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Willem de Kooning (1904-1997) was a Dutch-American abstract expressionist painter and sculptor. He was born on April 24, 1904, in Rotterdam, Netherlands. De Kooning is considered one of the most influential and significant artists of the 20th century. De Kooning moved to the United States in 1926 and settled in New York City. He became associated with the Abstract Expressionist movement, which emerged in the 1940s and 1950s and placed a strong emphasis on individual expression and emotional intensity in art. De Kooning's artistic style evolved over time. In his early years, he explored figurative painting, often depicting urban scenes and portraits. However, he is best known for his abstract works characterized by gestural brushwork, dynamic compositions, and vibrant colors. His paintings often contain dynamic and expressive lines, layers of paint, and a sense of movement. One of de Kooning's most famous series is his "Women" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in a bold and sometimes aggressive manner, with distorted forms and exaggerated features. The "Women" series challenged traditional representations of women in art and sparked debates and discussions within the art world. De Kooning's contributions to the art world were widely recognized, and he received numerous awards and honors throughout his career. His work is exhibited in major museums and collections worldwide. He continued to paint and create art until his death on March 19, 1997, in East Hampton, New York. Willem de Kooning's art has had a lasting impact on the development of abstract expressionism and the broader field of modern art. His bold and expressive style continues to inspire and influence artists to this day. Measures 5.74 x 7.01 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Bauhaus refers to a renowned art school that operated in Germany between 1919 and 1933. It was founded by architect Walter Gropius in Weimar and later moved to Dessau and Berlin. The school's name, Bauhaus, translates to "building house" in English, reflecting its focus on the integration of art, craftsmanship, and technology in architectural and industrial design.The Bauhaus had a profound impact on modern art, design, and architecture. Its approach emphasized functionalism, simplicity, and the idea of merging art with everyday life. The school sought to break down the barriers between different artistic disciplines, combining fine arts, crafts, and technology.The curriculum at the Bauhaus was comprehensive and included courses in areas such as painting, sculpture, architecture, typography, graphic design, industrial design, and theater. Prominent artists and designers, including Wassily Kandinsky, Paul Klee, László Moholy-Nagy, and Marcel Breuer, taught at the school.The Bauhaus also had a significant influence on architectural design, promoting principles such as the use of clean lines, open floor plans, and the integration of technology and industrial materials. Many iconic pieces of furniture and household objects associated with the modernist movement were designed at the Bauhaus.Despite its relatively short existence, the Bauhaus had a lasting impact on design and aesthetics. Its ideas and principles spread internationally, influencing subsequent generations of artists, architects, and designers. The legacy of the Bauhaus can still be seen in contemporary design, particularly in the areas of modernist architecture and functionalist industrial design.Measures 23.6 x 31.4.

Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY). Measures 10 x 10.74 Printed Circa 1980'sVerso is blank.Mounted to archival quality paper.

Vincent van Gogh was a Dutch post-impressionist painter who is considered one of the most influential artists in Western art history. He was born on March 30, 1853, in Zundert, Netherlands, and died on July 29, 1890, in Auvers-sur-Oise, France. Van Gogh's artistic career spanned a relatively short period, but his impact on the art world has been profound. During his lifetime, he struggled with mental health issues and faced financial difficulties, often relying on the support of his brother, Theo van Gogh. Van Gogh's style is characterized by bold, vibrant colors, expressive brushwork, and a distinctive approach to capturing light and texture. He is best known for his landscapes, still lifes, and self-portraits. Some of his most renowned works include "Starry Night," "Sunflowers," and his series of self-portraits. Despite facing limited recognition during his lifetime, Van Gogh's work gained significant acclaim after his death. His unique artistic style and emotionally charged depictions have resonated with audiences worldwide. Van Gogh's contributions to the art world have had a lasting impact, inspiring countless artists and shaping the development of modern art. Today, Van Gogh is celebrated as one of the greatest artists in history. His works are exhibited in major museums around the world, and his legacy continues to inspire and captivate art enthusiasts and scholars alike. Measures 5.77 x 9.5 Verso is blank.Mounted to archival quality paper.

Daido Moriyama is a renowned Japanese photographer born on October 10, 1938, in Osaka, Japan. He is known for his influential and groundbreaking work in street photography and is considered one of the most important photographers of his generation. Moriyama's distinct visual style captures the raw energy and urban chaos of post-war Japan. Moriyama began his career as an assistant to the photographer Eikoh Hosoe in the 1960s. He later became a freelance photographer and gained recognition for his black and white images that captured the gritty reality of Tokyo's streets. His work often focuses on the marginalized and forgotten aspects of urban life, highlighting the contradictions and complexities of modern society. One of Moriyama's notable projects is his book "Japan: A Photo Theater," published in 1968. This publication featured a collection of his photographs taken during his travels across Japan. The book showcased his distinctive style, characterized by grainy, high-contrast images, tilted angles, and a sense of spontaneity. It received critical acclaim and established Moriyama as a prominent figure in the photography world. Throughout his career, Moriyama has continued to produce an extensive body of work, publishing numerous books and exhibiting his photographs internationally. His subjects range from street scenes, urban landscapes, and everyday objects to portraits and close-ups of people. His photographs often evoke a sense of ambiguity, inviting viewers to interpret and engage with the images on their own terms. Moriyama's influence extends beyond his own photography. His daring and experimental approach to capturing the essence of the city has inspired generations of photographers worldwide. His work reflects the spirit of the Japanese avant-garde movement Provoke, which emerged in the late 1960s and sought to challenge traditional photography conventions. In recognition of his contributions to the art of photography, Moriyama has received numerous awards and honors, including the Photographic Society of Japan's Lifetime Achievement Award in 2004 and the Infinity Award for Lifetime Achievement from the International Center of Photography in 2019. Daido Moriyama's work continues to be celebrated for its rawness, immediacy, and ability to capture the essence of urban life. His photographs offer a unique perspective on the human experience, challenging viewers to see beyond the surface and explore the depths of the world around them.Measures 6.25 x 9.25 Verso is blank.Mounted to archival quality paper.

George Dureau (1930-2014) was an American photographer and painter known for his portraits of marginalized individuals, particularly those from the LGBTQ+ community and people with disabilities. He was born in New Orleans, Louisiana, and spent most of his life there. Dureau's artistic career began in the 1960s when he started painting and drawing. His work often depicted the human figure, focusing on the beauty and vulnerability of the human body. He later turned to photography, using it as a medium to capture his subjects with honesty and sensitivity. One of Dureau's notable bodies of work is his series of portraits featuring muscular, often nude, African American men. These photographs challenged societal norms and explored themes of masculinity, race, and sexuality. Dureau's work aimed to celebrate the beauty and diversity of the human form, often portraying his subjects in a vulnerable and intimate manner. Dureau's photographs gained recognition and were exhibited in galleries and museums across the United States and internationally. His work was included in exhibitions at the New Orleans Museum of Art, the Museum of Modern Art in New York, and the Smithsonian Institution in Washington, D.C., among others. Aside from his artistic pursuits, Dureau was also an influential figure in the New Orleans arts community. He taught at the University of New Orleans and mentored many young artists, sharing his knowledge and passion for art. George Dureau's contributions to art, particularly in photography and painting, continue to resonate. His work challenged societal norms and celebrated the diversity of the human form, leaving a lasting impact on the representation of marginalized communities in art. Measures 8.77 x 8.99 Verso is blank.Mounted to archival quality paper.

Jim Dine is an American contemporary artist known for his contributions to the Pop Art movement. He was born on June 16, 1935, in Cincinnati, Ohio. Dine gained prominence in the 1960s for his unique artistic style, which combined elements of traditional painting, sculpture, and assemblage. Dine's work often incorporates everyday objects, such as tools, hearts, bathrobes, and skulls, which he uses as symbolic motifs. He is particularly recognized for his series of "happenings," which were interactive art events that blurred the boundaries between art and life. Throughout his career, Dine has explored a variety of mediums, including painting, drawing, printmaking, sculpture, and photography. He has experimented with different techniques and materials, including collage, assemblage, and incorporating found objects into his artwork. Dine's work has been exhibited extensively in galleries and museums around the world, and he has received numerous awards and honors for his contributions to the art world. His art is represented in major collections, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. Jim Dine's artistic career spans several decades, and he continues to create and exhibit his work to this day. His unique style and innovative approach to art have made him an influential figure in contemporary art history. Measures 9.27 x 8.25 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Daido Moriyama is a renowned Japanese photographer born on October 10, 1938, in Osaka, Japan. He is known for his influential and groundbreaking work in street photography and is considered one of the most important photographers of his generation. Moriyama's distinct visual style captures the raw energy and urban chaos of post-war Japan. Moriyama began his career as an assistant to the photographer Eikoh Hosoe in the 1960s. He later became a freelance photographer and gained recognition for his black and white images that captured the gritty reality of Tokyo's streets. His work often focuses on the marginalized and forgotten aspects of urban life, highlighting the contradictions and complexities of modern society. One of Moriyama's notable projects is his book "Japan: A Photo Theater," published in 1968. This publication featured a collection of his photographs taken during his travels across Japan. The book showcased his distinctive style, characterized by grainy, high-contrast images, tilted angles, and a sense of spontaneity. It received critical acclaim and established Moriyama as a prominent figure in the photography world. Throughout his career, Moriyama has continued to produce an extensive body of work, publishing numerous books and exhibiting his photographs internationally. His subjects range from street scenes, urban landscapes, and everyday objects to portraits and close-ups of people. His photographs often evoke a sense of ambiguity, inviting viewers to interpret and engage with the images on their own terms. Moriyama's influence extends beyond his own photography. His daring and experimental approach to capturing the essence of the city has inspired generations of photographers worldwide. His work reflects the spirit of the Japanese avant-garde movement Provoke, which emerged in the late 1960s and sought to challenge traditional photography conventions. In recognition of his contributions to the art of photography, Moriyama has received numerous awards and honors, including the Photographic Society of Japan's Lifetime Achievement Award in 2004 and the Infinity Award for Lifetime Achievement from the International Center of Photography in 2019. Daido Moriyama's work continues to be celebrated for its rawness, immediacy, and ability to capture the essence of urban life. His photographs offer a unique perspective on the human experience, challenging viewers to see beyond the surface and explore the depths of the world around them.Measures 6.25 x 9.25 Verso is blank.Mounted to archival quality paper.

