We found 19749 price guide item(s) matching your search

Ca. AD 100 - 200.A Roman 23.4 ct old ring with an amethyst stone set in a raised bezel. The round hoop is decorated on the shoulders with a geometric motif worked in filigree. For similar see: El Legado de Hefesto n. 263. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:14.07mm / US: 2 7/8 / UK: F; Weight: 5g Provenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 400 BC.A Hellenistic gold bracelet with conical section. The terminals are in lion shape realised in stylised manner with long mane and ears. For similar see: Christie's, Live auction 1735, ANCIENT JEWELRY, Lot. 227. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: 50mm x 68mm; Weight: 28g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 600 - 800.A Saxon 22 ct gold ring. It has a round band with braided edges. The ring features an attached domed bezel enclosing a rock crystal cabochon. For similar see: El Legado de Hefesto n. 563. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:15.9mm / US: 5 1/4 / UK: K; Weight: 2g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Ca. 300 - 100 BC.A Greek gold ring depicting a flying bird with spread wings on a round bezel. The wings are engraved in two different ways, one style demonstrates similarities to the body while the other is composed of vertical and undulating lines. The band is composed of a round, flat-section hoop. For similar see: El Legado de Hefesto n .191. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:16.31mm / US: 5 3/4 / UK: L; Weight: 2g Provenance: Property of a London art gallery; formerly in a private collection of a Kensington gentleman since the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300 .A Roman smoky quartz intaglio depicting Mars holding a stylised mace. The intaglio is set in a high carat (21.5 ct), possibly later gold ring, decorated with braid shaped filigree. This jewellery is clearly inspired by the Hellenistic production of gems where, especially in Rome, masterpieces were made by Greek masters. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist. Size: D:18.34mm / US: 8 1/4 / UK: Q; Weight: 6g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 – 300.A Roman 23.5 ct gold ring composed of a flat section hoop, culminating in a bezel set with an oval-shaped carnelian intaglio depicting the goddess “Fortuna”. Repaired. For similar see: Christie’s, Live Auction 21909, Antiquities, Lot. 56. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:19.35mm / US: 9 1/2 / UK: S 1/2; Weight: 7g Provenance: Private UK collection; formerly with R. A. collection formed on the UK art market since the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 400 - 500.A Roman 18.5 ct gold finger ring with a square shaped bezel and hard-stone set in a gold frame with wavy motif, round hooped with large flat section. For similar see: Byzantium and the West jewellery in the First Millennium, n. 8, pg. 66. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:15.29mm / US: 4 1/4 / UK: I; Weight: 3g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 1st Millenium BC.A bronze age heavy 23 ct gold hair ring with four spirals and round hoops, with cylindrical section and conical edges. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: 50mm x 20mm; Weight: 177g Provenance: Prince collection, 1990s-2014, acquired in 2003 from a UK private collection formed in the 1970s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300.An amazing Roman Imperial period 22 ct gold ring boasting an intaglio of nude Hercules made with extraordinary details. The ovoid gem is held in place with a piecrust bezel leading to a sloped shoulder and tapering band. The half-god looks to the left holding a long torso and the skin of the Nemean lion in his right hand, unmistakable attributes of this very important figure in the Greek and Roman Pantheon. For similar see, British Museum Museum number 1814,0704.1292. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist. Size: D: 19.15mm / US: 6 1/2 / UK: S; 8g Provenance: From the private collection of an Essex gentleman, acquired on London art market pre-2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 200 - 300.A large Roman 21.5 ct gold earring with a small umbo shield design attached by a granule and framed by filigree wire. This design is rimmed by filigree decorated wire. The round hoop is also decorated with filigree and connected to a gold pendant in the shape of a bunch of grapes, embellished by pearls and gold granules. For similar see: Christie's 2770, Ancient jewellery, Lot. 424. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 65mm x 44mm; Weight: 22g Provenance: Prince collection, 1990s-2014, acquired from Gorny & Mosch, Sale 150, 11 July 2006, lot 154. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 400 - 500.A rare 21.5 ct Byzantine openwork gold ring. The ring is fashioned with a pierced round hoop of three horizontal bands ornamented with punched dots, enclosing four circular openwork medallions, each containing a cross. For similar see: Catalogue of the finger rings, early Christian, Byzantine, Teutonic, Medieval and later, Franks Bequest, n. 132. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist. Size: D:17.12mm / US: 6 3/4 / UK: N; Weight: 9g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 100 BC - 50 AD.A Roman intaglio depicting a soldier holding a dead body. The intaglio is set in a high carat (21 ct), possibly later gold ring; round hoop decorated with gold pellets, filigree and “volutes”; bezel surrounded by golden pearls. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:18.14mm / US: 8 / UK: P 1/2; Weight: 6g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 800 - 1000.A stunning 20 ct Viking gold Mjolnir pendant. The hammer shape is decorated with punched triangles with three dots inside and a round flat hoop on the top. The hammer of the thunder god Thor was called Mjolnir. According to Norse legends, it gave the god strength and the use of thunderbolts. The Viking warriors were particularly attached to the god Thor because their lives often depended on the storms they encountered on the open sea during their conquering missions, so they prayed to the god to avoid his thunderbolts. They kept this amulet around their necks and clasped it while reciting prayers if a storm raged at sea. For similar see; Christie's Live Auction 2771, Ancient jewellery, Lot 349. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist. Size: 30mm x 26mm; Weight: 11g Provenance: Prince collection, 1990s-2014; Ex. Kai Schmidt Ancient Art, June, 2009. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300.A Roman 21 ct gold finger ring with a jasper intaglio depicting the ritual of Osiris. For similar see: Catalogo illustrato della glittica nella collezione Santarelli, 2009, n. 25/85d. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 8.3g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 370 - 340 BC.An Apulian oinochoe with red figure, probably created by the circle of the Snub Nose painter. The vessel is adorned with sparingly depicted figures against a black background, and details are accentuated using overlaid white and yellow paint. The primary decoration features a dressed woman with a sakkos, holding a large patera in her left hand and a flower scepter in her right hand. The woman is also adorned with an elaborate necklace. The concise decoration includes the typical Apulian palmette painted beneath the handle and flower motifs around the palmette. The vase's neck is embellished with vertical white lines. It possesses a characteristic globular shape with a very thin handle set on the mouth's rim, which has a trefoil form. For similar examples, refer to Royal Athena's "100 Years of Greek Vases II," pages 68-69. Red-figure pottery produced in Apulia between the 5th and 4th centuries BC is one of the most widely exported products throughout the Mediterranean area, probably because of the best value for money on the market. These products reached such an exceptional technical level that we can compare them to Attic vases. Technically, like the Attic vases, they are extremely difficult to make because above all creating the mixtures and carrying out an extremely refined and difficult firing process with such a level of result, but without modern technology, was very complex and required a great deal of experimentation. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 110mm x 70mm; Weight: 100g Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 600 - 300 BC.A collection of 74 spherical glass beads exhibiting stunning translucent hues of blue and green. The beads are each decorated with opaque white or yellow 'eyes' that were believed to be phylactery symbols to ward against evil forces. The necklace is completed with five golden lion head pendants made in a stylised manner. For similar: MET Museum Accession Number: 17.194.717. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: 320mm x 25mm; Weight: 15g Provenance: Prince collection, 1990s-2014; Ex. Binoche' Paris, 30 May 2012, lot 217. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 300 - 500.A large Roman Imperial 23 ct gold "crossbow" fibula with a polygonal bow section circular open work. It was used to fasten the cloaks of Roman soldiers and citizens. It is cruciform in shape, with golden pearls on the arms of the the terminals. Brooches of this style were very fashionable in the late Roman Empire, especially amongst elites. For similar see: MET Museum Accession Number: 95.15.113. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: 70mm x 30mm; Weight: 35g Provenance: Prince collection, 1990s-2014; Ex. Gorny & Mosch, sale 150, 11 July 2006, lot 693. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, Ca. 1550 - 1069 BC.A pair of Egyptian blue faience lotus amulets turned into wearable earrings. The amulets are attached to modern gold clips. For similar see: National Museum of Liverpool 56.20.627.25. Size: 37mm x 16mm; Weight: 7.7g Provenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300.A Roman 23 ct gold ring with large bezel decorated with laurel wreath motifs on the edges and double line in the centre connected to a thin elegant round hoop. Repaired. For similar see: El Legado de Hefesto n. 453. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:14.88mm / US: 3 3/4 / UK: H; Weight: 1g Provenance: Private Central London collection; ex. UK art market 1990s.

