, and abstraction made him a significant figure in the development of modern art. His works continue to be celebrated for their emotional impact, spiritual themes, and exploration of the relationship between humans, animals, and the natural world.Measures 36 x 24.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 31.5 x 20.7.

"Claude Monet (1840-1926) was a renowned French painter and a leading figure in the Impressionist art movement. Here's some information about Claude Monet: 1. Impressionism: Monet is best known for his contributions to the Impressionist movement, which sought to capture the fleeting effects of light and atmosphere in outdoor scenes. Impressionist painters aimed to depict their subjects with loose brushwork, vibrant colors, and an emphasis on the ever-changing qualities of light. 2. Plein Air Painting: Monet was a proponent of plein air painting, which involved working directly in outdoor settings rather than in a studio. He believed in capturing the immediate visual experience of a scene and would often paint en plein air, observing and recording the effects of light and color directly from nature. 3. Water Lilies and Giverny: One of Monet's most iconic series of works is his paintings of water lilies. He created numerous paintings featuring his water garden in Giverny, a village in Normandy, France, where he lived for many years. The serene and contemplative depictions of the water lilies and the play of light and reflections on the water became synonymous with Monet's style. 4. Series and Seriality: Monet was known for creating series of paintings that explored the same subject matter under different lighting conditions and perspectives. His famous series include Haystacks, Rouen Cathedral, Poplars, and of course, Water Lilies. Through these series, Monet sought to convey the ever-changing qualities of light and atmosphere. 5. Influence and Legacy: Monet's innovative approach to painting and his dedication to capturing the essence of nature had a profound influence on the development of modern art. His use of broken brushstrokes, vibrant colors, and emphasis on capturing the fleeting effects of light paved the way for subsequent art movements, such as Fauvism and Abstract Expressionism. 6. Major Works: Some of Monet's notable works include ""Impression, Sunrise"" (which inspired the name of the Impressionist movement), ""Water Lilies"" series, ""Rouen Cathedral"" series, ""Haystacks"" series, ""Poplars"" series, and ""The Japanese Bridge."" Claude Monet's artistic legacy continues to be celebrated and appreciated worldwide. His vibrant and evocative paintings not only captured the essence of the natural world but also revolutionized the way art was perceived and created in the late 19th and early 20th centuries.Measures 24 x 36..Frame measures 40.75 x 28.75.Sold ""after"" Monet. " Measures 7.75 x 10.01 Verso is blank.Mounted to archival quality paper."

Edward Steichen was an influential American photographer, painter, and curator who lived from 1879 to 1973. He is considered one of the most prominent figures in the history of photography and played a pivotal role in establishing photography as a recognized art form.Steichen began his career as a painter and later transitioned to photography, where he gained widespread recognition for his innovative techniques and artistic vision. He was a pioneer in using photography for both artistic expression and commercial purposes. During his early career, Steichen was associated with the Pictorialist movement, which aimed to elevate photography to the status of fine art by emphasizing soft focus, painterly effects, and emotional content. He produced a significant body of Pictorialist work, often focusing on landscapes, portraits, and allegorical themes.In the 1920s, Steichen's style shifted as he embraced modernism and adopted a more straightforward and objective approach to photography. He became known for his sharp, precise images that captured the essence of modern life, including fashion, celebrity portraits, and urban landscapes. Notably, he served as the chief photographer for the fashion magazine Vogue and contributed to its artistic and commercial success. Aside from his own photographic work, Steichen made significant contributions to the field as a curator and promoter of photography. He organized several influential exhibitions, including the landmark exhibition "The Family of Man" at the Museum of Modern Art in 1955, which showcased the universality of human experiences through photographs from around the world. Edward Steichen's contributions to photography earned him numerous awards and accolades throughout his career. His work continues to be celebrated and exhibited in galleries and museums worldwide, and he remains an enduring figure in the history of photography. Measures 7 x 9.5 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Yoshitomo Nara is a contemporary Japanese artist known for his distinctive style of art, often depicting innocent-looking, childlike characters with a touch of rebellion. Here are some key points about Yoshitomo Nara:1. Style and Artistic Approach: Nara's art is characterized by his portrayal of young, often solitary figures with large, expressive eyes. His subjects are reminiscent of children or young adults, evoking a sense of vulnerability, innocence, and mischief. Nara's art combines elements of manga, anime, and Western pop culture with a blend of traditional and contemporary influences.2. Influences: Nara's artistic influences stem from various sources, including Japanese popular culture, punk music, and Western art movements such as Pop Art and Street Art. He is inspired by the aesthetics of manga and anime, as well as by artists like Vincent van Gogh, Edward Hopper, and Egon Schiele.3. Themes and Symbolism: Nara's artwork often explores themes of childhood, identity, rebellion, and isolation. His characters, while seemingly innocent, can