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[Cookery] The Modern Cook; A Practical Guide in the Culinary Art by Charles Elme Francatelli 1862 with sixty illustrations, Modern Householder by Ross Murray with colour printed illustrations, Plain Cookery For All, The Economical Cookery Book For India 1933, Peggy Hutchinson’s North Country Cooking Secrets 1935, Macfadden’s New Cookery Book, The New Temperance Cookery Book, Tasty Tit-Bits & Dishes Dainty etc (approx 50)   

The Studio: Extra Numbers comprising Etchings of Today, Peasant Art in Roumania 1929, Art For Children by Ana Berry, The Royal Adademy from Reynolds to Millais 1904, Daumier and Gavarni 1904, The Modern Movement in Painting 1935, Art in The U.S.S.R. 1935, Crafts for Children 1935 fully illustrated with many colour plates, half-tone and facsimile letters, the collection bound in 3 half leather bindings with raised bands and gilt spines (3)   

A modern Bronze coloured metal Art Nouveau style figure Girl stood upon a Water Lily pad and flower base, cast Milo, marble plinth, 23.5cm high; another Scantily Clad Wind Swept Maiden, 30cm high (2)

A framed and glazed stencil art on fabric depicting a tribal herdsman and cattle by D.S.Okelto. Modern frame with non reflective glass. Frame size approx. 86.5 x 48.5cm.

Two artist's scrapbooks containing a quantity of various pencils and watercolours studies including furniture, portraits, landscapes and still life, together with a book on Masterpieces of Modern Art.

An Art Deco style painted bronze dancer, on a marble base, 55 cm high Report by RB Modern

A Mounted Modern Art Print, Poppies, 98cm Wide

SIX BOXES OF CERAMICS AND GLASSWARE AND LOOSE MODERN PAINTED CANAL ART METALWARES, including Emma Bridgewater mugs, soda syphon, water carafes, 19th century and modern drinking glasses, Indian Tree pattern dinnerwares, kitchen crockery etc (6 boxes and loose)

Mihail Chemiakin (New York, Russia born 1943) "Nature Morte w/ Fish" Color Lithograph on Japan paper. Numbered (50/78) lower left. Signed lower right. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 18 x 25.25 in. Sheet Size: 21 x 29.75 in. Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Purple Harlequin" Color Lithograph. From the Carnival at St. Petersburg Suite. Numbered (35/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 18.75 x 16 in. Sheet Size: 30 x 21 in. Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Untitled VII" Color Lithograph. Numbered (35/225) lower left. Pencil Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 19 x 16.5 in. Sheet Size: 30 x 21 in. Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Untitled VIII" Color Lithograph. Numbered (34/225) lower left. Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 20 x 17.25 in. Sheet Size: 30 x 21 in. Unframed.

Dennis Lyall (American, B. 1946) "Modern Folding Fan" Signed lower right. Original Oil painting on Canvas. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 37c Flag Folding Fan stamp issued April 3, 2003. Inspired by the exceptional colors and magnificent design of the U.S. flag, an endless variety of souvenirs, toys, knickknacks and other patriotic ephemera has been produced in the United States over the past two and a quarter centuries. This art features a particularly healthy serving of red, white and blue. Indeed, the elegant design of this patriotic tribute to Old Glory is powerful in its simplicity: a modern hand fan -- made of fine paper and balsa wood -- that beautifully unfolds to reveal the stars and stripes of America's beloved flag. In 2003, America celebrated Old Glory's 226th Anniversary. The concept of an annual day specifically dedicated to celebrating the flag is believed to have originated in Fredonia, Wisconsin, There, in 1885, a teacher arranged for his school district to observe June 14 -- the day in 1777 on which Old Glory was officially adopted as the American flag -- as "Flag Birthday." By the turn of the century, "Flag Day" celebrations were common across America. Acknowledging the holiday's widespread popularity, President Wilson officially established June 4 as Flag Day by Presidential Proclamation in 1916. Image Size: 12 x 14 in. Overall Size: 15.5 x 18 in. Unframed. (B17106)