Ca. AD 200 - 300.A late Roman 22 ct gold ring. It has a round hoop decorated with “volute” on the exterior, an oval carnelian bezel depicting a satyr holding a kylix in his right hand and a jug on the right. For similar see: El Legado de Hefesto n. 244. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist. Size: D:20.57mm / US: 11 / UK: V 1/2; Weight: 15g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 300 - 500.A large Roman Imperial 21 ct gold "crossbow" fibula with a polygonal bow section. It was used to fasten the cloaks of Roman soldiers and citizens. It is cruciform in shape, with golden pearls on the arms of the terminals. Brooches of this style were very fashionable in the late Roman Empire, especially amongst elites. For similar see: MET Museum Accession Number: 95.15.113. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 70mm x 55mm; Weight: 25g Provenance: Prince collection, 1990s-2014; Ex. Gorny & Mosch, sale 150, 11 July 2006, lot 252. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 400 - 200 BC. A very heavy 19 ct gold penannular torque formed from a solid wire, circular in section. Lion heads adorn the terminals, with geometrical linear motifs circling the bodies of the lions. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist. Size: 200mm x 170mm; Weight: 425g Provenance: Prince collection, 1990s-2014; acquired in 2010 from a UK private collection formed in the 1970s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, Ca. 1550 - 1069 BC.An Egyptian 21.5 ct gold finger ring with polished turquoise bezel set in gold elongated frame. The ring is connected to a round hoop, adorned on the shoulders with perforated gold beads. For similar see: Christie's 21909, Antiquities, Lot 82. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:17.93mm / US: 7 3/4 / UK: P; Weight: 13g Provenance: Prince collection, 1990s-2014; acquired from Naji Asfar, 23 May, 2007. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC.An amazing 19.5 ct gold inlaid pendant rendered in a scorpion shape. The pendant is decorated on the upper surface of the body and tail using the cloisonne technique. These enclosures are filled with lapis lazuli, and the underside of the pendant has two small suspension loops below the central part of the body. For similar see: Christie's 2491, jewellery, Lot. 337. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 29mm x 17mm; Weight: 3g Provenance: Prince collection, 1990s-2014; formerly in an old Private English collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300.A Roman carnelian intaglio depicting goddess Fortuna facing left and made with spread wings. The intaglio is set in high carat (21.5 ct), possibly later gold ring, round hooped and decorated with filigree. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:18.34mm / US: 8 1/4 / UK: Q; Weight: 10g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300.A Roman garnet intaglio depicting a head of Putto. The intaglio is set in a high carat (21 ct), possibly later gold ring with the hoop expanding at the shoulders to create triangular-shaped openings supporting the bezel cell. For similar see: El Legado de Hefesto n. 431. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:17.32mm / US: 7 / UK: N 1/2; Weight: 11g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 1100 - 1200.An Islamic 23.5 ct gold coin pendant with inscriptions. Inscriptions can be found on both faces of the pendant, depicting the holy square represented by the court of the mosque. For similar see: Benaki Museum, a guide to the museum of Islamic art, 2006, n. 68. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: 30mm x 30mm; Weight: 5g Provenance: Property of a London Islamic art specialist collector; previously in a family London collection formed since the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 200 - 400.A Roman 20 ct gold finger ring with a round-sectioned hoop. The cameo depicts the head of Medusa, framed by filigree decoration. For similar see: El Legado de Hefesto n. 271. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:15.29mm / US: 4 1/4 / UK: I; Weight: 6.2g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 1200 - 800 BC.A Western Asiatic turquoise necklace composed with cylindrical turquoise beads interspersed with gold beads. In the centre there are three gold and stone pendants stamped with flowers and drop motifs. The necklace is strung with a modern hook-and-loop closure. For similar see: Christie's Live Auction 2491, Ancient jewellery, lot. 317. Size: 420mm x 25mm; Weight: 18g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300. A Roman gold ring. The round banded ring has a sapphire cabochon and is set in a gold frame. For similar see: El Legado the Hefesto n. 376. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:14.48mm / US: 3 1/4 / UK: G; Weight: 4g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 300 - 400 .A Roman 21.5 ct gold ring with a garnet intaglio depicting a head of Cupid facing right. The details of the face are very well realised and the quality of this carving is extraordinar; round hoop. For similar see: El Legado de Hefesto n. 459. This piece has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 7g Provenance: Private Central London collection; ex. UK art market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Andreas Feininger was a renowned photographer and writer, known for his iconic black-and-white photographs of urban and natural landscapes. Born in Paris in 1906 to American painter Lyonel Feininger, Andreas Feininger later moved to the United States where he became a naturalized citizen.Feininger's photography career began in the 1930s, during which he worked as a photojournalist for publications such as LIFE magazine. He gained widespread recognition for his precise compositions, strong contrasts, and meticulous attention to detail.Feininger's work often focused on capturing the geometry and patterns found in urban environments, such as skyscrapers, bridges, and city streets. He had a keen eye for light and shadow, using these elements to create visually striking images that showcased the beauty and complexity of modern life.In addition to his architectural photography, Feininger was also known for his stunning landscapes and seascapes, which often featured dramatic cloud formations and atmospheric effects. He had a deep appreciation for the natural world and was able to convey a sense of awe and wonder through his photographs.Throughout his career, Feininger published several books on photography and wrote extensively about the art and techniques of photography. His work continues to be celebrated and admired by photographers and enthusiasts around the world for its technical mastery, artistic vision, and timeless appeal.Measures 24 x 32.

