* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), GORDES FROM THE SUNFLOWER FIELD oil on board, signed and dated '94, titled verso but obscured by the backboardframed and under glassimage size 37cm x 41cm, overall size 56cm x 60cm Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi-abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely, especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In recent times we have offered a growing number of Sheila Macmillan's paintings with several achieving more than £1000. The current leading price is £1700 (hammer) for "Ronda, Spain", a 45 x 48cm oil on board (lot 510A, The Scottish Contemporary Art Auction 24th October 2021).
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Vinyl - Jazz over 50 LP's including modern jazz / art jazz / free jazz etc including rarities from Stanley Cowell (GXY 5131) Vg/Ex, Marion Brown (ECM 1004) Vg+/Vg+, Jim Hall (Horizon 16) Vg+ / Ex, Ken McIntyre Sextet, Dollar Brand, Mahavishnu Orchestra, Marilyn Moore, Paul Bley, Keith Jarrett and many others. Condition varies
A BRASS HANGING 'WALPOLE' LANTERN BY CHARLES EDWARDS, MODERN 72cm high, 32cm wide, 32cm deep Condition Report: Sold as a decorative work of art only and not as a working electrical item, if wished to be used all would need to be rewired by a professional electrician prior to useThe gilt metal has dirt and discolourationOne pane of glass is cracked through the centre, this can be seen in the catalogue online image - this would need replacing if wished by the purchaser Please see additional images for visual reference to conditionCondition Report Disclaimer
A SET OF FIFTEEN MODERN MOUSTIERS FAIENCE BOTANICAL PLATES AFTER AN ORIGINAL SCEAUX FAIENCE DESIGNScript marks verso, 24.5cm diameterFour modern Portuguese (VA) plates decorated in blue and yellow in the 18th century manner, 27cm diameter; and four modern Quimper plates in the late 18th century revolutionary style, script marks, 23.5cm diameter See The Metropolitan Museum of Art, Accession no. 17.190.1923 for a version of the Sceaux original gifted by J. Pierpont Morgan similar to the lead items in this group.Condition Report: No serious damage noted. Slight wear to the Quimper plates.Condition Report Disclaimer
A PAIR OF BLUE AND WHITE PORCELAIN AND GILT METAL MOUNTED TABLE LAMPS LATE 19TH CENTURY AND LATER CONVERTED TO ELECTRICITY62cm high including fitments 83cm high including white pleated shades Condition Report: Unexamined out of the mounts, the ceramic elements appear intact, there are modern light fitting mounts to the tops but there is no cable - these are sold as decorative works of art only and would need to be wired and tested by a professional electrician prior to use in a domestic setting The gilt metal with dirt and discolouration, some pitting Please see additional images for visual reference to conditionCondition Report Disclaimer
Horn (Roni). 153 Drawings, 1st edition, Zurich: Hauser & Wirth and Xavier Hufkens, 2013, numerous colour illustrations, original cloth in dust jacket, large 4to, together with:Tuchman (Maurice, et al), Chaim Soutine (1893-1943), catalogue raisonné, 2 volumes, 1st edition, Köln: Taschen, 1993, numerous colour & monochrome illustrations, original cloth in dust jackets, some minor rubbing, large 8vo, plus other modern art reference, mostly original cloth, some paperbacks, G/VG, 8vo/folioQTY: (A carton)
Brown (Horatio F.). The Venetian Printing Press, an historical study based upon documents for the most part hitherto unpublished, London: John C. Mimo, 1891, monochrome examples & vignettes, some minor marginal toning, top edge gilt, contemporary green half morocco bound by Zaehnsdorf, spine lightly faded, some minor rubbing, 4to, limited edition 289/520, together with:Credazzi (Fabritio), Guida Della Monaca Religiosa..., 1st edition, Rome: Apprello Andrea Fei, 1622, engraved title page, 19th century endpapers, some toning & marks, 19th century gilt decorated full calf, boards & spine rubbed, hinges cracked, 4to, plusQuintana (Don Manuel José), Memoirs of Gonzalo Fernandez de Cordova, styled The Great Captain, translated by Joseph Russell, London: Edward Churton, 1851, some very minor toning, all edge gilt, modern half morocco, slightly rubbed, 8vo, and other 17th to early 20th century history, art, & ecclesiastical reference & literature, some leather bindings, some many original cloth, some odd and defective volumes, overall condition is generally good/very good, 8vo/folioQTY: (6 shelves)