Erik Nitsche (Connecticut, Switzerland, 1908 - 1998) "United Nations Around the World" Original Mixed Media painting on Illustration Board.Signed lower right. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.N. 67c 40th Anniversary of the United Nations Souvenir Sheet issued June 26, 1985. Nitsche was a pioneer in the design of books, annual reports, and other printed material that relied on meticulous attention to the details of page composition, the elegance of simple type presentation, and the juxtaposition of elements on a page. His hallmarks were impeccably clear design, brilliant colors, smart typography, and an adherence to particular geometric foundations. Nitsche studied at the College Classique of Lausanne and the Kunstgewerbeschule in Munich. Prior to immigrating to the United States, he was a designer for Simplicissimus, Jugend, and Der Querschnitt, creating covers and illustrations. He moved to the United States in 1934, where he worked in Hollywood before moving to New York in 1936. In New York, he worked for major magazines including Life, Vanity Fair, and Harper?s Bazaar as well as advertising and promotional campaigns for Twentieth Century Fox and Universal. In 1955, Nitsche began working with engineering company General Dynamics as art director, which he held until 1960. He designed a breakthrough series of posters, in addition to designing their corporate image, annual reports, and advertising through the development of information design systems. Nitsche designed a 420-page book on the company's history entitled Dynamic America, prompting him to begin designing his own books. Nitsche was also a consultant to the Museum of Modern Art's department of design and to Standard Oil of New Jersey in the 1950s and 60s. Early in World War II, European leaders of nine allied nations against Germany met in London. Overrun by nazi forces and driven from their homelands, these leaders met to sign a declaration pledging to work for a world free from war and oppression; a world where all people could live in peace and security. This important meeting laid the ground work for an international organization which would become known as the United Nations. In 1945 representatives from fifty nations met in San Francisco where they all voted to accept the Charter of the United Nations. The Charter became effective on October 24, 1945. Image Size: 14 x 12 in. Overall Size: 20 x 15 in. Unframed. (B09618)

Erik Nitsche (Swiss, 1908 - 1998) "United Nations Around the World" Original Mixed Media painting on Illustration Board. Signed lower right. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.N. 22c 40th Anniversary of the United Nations stamp issued June 26, 1985. Nitsche was a pioneer in the design of books, annual reports, and other printed material that relied on meticulous attention to the details of page composition, the elegance of simple type presentation, and the juxtaposition of elements on a page. His hallmarks were impeccably clear design, brilliant colors, smart typography, and an adherence to particular geometric foundations. Nitsche studied at the College Classique of Lausanne and the Kunstgewerbeschule in Munich. Prior to immigrating to the United States, he was a designer for Simplicissimus, Jugend, and Der Querschnitt, creating covers and illustrations. He moved to the United States in 1934, where he worked in Hollywood before moving to New York in 1936. In New York, he worked for major magazines including Life, Vanity Fair, and Harper?s Bazaar as well as advertising and promotional campaigns for Twentieth Century Fox and Universal. In 1955, Nitsche began working with engineering company General Dynamics as art director, which he held until 1960. He designed a breakthrough series of posters, in addition to designing their corporate image, annual reports, and advertising through the development of information design systems. Nitsche designed a 420-page book on the company's history entitled Dynamic America, prompting him to begin designing his own books. Nitsche was also a consultant to the Museum of Modern Art's department of design and to Standard Oil of New Jersey in the 1950s and 60s. Established in the wake of World War II, the United Nations has strived to achieve a lasting peace among all nations of the world. But in addition to promoting peaceful and friendly relations among countries, the United Nations is also dedicated to the betterment of all mankind. Indeed, a major goal of the United Nations is to help solve social and cultural problems for all people and encourage respect for human rights and fundamental freedoms. The United Nations accomplishes these goals through a wide variety of programs designed to suit the needs of underdeveloped countries and needy peoples. Scientists, researchers, medical personnel and social workers are all supported by the United Nations in their efforts to solve problems faced by needy peoples and underdeveloped nations. Economic and trade assistance is also provided by the UN. To assist underdeveloped countries obtain needed funds to improve their way of life, the International Bank was established to grant loans and other financial assistance. In addition, the United Nations helps countries develop trading systems by providing lower tariff rates for some exports and sharing technology with poorer countries. Through these and other programs, the United Nations continues to improve the way of life for the world's people. Image Size: 14 x 12 in. Overall Size: 20 x 15 in. Unframed. (B09623)