George Platt Lynes (1907-1955) was an American photographer known for his groundbreaking work in the fields of fashion and portraiture. Born on April 15, 1907, in East Orange, New Jersey, Lynes initially pursued a career in commercial photography. However, he gained significant recognition for his artistic and personal photographs that explored themes of beauty, male physique, and homoeroticism. In the 1930s and 1940s, Lynes became one of the first photographers to capture the male nude in a fine art context. His images often depicted male models in classical poses, evoking a sense of grace and sensuality. These photographs challenged societal norms and pushed boundaries in an era when homoerotic imagery was largely taboo. Lynes also excelled in fashion photography and worked extensively for Vogue and other prominent publications during the 1930s and 1940s. His fashion images combined elegance, drama, and a keen sense of composition, helping to redefine the genre and establish a new standard of sophistication. While Lynes' work was influential and widely praised, his personal life and artistic pursuits were constrained by the social and cultural attitudes of the time. Homosexuality was stigmatized, and his more explicit work was not widely exhibited or published during his lifetime. It wasn't until after his death from lung cancer in 1955 that his photographs received broader recognition and appreciation.Today, George Platt Lynes is recognized as a groundbreaking photographer who challenged societal norms through his exploration of male beauty and homoeroticism. His work has been exhibited in numerous museums and galleries, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City. His photographs continue to inspire and influence contemporary artists and photographers. Measures 9.02 x 11.24 Verso is blank.Mounted to archival quality paper."

Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY). Measures 8 x 7.98 Printed Circa 1980'sVerso is blank.Mounted to archival quality paper.

Willem de Kooning (1904-1997) was a Dutch-American abstract expressionist painter and sculptor. He was born on April 24, 1904, in Rotterdam, Netherlands. De Kooning is considered one of the most influential and significant artists of the 20th century. De Kooning moved to the United States in 1926 and settled in New York City. He became associated with the Abstract Expressionist movement, which emerged in the 1940s and 1950s and placed a strong emphasis on individual expression and emotional intensity in art. De Kooning's artistic style evolved over time. In his early years, he explored figurative painting, often depicting urban scenes and portraits. However, he is best known for his abstract works characterized by gestural brushwork, dynamic compositions, and vibrant colors. His paintings often contain dynamic and expressive lines, layers of paint, and a sense of movement. One of de Kooning's most famous series is his "Women" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in a bold and sometimes aggressive manner, with distorted forms and exaggerated features. The "Women" series challenged traditional representations of women in art and sparked debates and discussions within the art world. De Kooning's contributions to the art world were widely recognized, and he received numerous awards and honors throughout his career. His work is exhibited in major museums and collections worldwide. He continued to paint and create art until his death on March 19, 1997, in East Hampton, New York. Willem de Kooning's art has had a lasting impact on the development of abstract expressionism and the broader field of modern art. His bold and expressive style continues to inspire and influence artists to this day. Measures 5.99 x 7 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Daido Moriyama is a renowned Japanese photographer born on October 10, 1938, in Osaka, Japan. He is known for his influential and groundbreaking work in street photography and is considered one of the most important photographers of his generation. Moriyama's distinct visual style captures the raw energy and urban chaos of post-war Japan. Moriyama began his career as an assistant to the photographer Eikoh Hosoe in the 1960s. He later became a freelance photographer and gained recognition for his black and white images that captured the gritty reality of Tokyo's streets. His work often focuses on the marginalized and forgotten aspects of urban life, highlighting the contradictions and complexities of modern society. One of Moriyama's notable projects is his book "Japan: A Photo Theater," published in 1968. This publication featured a collection of his photographs taken during his travels across Japan. The book showcased his distinctive style, characterized by grainy, high-contrast images, tilted angles, and a sense of spontaneity. It received critical acclaim and established Moriyama as a prominent figure in the photography world. Throughout his career, Moriyama has continued to produce an extensive body of work, publishing numerous books and exhibiting his photographs internationally. His subjects range from street scenes, urban landscapes, and everyday objects to portraits and close-ups of people. His photographs often evoke a sense of ambiguity, inviting viewers to interpret and engage with the images on their own terms. Moriyama's influence extends beyond his own photography. His daring and experimental approach to capturing the essence of the city has inspired generations of photographers worldwide. His work reflects the spirit of the Japanese avant-garde movement Provoke, which emerged in the late 1960s and sought to challenge traditional photography conventions. In recognition of his contributions to the art of photography, Moriyama has received numerous awards and honors, including the Photographic Society of Japan's Lifetime Achievement Award in 2004 and the Infinity Award for Lifetime Achievement from the International Center of Photography in 2019. Daido Moriyama's work continues to be celebrated for its rawness, immediacy, and ability to capture the essence of urban life. His photographs offer a unique perspective on the human experience, challenging viewers to see beyond the surface and explore the depths of the world around them.Measures 6.25 x 9.25 Verso is blank.Mounted to archival quality paper.

Ed Ruscha, born in 1937 in Omaha, Nebraska, is an American artist associated with the Pop Art movement and known for his exploration of language, typography, and the visual culture of Southern California. Ruscha's work encompasses painting, drawing, photography, and artist books, and he has made significant contributions to contemporary art.Ruscha's artistic style is characterized by his use of bold typography, strong compositions, and a distinctive sense of humor. He often combines text and image in his works, creating visually striking and conceptually layered pieces. Ruscha's fascination with language is evident in his use of words, phrases, and slogans, which he incorporates into his paintings and prints.One of Ruscha's most renowned series is the "Standard Station" series, which he began in the 1960s. In these works, he depicted gas stations, particularly the Standard Oil gas stations that dotted the American landscape, using a combination of precise representation and graphic stylization. These paintings capture the essence of American car culture and the iconic imagery associated with it.Ruscha's exploration of the urban landscape extends to his depictions of Los Angeles, where he has lived and worked for many years. His paintings often depict the city's iconic signs, billboards, and buildings, presenting a unique perspective on the sprawling metropolis. Through his use of bold colors and simplified forms, Ruscha captures the essence of the urban environment, evoking a sense of both familiarity and detachment.In addition to his paintings, Ruscha is well known for his artist books, which are highly regarded as works of art in their own right. His books often feature photographs, text, and drawings, exploring themes of language, culture, and the relationship between image and text. Ruscha's artist books have had a profound influence on the field of bookmaking and continue to be celebrated for their conceptual and aesthetic qualities.Ruscha's contributions to the art world have earned him international recognition and acclaim. His work has been exhibited in major museums and galleries around the world, and he has received numerous awards and honors for his artistic achievements.Ed Ruscha's art continues to captivate audiences with its unique blend of language, imagery, and wit. His exploration of American culture, particularly the visual and textual elements of everyday life, has left an indelible mark on the art world. Ruscha's work serves as a powerful reflection of the modern urban experience and continues to inspire and influence contemporary artists today.Measures 16.25 x 21.5.Signed, dated, and numbered in the plate.

Willem de Kooning (1904-1997) was a Dutch-American abstract expressionist painter and sculptor. He was born on April 24, 1904, in Rotterdam, Netherlands. De Kooning is considered one of the most influential and significant artists of the 20th century. De Kooning moved to the United States in 1926 and settled in New York City. He became associated with the Abstract Expressionist movement, which emerged in the 1940s and 1950s and placed a strong emphasis on individual expression and emotional intensity in art. De Kooning's artistic style evolved over time. In his early years, he explored figurative painting, often depicting urban scenes and portraits. However, he is best known for his abstract works characterized by gestural brushwork, dynamic compositions, and vibrant colors. His paintings often contain dynamic and expressive lines, layers of paint, and a sense of movement. One of de Kooning's most famous series is his "Women" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in a bold and sometimes aggressive manner, with distorted forms and exaggerated features. The "Women" series challenged traditional representations of women in art and sparked debates and discussions within the art world. De Kooning's contributions to the art world were widely recognized, and he received numerous awards and honors throughout his career. His work is exhibited in major museums and collections worldwide. He continued to paint and create art until his death on March 19, 1997, in East Hampton, New York. Willem de Kooning's art has had a lasting impact on the development of abstract expressionism and the broader field of modern art. His bold and expressive style continues to inspire and influence artists to this day. Measures 8.01 x 9.01 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY). Measures 9.98 x 12.74 Printed Circa 1980'sVerso is blank.Mounted to archival quality paper.

Claude Monet (1840-1926) was a renowned French painter and one of the founders of the Impressionist movement. He was born in Paris and developed a passion for art at a young age. Monet is best known for his landscape and outdoor scenes, particularly his series of paintings depicting water lilies, haystacks, and the Rouen Cathedral. Monet's style was characterized by his innovative use of light and color, capturing the transient and atmospheric effects of nature. He often painted en plein air, working directly from nature to capture the changing qualities of light and atmosphere. This approach, along with his loose brushwork and emphasis on capturing the essence of a scene rather than precise details, was highly influential and marked a departure from the more traditional artistic conventions of his time. Monet's most famous works include "Impression, Sunrise" (which inspired the name of the Impressionist movement), "Water Lilies," "Haystacks," "Rouen Cathedral Series," and "Japanese Bridge." His art had a profound impact on the development of modern art and continues to be celebrated for its beauty and innovative approach. Monet's paintings are widely exhibited in museums and galleries around the world, and his legacy as one of the greatest painters of all time remains influential to this day. Measures 9.25 x12.5 Verso is blank.Mounted to archival quality paper.