James (Henry). The Turn of the Screw, Illustrated by Mariette Lydis, Hand and Flower Press, 1940, lithographic plates, top edge gilt, remainder untrimmed, contemporary half vellum over boards, slightly soiled, small folio, (limited edition, 135/200 copies), together with another copy of the same in original cloth-backed boards, rubbed and soiled, spine frayed and detached, small folio, (limited edition, 52/200 copies), plus Johnson (B.F.). Street Children, Photographs by Julia Trevelyan Oman, 1st edition, London: Hodder and Stoughton, 1964, black & white illustrations from photographs throughout, original cloth-backed boards in soiled and frayed dust jacket, oblong small folio, andBellow (Saul), The Victim, 1st UK edition, London: John Lehmann, original cloth in pictorial dust jacket, a little chipped and browned, small adhesion stain to upper wrapper, 8vo, andSpark (Muriel), The Prime of Miss Jean Brodie, 1st edition, London: Macmillan & Co, 1961, original cloth in dust jacket, a little rubbed and soiled, 8vo, plus other mostly modern fiction including works in English translation, mostly original cloth in dust jackets, plus some art and larger format publicationsQTY: (6 shelves)
Klimburg (Max). The Kafirs of the Hindu Kush, art and society of the Waigal and Ashan Kafirs, 2 volumes, 1st edition, Stuttgart: Franz Steiner, 1999, numerous monochrome illustrations, original uniform boards, spine lightly toned, minor rubbing to head & foot, large 8vo, together with:Noelle (Christine), State and Tribe in Nineteenth-Century Afghanistan, the reign of Amir Dost Muhammad Kham (1826-1863), 1st edition, Richmond: Curzon, 1997, original cloth in dust jacket, spine & boards slightly faded & rubbed to head & foot, 8vo, plusCoster (Will), Baptism and Spiritual Kinship in Early Modern England, 1st edition, Aldershot; Ashgate, 2002, original cloth in dust jacket, covers lightly rubbed to head & foot, spine slightly faded, 8vo, andFentz (Mytte), The Kalahsa, mountain people of the Hindu Kush, 1st edition, Denmark: Rhodos, 2010, numerous colour illustrations, original boards, some minor marks, large 4to, includes a hand written compliments slip from the publisher, plus other modern history & anthropology reference, all original cloth, mostly in dust jackets, G/VG, 8vo/4toQTY: (6 shelves)
Rodd (Rennell). Feda With Other Poems, London: David Stott, 1886, inscribed by the author 'Frances C.F. Rodd, from her Brother August 1886' to front free endpaper, etched frontispiece by Harper Pennington, some toning, top edge gilt, remainder untrimmed, original blue cloth gilt, 8vo, together with:Montgomery (Henry R). Specimens of the Early Native Poetry of Ireland, Dublin: James McGlashan, 1846, a few light spots, top edge gilt, contemporary green half calf gilt, 12mo, with Francatelli (Charles Elmé). The Modern Cook; A Practical Guide to the Culinary Art in all its Branches, 28th edition, London: Richard Bentley, 1886, portrait frontispiece, black and white illustrations to text, some spotting, original green cloth gilt, lower cover stained, 8vo, with another QTY: (4)
Juvenile Literature. A large collection of modern juvenile & illustrated literature, art & bookbinding reference, including A Walk in the Roman Zoo, by Alan Dawe & Barbara Shelly, privately printed (?), circa 1970s, original limp boards bound with a plastic ring binder, oblong 4to, & a number of pop-up books, many original cloth/boards in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (6 shelves )
Macquoid (Percy). A History of English Furniture, 4 volumes (Oak, Mahogany, Walnut & Satinwood), London: Lawrence & Bullen Ltd.; New York: G.P. Putnam's Sons, [1904-08]-1938, half-titles, chromolithograph frontispieces and plates, monochrome illustrations, endpapers renewed, modern maroon half morocco, gilt decorated spines, original cloth sides relaid, folio, together with:Garner (Thomas & Stratton, Arthur), The Domestic Architecture of England during the Tudor Period, 3 portfolio volumes, Subscriber's Copy, London: B. T. Batsford, 1911, preliminary text and monochrome plates, all loosely contained in original printed portfolios with cloth spines, spines torn, worn, folio,Jourdain (Margaret & Lenygon, Francis), The Library of Decorative Art, volumes 1-4 (English Decoration & Furniture during the Tudor ... early Stuart Periods; Decoration in England from 1660-1770; Furniture in England from 1660-1760 & English Decoration & Furniture of the later XVIIIth and early XIXth centuries), 2nd editions, London & New York, 1922-27, monochrome plates, original cloth, folioQTY: (11)