convey a sense of defiance, melancholy, or even a mischievous attitude. They often reflect the complexities and contradictions of human emotions and experiences.4. Painting and Sculpture: Nara is known for his skill in both painting and sculpture. In addition to his iconic paintings, he has also created three-dimensional works, including sculptures of his recognizable characters. His sculptures often retain the same expressive qualities and childlike innocence found in his two-dimensional art.5. International Recognition: Yoshitomo Nara's artwork has gained international acclaim and recognition. He has exhibited in major museums and galleries around the world, including the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; and the National Museum of Modern Art, Tokyo.6. Popularity and Influence: Nara's unique style and recognizable characters have garnered a devoted following. His art has influenced many contemporary artists and has become highly sought after in the art market.7. Philanthropy: Nara has been involved in various philanthropic efforts. He has used his artwork to support charitable causes and has collaborated with organizations to raise funds for children's education and welfare.8. Nara's Persona: Nara is often described as a humble and down-to-earth artist, despite his international fame. He has been known to live a relatively private life, maintaining a sense of independence and avoiding excessive media attention.Yoshitomo Nara's art captures a blend of innocence and rebellion, evoking a wide range of emotions and resonating with viewers around the world. His distinctive style and iconic characters have made him a significant figure in contemporary art, continuing to inspire and captivate audiences with his unique artistic vision.Walk on Flip clock.Plastic.Measures 4.1 x 7.6 x 2.9.

Henri Matisse was a renowned French artist known for his significant contributions to modern art. He was born on December 31, 1869, in Le Cateau-Cambrésis, France, and lived until November 3, 1954. Matisse is celebrated for his innovative use of color and form, and his ability to create vibrant, expressive, and visually striking works.Matisse began his artistic career as a traditional painter but later became a leading figure in the Fauvist movement, which emphasized bold colors and brushwork. He experimented with various mediums, including painting, sculpture, drawing, printmaking, and collage.Some of Matisse's notable works include "The Joy of Life," "Dance," "La Danse," "Blue Nude," "The Red Studio," and "Woman with a Hat." His style evolved over the years, ranging from vivid and energetic Fauvist compositions to more simplified and abstract forms in his later years.Later in life, Matisse faced health challenges that limited his physical abilities. Despite this, he continued to work, exploring new techniques such as cut-paper collages known as "papier découpé." One of his famous series created during this time is "The Cut-Outs," which showcased his mastery of color and form.Matisse's artistic achievements and his exploration of color, shape, and form continue to inspire artists and art enthusiasts to this day. His works can be found in major museums and galleries around the world, including the Musée Matisse in Nice, France, and the Museum of Modern Art (MoMA) in New York City.Henri Matisse's contributions to the art world have left a lasting impact, making him one of the most influential and revered artists of the 20th century. His ability to convey emotion and beauty through his use of color and form has made his artworks timeless and highly regarded in the realm of modern art.Measures 16 x 20.

Franz Marc (1880-1916) was a German painter and printmaker known for his significant contributions to the Expressionist movement. He was a prominent figure in the early 20th-century art scene and played a vital role in the development of abstract art. Here are some key points about Franz Marc:1. Early Life and Education: Franz Marc was born on February 8, 1880, in Munich, Germany. He studied at the Munich Academy of Fine Arts, where he encountered the works of various artists, including the Post-Impressionists and the Fauvists, which greatly influenced his artistic style.2. Expressionist Art: Marc was associated with the Expressionist movement, which sought to convey emotional and spiritual states through vivid colors, bold brushwork, and distortion of form. He was particularly interested in exploring the connection between the natural world and human emotions.3. Animal Symbolism: One of the distinctive features of Marc's artwork is his use of animals as symbolic representations. He believed that animals possessed a primal, spiritual connection to nature, which humans had lost. He often depicted animals in vibrant, unnatural colors, emphasizing their symbolic qualities.4. Der Blaue Reiter: Marc, along with Wassily Kandinsky, founded the artist group "Der Blaue Reiter" (The Blue Rider) in 1911. The group aimed to promote spiritual and abstract art and organized exhibitions to showcase their works. Marc contributed significantly to the group's activities and published articles on the philosophical aspects of art.5. Key Works: Some of Franz Marc's notable paintings include "The Large Blue Horses," "The Fate of the Animals," and "Tower of Blue Horses." These works exemplify his use of vibrant colors, symbolic animal imagery, and expressive brushwork to convey his artistic vision.6. World War I and Tragic Death: Marc's artistic career was cut short by the outbreak of World War I. He enlisted in the German army and tragically died in combat at the age of 36 in 1916.Franz Marc's innovative approach to color, symbolism, and abstraction made him a significant figure in the development of modern art. His works continue to be celebrated for their emotional impact, spiritual themes, and exploration of the relationship between humans, animals, and the natural world.Measures 40 x 40.