Malick Sidibe was a renowned Malian photographer known for his powerful black-and-white images that captured the vibrancy and spirit of Mali's youth culture during the 1960s and 1970s. His work has had a profound influence on African photography and contemporary art. Here's an overview of his life and contributions:**Early Life and Education:**1. **Birth:** Malick Sidibé was born on March 25, 1936, in Soloba, a village in French Sudan (now Mali).2. **Photographic Training:** He initially worked as an apprentice in a photography studio in the capital city of Bamako, where he learned the technical aspects of photography.**Photographic Career:**3. **Studio and Portraiture:** Sidibé eventually opened his own studio in Bamako, where he gained recognition for his portrait photography. He became known for his ability to capture the personalities and aspirations of his subjects.4. **Youth Culture:** What sets Sidibé apart is his documentation of the vibrant youth culture in Bamako during the 1960s and 1970s. He captured the exuberance of dance parties, celebrations, and social gatherings, reflecting the changing cultural landscape in post-independence Mali.5. **Black-and-White Photography:** Sidibé primarily worked with black-and-white film, and his images are characterized by their stark contrast and intimate, candid style.6. **Recognition:** His work gained international acclaim, and he received numerous awards and honors for his contributions to photography and art.**Legacy:**7. **Influence:** Malick Sidibé's photographs are celebrated for their ability to convey the joy, hope, and sense of identity of his subjects. His work has had a significant influence on contemporary African photography and global visual culture.8. **Museum Exhibitions:** His photographs have been exhibited in major museums and galleries worldwide, including the Museum of Modern Art (MoMA) in New York City.9. **Collector's Items:** Sidibé's original prints have become highly sought-after collector's items, reflecting the enduring value and importance of his work.**Passing:**10. **Death:** Malick Sidibé passed away on April 14, 2016, in Bamako, Mali, leaving behind a rich photographic legacy.Malick Sidibé's photographs continue to be celebrated for their ability to capture the spirit of a transformative era in Mali's history. His work remains a source of inspiration for photographers and artists, highlighting the power of photography to document and celebrate culture and identity.Measures 6 x 6.

Frank Lloyd Wright (1867–1959) was an American architect, interior designer, writer, and educator who became one of the most influential and renowned architects of the 20th century. Here are key points about Frank Lloyd Wright:1. **Early Life:** Frank Lloyd Wright was born on June 8, 1867, in Richland Center, Wisconsin, USA.2. **Architectural Education:** Wright studied civil engineering briefly at the University of Wisconsin before moving to Chicago, where he worked for several architectural firms. He later studied at the Art Institute of Chicago.3. **Prairie School Movement:** Wright became a key figure in the Prairie School architectural movement, which sought to develop a uniquely American style of architecture. The movement emphasized horizontal lines, flat or hipped roofs with broad overhanging eaves, and integration with the natural environment.4. **Unity of Design:** Wright believed in the concept of "organic architecture," where a building should be in harmony with its natural surroundings and the needs of its occupants. He sought unity of design by integrating architecture, interior design, and landscape.5. **Prairie Style Houses:** Some of Wright's most famous early works include Prairie-style houses, such as the Robie House in Chicago and the Frederick C. Robie House in Oak Park, Illinois.6. **Taliesin:** Wright established his residence and studio, Taliesin, in Spring Green, Wisconsin. Taliesin became a focal point for his architectural work and experimentation.7. **Usonian Houses:** Wright developed the concept of Usonian houses, designed to be affordable and functional for the average American family. These homes often featured open floor plans, flat roofs, and a strong connection to the outdoors.8. **Fallingwater:** One of Wright's most famous designs is Fallingwater (1935), a residence built over a waterfall in Mill Run, Pennsylvania. It is considered a masterpiece of modern architecture.9. **Johnson Wax Headquarters:** Wright designed the Johnson Wax Headquarters in Racine, Wisconsin (1936–1939), featuring the innovative use of glass tubing for columns.10. **Guggenheim Museum:** One of Wright's most iconic late works is the Solomon R. Guggenheim Museum in New York City (1956–1959). The museum features a unique spiral design.11. **Taliesin West:** In the late 1930s, Wright established Taliesin West in Scottsdale, Arizona, as his winter home and architectural school.12. **Innovative Building Techniques:** Wright experimented with innovative building techniques, including the use of cantilevers, open floor plans, and geometric designs.13. **Personal Life:** Wright's personal life was marked by controversy, including tumultuous relationships and financial difficulties. He was married three times.14. **Death:** Frank Lloyd Wright passed away on April 9, 1959, in Phoenix, Arizona.15. **Legacy:** Frank Lloyd Wright's contributions to modern architecture and design are widely recognized. His organic architecture principles and innovative designs continue to influence architects and designers around the world.Frank Lloyd Wright's impact on architecture is enduring, and his work is celebrated for its groundbreaking concepts, innovative designs, and emphasis on harmony with nature.Measures 4 x 4 x 1.5.