Hoberg (Annegret & Isabelle Jansen). Franz Marc, The Complete Works, Volume 1: The Oil Paintings, 1st edition, London: Philip Wilson, 2004, numerous colour illustrations, original cloth in dust jacket, square 4to, together with:Barnett (Vivian Endicott), Kandinsky Aquarelles, Catalogue Raisonné, Premier Volume, 1900-1921, 1st French edition, London: Editions Société Kandinsky, 1992, numerous colour & monochrome illustrations, original cloth in dust jacket, square 4toKandinsky Drawings, Catalogue Raisonné, Volume One, Individual Drawings, 1st edition, London: Philip Wilson, 2006, numerous monochrome illustrations, original cloth in dust jacket, square 4to, plusSwiridoff Verlag, publisher, The Würth Collection, Inside Outside Overview, 2 volumes, Künzelsau, 2002, numerous colour illustrations, original uniform cloth in glassine wrappers & slipcase, folio, and other modern art & sculpture reference, mostly original cloth in dust jackets, some paperback editions, some ' as new' in original plastic wrap, some duplicate copies, G/VG, 8vo/folioQTY: (3 shelves )
Matisse (Henri). Jazz, special edition, New York: The Museum of Modern Art, 1983, colour & monochrome facsimile leaves & plates, disbound in original cloth & paper boards book box in slipcase, folio, together with:Marsh (Edward), Minima, 1st edition, London: Eyre and Spottiswoode, 1947, signed & inscribed by the author to the front endpaper 'For John with love from Eddie February 1950', some light marginal toning, original gilt decorated green cloth, covers & spine slightly faded & marked, slim 8vo, limited edition 647/1000, plusHolroyd (Michael), Lytton Strachey, a critical biography, 2 volumes, reprinted, London: William Heinemann, 1967, colour frontispieces & monochrome illustrations, original uniform cloth, 8vo, and other art reference & related, including Quadrum, 2 volumes (Nos. 4 & 18), 1958-65, in original wrappers, 4to, some original cloth in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (3 shelves )
ASSORTED CHINESE WORKS OF ART 20TH CENTURY comprising of a pair of baluster cloisonne baluster vases decorated with birds flowers and insects 25cm high a linen patinated metal garden light a modern simulated shagreen porcelain baluster jar and a ginger jar and associated cover Condition Report: ginger jar with chips to the rim and base, extensive wear to the glazeminor wear to the cloisonne vases Condition Report Disclaimer
Art Exhibition Catalogues, Monographs and Ephemera. Willets (David), Transit of Venus: a series of drawings, signed and numbered 3 by the artist, London: Coracle Press, 1975, [36]pp, original wrappers, 8vo, Peter Wilson - menagerie: a selection of drawings and writings from notebooks, 1977 to 1979, Nottingham: Midland Group, Printed by Chas. Goater, Nottingham, 1979, original wrappers, 8vo, Clark (Sir Kenneth), Exhibition of Paintings by Sir William Nicholson and Jack B. Yeats, National Gallery, 1942, original wrappers, 8vo, Michael Harrison (1948-2013) - "Hustler", artist's proof, signed, titled and inscribed by the artist, itself being the upper-cover to the guide for his 1978 summer exhibition 'Graffiti', [4]pp, 4to, Kinetics, [at the] Hayward Gallery, London, Autumn 1970, disbound leaves as issued, original wrappers, 8vo, Walker Art Gallery: The John Moore's Liverpool Exhibition, 2 & IV, 1959 & 1963-64, original wrappers, 8vo, 1961 Mark Rothko retrospective at the Whitechapel Gallery, 1953 Arts Council exibition Sculpture in the Home, 16mo, defective concertina leaflet for Barbara Hepworth and Ben Nicholson at the Hatton Gallery, December 1956, further Modern British interest, including Wyndham Lewis and Vorticism at the Tate, Jackson Pollock, Redfern Gallery catalogues, others, Marlborough Fine Art and the Whitechapel Gallery, John Wragg, Kurt Schwitters, Rita Donagh with ALS, etc., (approx. 160)
Military Vehicles, Planes Figures Etc Mixed Group. Atlas Editions US Sherman Tank, Art 7008 F-14 Tomcat US Navy "Jolly Rogers", McFarlane Toys 1/12 US Modern Warfare Soldier Figures + Accessories plus others - See Photo. Conditions: Excellent To Mint With Good To Mint Rigid Cases & Packaging. (Qty)
JAZZ - LP COLLECTION. A collection of around 95 jazz LPs. Artists/ titles include Benny Golson - The Modern Touch (RLP 12-256), Julian Priester Sextet - Spiritsville (JLP 25), Charles Mingus inc Blues & Roots, Pithycan Thropus Erectus, Mingus Oh Yeah, Mingus Moves, Mingus Ah Um. Art Pepper - Live At The Village Vanguard (box set). Wilton Bogey Gaynair - Blue Bogey, Dave Burns (VRS 9111), Marion Brown Quartet inc S/T, Porto Novo. Art Farmer - Modern Art, The Gigi Gryce Quartet - At Newport, Donald Byrd - Long Green, The Fabulous Paul Bley Quintet, Guy Barker Quintet, Don Byrd/ Gigi Bryce - Jazz Lab, Blue Mitchell, Walter Benton, Jenkins/ Jordan/ Timmons, Thelonious Monk, Elvin Jones, Harold Land, Ernie Henry, Gerry Mulligan. Condition is generally VG, all records will display numerous light surface marks, although many will have no feelable marks. Sleeves are mostly stored in heavily smoke-damaged plastic wallets, this will have transferred to some sleeves but will not affect the playback of the records. Sleeves generally VG to Ex.