(See below for english version)„Flowers Diaghilev“. 2009Kaltnadel auf Papier. 30 × 22,5 cm ( 11 ¾ × 8 ⅞ in.). Signiert und datiert.Einer von 30 nummerierten Abzügen. Dublin, Irish Museum of Modern Art, 2009. [3311]Zustandsbericht: Ex. 6/30. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig in den Ecken alte Montierungsreste und vertikal durch die Mitte des Blattes verlaufender schmaler Streifen ausgedünnten Papiers mit vereinzelten Montierungsresten. In den oberen Ecken jeweils mit Japanfaser auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.„Flowers Diaghilev“. 2009Drypoint on paper. 30 × 22,5 cm ( 11 ¾ × 8 ⅞ in.). Signed and dated.One of 30 numbered prints. Dublin, Irish Museum of Modern Art, 2009. [3311]Condition report: No. 6/30. Fine harmonious overall appearance. The sheet edges are without tears or losses. Remains of former mounting at corners on the reverse, and thinned paper running vertically through the centre of the sheet with isolated mounting remains. Mounted on each upper corner with Japan fibre on cardboardWe charge 30% premium on the hammerprice.

* ANDREW HAY (SCOTTISH b 1944), GLASGOW BUILDINGS oil on canvas laid down on board, signed 91cm x 118cm Framed. Note: Having started to paint at the age of 39, within a year the People's Palace Museum, Glasgow had purchased ten paintings and had given Hay his first solo exhibition. Since then his works have been included in numerous public and private collections. His work deals with both narrative and nature, sometimes subverting one or the other in order to advance his artistic practise. His insistence on invention, freedom and risk affirms continuity in his aesthetic spirit. He uses a network of codes, symbols and expressive techniques which play off his collective memory and familiarity of everyday objects and culture from his childhood and juxtaposes them with present day reality. In so doing he embodies them with a new philosophical discourse. Andrew’s work now features in many significant public and private collections and is in the permanent collections of Glasgow's Kelvingrove, Gallery of Modern Art and The People's Palace.

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), RONDA 2001 oil on board, signed 46cm x 49cm Framed and under glass. Note: Painted "am" 16th September 2001 and so titled and inscribed under the backboard. Note 2: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career.

A collection of modern Lalique jewellery, comprising a pair of silver gilt earrings of horseshoe design, four various silver and enamelled rings, a bracelet and an Art Deco style enamelled brooch, 6cm (7)

Brewing.- The Modern Art of Brewing Splendid Ale, Porter & Stout, for the Use of private Families, averaging 6½d per gallon, endpapers marked, original wrappers, soiled, corners chipped, 1847; and 3 Guinness promotional pamphlets, 1930s, one with illustrations by Edward Ardizonne, 8vo & 4to (4)⁂ The first is scarce with Library Hub recording 4 copies.

A THAI BRONZE HEAD OF BUDDHA 17TH CENTURY Cast with a serene expression, the face framed by his pointed ears with elongated earlobes, his hair cast as many conical spikes, with traces of black lacquer to the face, together with a modern stand, 32cm, 11kg. (2) Provenance: no.29, ST400 in Jonathan Tucker Antonia Tozer Asian Art's 2007 exhibition Brightness from the East: an Important Exhibition of Indian, Southeast Asian and Chinese Art; and then the collection of Mr Richard Nathanson (d.2018), London, purchased from Jonathan Tucker Antonia Tozer Asian Art on 21st September 2007. A copy of the invoice is available. Cf. The Walters Art Museum, Baltimore, accession no.25.188 for a similar 17th century head in stucco from the Alexander B Griswold Collection.

THREE CARVED STONE FRAGMENTARY RELIEFS AND A TERRACOTTA TSA-TSA C.2ND CENTURY AND LATER Comprising: a Gandharan grey schist panel depicting Buddha seated with his disciples, an Indian pink sandstone frieze carved with a male and female figure, a Khmer period relief of an aspara, and a Tibetan terracotta tsa-tsa depicting White Tara, each of the stone reliefs with a modern stand, 20.7cm max. (5) Provenance: from the collection of Mr Richard Nathanson (d.2018), London. The Gandharan, Khmer and Tibetan items purchased from Peter Sloane Early and Eastern Art between 2008 and 2014. Copies of the invoices are available.

