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Lot 2475
Collection of 42 complete sets contained in 3 modern albums, sets include Pattreiouex - British Empire Exhibition Series, Builders of the British Empire, The English & Welsh Counties, Real Photographs of London, Drawing Made Easy, Sports Trophies, Anstie - Peoples of Asia, Scout Series, Churchman - The Queen Mary (small size), The Story of London (small size), Ardath - Figures of Speech, Adkin - Butterflies & Moths, A Living Picture (mixed back), Lea - Roses, Faulkner - Our Pets (1st & 2nd series), Lloyd - Cinema Stars (55-81), Teofani - Cinema Stars (Three Star Magnums), Morris - Wax Art Series, Whipsnade Zoo, How Films are Made, Captain Blood, etc mixed condition with many G - VG or better cat value £3200+
Lot 540
A Sir Alfred J Munnings coloured print, Gypsy at the Derby, signed in pencil to the margin Condition report Report by RB Generally good, glazed and framed. Overall, including frame, 70.5 x 78 cm, the image, including the margins, 44.5 x 54.5 cm. As previously stated, this is generally in good condition, and the photograph should show you all you need to know. No Frost & Read markings, but for The Modern Art Society, with a Tillywhally Gallery label verso
Lot 73
A 19th century Fribourg & Treyer snuff box impressed "L1457" to base, a modern hallmarked silver cased teaspoon with Art Deco design inscribed "Stephen", a modern hallmarked silver snap bangle, a 925 standard silver bracelet (af), weighable silver approx 2.27ozt, a silver turquoise and marcasite ring, size M/N, two small pieces of trench art and two bead necklaces (9).
Lot 1054
H C D Charlton (late 19th/early 20th century) - 'Fishing Port', watercolour, signed, approx. 25x35cm, inset modern mount and gilt frame. NB: The Northern Art Worker's Guild was founded in 1896, it was reported in 'The Studio' that Mr Walter Crane recently addressed, at Manchester, a meeting convened for the purposed of forming an association of art/workers, to be called 'The Northern Art-Worker's Guild', a committee was appointed and Messrs H C D Charlton and Edgar Wood consented to act as the honorary secretaries of the new guild. (The Studio, August 1896, page 156) CONDITION REPORT: Painting appears to be in sound condition, with no visable signs of tears or foxing. Pigments remain vibrant.
Lot 1710
* BRUCE MCLEAN (SCOTTISH b 1944), JUG 2 - COCKTAILS (TRIPTYCH) mixed media on steel, central panel signed and dated 'Bruce Mclean 1991' verso 111.5cm x 56cm (43 7/8 in x 22 1/16in), together with two others measuring 111.5cm x 56cm and 111.5cm x 35cm respectively (3) Note: Bruce McLean (born 1944) is a Scottish sculptor, performance artist and painter. McLean was born in Glasgow and studied at Glasgow School of Art from 1961 to 1963, and at Saint Martin's School of Art, London, from 1963 to 1966. At Saint Martin's, McLean studied with Anthony Caro and Phillip King. In reaction to what he regarded as the academicism of his teachers he began making sculpture from rubbish. McLean has gained international recognition for his paintings, ceramics, prints, work with film, theatre and books. McLean was Head of Graduate Painting at The Slade School of Fine Art London. He has had numerous one man exhibitions including Tate Gallery in London, The Modern Art Gallery in Vienna and Museum of Modern Art, Oxford. In 1985, he won the John Moores Painting Prize. Mclean lives and works in London.
Lot 1755
* ROBERT COLQUHOUN (SCOTTISH 1914 - 1962), HOUSE FRONT, MARSEILLES, 1938 watercolour and ink on paper 24cm x 20cm Label verso: Fine Art Society, 148 New Bond Street, London, September 1985. Note: At the time of writing, The Scottish National Gallery of Modern Art is staging ''The Two Roberts: Robert Colquhoun and Robert MacBryde'' (22nd November 2014 - 24th May 2015), a major exhibition of the work of two extraordinary artists. The resurgence of interest in Colquhoun's work in paricular is highlighted by the £68.500 (premium) selling price of ''Two Actors'' (Christie's London, 20th Nov 2014 lot 116) a 63.5cm x 48.2cm oil on canvas.