GRANT GREEN/ART PEPPER - LP RARITIES. Cool bundle of 2 x LP rarities including a test pressing. Titles are Grant Green - The Latin Bit (US stereo Blue Note BST 84111, early reissue with New York USA labels, with VAN GELDER machine stamped both sides though no Plastylite P to either side - VG+ with some light surface marks, no heavier feelable scratches/Ex lovely and clean original 43 West 61st sleeve) and Art Pepper + Eleven - Modern Jazz Classics (scarce UK test pressing recording over 2 x single sided LPs, LAC 12229 - VG condition records with some surface marks, no heavier scratches/housed with solid VG condition original UK picture cover).
This handsome vase embodies the elegance of the Art Deco era. With its sleek and angular design, this vase exudes modern sophistication. The rich brown glaze over the floral details adds a natural charm with pops of teal and yellow color. Roseville backstamp. Dimensions: 6"L x 4.5"W x 9.5"HCondition: Age related wear.
Two early 20th century paste jewels. Comprising an open shield-shaped double-scroll pendant/brooch, set throughout with near-colourless pastes in silver and gold (a removable brooch fitting), approx. 40mm high, 31mm wide; and a modern cultured-pearl four-row bracelet on an Art Deco style rectangular cluster clasp stamped '935', the clasp approx. 29mm x 19mm overall, the bracelet approx 18.5cm long overall (7 1/4 inches)
GERALD MCCABE (USA, 1927-2010) FOR ORANGE CRATE MODERN, A TRIO OF MID-CENTURY CUBE SIDE TABLES circa 1970s, one stamped with maker's mark to underside, 'Eon Furniture Company. Santa Monica. California'. (3) Signed example 43cm high, 37.5cm wide, 38cm deep; other two 40.5cm high, wide and deepGerald McCabe was born in Long Beach, California, in 1927. He attended Long Beach Polytechnic High School, then served in the U.S. Navy during World War II. He received a bachelor's degree from UCLA and a Master's from California State University Long Beach, both in Fine Art.McCabe opened a custom furniture business in the mid-1950s, also designing for companies such as Brown Saltman and Glenn of California. In the 1960s and 1970s, he designed and produced his own lines under the names Erin Furniture and Orange Crate Modern. McCabe's design is known for its modern lines, precision joinery and the combining of wood, glass and steel.Teak. Two with a tight split to the top. One with a crack in the joint. All structurally sound, though. Some surface marks but generally in good condition.
CHARITY LOT SUPPORTING TENOVUS CANCER CARE comprising FOUR MODERN THAI PAINTED CELADONS, comprising double gourd vase and three large dishes decorated in the Ming style, vase 48cms h, largest dish 44cms diam, WEMYSS POTTERY TANKARD, painted with sweet pea pattern, 14cms high, stained and cracked, ASSORTED 19TH CENTURY DOULTON & OTHER STONEWARE JUGS, ASSORTED CHINESE BLUE & WHITE PORCELAIN, ASSORTED SOUVENIR TEAWARES moustache cup, various teapots, Piglet and Gladstone money box etc, COLLECTION OF LONDON TRANSPORT BUS TICKETS circa 1950's, SMITHS WRISTWATCH & COLLECTABLES, Smiths De Luxe gents wristwatch on expanding bracelet, together with four vintage pens, ASSORTED PLATED FLATWARE, MORE ASSORTED ELECTROPLATED TEAWARES, including five piece tea and coffee set with gadrooned bodies, FOUR VICTORIAN FLAT IRONS & WORKSPLATE, VINTAGE SIRRAM PICNIC SET, in blue folding case, TWO VINTAGE CRICKET BATS, one 'The Sterling', the other Quaife & Lilley, 1930s MOCK TUDOR STYLE DOLLS HOUSE, ASSORTED CONTINENTAL PORCELAIN FIGURES, SELECTION OF ASSORTED LADIES WRISTWATCHES and other assorted fashion wristwatches, GRINDLEY ART DECO DINNER SERVICE FOR SIX, yellow and green banded border with stylised foliate motif to centre (one side plate missing), ASSORTED COSTUME JEWELLERY & WATCHES, CASED SILVER DRESSING TABLE VANITY SET comprising mirror, two brushes, bitton hook, nail file etc, BOUND VOLUMES OF Y GLOCH A’R AMSERAU EGLWYSIG Newddiadur Annibynol at Wasanaeth yr Eglwys yn Nghymru (The Bell and the Church Times Independent Newspaper for the Service of the Church in Wales), etc.