Willem de Kooning (1904-1997) was a Dutch-American abstract expressionist painter and sculptor. He was born on April 24, 1904, in Rotterdam, Netherlands. De Kooning is considered one of the most influential and significant artists of the 20th century. De Kooning moved to the United States in 1926 and settled in New York City. He became associated with the Abstract Expressionist movement, which emerged in the 1940s and 1950s and placed a strong emphasis on individual expression and emotional intensity in art. De Kooning's artistic style evolved over time. In his early years, he explored figurative painting, often depicting urban scenes and portraits. However, he is best known for his abstract works characterized by gestural brushwork, dynamic compositions, and vibrant colors. His paintings often contain dynamic and expressive lines, layers of paint, and a sense of movement. One of de Kooning's most famous series is his "Women" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in a bold and sometimes aggressive manner, with distorted forms and exaggerated features. The "Women" series challenged traditional representations of women in art and sparked debates and discussions within the art world. De Kooning's contributions to the art world were widely recognized, and he received numerous awards and honors throughout his career. His work is exhibited in major museums and collections worldwide. He continued to paint and create art until his death on March 19, 1997, in East Hampton, New York. Willem de Kooning's art has had a lasting impact on the development of abstract expressionism and the broader field of modern art. His bold and expressive style continues to inspire and influence artists to this day. Measures 5.02 x 7.01 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images. One of Misrach's most notable bodies of work is titled ""Desert Cantos,"" a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization. Another significant project by Misrach is ""The Golden Gate,"" a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape. Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA). Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 14.01 x 10.52 Printed Circa 1970'sVerso is blank.Mounted to archival quality paper."

George Dureau (1930-2014) was an American photographer and painter known for his portraits of marginalized individuals, particularly those from the LGBTQ+ community and people with disabilities. He was born in New Orleans, Louisiana, and spent most of his life there. Dureau's artistic career began in the 1960s when he started painting and drawing. His work often depicted the human figure, focusing on the beauty and vulnerability of the human body. He later turned to photography, using it as a medium to capture his subjects with honesty and sensitivity. One of Dureau's notable bodies of work is his series of portraits featuring muscular, often nude, African American men. These photographs challenged societal norms and explored themes of masculinity, race, and sexuality. Dureau's work aimed to celebrate the beauty and diversity of the human form, often portraying his subjects in a vulnerable and intimate manner. Dureau's photographs gained recognition and were exhibited in galleries and museums across the United States and internationally. His work was included in exhibitions at the New Orleans Museum of Art, the Museum of Modern Art in New York, and the Smithsonian Institution in Washington, D.C., among others. Aside from his artistic pursuits, Dureau was also an influential figure in the New Orleans arts community. He taught at the University of New Orleans and mentored many young artists, sharing his knowledge and passion for art. George Dureau's contributions to art, particularly in photography and painting, continue to resonate. His work challenged societal norms and celebrated the diversity of the human form, leaving a lasting impact on the representation of marginalized communities in art. Measures 8.77 x 8.99 Verso is blank.Mounted to archival quality paper.

Ken Haak was a celebrated fashion photographer. A native of Glendale, California, Haak attended the Art Center School in Los Angeles, where he studied painting and graphic design. Upon graduation, he moved to New York City and became an art director and graphic designer. He built a reputation in graphic design that led to receiving New York Art Director's Club Awards. His posters for The New York Times were exhibited by and formally entered into the permanent graphic design collection of The Museum of Modern Art. In mid-career he became a self-taught explorer in fashion photography who played light and shadow against skin and fabric to not simply dramatize the clothes, but exalt the body as well. His images reflect his strong sense of design in a style and manner both classic and contemporary. He elicits from his subjects images of intense eroticism and sensuality that convey both an innocence and candor uncommon in their warmth and beauty and sense of the human ideal. His photographs have appeared in such diverse publications as American Vogue, Harper's Bazaar, Playboy, Essence, Interview, and Men's Bazaar Italia. His books include "Ken Haak's Private Collection," "Summer Souvenirs," "Sleeping Beauties" and the illustrations for the exercise book "Working Out." (Rosehill Press, 122 E. 30th St. New York, NY). Measures 9.75 x 12.52 Printed Circa 1980'sVerso is blank.Mounted to archival quality paper.

George Platt Lynes (1907-1955) was an American photographer known for his groundbreaking work in the fields of fashion and portraiture. Born on April 15, 1907, in East Orange, New Jersey, Lynes initially pursued a career in commercial photography. However, he gained significant recognition for his artistic and personal photographs that explored themes of beauty, male physique, and homoeroticism. In the 1930s and 1940s, Lynes became one of the first photographers to capture the male nude in a fine art context. His images often depicted male models in classical poses, evoking a sense of grace and sensuality. These photographs challenged societal norms and pushed boundaries in an era when homoerotic imagery was largely taboo. Lynes also excelled in fashion photography and worked extensively for Vogue and other prominent publications during the 1930s and 1940s. His fashion images combined elegance, drama, and a keen sense of composition, helping to redefine the genre and establish a new standard of sophistication. While Lynes' work was influential and widely praised, his personal life and artistic pursuits were constrained by the social and cultural attitudes of the time. Homosexuality was stigmatized, and his more explicit work was not widely exhibited or published during his lifetime. It wasn't until after his death from lung cancer in 1955 that his photographs received broader recognition and appreciation.Today, George Platt Lynes is recognized as a groundbreaking photographer who challenged societal norms through his exploration of male beauty and homoeroticism. His work has been exhibited in numerous museums and galleries, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City. His photographs continue to inspire and influence contemporary artists and photographers. Measures 9.02 x 11.02 Verso is blank.Mounted to archival quality paper."

Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 8.75 x 8.5 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Francis Bacon (1909-1992) was an Irish-born British painter known for his bold, figurative, and emotionally charged artworks. He is considered one of the most significant painters of the 20th century and a leading figure of the post-war art movement. Bacon was born in Dublin, Ireland, and spent much of his life in London. His early artistic pursuits were influenced by Surrealism, but he developed a distinct style characterized by distorted, often grotesque, and raw representations of the human figure. Bacon's paintings often depicted isolated and anguished figures, exploring themes of existentialism, the human condition, and the fragility of the body. He sought to capture the essence of human emotion and the complexities of human existence. His works are notable for their visceral and unsettling qualities, often reflecting pain, violence, and psychological turmoil. One of Bacon's most famous series is his Screaming Popes, which drew inspiration from Diego Velázquez's portrait of Pope Innocent X. Bacon reimagined the figure with contorted features and expressive brushwork, infusing it with a sense of torment and existential anguish. Bacon's technique involved using bold brushstrokes, thick layers of paint, and a distinctive color palette that emphasized harsh contrasts and vibrant tones. His compositions often had a sense of confinement or claustrophobia, with figures trapped within undefined or abstracted spaces. During his career, Bacon received numerous accolades and had major retrospectives at prestigious institutions, including the Tate Britain in London and the Museum of Modern Art in New York. His contributions to the art world were widely recognized, and he became known as one of the most influential painters of his time. Francis Bacon's artistic legacy continues to have a profound impact on contemporary art. His raw and emotionally charged paintings continue to provoke and engage viewers, challenging conventional notions of representation and inviting contemplation on the human condition. Measures 7 x 9.23 Printed Circa 1960's> Verso is blank.Mounted to archival quality paper.

Andrew Wyeth was an American artist known for his realistic and highly detailed paintings, primarily in the medium of tempera and watercolor. He was born on July 12, 1917, in Chadds Ford, Pennsylvania, and died on January 16, 2009, in the same town. Wyeth came from a family of artists, with his father, N.C. Wyeth, and his son, Jamie Wyeth, also being renowned painters. Andrew Wyeth gained significant recognition for his regionalist and realist depictions of the American countryside, particularly the landscapes and people of Pennsylvania and Maine. He often painted scenes of rural life, capturing the simplicity and beauty of everyday objects and the starkness of the winter landscape. Wyeth's work is characterized by its attention to detail, muted colors, and a sense of solitude and introspection. One of Wyeth's most famous paintings is "Christina's World" (1948), which portrays a young woman named Christina Olson crawling through a field toward her house. This painting, along with others, contributed to his reputation as a prominent American artist. Throughout his career, Wyeth received numerous honors and awards, including the Presidential Medal of Freedom, which he received in 1980. His works are displayed in several prominent museums, such as the National Gallery of Art in Washington, D.C., and the Museum of Modern Art in New York City. Andrew Wyeth's contributions to American art have made him one of the most recognized and celebrated artists of the 20th century. Measures 7.51 x 11.5 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Edward Weston was an influential American photographer who is widely recognized as one of the pioneers of modern photography. He was born on March 24, 1886, in Highland Park, Illinois, and passed away on January 1, 1958, in Carmel, California. Weston's career spanned several decades, during which he produced a vast body of work that encompassed various genres, including landscapes, still lifes, nudes, and portraits. He was known for his meticulous attention to detail, precise composition, and ability to capture the essence and beauty of everyday objects. One of Weston's most significant contributions to photography was his exploration of form, texture, and tone through close-up studies of natural objects and landscapes. He often used large-format cameras and emphasized sharpness and clarity in his images. Weston's photographs of vegetables, shells, rocks, and other ordinary subjects transformed them into elegant and abstract compositions. Weston was a founding member of the influential photography group known as Group f/64, which advocated for the use of sharp focus and precise detail in photography. He exhibited his work extensively, and his photographs received widespread recognition and acclaim. Weston's contributions helped establish photography as a legitimate art form and influenced generations of photographers. Today, Edward Weston is regarded as one of the most important figures in the history of photography. His legacy continues to inspire photographers worldwide, and his work can be found in major museums and collections around the world. Measures 9.5 x 7.75 Printed circa 1950sVerso is blank.Mounted to archival quality paper.