Mixed Lot: George V Scottish silver wine label of cartouche shape, inscribed "Claret", Edinburgh 1924 by MacKay & Chisholm, 4.5cm x 2.5cm max, together with a modern Sherry label and an Art Nouveau silver handled and steel bladed pickle fork, Birmingham 1904, possibly by H P Pithey & Co (marks partially erased), (3)

Winifred Nicholson (British, 1893-1981)White Violets signed, titled and dated 'White Violets/Winifred Nicholson/1922' (verso)pencil and oil on board45.7 x 54.7 cm. (18 x 21 1/2 in.)Footnotes:ProvenanceWith Austin Desmond Fine Art, London, April 1984, where acquired byReuters Group Plc, where acquired by the family of the present ownerPrivate Collection, U.K.ExhibitedLondon, Mansard Gallery, Seventeenth Exhibition of the London Group, 16 October-11 November 1922London, W.B. Paterson Gallery, Paintings by Benjamin and Winifred Nicholson, May-June 1923, cat.no.27Ascot, Austin Desmond Fine Art, Aspects of Modern British Art, 24 March–28 April 1984, cat.no.40After Winifred and Ben Nicholson married in November 1920 they spent their honeymoon travelling around Italy looking for somewhere to live, eventually settling on a house at Castagnola, near Lugano, in the Italian speaking part of Switzerland. Here they spent three winters, travelling back to England via Paris where they admired works by Cézanne, Picasso, Braque, Rousseau, Matisse and Derain, absorbing what they had seen and experimenting furiously. Winifred described Paris as 'electric with innovation ... Its creative energy was not to be believed, so we always went back to Villa Capriccio and brooded our ideas'. (See Sebastian Barassi 'The Allure of the South: the Nicholsons in Italy and Switzerland, 1920-23' in Art and Life: Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis, William Staite Murray, 1920-1923, Philip Wilson Publishers, London, 2014). Many of the paintings then made have not survived, and White Violets, which was exhibited at the London Group show in the autumn of 1922 is the earliest known work from this pivotal moment in Winifred Nicholson's development. Winifred's White Violets and Ben Nicholson's 1922 (Bread) (Tate) give an indication of how closely the husband and wife worked together, but it was Winifred's painting which came to 'flowering point' the following winter, notably in Cyclamen and Primula (Kettle's Yard, Cambridge) and also exploring translucent white light, in an astonishing period of creativity that Winifred was never able to repeat. Winifred later wrote, 'You know how much I like buds, the beginnings of things, with all the promise to come implied, but not yet stated.' White Violets, with its white buds hovering expectantly and which introduces so many of Winifred's favourite ideas and themes, can be seen symbolically as just such a beginning with the promise implied. We are grateful to Jovan Nicholson for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eliot Hodgkin (British, 1905-1987)Bowl of Peaches signed and dated 'Eliot Hodgkin 5 IX 65∙' (lower left)oil on canvas laid on board18.5 x 29.5 cm. (7 1/4 x 11 5/8 in.)Footnotes:ProvenanceWith Thomas Agnew & Sons, London, where purchased by the family of the present ownerPrivate Collection, U.K.ExhibitedLondon, Thomas Agnew & Sons, Eliot Hodgkin Recent Paintings in Oil and Tempera, 21 November-17 December 1966, cat.no.41We are grateful to Mark Hodgkin for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the artist's work and would like to hear from owners of any work by the artist so that these can be included in this comprehensive catalogue. Please write to Mark Hodgkin, c/o Bonhams, Modern British Art Department, 101 New Bond Street, London, W1S 1SR, or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eliot Hodgkin (British, 1905-1987)Apricots, Gooseberries and Currants signed and dated 'Eliot Hodgkin 6 VIII 64' (lower left)tempera on board8.5 x 11 cm. (3 1/4 x 4 1/2 in.)Footnotes:ProvenanceSale; Bonhams, London, 18 September 2012, lot 170, where acquired by the present ownerPrivate Collection, U.K.We are grateful to Mark Hodgkin for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the artist's work and would like to hear from owners of any work by the artist so that these can be included in this comprehensive catalogue. Please write to Mark Hodgkin, c/o Bonhams, Modern British Art Department, 101 New Bond Street, London, W1S 1SR, or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eliot Hodgkin (British, 1905-1987)Four Flints signed and dated 'Eliot Hodgkin 13.XI.54' (lower right)tempera on board10.5 x 14 cm. (4 1/4 x 5 1/2 in.)Footnotes:ProvenanceKettner's RestaurantWith Hazlitt, Gooden & Fox, LondonPrivate Collection, U.K.ExhibitedLondon, The Leicester Galleries, Eliot Hodgkin, Terry Frost and Cecil Collins, February 1956, cat.no.4London, Hazlitt, Gooden & Fox, Eighteen Selected Still Life Studies from 1954 to 1957, 6 October-5 November 1993, cat.no.4We are grateful to Mark Hodgkin for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the artist's work and would like to hear from owners of any work by the artist so that these can be included in this comprehensive catalogue. Please write to Mark Hodgkin, c/o Bonhams, Modern British Art Department, 101 New Bond Street, London, W1S 1SR, or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eliot Hodgkin (British, 1905-1987)Basket of Fruit signed and dated 'Eliot Hodgkin Sept 53.' (lower left); further signed and titled (on a label attached verso)tempera on board22 x 50 cm. (8 3/4 x 19 3/4 in.)Footnotes:ProvenanceMajor Geoffrey Frederick Robert HirstWith The Bourne Gallery, Reigate, where acquired byPrivate CollectionSale; Christie's, London, 17 May 2006, lot 439Their sale; Sotheby's, London, 11 June 2014, lot 127, where acquired by the present ownerPrivate Collection, U.K.ExhibitedLondon, Wildenstein Gallery, Contemporary British Painters, 18 November-23 December 1953, cat.no.38We are grateful to Mark Hodgkin for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the artist's work and would like to hear from owners of any work by the artist so that these can be included in this comprehensive catalogue. Please write to Mark Hodgkin, c/o Bonhams, Modern British Art Department, 101 New Bond Street, London, W1S 1SR, or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eliot Hodgkin (British, 1905-1987)Basket of Vegetables signed and dated 'Eliot Hodgkin April-May 1953. ' (lower right); further signed and titled (on a label attached verso)tempera on board22 x 50 cm. (8 3/4 x 19 3/4 in.)Footnotes:ProvenanceMajor Geoffrey Frederick Robert HirstWith The Bourne Gallery, Reigate, where acquired byPrivate CollectionSale; Christie's, London, 17 May 2006, lot 441Their sale; Sotheby's, London, 11 June 2014, lot 128, where acquired by the present ownerPrivate Collection, U.K.ExhibitedLondon, Wildenstein Gallery, Contemporary British Painters, 18 November-23 December 1953, cat.no.39We are grateful to Mark Hodgkin for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the artist's work and would like to hear from owners of any work by the artist so that these can be included in this comprehensive catalogue. Please write to Mark Hodgkin, c/o Bonhams, Modern British Art Department, 101 New Bond Street, London, W1S 1SR, or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Barry Flanagan, R.A. (British, 1941-2009)Horse on Anvil signed with monogram, numbered '3/8' and stamped with the foundry mark (on the base)bronze with a black patina56 cm. (22 in.) highConceived and cast in 2001Footnotes:ProvenanceWith Solomon Gallery, DublinPrivate Collection, U.K.Sale; Phillips, 6 October 2016, lot 148Private Collection, SwitzerlandExhibitedSalzburg, Thaddaeus Ropac, Barry Flanagan, 14 February-6 April 2002 (another cast)Recklinghausen, Kunsthalle Recklinghausen, Barry Flanagan: Sculpture & Drawing, 4 May-14 July 2002 (another cast)Dublin, Irish Museum of Modern Art, Barry Flanagan: Sculpture 1965-2005, 28 June-24 September 2006 (another cast) Dublin, Solomon Gallery, The Secret Garden, 15-26 May 2008 (another cast)Paris, Galerie Lelong, Barry Flanagan: Chevaux et Compagnie, 7 April-14th May 2011 (another cast)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Hoyland R.A. (British, 1934-2011)Conjure You signed, titled and dated 'Conjure You John Hoyland 4.11.88' (verso)acrylic on cotton duck152 x 152 cm. (59 3/4 x 59 3/4 in.)Footnotes:ProvenanceWith Waddington Galleries, London, where purchased by Private CollectionSale; Christie's, London, 22 May 1996, lot 100Sale; Christie's, London, 29 June 2000, lot 20The Estate of Jessye NormanThe Hoyland Estate are currently preparing the forthcoming catalogue raisonné of the Artist's work and would like to hear from owners of any work by the Artist so that these can be included in this comprehensive catalogue. Please write to The Hoyland Estate, c/o Modern British and Irish Art, Bonhams, 101 New Bond Street, London, W1S 1SR or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Five modern Art Deco style signs "Toilet" "Men" "Ladies" "Office" "Private"