Ancient music.- Elzevier .- Meibom (Marcus) Antiquae musicae auctores septem, 2 vol. in 1, first edition, double column, text in Greek and Latin, titles in red and black and with woodcut printer's device, 5 folding letterpress tables, of which 4 printed in red and black (of which 2 with a closed tear at edge), woodcut musical annotation, diagrams and decorative initials, modern ink ownership inscription to front pastedown, modern clipping taped to front endpaper, a couple of gatherings almost loose (E1-4 towards front; Y1-4, Z1-2 at rear), uniform light browning, some light spotting, contemporary (?original) limp boards with ink manuscript title to spine, joints cracked but stitching holding, some toning, [Willems 1148 'Collection tres estimée, et que l'on rencontre difficilement'], small 4to, Amsterdam, Louis Elzevier, 1652.⁂ Important work on ancient musical writers, namely Aristoxenus, Euclid, Nicomachus, Alypius, Gaudentius, Bacchius and Aristides.Provenance: William M. Ivins [book label]; William Mills Ivins Jr. (1881-1961), curator of the department of prints at the Metropolitan Museum of Art (NY), from its founding in 1916 until 1946. Olga Raggio (1926-2009), art historian and curator with the Metropolitan Museum of Art, New York; gifted to the present owner.
An Art Nouveau gold openwork aquamarine and seed pearl set pendant. The principle pear cut aquamarine measuring just under 2ct approximately, the drop with an oval aquamarine of 0.30ct approximately, length overall 50mm, on a modern 9ct belcher link necklace, length 40.5cm, total weight 6.69g.One seed pearl missing. The aquamarine's are good condition. The metal is good. Age about the turn of the 20th century.
A modern brown patinated bronze model of an Art Deco dancer, mounted on a green marble plinth, height 46.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A modern brown patinated bronze model of an Art Nouveau exotic dancer, in the manner of Bruno Zach, raised on a conical marble plinth, height 63.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
§ BARBARA RAE C.B.E., R.A., R.S.A., R.E. (SCOTTISH 1943-) VALENTINA - 2004 Screenprint, 24/30, signed, titled and numbered in pencil, published by Graal Press, with their blindstampDimensions:the sheet 121cm x 91.5cm (47.5in x 36in)Note: Exhibited: The Scottish Gallery, Edinburgh & London Art Fair, 'Modern Masters VI,' January 2017, cat. no. 40.
Josef Albers (1888-1976) was a German-born American artist and educator known for his significant contributions to modern art and color theory. He is particularly recognized for his series of artworks titled "Homage to the Square," which explored the interaction of colors within geometric compositions.Albers initially trained as a teacher and attended the Royal Art School in Berlin. He later studied at the Weimar Bauhaus, where he became a student and later a faculty member. Albers taught at the Bauhaus from 1923 to 1933, and his teachings emphasized the importance of experimentation, materials, and the relationship between color and form.In 1933, Albers and his wife Anni emigrated to the United States due to the rise of the Nazi regime. He joined the faculty at Black Mountain College in North Carolina, where he continued his artistic practice and teaching career. Albers later became the head of the Department of Design at Yale University, where he taught until his retirement in 1958.One of Albers' most significant bodies of work is the "Homage to the Square" series, which he began in 1949 and continued until his death. These paintings consist of squares of various colors placed within larger squares, exploring the optical effects and perceptual interactions of color. Albers' approach to color theory was deeply influential, and his work had a lasting impact on subsequent generations of artists.In addition to his paintings, Albers also worked in printmaking, photography, and design. He wrote several influential books on color theory and design, including "Interaction of Color," which is still widely studied today.Josef Albers' legacy is marked by his innovative approach to color and his dedication to teaching and education. His contributions to modern art and his exploration of the expressive and perceptual possibilities of color continue to be celebrated and studied by artists, designers, and art enthusiasts worldwide.Measures 14 x 14.
Man Ray, born Emmanuel Radnitzky (1890-1976), was an American artist who made significant contributions to the fields of modern art and photography. He was born on August 27, 1890, in Philadelphia, Pennsylvania. Man Ray is best known for his work in the Surrealist movement, which emerged in the 1920s. He was associated with a group of artists and writers who sought to explore the realm of the subconscious and create art that challenged traditional conventions. In his early career, Man Ray primarily worked as a painter and was influenced by movements such as Dadaism and Cubism. However, he is most renowned for his innovative contributions to photography. He experimented with techniques such as solarization, rayographs (camera-less photographs), and photograms, pushing the boundaries of the medium and creating surreal and abstract images.Man Ray's photography often combined elements of everyday objects, unconventional compositions, and the human form. He captured striking images of notable figures from the art and literary world, including Marcel Duchamp, Pablo Picasso, and James Joyce. Besides photography, Man Ray also delved into other artistic mediums, including sculpture, film, and collage. He created intriguing and thought-provoking works that often challenged traditional notions of art and explored the relationship between reality and imagination. In 1921, Man Ray moved to Paris, where he became an active participant in the Surrealist movement. He collaborated with prominent Surrealists such as André Breton and Salvador Dalà and contributed to Surrealist exhibitions and publications. During World War II, Man Ray left Europe and settled in Los Angeles, where he continued his artistic pursuits and expanded his experimentation with film and photography. He returned to Paris in 1951 and remained there until his death on November 18, 1976. Man Ray's innovative approach to photography and his contributions to modern art have had a profound and lasting impact on the art world. His works are celebrated for their surreal and dreamlike quality, and he is considered one of the key figures in the development of avant-garde and experimental art. Measures 7.74 x 10 Printed circa 1950sVerso is blank.Mounted to archival quality paper.
Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY). Measures 9.99 x 12.74 Printed Circa 1980'sVerso is blank.Mounted to archival quality paper.
Jim Dine is an American contemporary artist known for his contributions to the Pop Art movement. He was born on June 16, 1935, in Cincinnati, Ohio. Dine gained prominence in the 1960s for his unique artistic style, which combined elements of traditional painting, sculpture, and assemblage. Dine's work often incorporates everyday objects, such as tools, hearts, bathrobes, and skulls, which he uses as symbolic motifs. He is particularly recognized for his series of "happenings," which were interactive art events that blurred the boundaries between art and life. Throughout his career, Dine has explored a variety of mediums, including painting, drawing, printmaking, sculpture, and photography. He has experimented with different techniques and materials, including collage, assemblage, and incorporating found objects into his artwork. Dine's work has been exhibited extensively in galleries and museums around the world, and he has received numerous awards and honors for his contributions to the art world. His art is represented in major collections, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. Jim Dine's artistic career spans several decades, and he continues to create and exhibit his work to this day. His unique style and innovative approach to art have made him an influential figure in contemporary art history. Measures 9.27 x 7.49 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Josef Albers (1888-1976) was a German-born American artist and educator known for his significant contributions to modern art and color theory. He is particularly recognized for his series of artworks titled "Homage to the Square," which explored the interaction of colors within geometric compositions.Albers initially trained as a teacher and attended the Royal Art School in Berlin. He later studied at the Weimar Bauhaus, where he became a student and later a faculty member. Albers taught at the Bauhaus from 1923 to 1933, and his teachings emphasized the importance of experimentation, materials, and the relationship between color and form.In 1933, Albers and his wife Anni emigrated to the United States due to the rise of the Nazi regime. He joined the faculty at Black Mountain College in North Carolina, where he continued his artistic practice and teaching career. Albers later became the head of the Department of Design at Yale University, where he taught until his retirement in 1958.One of Albers' most significant bodies of work is the "Homage to the Square" series, which he began in 1949 and continued until his death. These paintings consist of squares of various colors placed within larger squares, exploring the optical effects and perceptual interactions of color. Albers' approach to color theory was deeply influential, and his work had a lasting impact on subsequent generations of artists.In addition to his paintings, Albers also worked in printmaking, photography, and design. He wrote several influential books on color theory and design, including "Interaction of Color," which is still widely studied today.Josef Albers' legacy is marked by his innovative approach to color and his dedication to teaching and education. His contributions to modern art and his exploration of the expressive and perceptual possibilities of color continue to be celebrated and studied by artists, designers, and art enthusiasts worldwide.Measures 14 x 14.
"Francisco Goya (1746-1828) was a Spanish painter and printmaker, widely regarded as one of the most important artists in Western art history. He is considered a transitional figure between the Old Masters and modern art, and his works encompassed a wide range of genres and styles.Born on March 30, 1746, in Fuendetodos, Spain, Goya began his artistic career as a painter of portraits and historical scenes. He gained recognition for his technical skill and became a court painter for the Spanish royal family. Goya's early works reflected the influence of the traditional Baroque and Rococo styles. However, as Goya matured as an artist, his style underwent a significant transformation. He developed a more personal and expressive approach, marked by his ability to convey raw emotion and social critique. His later works are characterized by their dark, introspective themes, bold use of brushwork, and innovative techniques. Goya's most famous series of works is Los Caprichos, a collection of etchings published in 1799. This series criticized various aspects of Spanish society, including the church, the aristocracy, and superstitions. Another notable series is The Disasters of War,a collection of prints created during the Peninsular War, depicting the horrors and atrocities of conflict. In 1824, Goya went into self-imposed exile in France due to political changes in Spain. During this period, he created his haunting and enigmatic Black Paintings,which were a series of murals painted directly onto the walls of his home. Francisco Goya's contributions to art had a profound impact on subsequent generations of artists. His works continue to be celebrated for their technical skill, introspective themes, and biting social commentary. Goya died on April 16, 1828, in Bordeaux, France, leaving behind a rich and diverse body of work that continues to captivate audiences today. Measures 5.25 x 7.73 Printed circa 1970sVerso is blank.Mounted to archival quality paper."