Franz Marc (1880-1916) was a German painter and one of the key figures in the Expressionist art movement. He is renowned for his distinctive style, characterized by vibrant colors and bold geometric shapes, and for his deep connection to nature and animals. Here are some key points about Franz Marc and his art:1. **Early Life and Education**: Franz Marc was born in Munich, Germany. He studied at the Munich Academy of Fine Arts, where he developed his artistic skills and began to explore various styles.2. **Founding of "Der Blaue Reiter"**: In 1911, Franz Marc, along with fellow artist Wassily Kandinsky, founded an influential art movement called "Der Blaue Reiter" (The Blue Rider). This movement aimed to explore the spiritual and symbolic aspects of art and rejected traditional artistic conventions.3. **Animal Themes**: A significant portion of Franz Marc's work focused on animals, particularly horses. He believed that animals possessed a purer and more spiritual connection to the natural world than humans. His paintings often feature stylized and vividly colored animals, reflecting his belief in their symbolism and spiritual significance.4. **Vivid Color Palette**: Marc's use of color was one of the most distinctive aspects of his work. He frequently employed bold and non-naturalistic colors to convey emotions and create a sense of spirituality in his paintings.5. **Influence of Cubism**: While Marc is associated with Expressionism, his work also showed the influence of Cubism, another influential art movement of the time. This influence can be seen in the geometric shapes and fragmentation of forms in some of his paintings.6. **Spiritual Connection to Nature**: Marc had a deep spiritual connection to nature, which he often expressed through his art. He believed that nature held a key to understanding the mysteries of the universe.7. **Impact of World War I**: The outbreak of World War I had a profound impact on Marc's art and life. He initially welcomed the war as a means of cleansing society but became disillusioned by the brutal reality of the conflict. His later works reflected his growing despair and anguish.8. **Tragic Death**: Franz Marc tragically died in combat during World War I in 1916 at the young age of 36. His promising artistic career was cut short, leaving behind a legacy of innovative and emotionally charged paintings.9. **Legacy**: Franz Marc's art continues to be celebrated for its unique blend of vibrant colors, spiritual themes, and the portrayal of animals as symbols of purity and emotion. His contributions to the Expressionist movement and "Der Blaue Reiter" remain influential in the world of modern art.Franz Marc's artistic vision and exploration of spirituality through art left an indelible mark on the development of modern art in the early 20th century. His vivid and emotionally charged paintings continue to captivate and inspire art enthusiasts and scholars today.Measures 24 x 36.Sold "after' Marc.Oil on canvas.

Andy Warhol (1928-1987) was a highly influential American artist, filmmaker, and cultural figure known for his groundbreaking contributions to the Pop Art movement. Born in Pittsburgh, Pennsylvania, Warhol's work spanned a wide range of mediums, including painting, printmaking, sculpture, film, and photography. He gained prominence in the 1960s with his iconic depictions of consumer products, celebrities, and everyday objects. Warhol's art often blurred the lines between high and low culture, challenging traditional notions of art and its place in society.One of his most famous pieces is the series of Campbell's Soup Cans, which exemplified his fascination with the mass-produced and mundane. He also created portraits of celebrities such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor, using vivid colors and repetition to both celebrate and critique the cult of celebrity.Warhol's studio, known as The Factory, became a hub for creativity and experimentation, attracting a diverse range of artists, musicians, actors, and writers. His avant-garde films, including "Chelsea Girls" and "Empire," pushed the boundaries of cinematic conventions and offered a unique perspective on time and narrative.Beyond his artistic contributions, Warhol's persona and lifestyle made him a symbol of the intersection between art and celebrity culture. He often wore a white wig and cultivated an enigmatic public image. His statements like "In the future, everyone will be famous for fifteen minutes" have become iconic reflections on the fleeting nature of fame in the modern world.Warhol's impact on art and culture continues to be felt today. His work challenged conventional notions of art, transformed the relationship between art and commerce, and questioned the very essence of artistic creation. Through his art, he not only mirrored the society of his time but also helped shape its evolution, leaving an indelible mark on the art world and beyond.Measures 24 x 24.

Paul Gauguin (1848-1903) was a French Post-Impressionist painter known for his innovative and influential contributions to the world of art. He is celebrated for his unique style, which combined elements of Impressionism and Symbolism, as well as his fascination with exotic and distant lands. Here are some key points about Paul Gauguin and his art:1. **Early Life and Background**: Gauguin was born in Paris, France. He had a varied background, including working as a stockbroker and a sailor before he fully committed to a career in art.2. **Artistic Development**: Gauguin began his artistic journey as an amateur painter, but he eventually transitioned into a professional artist. He was influenced by the Impressionists, including his close friend Camille Pissarro, and early in his career, he painted in the Impressionist style.3. **Synthetism and Symbolism**: Gauguin is best known for his involvement in the Synthetist movement, which sought to synthesize and simplify artistic elements to create works with emotional and symbolic depth. He often used bold colors, flat forms, and simplified shapes in his paintings.4. **Tahiti and Exoticism**: Gauguin is perhaps most famous for his time spent in Tahiti, where he sought inspiration in the natural beauty and culture of the South Pacific. This period of his life and work produced some of his most iconic paintings, including "Tahitian Women on the Beach."5. **Primitivism**: Gauguin was drawn to the "primitive" and "exotic" in art and culture. He believed that Western society had become too materialistic and sought a return to more fundamental and spiritual values, which he believed he could find in Tahiti.6. **Spiritual and Symbolic Themes**: Many of Gauguin's works explored spiritual and symbolic themes. His paintings often featured enigmatic and dreamlike scenes, imbued with mystery and a sense of the unknown.7. **Influence on Modern Art**: Gauguin's innovative style and artistic philosophy had a profound influence on the development of modern art. He paved the way for later movements such as Fauvism and Expressionism, and his work was admired by artists like Pablo Picasso and Henri Matisse.8. **Legacy**: Despite his relatively short career, Gauguin left behind a significant body of work that continues to be celebrated and studied. His paintings are known for their bold use of color, flattened perspective, and emotional resonance.9. **Personal Challenges**: Gauguin faced personal and health challenges throughout his life. His time in Tahiti was marked by financial struggles, health problems, and conflicts with the local authorities.10. **Death**: Gauguin passed away in 1903 at the age of 54 in the Marquesas Islands, French Polynesia.Paul Gauguin's art, with its exploration of symbolism, spirituality, and the exotic, remains a captivating and enduring part of the art world. His innovative style and willingness to challenge artistic norms have left a lasting legacy, and his works continue to be celebrated for their depth and creativity.Measures 20 x 24.Sold "after" Gauguin.Oil on canvas.

Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 8.75 x 9.98 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 7.98 x 9.99 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

George Platt Lynes (1907-1955) was an American photographer known for his groundbreaking work in the fields of fashion and portraiture. Born on April 15, 1907, in East Orange, New Jersey, Lynes initially pursued a career in commercial photography. However, he gained significant recognition for his artistic and personal photographs that explored themes of beauty, male physique, and homoeroticism. In the 1930s and 1940s, Lynes became one of the first photographers to capture the male nude in a fine art context. His images often depicted male models in classical poses, evoking a sense of grace and sensuality. These photographs challenged societal norms and pushed boundaries in an era when homoerotic imagery was largely taboo. Lynes also excelled in fashion photography and worked extensively for Vogue and other prominent publications during the 1930s and 1940s. His fashion images combined elegance, drama, and a keen sense of composition, helping to redefine the genre and establish a new standard of sophistication. While Lynes' work was influential and widely praised, his personal life and artistic pursuits were constrained by the social and cultural attitudes of the time. Homosexuality was stigmatized, and his more explicit work was not widely exhibited or published during his lifetime. It wasn't until after his death from lung cancer in 1955 that his photographs received broader recognition and appreciation.Today, George Platt Lynes is recognized as a groundbreaking photographer who challenged societal norms through his exploration of male beauty and homoeroticism. His work has been exhibited in numerous museums and galleries, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City. His photographs continue to inspire and influence contemporary artists and photographers. Measures 9.24 x 10.98 Verso is blank.Mounted to archival quality paper."

Francis Bacon (1909-1992) was an Irish-born British painter known for his bold, figurative, and emotionally charged artworks. He is considered one of the most significant painters of the 20th century and a leading figure of the post-war art movement. Bacon was born in Dublin, Ireland, and spent much of his life in London. His early artistic pursuits were influenced by Surrealism, but he developed a distinct style characterized by distorted, often grotesque, and raw representations of the human figure. Bacon's paintings often depicted isolated and anguished figures, exploring themes of existentialism, the human condition, and the fragility of the body. He sought to capture the essence of human emotion and the complexities of human existence. His works are notable for their visceral and unsettling qualities, often reflecting pain, violence, and psychological turmoil. One of Bacon's most famous series is his Screaming Popes, which drew inspiration from Diego Velázquez's portrait of Pope Innocent X. Bacon reimagined the figure with contorted features and expressive brushwork, infusing it with a sense of torment and existential anguish. Bacon's technique involved using bold brushstrokes, thick layers of paint, and a distinctive color palette that emphasized harsh contrasts and vibrant tones. His compositions often had a sense of confinement or claustrophobia, with figures trapped within undefined or abstracted spaces. During his career, Bacon received numerous accolades and had major retrospectives at prestigious institutions, including the Tate Britain in London and the Museum of Modern Art in New York. His contributions to the art world were widely recognized, and he became known as one of the most influential painters of his time. Francis Bacon's artistic legacy continues to have a profound impact on contemporary art. His raw and emotionally charged paintings continue to provoke and engage viewers, challenging conventional notions of representation and inviting contemplation on the human condition. Measures 7.77 x 10.26 Printed Circa 1960's> Verso is blank.Mounted to archival quality paper.

Edward Weston was an influential American photographer who is widely recognized as one of the pioneers of modern photography. He was born on March 24, 1886, in Highland Park, Illinois, and passed away on January 1, 1958, in Carmel, California. Weston's career spanned several decades, during which he produced a vast body of work that encompassed various genres, including landscapes, still lifes, nudes, and portraits. He was known for his meticulous attention to detail, precise composition, and ability to capture the essence and beauty of everyday objects. One of Weston's most significant contributions to photography was his exploration of form, texture, and tone through close-up studies of natural objects and landscapes. He often used large-format cameras and emphasized sharpness and clarity in his images. Weston's photographs of vegetables, shells, rocks, and other ordinary subjects transformed them into elegant and abstract compositions. Weston was a founding member of the influential photography group known as Group f/64, which advocated for the use of sharp focus and precise detail in photography. He exhibited his work extensively, and his photographs received widespread recognition and acclaim. Weston's contributions helped establish photography as a legitimate art form and influenced generations of photographers. Today, Edward Weston is regarded as one of the most important figures in the history of photography. His legacy continues to inspire photographers worldwide, and his work can be found in major museums and collections around the world. Measures 9.5 x 7.76Printed circa 1950sVerso is blank.Mounted to archival quality paper.