A RARE CHINESE BAMBOO GILT AND LACQUERED SCHOLAR'S TEAPOT AND COVER YONGZHENG/QIANLONG The compressed circular body with a loop handle and spout, with gilt ruyi-heads centred by red lacquer encircling the rim, the cover decorated with two flowers set amidst stylised leafy tendrils and delicate scrollwork, the recessed base incised Jiezhai zao which can be translated as 'made in the studio of restraint', 12.1cm. (2) Cf. Christie's Hong Kong, 2nd December 2015, lot 3139 for another bamboo root teapot and cover with this mark; see also Bonhams Hong Kong, 28th November 2011, lot 250 for a Yongzheng Yixing inkstone and lacquer box decorated with comparable gilt scrolls. The lacquer decoration on this unusual bamboo teapot is comparable to that on Japanese lacquer pieces, particularly the delicate scrollwork to the cover and band of foliage resembling karakusa scrolls. The Yongzheng Emperor is known to have greatly admired Japanese works of art and aesthetics, and he was especially fond of Japanese maki-e lacquer with gold decoration. There were a large number of Japanese maki-e pieces in the collection of the Qing court. However, the Yongzheng Emperor's appreciation for Japanese lacquer led him not only to collect pieces made in Japan, but also to order imitation works from domestic Imperial workshops. Yongzheng is believed to have been the first Qing emperor to commission such imitation pieces, and this was to be continued by his son the Qianlong Emperor. These imitation pieces appear to have been valued as equal to rather than inferior to authentic Japanese examples. Aside from pure imitations, Yongzheng also encouraged the application of Japanese lacquerware designs on other media, including porcelain and enamel. An enamelled gilt-copper inro-style case produced in the Qing court workshops and now in the National Palace Museum collection is one example of these kind of pieces produced under the Yongzheng Emperor's reign. For a more in-depth discussion on Japanese lacquer in 18th century China, see K Kleutghen, Imports and Imitations: The Taste for Japanese Lacquer in Eighteenth-Century China and France, Journal for Early Modern Cultural Studies, vol.17, no.2, Spring 2017, pp.175-206. 清雍正/乾隆  竹雕鎏金加彩茶壺《節齋造》款