Frank Lloyd Wright (1867–1959) was an American architect, interior designer, writer, and educator who became one of the most influential and renowned architects of the 20th century. Here are key points about Frank Lloyd Wright:1. **Early Life:** Frank Lloyd Wright was born on June 8, 1867, in Richland Center, Wisconsin, USA.2. **Architectural Education:** Wright studied civil engineering briefly at the University of Wisconsin before moving to Chicago, where he worked for several architectural firms. He later studied at the Art Institute of Chicago.3. **Prairie School Movement:** Wright became a key figure in the Prairie School architectural movement, which sought to develop a uniquely American style of architecture. The movement emphasized horizontal lines, flat or hipped roofs with broad overhanging eaves, and integration with the natural environment.4. **Unity of Design:** Wright believed in the concept of "organic architecture," where a building should be in harmony with its natural surroundings and the needs of its occupants. He sought unity of design by integrating architecture, interior design, and landscape.5. **Prairie Style Houses:** Some of Wright's most famous early works include Prairie-style houses, such as the Robie House in Chicago and the Frederick C. Robie House in Oak Park, Illinois.6. **Taliesin:** Wright established his residence and studio, Taliesin, in Spring Green, Wisconsin. Taliesin became a focal point for his architectural work and experimentation.7. **Usonian Houses:** Wright developed the concept of Usonian houses, designed to be affordable and functional for the average American family. These homes often featured open floor plans, flat roofs, and a strong connection to the outdoors.8. **Fallingwater:** One of Wright's most famous designs is Fallingwater (1935), a residence built over a waterfall in Mill Run, Pennsylvania. It is considered a masterpiece of modern architecture.9. **Johnson Wax Headquarters:** Wright designed the Johnson Wax Headquarters in Racine, Wisconsin (1936–1939), featuring the innovative use of glass tubing for columns.10. **Guggenheim Museum:** One of Wright's most iconic late works is the Solomon R. Guggenheim Museum in New York City (1956–1959). The museum features a unique spiral design.11. **Taliesin West:** In the late 1930s, Wright established Taliesin West in Scottsdale, Arizona, as his winter home and architectural school.12. **Innovative Building Techniques:** Wright experimented with innovative building techniques, including the use of cantilevers, open floor plans, and geometric designs.13. **Personal Life:** Wright's personal life was marked by controversy, including tumultuous relationships and financial difficulties. He was married three times.14. **Death:** Frank Lloyd Wright passed away on April 9, 1959, in Phoenix, Arizona.15. **Legacy:** Frank Lloyd Wright's contributions to modern architecture and design are widely recognized. His organic architecture principles and innovative designs continue to influence architects and designers around the world.Frank Lloyd Wright's impact on architecture is enduring, and his work is celebrated for its groundbreaking concepts, innovative designs, and emphasis on harmony with nature.Measures 4 x 4 x 1.5.

Wassily Kandinsky (1866–1944) was a Russian painter and art theorist known for his pioneering role in the development of abstract art. Born in Moscow, Kandinsky initially pursued a career in law and economics before turning to art later in life.Kandinsky's early works were influenced by Russian folk art and the Symbolist movement, but he later developed his own distinctive style characterized by bold colors, geometric shapes, and dynamic compositions. He believed in the power of art to express inner emotions and spiritual truths, and he sought to create paintings that resonated on a deeper, more emotional level.One of Kandinsky's most famous works is "Composition VII" (1913), which exemplifies his mature abstract style. The painting features a complex arrangement of geometric shapes and vibrant colors, evoking a sense of movement, rhythm, and harmony. Kandinsky saw his abstract paintings as a form of visual music, with color and form serving as equivalents to musical elements such as melody and rhythm.In addition to his work as a painter, Kandinsky was also a prolific writer and art theorist. He wrote extensively on the spiritual and philosophical aspects of art, and he played a key role in the development of abstract art theory.Kandinsky's work had a profound influence on the development of modern art, inspiring subsequent generations of abstract artists and helping to establish abstraction as a legitimate artistic style. His bold experimentation with color and form continues to be admired for its innovation and originality, and his legacy as one of the great pioneers of abstract art endures to this day.Measures 38.0 x 53.5.

Edvard Munch (1863–1944) was a Norwegian painter and printmaker known for his emotionally charged and psychologically intense works, which often explored themes of love, death, anxiety, and existential angst. Munch's art played a pivotal role in the development of expressionism and modernism in the late 19th and early 20th centuries.Born in Loten, Norway, Munch grew up in Oslo and studied art at the Royal School of Art and Design in Oslo and later in Paris. He was deeply influenced by the Symbolist movement and the work of artists such as Vincent van Gogh and Paul Gauguin, as well as by his own personal experiences of illness, loss, and existential turmoil.Munch's most famous painting is "The Scream" (1893), which has become an iconic symbol of modern anxiety and alienation. The painting depicts a figure standing on a bridge, his face contorted in a scream of anguish against a backdrop of swirling sky and water. "The Scream" is part of a series of works by Munch exploring themes of anxiety and existential dread, often featuring distorted figures and vivid, expressionistic colors.In addition to "The Scream," Munch created a vast body of work encompassing paintings, prints, and drawings. His art often featured recurring motifs such as death, illness, love, and the human condition, depicted with a raw emotional intensity and a bold, expressive style.Munch's work was controversial in its time for its radical subject matter and its departure from traditional artistic conventions. However, he found acclaim among avant-garde circles in Europe and was instrumental in shaping the development of modern art.Today, Edvard Munch is regarded as one of the greatest painters of the modern era, and his works are celebrated for their emotional depth, psychological insight, and groundbreaking approach to artistic expression. His legacy as a pioneer of expressionism and a master of modern art endures to this day, influencing generations of artists and continuing to resonate with viewers around the world.Measures 36.0 x 42.5.