Ed Ruscha, born in 1937 in Omaha, Nebraska, is an American artist associated with the Pop Art movement and known for his exploration of language, typography, and the visual culture of Southern California. Ruscha's work encompasses painting, drawing, photography, and artist books, and he has made significant contributions to contemporary art.Ruscha's artistic style is characterized by his use of bold typography, strong compositions, and a distinctive sense of humor. He often combines text and image in his works, creating visually striking and conceptually layered pieces. Ruscha's fascination with language is evident in his use of words, phrases, and slogans, which he incorporates into his paintings and prints.One of Ruscha's most renowned series is the "Standard Station" series, which he began in the 1960s. In these works, he depicted gas stations, particularly the Standard Oil gas stations that dotted the American landscape, using a combination of precise representation and graphic stylization. These paintings capture the essence of American car culture and the iconic imagery associated with it.Ruscha's exploration of the urban landscape extends to his depictions of Los Angeles, where he has lived and worked for many years. His paintings often depict the city's iconic signs, billboards, and buildings, presenting a unique perspective on the sprawling metropolis. Through his use of bold colors and simplified forms, Ruscha captures the essence of the urban environment, evoking a sense of both familiarity and detachment.In addition to his paintings, Ruscha is well known for his artist books, which are highly regarded as works of art in their own right. His books often feature photographs, text, and drawings, exploring themes of language, culture, and the relationship between image and text. Ruscha's artist books have had a profound influence on the field of bookmaking and continue to be celebrated for their conceptual and aesthetic qualities.Ruscha's contributions to the art world have earned him international recognition and acclaim. His work has been exhibited in major museums and galleries around the world, and he has received numerous awards and honors for his artistic achievements.Ed Ruscha's art continues to captivate audiences with its unique blend of language, imagery, and wit. His exploration of American culture, particularly the visual and textual elements of everyday life, has left an indelible mark on the art world. Ruscha's work serves as a powerful reflection of the modern urban experience and continues to inspire and influence contemporary artists today.Measures 16.25 x 24.Signed and dated in the plate.

Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 7.25 x 7.53 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Edward Weston was an influential American photographer who is widely recognized as one of the pioneers of modern photography. He was born on March 24, 1886, in Highland Park, Illinois, and passed away on January 1, 1958, in Carmel, California. Weston's career spanned several decades, during which he produced a vast body of work that encompassed various genres, including landscapes, still lifes, nudes, and portraits. He was known for his meticulous attention to detail, precise composition, and ability to capture the essence and beauty of everyday objects. One of Weston's most significant contributions to photography was his exploration of form, texture, and tone through close-up studies of natural objects and landscapes. He often used large-format cameras and emphasized sharpness and clarity in his images. Weston's photographs of vegetables, shells, rocks, and other ordinary subjects transformed them into elegant and abstract compositions. Weston was a founding member of the influential photography group known as Group f/64, which advocated for the use of sharp focus and precise detail in photography. He exhibited his work extensively, and his photographs received widespread recognition and acclaim. Weston's contributions helped establish photography as a legitimate art form and influenced generations of photographers. Today, Edward Weston is regarded as one of the most important figures in the history of photography. His legacy continues to inspire photographers worldwide, and his work can be found in major museums and collections around the world. Measures 7.75 x 9.5Printed circa 1950sVerso is blank.Mounted to archival quality paper.

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images. One of Misrach's most notable bodies of work is titled ""Desert Cantos,"" a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization. Another significant project by Misrach is ""The Golden Gate,"" a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape. Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA). Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 14.01 x 10.52 Printed Circa 1970'sVerso is blank.Mounted to archival quality paper."

Vincent van Gogh was a Dutch post-impressionist painter who is considered one of the most influential artists in Western art history. He was born on March 30, 1853, in Zundert, Netherlands, and died on July 29, 1890, in Auvers-sur-Oise, France. Van Gogh's artistic career spanned a relatively short period, but his impact on the art world has been profound. During his lifetime, he struggled with mental health issues and faced financial difficulties, often relying on the support of his brother, Theo van Gogh. Van Gogh's style is characterized by bold, vibrant colors, expressive brushwork, and a distinctive approach to capturing light and texture. He is best known for his landscapes, still lifes, and self-portraits. Some of his most renowned works include "Starry Night," "Sunflowers," and his series of self-portraits. Despite facing limited recognition during his lifetime, Van Gogh's work gained significant acclaim after his death. His unique artistic style and emotionally charged depictions have resonated with audiences worldwide. Van Gogh's contributions to the art world have had a lasting impact, inspiring countless artists and shaping the development of modern art. Today, Van Gogh is celebrated as one of the greatest artists in history. His works are exhibited in major museums around the world, and his legacy continues to inspire and captivate art enthusiasts and scholars alike. Measures 7.5 x 9.25 Verso is blank.Mounted to archival quality paper.

Willem de Kooning (1904-1997) was a Dutch-American abstract expressionist painter and sculptor. He was born on April 24, 1904, in Rotterdam, Netherlands. De Kooning is considered one of the most influential and significant artists of the 20th century. De Kooning moved to the United States in 1926 and settled in New York City. He became associated with the Abstract Expressionist movement, which emerged in the 1940s and 1950s and placed a strong emphasis on individual expression and emotional intensity in art. De Kooning's artistic style evolved over time. In his early years, he explored figurative painting, often depicting urban scenes and portraits. However, he is best known for his abstract works characterized by gestural brushwork, dynamic compositions, and vibrant colors. His paintings often contain dynamic and expressive lines, layers of paint, and a sense of movement. One of de Kooning's most famous series is his "Women" paintings, which he worked on from the 1940s to the 1960s. These paintings depict female figures in a bold and sometimes aggressive manner, with distorted forms and exaggerated features. The "Women" series challenged traditional representations of women in art and sparked debates and discussions within the art world. De Kooning's contributions to the art world were widely recognized, and he received numerous awards and honors throughout his career. His work is exhibited in major museums and collections worldwide. He continued to paint and create art until his death on March 19, 1997, in East Hampton, New York. Willem de Kooning's art has had a lasting impact on the development of abstract expressionism and the broader field of modern art. His bold and expressive style continues to inspire and influence artists to this day. Measures 8.01 x 9.01 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 6 x 9.4 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.75 Verso is blank.Mounted to archival quality paper."""

"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.52 x 7.74 Verso is blank.Mounted to archival quality paper.

Francis Newton Souza (1924-2002) was an influential Indian artist known for his bold and provocative style. He was a prominent figure in the modern Indian art movement and played a significant role in shaping the art scene in India and abroad. Here are some key points about Francis Newton Souza:1. **Early Life and Background**: Souza was born on April 12, 1924, in Saligao, a village in the state of Goa, India. He was raised in a Catholic family and had a somewhat turbulent upbringing.2. **Artistic Education**: Souza began his artistic journey at a young age, attending the Sir J.J. School of Art in Mumbai (then Bombay). His early works were influenced by academic and European artistic traditions.3. **Progressive Artists' Group**: Souza was a founding member of the Progressive Artists' Group (PAG), established in Mumbai in 1947. The group aimed to break away from traditional Indian artistic conventions and embrace modern and international styles.4. **Style**: Souza's style is characterized by its bold and provocative nature. He often used thick, impasto layers of paint and depicted distorted figures, faces, and religious themes. His works often featured vivid colors and expressive lines.5. **Themes**: Souza's art explored a wide range of themes, including sexuality, religion, mythology, and the human condition. He was known for his willingness to tackle taboo subjects in his art.6. **Exhibitions and International Recognition**: Souza's works were exhibited and recognized internationally. He had exhibitions in Europe, the United States, and other parts of the world. His art received acclaim for its originality and powerful expression.7. **Move to London**: In 1949, Souza moved to London, where he spent a significant part of his life. London provided him with the artistic freedom and recognition he sought. He continued to exhibit his works in London and other European cities.8. **Awards and Honors**: Souza received several awards and honors during his career, including the John Moore's Exhibition Prize in 1955 and the Guggenheim International Award in 1967.9. **Later Life**: Souza continued to paint prolifically throughout his life. He passed away on March 28, 2002, in Mumbai, India, leaving behind a substantial body of work that continues to be celebrated and collected.10. **Legacy**: Francis Newton Souza is considered one of India's most important modern artists. His bold and pioneering approach to art broke new ground and influenced subsequent generations of Indian artists. His works continue to be highly sought after in the art market.Francis Newton Souza's art is celebrated for its provocative and distinctive style, reflecting his personal experiences, cultural influences, and a willingness to challenge established norms. He remains an enduring figure in the world of modern Indian art.Measures 31.4 x 20.9.

Andrew Wyeth was an American artist known for his realistic and highly detailed paintings, primarily in the medium of tempera and watercolor. He was born on July 12, 1917, in Chadds Ford, Pennsylvania, and died on January 16, 2009, in the same town. Wyeth came from a family of artists, with his father, N.C. Wyeth, and his son, Jamie Wyeth, also being renowned painters. Andrew Wyeth gained significant recognition for his regionalist and realist depictions of the American countryside, particularly the landscapes and people of Pennsylvania and Maine. He often painted scenes of rural life, capturing the simplicity and beauty of everyday objects and the starkness of the winter landscape. Wyeth's work is characterized by its attention to detail, muted colors, and a sense of solitude and introspection. One of Wyeth's most famous paintings is "Christina's World" (1948), which portrays a young woman named Christina Olson crawling through a field toward her house. This painting, along with others, contributed to his reputation as a prominent American artist. Throughout his career, Wyeth received numerous honors and awards, including the Presidential Medal of Freedom, which he received in 1980. His works are displayed in several prominent museums, such as the National Gallery of Art in Washington, D.C., and the Museum of Modern Art in New York City. Andrew Wyeth's contributions to American art have made him one of the most recognized and celebrated artists of the 20th century. Measures 13.27 x 9.75 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.75 x 7.75 Verso is blank.Mounted to archival quality paper."