Lot 1767
* JOYCE CAIRNS RSA RSW, HEAD oil on paper, signed 50cm x 44cm Mounted, framed and under glass Provenance: With The Bohun Gallery, Henley-on-Thames Note: Public Collections include: Aberdeen Art Gallery, The Scottish Arts Council, BBC Television, Edinburgh City Arts Centre, Fife Regional Council, Fleming's Bank, Glasgow City Art Gallery & Museum, Glasgow Gallery of Modern Art, Grampian Television, Graves Art Gallery & Museum, Sheffield, Gray's School of Art, Aberdeen, Lanarkshire County Council, Manchester City Art Gallery, McMaster Museum, Hamilton, Ontario, Mobil, Perth City Art Gallery & Museum, Shell UK, Tidaholm Government Office, Sweden, The Contemporary Arts Society, The Royal Scottish Academy, University of Aberdeen, University of Strathclyde, Unilever, Aberdeen Asset Management, The National Museums of Scotland, The Robert Gordon University, Aberdeen Asset Management,Asia, Singapore, The British Museum, The Victor Murphy Trust, Pier Arts Centre, Inverness Museum and Art Gallery.
Lot 1897
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003), SLEEPING WOMAN & CAT (1973) oil and mixed media on board, signed 122cm x 163cm Framed Provenance: Acquired at The Piccadilly Gallery, Cork Street, London (label verso). Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thakeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield, The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Musems & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
Lot 484
Alice Mumford RWA, British b.1965- "The Blue Green Jug with Apple"; oil on canvas, signed and dated 06, 50.5x40.5cm. Provenance: with Caroline Wiseman Modern Art, London, according to label attached to the reverse of the frame: Andrew King, British b.1956- "Cornfields below Waxham"; oil on board, signed and dated 88, bears inscription on the reverse, 25x35cm: together with a charcoal drawing of a seated woman, an abstract study in gouache signed with the initials 'PM' and nine various reproduction prints after different hands, (13) (may be subject top Droit de Suite) CONDITION REPORT: Alice Mumford: in a white painted wooden moulding frame frame with marks and defects to the front edge canvas not re-lined retains the original wooden stretcher no visible defects or damages in very good original condition Andrew King: in a wooden moulding frame, early 21st century support is hardboard no visible defects or damages in very good original condition other items: in very variable condition as found
Lot 356
Charles Robert Leslie RA, Life and Letters of John Constable RA, New Edition, publ Chapman and Hall Ld., 1896: Twenty-Five Years of The National Art-Collections Fund 1903-1928, printed for the fund by Robert Maclehose & Co Limited, The University Press, Glasgow MCMXXVIII: John Ruskin LLD, Modern Painters, Volume V, publ George Allen, Sunnyside, Orpington, Kent 1888: together with a quantity of art reference books, (a lot) (books)
Lot 1409
* JAMES COWIE RSA LLD (SCOTTISH 1886 - 1956), ABSTRACT COMPOSITION, UNTITLED oil on board, signed 50.8cm x 60.9cm (20 x 24 inches) Framed Note: James Cowie was always fascinated by the way a reflective surface could create an illusion of reality and he constantly experimented with perspective. In this extremely rare example, Cowie has created a near abstract work. It is undated but was probably completed near the end of his career. This is an important work by one of Scotland's most individual and influentiual painters of the 20th century. Born in Aberdeenshire, Cowie studied at Glasgow School of Art and famously completed his Diploma course in a mere two years.. He taught at Bellshill Academy, near Glasgow 1915 - 1935 and later became Warden at Hospitalfield House, Arbroath. His style of painting was precise and linear. Cowie was an admirer of Poussin and the Pre-Raphaelite painters and believed in the classical values of self-restraint and objectivity. He had a meticulous way of working and believed that art was a product of thought and reason. His pupils included Robert Colquhoun, Robert MacBryde and Joan Eardley. Thirty-two of James Cowie's paintings are held in Public Collections including at The Tate, The Hunterian, Glasgow Museums & Art Galleries, The Fleming Collection, The National Galleries of Scotland, Edinburgh City Council, the Royal Scottish Academy, Dundee Art Galleries & Museums, Angus Council, Perth and Kinross Council, Aberdeen Art Galleries & Museums, University of Edinburgh, University of Aberdeen, City of Edinburgh Council and The Scottish National Gallery of Modern Art. Private Edinburgh collection.