Robert Longo, a prominent American artist known for his large-scale drawings, sculptures, and multimedia works, has made significant contributions to contemporary art with his powerful and thought-provoking creations. Born in 1953, Longo's art often engages with themes of culture, politics, and the human condition.Longo's artistic legacy can be encapsulated as follows:1. **Hyperrealistic Drawings**: Longo gained recognition for his hyperrealistic charcoal drawings, which meticulously replicate photographs but also add layers of emotion, symbolism, and commentary. His "Men in the Cities" series, featuring contorted figures, is particularly iconic.2. **Multimedia Exploration**: In addition to drawings, Longo has explored sculpture, photography, film, and other mediums. His multidisciplinary approach reflects a dynamic engagement with the evolving possibilities of contemporary art.3. **Cultural Critique**: Longo's art often delves into cultural critique, addressing social, political, and technological issues. His works raise questions about power dynamics, consumerism, violence, and the impact of media on society.4. **Monumental Scale**: Many of Longo's drawings are executed on a monumental scale, intensifying their impact and inviting viewers to immerse themselves in the details and emotions he conveys.5. **Art and Music**: Longo has also made connections with the music world, directing music videos for artists like New Order and R.E.M. This collaboration underscores his ability to merge visual and auditory elements to create immersive experiences.6. **Challenging Visual Language**: Longo's art often challenges traditional visual language, blurring the lines between representation and abstraction, realism and interpretation. His ability to imbue everyday subjects with emotional weight encourages viewers to engage critically with his work.7. **Enduring Influence**: Longo's influence extends to both contemporary art and popular culture. His ability to capture the zeitgeist and address pressing societal concerns has resonated with audiences beyond the art world.Robert Longo's legacy as an artist who merges technical mastery with conceptual depth continues to shape the trajectory of contemporary art. His thought-provoking creations encourage reflection on the complexities of modern existence, the role of imagery in society, and the capacity of art to provoke meaningful conversations about our world.Measures 44.0 x 79.0

Robert Longo, a prominent American artist known for his large-scale drawings, sculptures, and multimedia works, has made significant contributions to contemporary art with his powerful and thought-provoking creations. Born in 1953, Longo's art often engages with themes of culture, politics, and the human condition.Longo's artistic legacy can be encapsulated as follows:1. **Hyperrealistic Drawings**: Longo gained recognition for his hyperrealistic charcoal drawings, which meticulously replicate photographs but also add layers of emotion, symbolism, and commentary. His "Men in the Cities" series, featuring contorted figures, is particularly iconic.2. **Multimedia Exploration**: In addition to drawings, Longo has explored sculpture, photography, film, and other mediums. His multidisciplinary approach reflects a dynamic engagement with the evolving possibilities of contemporary art.3. **Cultural Critique**: Longo's art often delves into cultural critique, addressing social, political, and technological issues. His works raise questions about power dynamics, consumerism, violence, and the impact of media on society.4. **Monumental Scale**: Many of Longo's drawings are executed on a monumental scale, intensifying their impact and inviting viewers to immerse themselves in the details and emotions he conveys.5. **Art and Music**: Longo has also made connections with the music world, directing music videos for artists like New Order and R.E.M. This collaboration underscores his ability to merge visual and auditory elements to create immersive experiences.6. **Challenging Visual Language**: Longo's art often challenges traditional visual language, blurring the lines between representation and abstraction, realism and interpretation. His ability to imbue everyday subjects with emotional weight encourages viewers to engage critically with his work.7. **Enduring Influence**: Longo's influence extends to both contemporary art and popular culture. His ability to capture the zeitgeist and address pressing societal concerns has resonated with audiences beyond the art world.Robert Longo's legacy as an artist who merges technical mastery with conceptual depth continues to shape the trajectory of contemporary art. His thought-provoking creations encourage reflection on the complexities of modern existence, the role of imagery in society, and the capacity of art to provoke meaningful conversations about our world.Measures 44.0 x 79.0

Willem de Kooning (1904-1997) was a Dutch-American abstract expressionist painter and sculptor. He was born on April 24, 1904, in Rotterdam, Netherlands. De Kooning is considered one of the most influential and significant artists of the 20th century. De Kooning moved to the United States in 1926 and settled in New York City. He became associated with the Abstract Expressionist movement, which emerged in the 1940s and 1950s and placed a strong emphasis on individual expression and emotional intensity in art. De Kooning's artistic style evolved over time. In his early years, he explored figurative painting, often depicting urban scenes and portraits. However, he is best known for his abstract works characterized by gestural brushwork, dynamic compositions, and vibrant colors. His paintings often contain dynamic and expressive lines, layers of paint, and a sense of movement. One of de Kooning's most famous series is his "Women" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in a bold and sometimes aggressive manner, with distorted forms and exaggerated features. The "Women" series challenged traditional representations of women in art and sparked debates and discussions within the art world. De Kooning's contributions to the art world were widely recognized, and he received numerous awards and honors throughout his career. His work is exhibited in major museums and collections worldwide. He continued to paint and create art until his death on March 19, 1997, in East Hampton, New York. Willem de Kooning's art has had a lasting impact on the development of abstract expressionism and the broader field of modern art. His bold and expressive style continues to inspire and influence artists to this day. Measures 5.02 x 7.01.Printed circa 1960s.