Pokemon TCG: Pokemon card bundle, 3x Brilliant Stars Booster Packs, 2x Pokemon card sample packs and 1 Pokemon Card fun pack. All packs are sealed. Approximately 150 Pokémon cards most are common/uncommon from modern sets. Includes Barry Full Art Trainer from Brilliant Stars 167/172 and Ho-Oh from celebrations. All comes in a official Pokémon TCG Vaporeon tin. Condition Report: Packs are sealed. Majority of cards are excellent to near mint condition.

λ&nbspROMAN NOGIN (UKRAINIAN B. 1976) BY THE SEA Oil on canvas Signed (lower right) and further signed, inscribed in cyrillic and dated 2014 (on the reverse) 60 x 119.5cm (23½ x 47 in.) Provenance: Sale, Sworders, Stansted Mountfitchet, Essex, Modern British and 20th Century Art, 26 February 2019, lot 193 Please note measurements do not include the frame unless otherwise stated. Condition Report: The work appears to be in good original condition. Please note Dreweatts is not liable for damage to picture frames. Condition Report Disclaimer

FIVE MODERN BOOKS RELATING TO WELSH ART / ARTISTS including the recently updated and invaluable 'Post-War to Post-Modern: A Dictionary of Artists in Wales' by Peter W Jones and Isabel Hitchman (5)Provenance: private collection Cheshire

BANKSY (b. 1974) Cut & Run Glasgow Gallery Of Modern Art Exhibition Poster Framed and glazed Picture size 58 x 40cm Overall size 84 x 64cm

BANKSY (b. 1974) Cut & Run Glasgow Gallery Of Modern Art Exhibition Poster Framed and glazed Picture size 58 x 40cm Overall size 84 x 64cm

GÜNTHER FÖRG (1952-2013)Untitled 2008 signed and dated 08oil and acrylic on canvas 120.5 by 160.2 cm. 47 7/16 by 63 1/16 in. Footnotes:This work is recorded in the archive of the Estate Günther Förg, Frankfurt under no. WVF.08.B.0087 We thank Mr. Michael Neff from the Estate of Günther Förg for the information he has kindly provided on this work.ProvenanceGalerie Elisabeth & Klaus Thoman, Innsbruck (För/M 080006)Galerie Lelong, ZürichMassimo De Carlo, MilanPrivate Collection, Los Angeles Acquired from the above by the present ownerExhibitedInnsbruck, Galerie Elisabeth & Klaus Thoman, GÜNTHER FÖRG - Die Trilogie der Tatzen, 2009Untitled from 2008 is a superbly luminous example from the internationally celebrated and highly coveted Tupfenbilder (Spot Paintings) series that Günther Förg created between 2005 and 2010. By displaying an abstract array of vibrant colour, ranging from deep greens to light pinks, applied with different densities, Förg created the harmonious and playful composition seen in the present work. The Tupfenbilder series was initially inspired by a photograph of Francis Bacon's studio, which, in an attempt to remove excess paint from his paintbrush, Bacon had covered wall to ceiling in scribbles of paint; a process that was very familiar to Förg. In this manner, Förg gives the viewer an insight into an artist's intimate practice of cleaning their brush, and makes the unseen seen in a daring reversal of an age old artistic practice; a true glimpse at an artist's 'behind the scenes'. This beautifully composed work carries with it a full range of intoxicatingly compelling characteristics. The spots of various colours, together formulate an ornamental melody of light. While Förg never created a formal pattern, the present work contains an underlying geometric characteristic to it, generating a strange balance of loose and whimsical colours with intricate patches of brushwork. Decisive, emotive, controlled, haphazard and temperamental, Förg's technique of applying tone to the plain canvas worked towards averting a recognisable pattern. The brushstroke itself becomes the focus of the work, or the leading role, expressing Förg's method of tackling the very limits of composition and colour. By applying paint on the canvas in a rhythmic fashion, as if painting a wall – up and down – yet with varying speed, pressure and even thickness of the paint, Förg created a musical symphony with elusive energy and simultaneous casual looseness. Art Historian Christian Malycha puts him into context as follows: 'Günther Förg pushed himself to the brink of discord—but only to preserve art in a precarious state of balance: Balance between the traditions of the past and the needs of the present. Balance between austere rationalism and ardent sensuality. Balance between rigor and wit. Balance between composition and turmoil. Balance between pure artistic means and societal representation. Balance between conceptualism and corporeality.' (Christian Malycha in: Hauser & Wirth, Günther Förg Tupfenbilder, hauserwirth.com, 2023)In order to release the energy of the brushstrokes and their respective colours onto the canvas, figuration had to be permanently removed, allowing for the purest form, energy and colour to appear. Often compared to Piet Mondrian, with his grids of vibrant colours, Mondrian used his abstraction to create clean and beautiful purity, by removing completely the link to figuration. Similarly, Förg strove solemnly for this pure representation of colour and gesture. As said by the artist himself, 'For me, abstract art today is what one sees and nothing more' (the artist in: Newport Beach, Günther Förg: Painting/Sculpture/Installation, California 1989, p. 6)Considered today as one of the most important artists in Germany's Post-War generation, Förg studied at the Academy of Fine Art in Munich, where his practice developed almost exclusively in grey and black monochrome. Throughout the five decades of his career, Förg's work spanned an extremely wide range of practices where he swiftly moved between mediums and series, constantly wrestling with the feeling of disillusionment with painting and his unbreakable ties to modernism. The initiation of his practice through a focus on monochromatic minimalism is a clear representation of the foundation for which Förg formulated his oeuvre. His early concentration on his Gitter (grid) paintings demonstrate the start of his lifelong dedication to conceptualism. Today, works by Günther Förg are held in collections worldwide such as the Hamburger Bahnhof in Berlin, the Kunstmuseum Bonn, the Museum of Modern Art in New York and the Museum Für Moderne Kunst in Frankfurt among others. Untitled from 2008 is a masterful composition and a whimsical paradigm of Günther Förg's oeuvre, with its lyrical brushstrokes and array of expressive colours, it serves as a true testament to Förg's artistic genius, captivating audiences globally.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

MANUEL RIVERA (1927-1995)Metamorfosis (Exvoto) 1960 signed; signed, titled, dated 1960 and variously inscribed on the reverse of the metal frame mesh and wire in metal frame100 by 73 cm. 39 3/8 by 28 3/4 in. Footnotes:With our thanks to Alfonso de la Torre, author of the Catalogue Raisonné of Paintings, 1943 - 1994 by Manuel Rivera.ProvenancePierre Matisse Gallery, New York Acquavella Modern Art, New York (#2074)Alfred Hoh Collection, Germany Horst Bittmann Collection, Germany Galeria Arnés y Röpke, Madrid and Stefan Röpke Gallery, Cologne Galeria Marita Segovia, MadridAcquired directly from the above by the present owner in 2006ExhibitionNew York, Pierre Matisse Gallery, Manuel Rivera: Recent Paintings, 1960, n.p., no. 4, illustrated in black and white Essen, Museum Folkwang; Altenburg, Lindenau-Museum, Metamorphosen - Espejos 1956 - 1966, 1994, p. 61, no. 6, illustrated in colourCologne, Stefan Röpke Gallery, Manuel Rivera-Metamorphosis, 2001Granada, Centro José Guerrero, Manuel Rivera. De Granada a Nueva York, 1946-1960, 2012, p. 51, illustrated in colourMurcia, Museo de Bellas Artes de Murcia, De paso... Manuel Rivera, 2017, n.p., illustrated in colour and illustrated on the cover in colourLiteratureMario de Oliveria, Diario de Noticias. Madrid. Capital da arte, Lisbon 1961, n.p., illustrated in black and whiteJavier Maderuelo, El País, Babelia, Espejos Líricos, Madrid 2001, n.p., illustrated in colourAlfonso de la Torre, Manuel Rivera, Catálogo Razonado de Pinturas, 1943 - 1994, Madrid 2009, p. 163, no. [227] P-60-12, illustrated in colourThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