Lot 378
COLLECTION OF BIBA AND WALLIS VINTAGE CLOTHES all bought by the vendor during her time working for BIBA in High Street Kensington in the 1960's BIBA orange floral print long sleeved mini dress, unlabelled as BIBA had no labels during this time; BIBA Two long sleeves t-shirts with buttons in green and green/brown striped respectively, alongside a BIBA pirple/black large striped sleeveless vest; BIBA purple long sleeved t-shirt with matching purple/green paisly skirt, altered from original dress form; WALLIS khaki dungaree top play suit with a floral chiffon blouse; WALLIS orange print dress with whit collar and short sleeve cuffs; BIBA Two Art Deco style bagdes (7 garments) All clothes approximately ladies UK Size 10/12 Note:These clothes embody the 1960's period of history called 'Swinging London', the catch-all term applied to the fashion and cultural scene that flourished in the captial at that time. It was a youth-oriented phenomenon that emphasised the new and modern. It was a period of optimism and hedonism, and a cultural revolution, catalysed by the recovery of the British economy after post-World War II austerity which lasted through much of the 1950s. The vendor was living in London at the time and working for Biba and Lee Bender at Bus Stop, proving these clothes are truely symbols of their period and style.
Lot 379
COLLECTION OF LEE BENDER AT BUS STOP CLOTHES all bought by the vendor during her time working for Lee Bender At Bus Stop's London shop in the 1960's incorporating;BUS STOP Art Deco black/pink/cream print large cream buttoned blouse, with gold threaded label;BUS STOP Art Deco cream/pink/eal floral print sleeveless dress with two hip placed pockets, with gold threaded label; BUS STOP red/black/yellow floral print halter neck mini dress, with gold threaded label; BUS STOP pink/red floral long sleeved button up mini dress, with contrast white collar and cuffs; BUS STOP fair isle scoop neck jumper with elbow length sleeves, with small label' All clothes approximately ladies UK Size 10/12 (5 garments) Note:These clothes embody the 1960's period of history called 'Swinging London', the catch-all term applied to the fashion and cultural scene that flourished in the captial at that time. It was a youth-oriented phenomenon that emphasised the new and modern. It was a period of optimism and hedonism, and a cultural revolution, catalysed by the recovery of the British economy after post-World War II austerity which lasted through much of the 1950s. The vendor was living in London at the time and working for Biba and Lee Bender at Bus Stop, proving these clothes are truely symbols of their period and style.
Lot 5
A Mappin Brothers Prince's plate hobnail cut glass lemonade jug with plated mounts, together with an Art Deco style gold chequer patterned cocktail shaker and four glasses, other various glass and china wares, a box of assorted metal wares, a modern famille-rose style baluster shaped table lamp, etc
Lot 519
Cigarette & Trade Cards - MIXED, mainly complete sets, inc. Ogdens Ocean Greyhounds, Phillips First Aid, Wills Merchant Ships, Churchmans Italian Art (large), Cavanders Ancient Egypt (large), Gallaher Famous Jockeys; Players, Cricketers 1934, Regimental Uniforms, etc., in two modern albums, G to MT, Qty.
Lot 176
An Italian Art Deco design melamine finish dining room suite, comprising a large D-end sideboard with leather fittings centred by two cupboards flanked by further cupboards with a fitted interior, 214cm wide x 61cm deep x 91cm high, a dining table with a white polished wooden border and eight (6+2) chairs in cream with leather backs and seats, of modern construction. The upholstery in this lot does not comply with the 1988 (Fire & Furnishings) Regulations unless sold to a known exporter or upholsterer, it will be cut from the frame before leaving the premises.
Lot 340
A Green River knife, by Taylor, Sheffield, and a Green River type knife, by Jameson & Co, Sheffield, both with rosewood grips and leather sheaths; a trench knife, the wooden grip with contemporary insulating tape binding, in black japanned sheath with spring belt clip; a large modern Finnish hunting knife in embossed leather sheath; a small Finnish hunting knife in sheath; an odd leather sheath; and 2 trench art miniature cutlasses, one engraved with nude female figure and “Calais”. Average GC (8)
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19747 item(s)/page