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images.One of Misrach's most notable bodies of work is titled "Desert Cantos," a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization.Another significant project by Misrach is "The Golden Gate," a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape.Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA).Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 11.5 x 14.0.

Shanghai is a bustling metropolis and one of China's most dynamic and vibrant cities, situated on the eastern coast of the country. Renowned for its stunning skyline, modern architecture, and rich history, Shanghai is a melting pot of cultures and influences, offering visitors a unique blend of old-world charm and contemporary innovation.The city's iconic waterfront area, known as the Bund, features a striking collection of historic buildings from the early 20th century, including grand banks, trading houses, and consulates. Across the Huangpu River lies the futuristic skyline of Pudong, home to the Shanghai Tower, the Oriental Pearl Tower, and other iconic skyscrapers that illuminate the night sky with dazzling light shows.Shanghai's cultural scene is equally impressive, with a wealth of museums, galleries, and performing arts venues showcasing both traditional and contemporary Chinese art and culture. The Shanghai Museum, located in People's Square, houses a vast collection of ancient Chinese artifacts, while the Shanghai Grand Theatre hosts world-class opera, ballet, and theater performances.The city's historic neighborhoods, such as the French Concession and Old Town, offer a glimpse into Shanghai's storied past, with narrow alleyways, traditional tea houses, and ancient temples nestled among modern skyscrapers. Visitors can wander through bustling markets, sample street food delicacies, and explore hidden gems tucked away in the city's labyrinthine streets.Shanghai is also a culinary paradise, with a diverse array of dining options ranging from Michelin-starred restaurants to humble noodle shops. The city's cuisine reflects its cosmopolitan character, drawing inspiration from both traditional Chinese flavors and international influences. From mouthwatering dim sum and spicy Sichuan hot pot to delicate xiaolongbao (soup dumplings) and savory Shanghai-style braised pork, Shanghai offers a culinary adventure for every palate.In addition to its cultural and culinary attractions, Shanghai is a thriving center of commerce, finance, and innovation, with a rapidly growing technology sector and a vibrant startup ecosystem. The city's dynamic energy, entrepreneurial spirit, and forward-thinking mindset make it a magnet for ambitious professionals and creative minds from around the world.Overall, Shanghai's blend of old and new, East and West, makes it a captivating destination for travelers seeking to experience the pulse of modern China while immersing themselves in its rich cultural heritage. With its endless opportunities for exploration, discovery, and adventure, Shanghai offers a truly unforgettable experience that leaves a lasting impression on all who visit.Measures 33 x 24.Backed by linen.

New York City, often referred to simply as "New York" or "NYC," is one of the most iconic and vibrant cities in the world. Located in the northeastern United States, New York City is comprised of five boroughs: Manhattan, Brooklyn, Queens, the Bronx, and Staten Island. With its diverse population, world-renowned landmarks, and endless array of cultural attractions, New York City offers a unique and unforgettable experience for visitors and residents alike.One of the most recognizable features of New York City is its impressive skyline, dominated by towering skyscrapers such as the Empire State Building, One World Trade Center, and the Chrysler Building. The city is also home to numerous other iconic landmarks, including Times Square, Central Park, the Statue of Liberty, and Rockefeller Center, all of which attract millions of tourists each year.New York City's cultural scene is unparalleled, with world-class museums, theaters, art galleries, and music venues showcasing a wide range of artistic styles and disciplines. The Metropolitan Museum of Art, the Museum of Modern Art (MoMA), and the Guggenheim Museum are just a few of the city's renowned cultural institutions, while Broadway theaters host some of the most acclaimed stage productions in the world.The city's diverse neighborhoods each offer their own unique charm and atmosphere, from the bustling streets of Midtown Manhattan to the hipster enclaves of Brooklyn's Williamsburg and the historic brownstone-lined streets of Harlem. Visitors can explore ethnic neighborhoods such as Chinatown, Little Italy, and the Lower East Side, each offering its own distinct culinary delights, cultural traditions, and shopping experiences.New York City is also known for its vibrant food scene, with thousands of restaurants, cafes, food trucks, and markets serving cuisine from every corner of the globe. From classic New York-style pizza and bagels to upscale fine dining establishments and trendy fusion eateries, the city offers something to satisfy every palate and budget.In addition to its cultural attractions and culinary delights, New York City is a center of commerce, finance, and innovation, with Wall Street serving as the epicenter of the global financial industry and Silicon Alley emerging as a hub for technology startups and entrepreneurs.Overall, New York City is a city of contrasts and contradictions, where old-world charm meets cutting-edge innovation, and where people of all backgrounds come together to create a vibrant tapestry of culture, art, and diversity. With its endless opportunities for exploration, discovery, and adventure, New York City truly is the "city that never sleeps" and remains a must-visit destination for travelers from around the world.Measures 33 x 24.Backed by canvas.