FERNANDO BOTERO (1932-2023)Dog on a cushion 1976 incised with the artist's signature and numbered 5/6bronze34 by 37 by 40 cm.13 3/8 by 14 9/16 by 15 3/4 in.This work was executed in 1976, and is number 5 from an edition of 6.Footnotes:Provenance Didier Imbert Fine Art, ParisPrivate Collection, Saint Tropez (acquired from the above in 1993)Thence by descent to the present ownerExhibitedMonte Carlo, Marisa del Re Gallery, Fernando Botero, 1992, another example exhibitedParis, Avenue Des Champs-Élysées, Grand Palais and Galerie Didier Imbert Fine Art, Botero Aux Champs-Élysées - Sculptures et Œuvres sur Papiers, 1992-1993, p. 156, another example exhibited and illustrated in colour Literature Jean-Clarence Lambert, Benjamín Villegas (Ed.), Botero Sculptures, Colombia 1998, p. 61, another example illustrated in colour, n.p., another example illustrated in colour Renowned for his distinctive style characterised by voluptuous and exaggerated forms, the Colombian artist Fernando Botero has left an indelible mark on the history of art. His works evoke a sense of affection and endearment, transcending cultural and linguistic boundaries and animals often play a quintessential role in them. Having studied under Roberto Longhi, a distinguished authority on Italian Renaissance and Baroque art, Botero obtained a remarkable art historical knowledge of Western Classicism that transfuses his oeuvre and made him one of the world's most revered and sought-after artists of the present day. The canon of art history, especially the European one became a rich source of inspiration, and no subject is quite as interwoven into the history of art as the humble dog, man's best friend and faithful companion. Dog on a Cushion from 1976 is a beautifully playful example of Botero's celebrated sculptural practice, with the small well-rounded canine proudly perching on a fluffy cushion- an emblem of domesticity and comfort but also a nod to the importance we give to the pets in our lives. The artist's fascination with horses, cats, birds, and dogs is a prominent feature throughout his oeuvre. Characterised by an intentional exaggeration of his subjects' forms, Botero's ability to infuse life into his sculptures is striking. The present work is not a mere imitation of a dog but a celebration of its essence, the exaggerated curves and humorous expectantly outstretched tongue emphasize the joviality and charm of the animal, which might at any moment jump off the cushion.Dogs have held a significant role in art history as subjects of fascination, symbolism, and companionship. From ancient cave paintings to the masterpieces of the Renaissance and beyond, dogs have been depicted in various contexts, reflecting their diverse roles in human societies. As companions and symbols of fidelity, dogs often appear in portraits, signifying loyalty, trust, and the bonds of friendship. Furthermore, their depictions in hunting scenes highlight their utilitarian roles as skilled hunters and trackers. In the broader context of art history, dogs have served as allegorical symbols, representing virtue, faithfulness, or even human qualities, reminding us of their enduring importance in the human experience.Profoundly influenced by the classical masterworks he saw during his studies and travels, Botero dedicated his life to critically re-interpret iconic paintings, paying homage to the great artists of the past whilst finding true originality doing so. Not unlike Picasso, whose Cubist breakthrough came after experimenting with the construction of a guitar, Botero had his artistic revolution with a mandolin. In 1956, the artist painted an image of a mandolin resting on a table and decided to place a disproportionately small hole in the body of the instrument, thus transforming it into an object of exaggerated mass and monumentality; a lifelong fascination with the exploration of volume was born.World-renowned for his often epic paintings, Botero's foray into sculpture has further enriched his artistic repertoire over the decades. Dog on a Cushion stands as a prime example of his prowess in this medium. His sculptures are characterised by the same aesthetic principles that define his paintings—exaggerated volumes, harmonious proportions, and a playful approach to form. The transition from canvas to three-dimensional sculpture however allowed the artist to bring his iconic subjects to life in a tangible and interactive way with a tactile quality that invites viewers to engage on a more physical level. Dog on a Cushion exemplifies this approach, with its smooth, sensuous surfaces inviting touch and exploration. The artist said that 'For my entire life, I've felt as if I had something to say in terms of sculpture. It's a very strong desire...pleasure—that of touching the new reality that you create. Certainly, in a painting you give the illusion of truth, but with sculpture, you can touch its reality . . . . If I paint a knife in my pictures, it's imaginary, but if I sculpt it, then the sensation of having it in your hand is real— it's an object from your spirit, it's a sensual experience even in its execution. It brings a special joy to touch the material with your hands.' (the artist in: E. J. Sullivan, Botero Sculpture, New York 1986, p. 13.Fernando Botero's contributions to the world of art are substantial and far-reaching and his unique style and unwavering commitment to his artistic vision have earned him a significant place in art history. His oeuvre serves as a bridge between traditional and contemporary art, drawing from classical techniques while infusing them with a modern and innovative sensibility. Embracing diversity and celebrating the inherent charm in all subjects, he challenges conventional notions of beauty and representation and forces viewers to reconsider their preconceived notions and stereotypes. The same dog of undefined breed as in the present work can be found in many of the artist's paintings, and a large-scale sculpture version, without the plump cushion, can be found in the Plaza Botero in the artist's hometown of Medellín. Other Botero works are presently held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, and the Museo Botero in Bogotá. In 1958 and 1992 Botero participated in the Venice Biennale and represented Colombia in the 5th São Paulo Biennial, Brazil. He has had major retrospectives at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC (1979); Seibu Museum of Art, Tokyo (1981); Museo Nacional Centro de Arte Reina Sofía, Madrid (1987); Museo de Bellas Artes, Bilbao (2012); and many others. Botero's international recognition and ability to transcend geographical and cultural boundaries has elevated the visibility of Latin American artists on the global stage. Unequivocally timeless, his work continues to inspire artists worldwide, encouraging them to explore new dimensions of expression and representation and Dog on a Cushion offers a wonderful opportunity to acquire a charming example from the contemporary master's celebrated oeuvre.For further information on this lot please visit Bonhams.com

NIKI DE SAINT PHALLE (1930-2002)Anubis 1990 incised with the artist's signature, numbered 7/8 and stamped with the foundry mark Resines d'Art R. Haligon on the underside of the base painted polyester resin44 by 15 by 21 cm. 17 5/16 by 5 7/8 by 8 1/4 in. This work was executed in 1990 and is number 7 from an edition of 8. Footnotes:This work is registered in the archives of The Niki Charitable Art Foundation, Santee, and is accompanied by a photo-certificate of authenticity.Provenance Wetterling Gallery, Stockholm Ingemar Dahlberg Collection, Sweden Sale: Bukowskis, Sweden, Modern Art + Design 640, 17 May 2022, Lot 587Acquired directly from the above by the present ownerExhibitedStockholm, Wetterling Gallery, Niki de Saint Phalle, 2001This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

SALMAN TOOR (B. 1983)Pre-Drinks 2018 oil on panel45.7 by 45.7 cm.18 by 18 in.This work was executed in 2018.Footnotes:ProvenanceAcquired directly from the artist by the present ownerExhibitionLahore, Lahore Biennale, Are you Here?, 2018Recognised for his evocative compositions that combine the present with the art historical past, Salman Toor is considered one of the most exciting emerging artists in the world of figurative painting. Toor creates masterful canvases that depict the convergence of intimate everyday moments set against contemporary, domestic scenes that convey a feeling of warmth, nostalgia, but also that of alienation and contemplation. This present work, Pre-Drinks, was exhibited at the Lahore Biennale in 2018, the year it was executed. The composition wonderfully embodies the artist's fascination and focus on the human form, representations of male identity whilst revealing a sense of mystery and intimacy, to stunning effect. Here the viewer stumbles upon a quiet moment between two young men; it is a moment of contemplation; they are relaxed in their comfortable contemporary surrounding enjoying food and drinks amongst books and magazines. We are reminded that this is a painting of the modern day with the inclusion of a mobile phone or tablet that engages the figure on the right. Toor's works are often imbued with an air of the past mixed with modern life; indeed, upon moving to New York, Toor came into his stride as an artist who crafted hybrid tableaus that sought to marry East and West, perhaps a meditative contemplation on his past and present. He often acknowledges his childhood experiences in Pakistan, particularly in the influences of Pakistani advertisements and glamorous images from his mother's magazines, and here on the edge of the table is a magazine depicting a figure in Eastern attire. Toor's style of painting is easily discernible; his paintings employ a palette of bold colour applied in a painterly Mannerist style, layering the canvases with fluid brushstrokes. Toor incorporates his signature palette of emerald green in the clothing of his male figure; the artist once commented that the glamorous tones of emerald green evoked the nocturnal allure and fantasy of a freely queer life. There is a sense of ease between these two men, they are not actively engaging yet are present and content in one another's company, and as the title suggests this is perhaps just the beginning of their evening together. Toor has often described his figures as undernourished and hairy bodies of colour occupying familiar bourgeois urban spaces. He envisions them as educated and creative individuals perhaps navigating the artist's life in New York City amidst shifting ideas about race, immigration, foreignness, and American identity. These figures sometimes resemble lifestyle images, representing fantasies about himself and his community, he seeks to create imagined scenes in which he and his friends are totally free to be themselves.Born and raised in Lahore, Pakistan, Toor moved to Ohio to study painting before settling in New York. While in Ohio, he studied art history intently and focused on learning the techniques of artists like Caravaggio, Peter Paul Rubens, and the refined Rococo canvases of Jean-Antoine Watteau. 'Instead of moving with the times, I wanted an academic education in painting. I wanted to be as good as the white old masters. In fact, I was happy only when I could pretend that I was a 17th or 18th century painter living in Madrid, Venice or Holland' (the artist in: Ayla Angelos, 'I wanted to be as good as the white old masters': meet painter Salman Toor www.itsnicethat.com, 23 September 2023). Toor's widely acclaimed first solo museum exhibition, How Will I Know, was on view in 2020-21 at the Whitney Museum of American Art in New York City. In late 2022 a major retrospective titled No Ordinary Love, was held at the Baltimore Museum of Art in Maryland and later travelled to the Tampa Museum of Art in Florida, the Honolulu Museum of Art in Hawai'i, the Rose Art Museum at Brandeis University in Massachusetts before closing at M Woods in Beijing earlier this year. Today, Toor's works are held in the permanent collections of the Tate, London, the Whitney Museum of American Art, New York, the Walker Art Center, Minneapolis, M Woods, Beijing and the Museum of Contemporary Art Chicago among others.Throughout his current oeuvre, his compositions of the mundane and the memorable moments of his characters' lives, reveals a deeply relatable existence, ultimately creating an opportunity for empathy and private vulnerability through the language of painting which is beautifully evident in this present work.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Yusuf Adebayo Cameron Grillo (Nigerian, 1934-2021)Red Ayan signed and dated 'GRILLO/ 72' (lower right); titled 'RED AYAN' (verso)oil on board121 x 59.5cm (47 5/8 x 23 7/16in).(framed)Footnotes:ProvenanceA private collection, UK.According to Yusuf Grillo, his favourable thematic use of the drummer in his works originated from his childhood. While growing up in Lagos, Grillo and a group of his friends would often be exposed to many drum players at special occasions. As there was no television or radio during his adolescence, drummers became the main source of entertainment at family and celebratory functions. It is these events that prompted a sense of nostalgia for Grillo, and that he revisits in his works when depicting a drummer or in this case Ayan, the Yoruba title for a talking drum player or the action of drumming. Chika Okeke-Agulu argues that the prominence of drums within Grillo's work as 'of all the instruments in Yoruba music ensemble, the drum is arguably the most important because of its ability to produce sonic equivalences of the Yoruba speech'(Chika Okeke-Agulu, Yusuf Adebayo: Painting. Lagos. Life, (Italy: Skira Editore, 2020) p, 39). Grillo himself elaborates on his affinity for the drum: 'We call it 'talking drum' but in the hands of a Master drummer, it is a versatile as a pipe organ. The drum stick selectively hits not only points on the circular skin, its circumference but even outside it. The muscles around the armpit, the fingers on the other hand and at rare times the thigh and knee can produce CHORDS, TREMOLO, and STACCATO.' (Yusuf Grillo, in, IGI ARABA: An Exhibition and Retrospective of Works by Yusuf Grillo, (Art House Contemporary, The Space, 2015).The present work displays a drummer or Ayan in the act of creating music. The bold redness of the work is certainly rare in Grillo's oeuvre, and contributes to the vibrant mood of the work. Where Grillo is widely recognised for his blue and fluid tonal palettes, here he emphasises the main subject, isolating them from their surroundings through this contrasting red. However, the work remains rhythmic in terms of the meticulously geometrical composition, iconic of the artist.To be heavily influenced by his heritage and cultural history was not a peculiar tendency of Grillo. Given his prominent involvement with the Zaria Art Society formed in 1958 collaboratively with other dominant contemporary artists of Nigeria such as Uche Okeke and Demas Nwoko, Grillo's work may be read with a framework of the 'Natural Synthesis' ideology. This concept was rooted with the understanding that incorporating pre-colonial and colonial artistic concepts was to be informed of ones history and was to result in Modern West African Art. By acknowledging the colonial past of their country, the Zaria Art Society sought to regain ownership of their heritage and to not consciously limit their creative intuition. Grillo himself stated: 'This politically desirable aim often forms the philosophy of many a contemporary artist, with the sad result that sincere creative urges are replaced by over consciously chauvinistic syntheses.' (Yusuf A. Grillo,'Appreciations of Felix Idubor', African Arts 2:1 (autumn 1968), p. 33.)Indeed, the drum emulates a symbolic narrative for the cultural life of the people Grillo grew up surrounded by and is therefore befitting of a reoccurring subject in the artist's painting. What makes the present work a rare piece in his oeuvre, is the unusual (yet not abnormal) use of red in the palette and therefore distinguishing the work as rare in comparison to his wider body of work.For further information on this lot please visit Bonhams.com