Charles Sheeler, born on July 16, 1883, in Philadelphia, Pennsylvania, was an American artist and photographer associated with the Precisionist movement. He is recognized for his unique style, which combined elements of realism and abstraction, and for his iconic depictions of industrial landscapes and modern technology.Sheeler initially trained as a painter and studied under renowned American painter William Merritt Chase. However, he developed a keen interest in photography, which heavily influenced his artistic approach. Sheeler began incorporating photography into his artistic process, using it as a tool for capturing the precise details and geometric forms that would become characteristic of his work.In the 1920s, Sheeler produced some of his most notable paintings and photographs, often depicting industrial subjects such as factories, machinery, and architectural structures. His compositions emphasized clean lines, sharp edges, and a meticulous attention to detail, reflecting the influence of his photography background. Sheeler's works captured the essence of modernization and celebrated the beauty and aesthetics of industrialization.One of Sheeler's most famous paintings is "The Artist Looks at Nature" (1943), which combines elements of landscape and still life, showcasing his distinctive style. Sheeler's ability to transform ordinary, everyday objects and scenes into captivating and visually striking images solidified his reputation as a leading figure in American modernism.In addition to his painting and photography, Sheeler also ventured into the world of filmmaking. He collaborated with photographer Paul Strand on the avant-garde film "Manhatta" (1921), which combined poetic imagery with modern urban life, further highlighting Sheeler's fascination with industrialization and the urban landscape.Charles Sheeler's work has had a lasting impact on American art. His ability to merge the precision of photography with the expressive qualities of painting created a unique visual language that resonated with audiences. Sheeler's contributions to the Precisionist movement and his exploration of industrial subjects continue to inspire artists and art enthusiasts today, cementing his place as a significant figure in the development of modern American art.Measures 23.75 x 30.

Willem de Kooning was a Dutch-American abstract expressionist painter. He was born on April 24, 1904, in Rotterdam, the Netherlands, and passed away on March 19, 1997, in East Hampton, New York. De Kooning is considered one of the most important artists of the 20th century, known for his influential contributions to abstract art and his distinctive style. De Kooning's early artistic training began in Rotterdam, and he immigrated to the United States in 1926, eventually settling in New York City. He became associated with the Abstract Expressionist movement that emerged in New York in the 1940s and 1950s, alongside artists such as Jackson Pollock and Mark Rothko. De Kooning's paintings are characterized by their dynamic brushwork, bold colors, and expressive compositions. He often employed vigorous and gestural brushstrokes, creating a sense of movement and energy on the canvas. His works range from abstracted figures and landscapes to pure abstractions, showcasing his ability to evoke a wide range of emotions through his art. One of de Kooning's most famous series is his "Woman" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in various states of abstraction and distortion, reflecting themes of sexuality, femininity, and the complexities of human relationships. Throughout his career, de Kooning received numerous awards and accolades for his contributions to art. He had significant solo exhibitions at prestigious institutions, including the Museum of Modern Art (MoMA) in New York and the Tate Gallery in London. De Kooning's influence on the art world has been far-reaching. His bold and expressive approach to painting helped redefine the boundaries of abstraction and inspired subsequent generations of artists. His work continues to be celebrated and studied for its innovation, emotional depth, and mastery of the medium. Measures 5.51 x 7.01 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Edward Steichen was an influential American photographer, painter, and curator who lived from 1879 to 1973. He is considered one of the most prominent figures in the history of photography and played a pivotal role in establishing photography as a