SIR KYFFIN WILLIAMS RA important archive of letters - being mainly correspondences between the artist and his dear friends Anwen Carey Evans and husband David Lloyd 'Bengy' Carey-Evans, includes over 30 x letters on Sir Kyffin's headed paper from his Llanfairpwll home, together with many doodles, additional postcards, additional greeting cards and other related ephemera. The correspondences span twenty-years from 1984 and show a close relationship between the Carey-Evans family and the epileptic batchelor Sir Kyffin. In the letters Kyffin often confided in the couple about his health, depression, incidences at home, state of mind, artistic woes, the art world and his grievances. He also writes of his pending Knighthood which he describes as his 'gonging'. With regards to depression and ill-health, Sir Kyffin writes candidly of his feelings on several occasions, notably ‘...I have been ill ever since you went away. Down in Cardiganshire I couldn’t speak, eat or sleep as a huge depression came on me’. Returned to doctor visits and concerns from neighbours, ‘…weak as a kitten, haven’t painted for over 3 months...’ Many of the letters thank the couple for their caring hospitality and their '...soothing effect...' and good food on occasions when he had visited. Within several of the letters Sir Kyffin is scathing of the governing of Welsh public art particularly at the National Museum of Wales, and he berates the lack of a Welsh National Gallery. In a letter dated 27th October 1999, '...things were rather ruined today when I got the information from the Museum saying that Dafydd Lewis is not only chairman of the Arts Committee, for which he is in no way qualified, but he is in charge of education as well. How can art possibly flourish in Wales if people qualify on the golf course? As a fully qualified artist it makes me sick….’ Sir Kyffin was famously concerned for the direction of the modern art world, within these letters he references controversial exhibitions by Tracey Emin, Damien Hirst and Mark Riley and in particular a British Art Show exhibition that travelled to Cardiff in 1996 (within a copy of a letter to the then Director of the National Museum of Wales), he writes '...alarmed of the reports of the current exhibition in the museum…art lovers have been deeply shocked by what is on show….police have been called in’ and regarding the keeper of art’s decision to have such an exhibition ‘…lack of responsibility and judgement together with an insensitivity that is disturbing, especially as we have been trying to bring more people to the galleries. Can you assure me that no similar exhibitions are shown in the Museum? If I do not have such an assurance, I cannot see that I am able to continue as a member of the Committee. I must now insist that my two Welsh landscapes that hang in the Galleries be taken off the walls immediately'.To ensure that the archive retains an element of exclusivity to the purchaser, we will not be sending images of all the letters by email or posting more than a small sample to our website. There is a brief summary of correspondences available by email. Interested parties are able to view the entire archive in person at our Cardiff offices by prearranged appointment on a day prior to the auction. The overall condition of the letters is excellent, no detailed condition report available.Provenance: directly from the Carey-Evans family, Sir Kyffin's friendship with the Carey-Evans family began in the 1950s when Anwen was living in London with three girlfriends, at the same time Sir Kyffin was teaching at Highgate School. Through Anwen, Sir Kyffin met Bengy and all remained friends until Sir Kyffin's death in 2006**LATER NOTE (5.4.24): the drawing of a sheepdog shown (top right) in the hardcopy catalogue has been withdrawn from this lotDelivery: complimentary delivery can be arranged for all purchases over £4000 in this Welsh Sale auction (England and Wales only) please contact brj@rjauctions.co.uk for further details

Collection of books, to include G A Foan; The Art and Craft of Hairdressing, M Verni; Modern Beauty Culture, E L Raymond; Sights and Scenes of the World and Gill & Briggs; The History of Birmingham in two vols, together with six copies of Connoisseur Magazine and three copies of The English Review

A mixed lot comprising a modern blue/turquoise Chinese art glass vase (h- 25.5cm, w- 8cm), a large clear glass vase/candle shield, a blue and white candle holder, a white coral sample, and an unusual bone inlaid geometric decorative ball/sphere

A collection of various decorative items comprising, a Queen Elizabeth commemorative Coronation Sampson Bridgewood tea cup and a Hanley pottery saucer (h-9.5cm) (marked verso), a Porcelain egg shaped dish with a floral and woman figurine decoration  to the front (h-16cm w15cm) (unmarked), a pair of art nouveau Loetz style green glass vase (h-8.5cm) (chips to rim), a Gibson's ware teapot with purple narcissi's to centre (h-10cm) (marked verso), an Amber glass ashtray with leather holder, a David Winter "The Bothy" plaster house with original box and a modern circular babushka decorated with various countries and boats. (8) (a/f)

A modern large art glass flower basket vase

Issam El-Said, Iraqi 1938-1988-Untitled, "Bismillah";oil on canvas, framed,90cm x 75cmProvenance: Gifted to the vendor's aunt in the 1980s; the vendor's family were close friends with the artist and grew up in Iraq together in the 1940s, moving to London around the same time in the 1950s. See additional photos of the family with El-Said.Footnotes: Issam al-Said (1938-1988) was a distinguished Iraqi painter, print-maker, designer, etcher, architect, philosopher and author who completed several major public buildings in Baghdad and in London. Born in Baghdad in 1938 into an influential family, he was the second son of Iraqi parents, Sabah Nuri al-Said and Esmat Ali Pasha Fahmi (who was of Egyptian ancestry) and the grandson of Nuri al-Said Pasha (Iraq's Prime Minister, 1930–58).He was a versatile artist who, in addition to major public buildings completed in London and Baghdad, also designed furniture including lamps, carpets, tiles, furniture, etc. From the 1960s, he began incorporating kufi script into his artworks, thereby joining the growing ranks of hurufiyya artists developing this style in the Middle East and North Africa in the 1950s and 60s.His artworks are held in international collections, both private and public, including prestigious art museums such as: The British Museum, Victoria and Albert Museum (London), Museum of Modern Art (MOMA), New York; National Museum of Modern Art (Baghdad) and the National Museum of Modern Art (Amman, Jordan).Select list of architectural works designed by Issam al-Said:London Central Mosque 1976-77 Islamic Cultural Centre, London, 1976–77 Aloussi Mosque, Baghdad, 1982–83 Al-Aboud Mosque, Baghdad, 1984Publications: Islamic Art and Architecture: The System of Geometric Design, 1993 (published posthumously and based on his PhD dissertation) Geometric Concepts in Islamic Art,World of Islam Festival, London, 1976 (co-authored with A. Parman)For further reading see:  Issam El-Said: Artist and Scholar by Samir Chorbachi Published by Issam El-Said Foundation, 1989

A modern art pottery brown glazed pottery vase, numbered 913 underneath. 20cm high, 15cm wide and 9cm deep. (1)

Gwen Raverat (1885-1957), wood engraving on paper, Elms by a Pond (1917), 10cm x 12.5cm, mounted, glazed and framed, from the Modern Woodcutters suite. Printedfrom the blocks by Walter Bradley at the Morland Press and published by Herbert Furst at the Little Art Rooms, London in October 1920

X-rays.- Röntgen (Wilhelm Conrad) "Ueber eine neue art von strahlen" [parts 1 & 2] [and] "Weitere beobachtungen uber eigenschaften der x-strahlen", in Annalen der Physik und Chemie, 1898, vol. 64, no.1 pp.1-37, illustrations, modern cloth with gilt-lettered morocco label to upper cover, Leipzig, 1898; and another including a paper by Röntgen and Exner titled "Uber eine Anwendung des Eiscalorimeters zur Besttimmung der intensität der Sonnenstrahlung", 8vo (2)*** The first collected edition of Röntgen's highly important 3 papers on the discovery of X-rays, for which he was awarded the Nobel Prize for Physics in 1901.