Various brochures, ephemera, etc. various subjects, to include various car brochures etc. Keep Your Car Secure etc., farm models ephemera stamps, horse trials ephemera, a sealed Mr Jackon's Elizabethan theatre set, various Greetings cards mainly 1980s etc. to include various subjects, a small quantity of slogans, postmarks, tractor related ephemera stamps, collectable items, etc., Pears Christmas Annual 1911 magazine, Ali Sloper's Art Union magazine, various The Humours, Around and Around The Old Bandstand magazine, Illustrated War News No. 7 September 1914, various early 20thC maps to include NW Africa, Morocco, Algeria, various others, various other ephemera, aeroplane prints, a large quantity of various modern postmarks on envelopes, etc. (a quantity)

Two boxes containing antique and modern coloured and clear art glass including a large carnival glass bowl in the form of a bunch of grapes, a large green Maastricht glass ewer, opaque and gilt tall slender vase with flared lip, Victorian glass dump, Bristol blue jug, Stuart crystal etc.

Modern Moorcroft art pottery tube lined ginger jar and cover of baluster form, overall decorated with Autumn leaves and berries on a red ground. 11cm high approx, in original box. Impressed and painted marks to the base, dated 2003. (B.P. 24% incl. VAT)Condition report: No obvious damage. 

Modern Moorcroft art pottery tube lined cabinet plate or charger, overall on a black ground decorated with black and white pansies. 26cm diameter approx. Impressed and painted marks to base, dated 2003, in original box. (B.P. 24% incl. VAT)Condition report: No obvious damage, some minor crazing in places. 

Modern Moorcroft art pottery tube lined cabinet plate or charger, overall depicting a forest and stream. 26cm diameter approx. Impressed and painted marks to base, dated 2003, in original box. (B.P. 24% incl. VAT)Condition report: No obvious damage. 

Modern Moorcroft art pottery tube lined floral rectangular pin dish, together with a small circular anemone pin dish. (2)(B.P. 24% incl. VAT)

Modern Moorcroft art pottery tube lined cabinet plate or charger, overall on a green ground depicting flower heads, foliage and fruit. 26cm diameter approx, impressed mark and signature to the back, dated 1997. In original box.(B.P. 24% incl. VAT)

Modern Moorcroft art pottery tube lined poppy design cabinet plate or charger. 26cm diameter approx. Impressed and painted marks to base, dated 1996.(B.P. 24% incl. VAT)

Modern Moorcroft art pottery tube lined cabinet plate or charger in original wooden presentation box, 'Spittlefields Temple Mills 1991'. 22cm diameter approx. (B.P. 24% incl. VAT)