recognized art form.Steichen began his career as a painter and later transitioned to photography, where he gained widespread recognition for his innovative techniques and artistic vision. He was a pioneer in using photography for both artistic expression and commercial purposes. During his early career, Steichen was associated with the Pictorialist movement, which aimed to elevate photography to the status of fine art by emphasizing soft focus, painterly effects, and emotional content. He produced a significant body of Pictorialist work, often focusing on landscapes, portraits, and allegorical themes.In the 1920s, Steichen's style shifted as he embraced modernism and adopted a more straightforward and objective approach to photography. He became known for his sharp, precise images that captured the essence of modern life, including fashion, celebrity portraits, and urban landscapes. Notably, he served as the chief photographer for the fashion magazine Vogue and contributed to its artistic and commercial success. Aside from his own photographic work, Steichen made significant contributions to the field as a curator and promoter of photography. He organized several influential exhibitions, including the landmark exhibition "The Family of Man" at the Museum of Modern Art in 1955, which showcased the universality of human experiences through photographs from around the world. Edward Steichen's contributions to photography earned him numerous awards and accolades throughout his career. His work continues to be celebrated and exhibited in galleries and museums worldwide, and he remains an enduring figure in the history of photography. Measures 7.25 x 9.26Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Jacob Lawrence was an influential African American artist known for his powerful depictions of African American history and everyday life. Here are some key points about Jacob Lawrence:1. Narrative Storytelling: Lawrence's artwork often tells stories and narratives through a series of sequential images. He is best known for his series of paintings called "The Migration Series," which depicts the Great Migration of African Americans from the rural South to the urban North in the early 20th century. These works are characterized by their vibrant colors, bold shapes, and dynamic compositions.2. Social Realism: Lawrence was associated with the Social Realist movement, which aimed to represent the struggles and triumphs of working-class people and marginalized communities. His artwork addressed issues such as racism, inequality, and social injustice, shedding light on the African American experience.3. Bold Colors and Flat Shapes: Lawrence's use of bold, saturated colors and simplified, geometric shapes is a distinctive aspect of his style. His paintings often feature flattened forms and abstracted figures, allowing the visual elements to convey the emotional intensity of the subject matter.4. Historical and Cultural Themes: Lawrence's body of work encompasses a wide range of themes, including historical events, cultural celebrations, and everyday life. He drew inspiration from African American history, literature, and music, creating artworks that celebrate the resilience and strength of the African American community.5. Influence and Legacy: Lawrence's contributions to American art and his commitment to depicting the African American experience have had a lasting impact. His work inspired and influenced subsequent generations of artists, particularly those exploring themes of social justice and identity.6. Institutional Recognition: Lawrence's artwork has been exhibited in major museums and galleries, including the Museum of Modern Art (MoMA) in New York and the Phillips Collection in Washington, D.C. In 2020, the Seattle Art Museum organized a comprehensive retrospective of his work, titled "Jacob Lawrence: The American Struggle."7. Teaching and Mentorship: In addition to his own artistic practice, Lawrence was a dedicated teacher and mentor. He taught at various institutions, including the Pratt Institute in Brooklyn and the University of Washington in Seattle, where he played a crucial role in shaping the next generation of artists.Jacob Lawrence's artistic contributions, with their powerful storytelling and visual impact, continue to resonate today. His ability to capture the essence of historical and social narratives through his art has made him a highly regarded figure in American art history.Measures 21.75 x 30.