Cosway (Richard), John Downman & Henry Edridge. Photographs of a Private Collection of Portrait Drawings of the English School, plates, captioned tissue-guards, scattered faint spotting, ex-library with usual labels and ink-stamps, morocco by R. S. Buffery, gilt inner dentelles, sunned spine, a little rubbed, slight bumping to corners and extremities, 1902 § Examples of Modern British Art, frontispiece and 39 plates, occasional marginal finger-soiling, previous owner's ink inscription, red morocco by Ramage, g.e., gilt inner dentelles, gilt fleur-de-lys to boards, upper cover detached, rubbed, bumping to corner and extremities, 1877 § Flint (Sir William Russell) An Autobiography: In Pursuit, limited edition signed by Francis William Russell, illustrations, many full-page, original morocco backed boards, original cloth slipcase, cardboard packaging, rubbed and worn, 1970; and others art or illustrated, v.s. (c.40).

Ruskin (John) The Seven Lamps of Architecture, fifth edition, half-title, etched plates, tissue-guards, occasional spotting, some light and mostly marginal foxing to plates, modern half calf by Atkinsons of Salisbury, spine gilt and with morocco label, Orpington, George Allen, 1886 § Sparrow (Walter Shaw) Prints & Drawings by Frank Brangwyn, colour plates, illustrations, bookplate of Albert Thomas Pile, occasional foxing, endpapers browned, original cloth, some light soiling to lower cover, spine ends bumped, corners lightly rubbed, John Lane, 1919; and others, art related, including a volume of engraved plates after Salvator Rosa, v.s. (7)

Books - Modern Art - Picasso, Pollock, Denis Bowen, Ben McLaughlin, John Wells, Cubism and Abstract art, etc, (25).

Books - Modern Art - Kandinsky, Kazimir Malevich, Paul Klee, El Lissitsky, The Blue Rider, Bauhaus, Bridget Riley, etc, (15).

Roy Cecil King for Bueche-Girod - An 18ct gold wristwatch, circa 1969, navette shaped bark finished champagne dial with black batons and hands, tandem signed 17 jewel mechanical crown wind ETA movement calibre 24/2 69, navette shaped case, 25mm wide point-to-point, bark finished bezel, interior with London hallmarks for 18ct gold and casemaker's mark of Roy Cecil King, to an integral navette shaped bark finished part marked link bracelet, the concealed hinged clasp with figure of eight safety catch, overall length 185mm, 72g ex movement Roy Cecil King (1913-2000) was a leading British watch designer and jeweller. He began his career aged 14 as an apprentice goldsmith and diamond mounter, while also attending evening classes at the Sir John Cass Art School. By the age of 21, he was foreman of a fine jewellery workshop, and during the 1930s, King was often working, uncredited, for names such as Garrard, Rolex, Cartier and Asprey. During the War he was a planning engineer working on the production of the Hurricane, and after the War, he began to design and make watches with bought-in movements or as he put it, ‘jewellery that tells the time’, under his own name. When restrictions on the import of Swiss watch movements were lifted in 1960, he signed an exclusive agency agreement with the Swiss watch maison Bueche-Girod, leaving him free to design the exterior of the pieces as he wished. He also began to make watches with straps made wholly from gold, then a novel idea, and this example is typical of his work.He swept the board at the British Modern Jewellery Exhibition in 1961, winning two first prizes, one second prize and one third prize, with ‘bark finished’ pieces, a finishing technique giving the appearance of tree bark, pioneered by King, featuring prominently.During the 1960s, the workshop experimented with a wide variety of unconventional methods. Molten gold would be poured through tea strainers before being stretched into shapes to satisfy the most avant garde tastes. King’s 'bark finished' design for bracelets sparked a craze: when George Harrison married Patti Boyd in 1966, she wore one of King’s 'bark finished' wedding bands and 'bark finished' jewellery became the must-have accessory well into the 1970s.King opened a showroom in Mayfair in 1980 and continued personally to make one-off pieces for clients. He died aged 87 in 2000 and fine examples of his work continue to be sought after collector's pieces. Crystal - Complete. Some surface scratches, and minor grizzles to the edge at 3 & 4Dial - In good condition with no obvious sign of damage or deterioration.Movement - In working order but not tested for timekeeping or enduranceCase - In good condition. Some minor surface scratches and nicks, as to be expected and commensurate with age and use.

Andre Derain (French, 1880-1954), Study of a female nude, Studio stamp 'Atelier Andre Derain' (lower right), pencil on paper, 57.5 x 33.5 cm, framed and glazed 82.5 x 58 cm Bonhams - Impressionist and Modern Art - lot 11 22 June 2010Tiroche Auction House, Israel Drawing is sealed in the frame and glazed - it has not been inspected out of the frame. Appears to be drawn on laid paper with some abrasions to the paper top right going into the face. Some discolouring with age and signs of developing mount burn. Clear studio stamp.

GRAYSON PERRY (BRITISH B.1960) SILK SCARF 'TAKE A TOUR THROUGH THE HISTORY OF MODERN ART', MODERN the scarf 91.2 x 88cm Framed 'In the second world war pilots were given maps printed on silk to help them escape if they were shot down over enemy territory. This scarf is a social and cultural map to help aspiring artists navigate the hostile territory on their way to being accepted by the establishment." Grayson Perry Condition Report: Unexamined out of glazed frame. Work appears to be in good original condition.Condition Report Disclaimer

A modern Bundy folk art duck decoy stamped to base "Bundy & Company John E Bundy made in USA" with display label 29 cm long together with a pair of green painted treenware folk art type avocet figures 27.5 cm long x 24 cm high