Francisco Goya (1746-1828) was a Spanish painter and printmaker, widely regarded as one of the most important artists in Western art history. He is considered a transitional figure between the Old Masters and modern art, and his works encompassed a wide range of genres and styles.Born on March 30, 1746, in Fuendetodos, Spain, Goya began his artistic career as a painter of portraits and historical scenes. He gained recognition for his technical skill and became a court painter for the Spanish royal family. Goya's early works reflected the influence of the traditional Baroque and Rococo styles. However, as Goya matured as an artist, his style underwent a significant transformation. He developed a more personal and expressive approach, marked by his ability to convey raw emotion and social critique. His later works are characterized by their dark, introspective themes, bold use of brushwork, and innovative techniques. Goya's most famous series of works is Los Caprichos, a collection of etchings published in 1799. This series criticized various aspects of Spanish society, including the church, the aristocracy, and superstitions. Another notable series is The Disasters of War,a collection of prints created during the Peninsular War, depicting the horrors and atrocities of conflict. In 1824, Goya went into self-imposed exile in France due to political changes in Spain. During this period, he created his haunting and enigmatic Black Paintings,which were a series of murals painted directly onto the walls of his home. Francisco Goya's contributions to art had a profound impact on subsequent generations of artists. His works continue to be celebrated for their technical skill, introspective themes, and biting social commentary. Goya died on April 16, 1828, in Bordeaux, France, leaving behind a rich and diverse body of work that continues to captivate audiences today. Measures 5.01 x 7.25 Printed circa 1970sVerso is blank.Mounted to archival quality paper."""
Claude Monet, born on November 14, 1840, in Paris, France, was a renowned French painter and a key figure in the Impressionist movement. He is widely celebrated for his revolutionary approach to capturing the effects of light and color in his artwork. Monet's early artistic training took place in Le Havre, where he developed a passion for plein air (outdoor) painting. His interest in capturing the changing qualities of light and atmosphere led him to experiment with loose brushwork and the use of vibrant colors. Alongside fellow artists such as Pierre-Auguste Renoir, Édouard Manet, and Edgar Degas, Monet founded the Impressionist movement in the 1870s. The term "Impressionism" derived from Monet's famous painting "Impression, Sunrise," which showcased his distinctive style and approach to capturing fleeting moments and atmospheric conditions. Monet's subjects often included landscapes, seascapes, gardens, and natural scenes. He frequently depicted his own garden at Giverny, where he lived for many years. Monet's focus on capturing the ever-changing qualities of light and color led to series paintings, where he would depict the same subject at different times of the day or different seasons. His brushwork, characterized by loose and visible strokes, aimed to capture the essence and atmosphere of a scene rather than focusing on precise details. Monet's use of vibrant colors and his ability to depict the play of light on surfaces created a sense of movement and vitality in his paintings. Throughout his career, Monet's work evolved, and he continued to push the boundaries of his artistic style. His later series, such as the Water Lilies and Rouen Cathedral, showcased his mastery of capturing the nuances of light and the essence of his subjects. Claude Monet's impact on the art world cannot be overstated. His innovative techniques and dedication to capturing the ever-changing world around him laid the foundation for modern art movements. Today, his works are celebrated and admired for their beauty, vibrancy, and ability to evoke emotion. As one of the most influential artists in history, Monet's paintings continue to be exhibited in major art museums worldwide, attracting countless admirers who are captivated by his unique vision and artistic genius.Measures 7.02 x 10.01 Printed circa 1970sVerso is blank.Mounted to archival quality paper.
Daido Moriyama is a renowned Japanese photographer born on October 10, 1938, in Osaka, Japan. He is known for his influential and groundbreaking work in street photography and is considered one of the most important photographers of his generation. Moriyama's distinct visual style captures the raw energy and urban chaos of post-war Japan. Moriyama began his career as an assistant to the photographer Eikoh Hosoe in the 1960s. He later became a freelance photographer and gained recognition for his black and white images that captured the gritty reality of Tokyo's streets. His work often focuses on the marginalized and forgotten aspects of urban life, highlighting the contradictions and complexities of modern society. One of Moriyama's notable projects is his book "Japan: A Photo Theater," published in 1968. This publication featured a collection of his photographs taken during his travels across Japan. The book showcased his distinctive style, characterized by grainy, high-contrast images, tilted angles, and a sense of spontaneity. It received critical acclaim and established Moriyama as a prominent figure in the photography world. Throughout his career, Moriyama has continued to produce an extensive body of work, publishing numerous books and exhibiting his photographs internationally. His subjects range from street scenes, urban landscapes, and everyday objects to portraits and close-ups of people. His photographs often evoke a sense of ambiguity, inviting viewers to interpret and engage with the images on their own terms. Moriyama's influence extends beyond his own photography. His daring and experimental approach to capturing the essence of the city has inspired generations of photographers worldwide. His work reflects the spirit of the Japanese avant-garde movement Provoke, which emerged in the late 1960s and sought to challenge traditional photography conventions. In recognition of his contributions to the art of photography, Moriyama has received numerous awards and honors, including the Photographic Society of Japan's Lifetime Achievement Award in 2004 and the Infinity Award for Lifetime Achievement from the International Center of Photography in 2019. Daido Moriyama's work continues to be celebrated for its rawness, immediacy, and ability to capture the essence of urban life. His photographs offer a unique perspective on the human experience, challenging viewers to see beyond the surface and explore the depths of the world around them.Measures 9 x 11.76 Verso is blank.Mounted to archival quality paper.
Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY). Measures 6.98 x 9.75 Printed Circa 1980'sVerso is blank.Mounted to archival quality paper.
Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 7.25 x 9.26 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Berenice Abbott (1898-1991) was an American photographer known for her influential documentary photography and her commitment to capturing the essence of modern urban life. She was born on July 17, 1898, in Springfield, Ohio. Abbott initially studied journalism at Ohio State University but later moved to New York City in 1918 to pursue a career in the arts. She became an assistant to the renowned photographer Man Ray in Paris in the 1920s, where she learned photographic techniques and became immersed in the avant-garde artistic scene. Upon her return to the United States in 1929, Abbott embarked on a significant project that would shape her career and contribute to her lasting legacy. She began documenting the changing face of New York City, capturing its architecture, streets, and people. Her project, titled "Changing New York," resulted in a comprehensive collection of photographs that depicted the city's transformation during the Great Depression and the subsequent urban development. Abbott's photographs were characterized by their sharp focus, strong contrast, and careful composition, which allowed her to highlight the dynamic nature of the city. She aimed to capture the interplay between architecture, light, and movement, portraying both the grandeur of monumental structures and the everyday life of New Yorkers. Her work gained recognition and appreciation, and she exhibited her photographs widely. In 1935, she received support from the Federal Art Project, a New Deal program, to continue her project, resulting in an expanded body of work. Berenice Abbott's photographs have become iconic representations of New York City's history and have influenced subsequent generations of photographers. Her commitment to documenting the urban environment and her technical mastery contributed to the establishment of photography as a recognized art form. Abbott passed away on December 9, 1991, in Monson, Maine, leaving behind a significant body of work that continues to be celebrated for its artistic and historical significance. Measures 9 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Cy Twombly was an American artist known for his distinctive and influential body of work that blurred the boundaries between painting, drawing, and writing. He was born on April 25, 1928, in Lexington, Virginia, and passed away on July 5, 2011.Here are some key aspects about Cy Twombly and his artistic career:1. Artistic Style: Twombly's style is characterized by its expressive and gestural nature, combining elements of abstraction, graffiti, and calligraphy. He often used large canvases, incorporating spontaneous brushwork, scribbles, and scrawled text, creating a sense of emotional energy and poetic ambiguity in his artworks.2. Influence of Classical Mythology: Classical mythology was a significant source of inspiration for Twombly. He frequently referenced ancient Greek and Roman literature, incorporating mythological figures, symbols, and references in his works. These references added layers of meaning and allowed him to explore themes of love, loss, beauty, and history.3. Use of Materials and Techniques: Twombly experimented with various materials and techniques throughout his career. He employed mediums like oil paint, wax, crayon, pencil, and graphite, often applying them in a loose and improvisational manner. His works often featured overlapping layers, drips, and smudges that added to their raw and spontaneous quality.4. Series and Cycles: Twombly frequently worked in series and cycles, creating groups of artworks that were thematically linked. Some of his notable series include "Nine Discourses on Commodus," "Lepanto," "Bacchus," and "The Rose." These series often explored recurring motifs and ideas, allowing for a deeper exploration of his chosen themes.5. International Recognition: Twombly's work gained international recognition and critical acclaim throughout his career. He exhibited extensively in major galleries and museums worldwide and was the recipient of numerous awards and honors. His works are held in prestigious collections, including the Museum of Modern Art (MoMA) in New York, the Tate Modern in London, and the Centre Pompidou in Paris.6. Legacy: Twombly's unique approach to painting and his fusion of artistic disciplines have had a significant impact on contemporary art. His works continue to be celebrated for their poetic and evocative qualities, and he is regarded as one of the most important and influential artists of the late 20th and early 21st centuries.Cy Twombly's art is characterized by its distinctive visual language and emotional depth, inviting viewers to engage with his work on an intellectual and visceral level. His ability to merge painting, drawing, and writing in a deeply personal and expressive manner has left an indelible mark on the art world.Measures 18 x 16.5.
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