Franz Marc (1880-1916) was a German painter and printmaker known for his significant contributions to the Expressionist movement. He was a prominent figure in the early 20th-century art scene and played a vital role in the development of abstract art. Here are some key points about Franz Marc:1. Early Life and Education: Franz Marc was born on February 8, 1880, in Munich, Germany. He studied at the Munich Academy of Fine Arts, where he encountered the works of various artists, including the Post-Impressionists and the Fauvists, which greatly influenced his artistic style.2. Expressionist Art: Marc was associated with the Expressionist movement, which sought to convey emotional and spiritual states through vivid colors, bold brushwork, and distortion of form. He was particularly interested in exploring the connection between the natural world and human emotions.3. Animal Symbolism: One of the distinctive features of Marc's artwork is his use of animals as symbolic representations. He believed that animals possessed a primal, spiritual connection to nature, which humans had lost. He often depicted animals in vibrant, unnatural colors, emphasizing their symbolic qualities.4. Der Blaue Reiter: Marc, along with Wassily Kandinsky, founded the artist group "Der Blaue Reiter" (The Blue Rider) in 1911. The group aimed to promote spiritual and abstract art and organized exhibitions to showcase their works. Marc contributed significantly to the group's activities and published articles on the philosophical aspects of art.5. Key Works: Some of Franz Marc's notable paintings include "The Large Blue Horses," "The Fate of the Animals," and "Tower of Blue Horses." These works exemplify his use of vibrant colors, symbolic animal imagery, and expressive brushwork to convey his artistic vision.6. World War I and Tragic Death: Marc's artistic career was cut short by the outbreak of World War I. He enlisted in the German army and tragically died in combat at the age of 36 in 1916.Franz Marc's innovative approach to color, symbolism, and abstraction made him a significant figure in the development of modern art. His works continue to be celebrated for their emotional impact, spiritual themes.Measures 42 x 14.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Willem de Kooning was a Dutch-American abstract expressionist painter. He was born on April 24, 1904, in Rotterdam, the Netherlands, and passed away on March 19, 1997, in East Hampton, New York. De Kooning is considered one of the most important artists of the 20th century, known for his influential contributions to abstract art and his distinctive style. De Kooning's early artistic training began in Rotterdam, and he immigrated to the United States in 1926, eventually settling in New York City. He became associated with the Abstract Expressionist movement that emerged in New York in the 1940s and 1950s, alongside artists such as Jackson Pollock and Mark Rothko. De Kooning's paintings are characterized by their dynamic brushwork, bold colors, and expressive compositions. He often employed vigorous and gestural brushstrokes, creating a sense of movement and energy on the canvas. His works range from abstracted figures and landscapes to pure abstractions, showcasing his ability to evoke a wide range of emotions through his art. One of de Kooning's most famous series is his "Woman" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in various states of abstraction and distortion, reflecting themes of sexuality, femininity, and the complexities of human relationships. Throughout his career, de Kooning received numerous awards and accolades for his contributions to art. He had significant solo exhibitions at prestigious institutions, including the Museum of Modern Art (MoMA) in New York and the Tate Gallery in London. De Kooning's influence on the art world has been far-reaching. His bold and expressive approach to painting helped redefine the boundaries of abstraction and inspired subsequent generations of artists. His work continues to be celebrated and studied for its innovation, emotional depth, and mastery of the medium. Measures 6.5 x 5.02 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Franz Marc (1880-1916) was a German painter and printmaker known for his significant contributions to the Expressionist movement. He was a prominent figure in the early 20th-century art scene and played a vital role in the development of abstract art. Here are some key points about Franz Marc:1. Early Life and Education: Franz Marc was born on February 8, 1880, in Munich, Germany. He studied at the Munich Academy of Fine Arts, where he encountered the works of various artists, including the Post-Impressionists and the Fauvists, which greatly influenced his artistic style.2. Expressionist Art: Marc was associated with the Expressionist movement, which sought to convey emotional and spiritual states through vivid colors, bold brushwork, and distortion of form. He was particularly interested in exploring the connection between the natural world and human emotions.3. Animal Symbolism: One of the distinctive features of Marc's artwork is his use of animals as symbolic representations. He believed that animals possessed a primal, spiritual connection to nature, which humans had lost. He often depicted animals in vibrant, unnatural colors, emphasizing their symbolic qualities.4. Der Blaue Reiter: Marc, along with Wassily Kandinsky, founded the artist group "Der Blaue Reiter" (The Blue Rider) in 1911. The group aimed to promote spiritual and abstract art and organized exhibitions to showcase their works. Marc contributed significantly to the group's activities and published articles on the philosophical aspects of art.5. Key Works: Some of Franz Marc's notable paintings include "The Large Blue Horses," "The Fate of the Animals," and "Tower of Blue Horses." These works exemplify his use of vibrant colors, symbolic animal imagery, and expressive brushwork to convey his artistic vision.6. World War I and Tragic Death: Marc's artistic career was cut short by the outbreak of World War I. He enlisted in the German army and tragically died in combat at the age of 36 in 1916.Franz Marc's innovative approach to color, symbolism, and abstraction made him a significant figure in the development of modern art. His works continue to be celebrated for their emotional impact, spiritual themes.Measures 24 x 16.