Modern Moorcroft art pottery tube lined cabinet plate or charger, decorated with multi-coloured tulips and foliage. 26cm diameter approx. Impressed and painted marks to base, dated 1999, in original box. (B.P. 24% incl. VAT) 

Box of assorted china and glass to include; Wedgwood bone china Susie Cooper design flower motif coffee cans and saucers, Mason's Mandalay oval dish, Spode blue and white transfer printed floral dish, Caithness art glass vases, modern caned paperweight etc. (B.P. 24% incl. VAT)

Modern Moorcroft art pottery tube lined hot air balloon pattern cabinet plate or charger. Impressed marks to the under side signed and dated 1998. In original box. Diameter 26cm approx.(B.P. 24% incl. VAT)

Modern Moorcroft art pottery tube lined ovoid vase, overall decorated in the Mediterranean series with oranges and blossoms pattern. Impressed and painted marks to base, dated 2009, in original box. 13.5cm high approx. (B.P. 24% incl. VAT)Condition report: No obvious damage. 

Modern Moorcroft art pottery tube lined baluster vase, 'Queen's Choice' overall decorated with peaches, figs and grapes. Impressed and painted marks to the base, dated 2000, in original box. 16cm high approx. (B.P. 24% incl. VAT)Condition report: Some crazing to the base otherwise no obvious damage. 

After Auguste Moreau, a pair of Art Nouveau patinated spelter sculptures, Ruisseau and La Charmeuse, on modern turned wood bases, largest height 47cm (2)

GLAM/ART ROCK - LPs. Another Glam-tastic collection of 24 x (almost entirely) LPs. Artists/titles include Queen (x5) - Queen EMC 3006 3U/3U UK), II (EMA 767 4U/4U corrected matrix), Sheer Heart Attack (EMC 3061 3U/4U), Greatest Hits and One Vision, Roxy Music - Stranded (ILPS 9252, pink rim og), Manifesto (picture disc, EGPD 001), For Your Pleasure (ILPS 9232 pink rim) and Bryan Ferry - These Foolish Things and Another TIme, Another Place, Futurama, Be-Bop Deluxe - Axe Victim, Modern Music and Sunburst Finish, Jobriath, Wizzard - Wizzard Brew (SHSP 4025), Slade, Marc Bolan and The Sensational Alex Harvey Band - Tomorrow Belongs To Me, The Impossible Dream, Next (UK and US copies) and Live. Condition is generally VG to Ex+.

GLAM / NEW WAVE / ART ROCK / PSYCH - MODERN RELEASES - LPs/BOX SETS. Ace clean bundle of 9 x LPs plus 2 x box sets, including some pic disc. Artists/titles include Pearl Jam - Seattle 12/8/93 (3 x LPs, MWR4991), David Bowie inc. Let's Dance and Bowie Now, The Velvet Underground, Fleetwood Mac, Yes, The Cure inc. Join The Dots (4 x CD box set) and Mixed Up, Blondie inc. Eat to The Beat, Parallel Lines and Blondie. Condition is archive/as new as all the copies are still sealed.

An antique Art Deco period ladies platinum and diamond set cocktail watch, manual wind, the 10.5mm. platinum case and tapered lugs with millegrain set old cut diamonds and chased foliate decoration to the sides, numbered 70811, nickel lever wind manual movement, the 9mm. silvered dial with Arabic numerals, signed 'Niton Genève SWISS', with black cord and leather strap. * Condition: Winds and runs. The diamonds all appear original and are in very good condition. Dial VG with two small areas of light tarnishing. Case good with light scratching. Strap modern - VG cdn.

An Art Deco style Gruen Precision Autowind platinum and diamond cocktail watch, having signed silvered circular dial with raised baton hour markers, 19mm wide case set and lugs set single cut diamonds, sapphire crown, interior stamped "Platinum", to cord strap having alterations and modern buckle fastening (original clasp retained)

An Auto Art Performance 1/18 scale boxed Modern Release Classic Car diecast group to include a Mitsubishi Lancet Evo 6 finished in white together with a Subaru Impreza 22B, both housed in the original window boxes (M,BNM-M)Condition report: No damage, all complete.

The Art of Sport Endurance Ltd cold cast porcelain figure group, one of Graham Hill seated upon a Firestone Tyre raised on display plinth with plaque to read 'Graham Hill World Champion 1962 & 1968' limited edition No. 0656/2500 released, together with a standing figure of Damon Hill dated 1996, housed in a glass modern dome

Two boxes containing a quantity of mixed issue Modern Release diecast to include Auto Art, Corgi, Gilbow, Bburago, and various others, examples to include a Corgi Toys Berliet GLR 8, Amora articulated tractor unit and trailer together with various others

Art Deco pottery; vases, cups and saucers plus a Poole pottery biscuit barrel, modern vases, etc.

Jolly Boat signed 'Ray Evans' (lower right) acrylic 22 x 26cm Provenance: With Louise Kosman, Modern British Art, Edinburgh

Art-déco-Büste: "Madonna" Wiener Manufaktur Friedrich Goldscheider. Firmenmarke mit Zusatz "Made in Germany" (GS 19, ca. 1922-41), Etikett (GS Pick 6, 1922-42). Rückseitig bezeichnet "Hays". Modell-Nr. 8173 24 11. Ca. 1937/38. Fayence, farbig staffiert. H 28 cm. Modern inszenierter Madonnenkopf mit blauem Schleier und offenen Händen Schleieransatz oben leicht bestoßen.

*VINCENT HENRY LINES (1909-1968) 'Margaret Fisher Prout Painting' etching, 19cm x 24cm; together with another work by the same Artst, 'Fishing, Canal St-Martin Paris c1930' etching, 17.5cm x 29.5cm and a copy of the auction catalogue for the remaining studio of Margaret Fisher Prout, Tuesday 11th November, Phillips, Son & Neale (3)Millicent Margaret Fisher Prout ARA (1875- 9 December) was a highly successful and productive artist who helped improve perceptions of modern art in Britain. Prout was born in Church Street, Chelsea, on 31 March 1875, the only daughter of the painter Mark Fisher R.A. She studied under her father and at the Slade School of Art between 1894 and 1897. By 1914 she was teaching life drawing at the Hammersmith School of Arts and Crafts and had her first solo exhibition at the Beaux Arts Gallery in 1922. Prout was a painter of flowers, landscape and figures in an Impressionist style. She produced various subjects including animals, landscapes, figures, flowers, and other still life. In 1908 she married a farmer, John Prout, and was based in various locations throughout her career including Harlow, Essex, London, Sawbridgeworth in Hertfordshire, East Grinstead and was most latterly associated with Sussex and remained there until her death in 1963. Prout had an extensive career over a period of at least 58 years. She exhibited at the New English Art Club from 1897 (which was an alternative institution for showcasing artists as opposed to the Royal Academy of Arts, which was mostly unwelcoming to the work of female artists), the Royal Scottish Academy (1935), the Royal Hibernian Academy (1924-39), the Royal Glasgow Institute (1928-58) and the Royal Academy itself in 1921-64. She also exhibited with the Society of Women Artists (1927-63) and the Women's International Art Club, both institutions for the promotion of the work of women. Prout was elected an associate member of the Royal Academy in 1948. She was a member of the Society of Women Artists from 1935 to 1937 and from 1952 to 1958 and was also a member of the New English Art Club. A retrospective exhibition of Prout's work was held at the Worthing Art Gallery in 1961, the Royal Watercolour Society held a memorial exhibition in 1966 and Blond Fine Art also held a retrospective in 1979. Vincent Lines, a neighbour of Fisher Prout's in St Leonards-on-Sea, wrote a book on Mark Fisher and Margaret Fisher Prout "Mark Fisher and Margaret Fisher Prout, Father and Daughter: A Record of a Hundred Years of Painting" with the image of Fisher Prout painting offered here featured on the front cover.*Artist Resale Right may apply to this lot

Japanese Antique Textile Fireman’s Coat & Apron – Edo perio. The coat with an embroidered mon (family crest) on the back and reverse of each sleeve. The apron with embroidered mon and cloud pattern. This was worn by firemen attached to the local prince or Daimyo. It is called Daimyo Bikeshi Shozoku (Daimyo's Fireman Costume). It appears to be made of heavy woven wool with silk facings and details. The mon is of the Daimyo of Asano (in modern day Aki Prefecture). As can be seen from the photos it is beautifully made. The Japanese fire service dates back to the 17th. century and were renowned, then as now, for their parades and displays of acrobatic skills. Dating is uncertain, probably around the middle of the 19th Century (Late Edo Period). Width approx. 116cm (45.5 inches), length approx. 95cm (37 inches).  Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.