Ibrahim El-Salahi (Sudan, born 1930)Untitled c.1964 signed 'Salahi' (lower right)ink on paper 24.5 x 21.7cm (9 5/8 x 8 9/16in).(framed)Footnotes:Provenance Collection of Mr and Mrs Oscar Edwards, Australia;A private collection.Ibrahim El-Salahi is perhaps Sudan's most celebrated living artist. A career spanning five decades, his work was brought to international attention when a major retrospective of his work was held at London's Tate Modern in 2013. The exhibition showcased the breadth of Salahi's oeuvre and explored his key themes: the legacy of colonialism, the creative influence of faith, and his own hybrid identity.Created at a time when El-Salahi was pronouncing himself as an artist, a concurrent stylistic theme can be seen in this work that emerged in the late 1950s and 60s. The inspiration of these figurative depictions can be concluded as stemming from different aspects of the artist's life. Intuitive in his artistic approach, El-Salahi's process in depicting these faces is a response to his inner self, isolated from the outside world. In his art human existence is linked to a world of dreams and mediations which bore a heavy and ever-present presence within his work. The dense imagery threatens to burst out from the confines of the page, the dynamic lines pulse with energy and life. As an older man, El-Salahi reflected on these early drawings:'It was almost like I had a fever and I had so many ideas coming through me and I had to put them through. So the picture plane was covered, with objects, with figures, with shapes, near and far, big and small, it was packed...there was no space - you cannot travel through it easily...' (El-Salahi, interview with Sarah Adams in April, 2002)Towards the top of the work emerges from the black ink, the word 'Lights' in Arabic. Mobilising text as an aesthetic tool, this word assists the nature of the present work given its black background for the fine illustrations to appear, creating a sense of light and dark. As calligraphy bore a strong position in many of the artist's most successful works, the present work can act as a striking example of El-Salahi's incorporation of his Sudanese heritage with his Western artistic training. The Oscar Edwards collection was significantly unusual given its location in Australia. Indeed Mr and Mrs Edwards typically collected non-Australian Art in the 1950s and 60s after selling their predominantly Australian art collection in the 1930s and 40s. This rejection of a parochialistic approach to collecting enabled the couple to enrich their collection, focussing their attention more towards smaller works by great artist's, finding them more aesthetically significant and appealing than a major work by a smaller artist. It was towards the end of the 1950s and early 60s that Ibrahim El-Salahi began to define his original style, a style that would harness his success. In 1962, El-Salahi received a UNESCO Fine Arts Fellowship to study abroad in the USA. In 1964 he would return to travel throughout the Americas and was exposed to influential members of the art world such as Alfred Baar Jr, director of the MOMA. By 1969, El-Salahi had acted as the chief Sudanese representative for the first World Festival of Black Arts in Dakar, was a member of the Committee at the UNESCO Paris headquarters for the study of Arab culture, participated in the Contemporary African Art exhibition at the Camden Arts Centre in London, and was a member of the Sudan Cultural delegation. Despite these monumental achievements, interestingly, the artist and activist noted of the Camden Arts Centre exhibition 'it was exciting, but also frustrating, because there was little response from the rest of the world, or even Africa itself.' (Ibrahim El-Salahi in Mark Hudson, 'Ibrahim El-Salahi: from Sudanese prison to Tate Modern show', The Guardian, (3 July 2013)). Therefore, given the provenance of the present work and indeed his far reach to international collectors, the present work is a colossal demonstration El-Salahi's global reception. BibliographyLena Fritsch, Ibrahim El-Salahi: A Sudanese Artist in Oxford (Oxford: Ashmolean Museum, 2018)For further information on this lot please visit Bonhams.com

Prof. Uche Okeke (Nigerian, 1933-2016)Primeval Forest signed and dated 'Uche Okeke/ 1965' (lower right), signed, dated and inscribed 'UCHE OKEKE/ ENUGU/ 1965/ 'Primeval Forest'' (verso) and '44' (verso of frame); further accompanied by a gallery label inscribed 'UCHE OKEKE/ PRIMEVAL FOREST/ 1965' (attached to verso)oil on board179.5 x 118.5cm (70 11/16 x 46 5/8in).(framed)Footnotes:ProvenanceA private collection.ExhibitedPendulum Art Gallery, Lagos,The Triumphs of Asele, works of Uche Okeke: an Exhibition Organized by Pendulum Art Gallery in Association with Art-in-Art Project in Conjunction with Professor Uche Okeke's 70th Anniversary at Pendulum Art Gallery (May 17 - 31, 2003).Uche Okeke (1933-2016), the Nigerian painter, poet, and scholar, was a leading figure in Nigerian and African postcolonial modernism. He is best remembered as the leader and founding member of the Zaria Society (1958-1961), formed by a group of art students at the Nigerian College Art, Science and Technology, in the northern Nigerian city of Zaria. The Art Society, inspired by the movement toward political decolonization in Nigeria and Africa had called for a new modernist art that was based on vigorous experimentation with specific art forms associated with Nigerian artistic heritage. For him this meant the close study of traditional Igbo Uli body drawing and mural decoration, as well as folktales, as sources of artistic inspiration.On graduation from Zaria, in the autumn of 1962, Okeke received a one-year scholarship to Munich, Germany, where he worked for nearly one year in a stained glass and mosaic studio. While in Lagos to process his travel papers, however, he began work on the Oja Suite drawings in which he translated key formal elements of Uli—the insistently lyrical, organic line; dynamic positive and negative space; and, primarily, the agwọlagwọ (spiral) and ọkala isi-nwaọji (concave three- or four-pointed star)—into a modernist pictorial language. He continued these experimental drawings in Munich. These he called the Munich Suite. The major difference between the two is that whereas the lines of pen-and-ink Oja Suite are clean and ascetic, the ink-and-brush Munich Suite avoid compositional details and thus more expressive. Both, without doubt represent Okeke's first successful invention of a personal visual language based on the organic lyricism of Igbo Uli body drawing.In 1965, the year Okeke painted this featured work, he effectively broke away from his fixation on ink drawing (and gouaches), which spanned his Nok Suite (1958-59) and the Oja and Munich suites, returning to oils as his primary medium for the first time since Zaria. But the solid forms and flat shapes of colour that define his Zaria-period style (as in Jumaa and Ana Mmuo, both 1961), gave way to fervid brushwork and loosely defined forms. In the work presented here, Primeval Forest, and in other similarly-scaled 1965 paintings, including his masterpiece, Women's War, as well as Oyoyo (in the collection of the Museum of Modern Art, New York), Okeke arguably achieved mastery of expressive painting. Given the elemental power and unprecedented scale of these 1965 paintings (in subsequent years he worked on a smaller scale), it is safe to conclude that he reached the height of his powers as a painter that year. Earlier in 1962, Okeke made several gouache paintings, including one titled Primeval Forest, in which we see a dramatic transformation of his painting, from the flat planes and solidly modelled forms of the Zaria-period to a new pictorial attitude dominated by deliberate swooshes of vigorous, lyrical brushwork. Whereas in the 1962 Primeval Forest the pictorial space is flat and the forms are completely abstract (despite that it clearly insinuates vegetal growth with floral elements), this substantially scaled up 1965 version is less flat and more descriptive, with the ground and tree trunks rendered in umbers, barely distinct from the rich blue-greens and hot cadmiums of leaves and flowers. The disciplined and assertive brushwork of the 1962 works, gave way to more fervid painterly gesture and modelled forms. Moreover, the Uli spiral motifs that dominated his earlier gouaches and drawings, are largely gone, transformed into inchoate brushwork; in a few of the 1965 paintings, such as the Princeton University Art Museum's Adam and Eve, these motifs occur only sparingly.While Okeke tempered the resolute flatness of space of his post-Oja Suite paintings of 1962, in this 1965 Primeval Forest, the forest scene, without any indication of perspectival space, is pictorially impenetrable. The tree forms stand like spiky sentinels and formless monstrosities. Here, Okeke is interested in the forest not so much as marker of the tropical, natural landscape, as a stage for the dramatic encounters with the metaphysical—of ancestral beings, deities and often-malevolent spirits and incarnate forces. This is the forest of folklore, that is the theatre of actions that shaped the world of the ancients, when the world was young, and a place where in lived memories only the strong dared enter, or where the luckless were banished. We are grateful to Professor Chika Okeke-Agulu for his assistance with the compilation of the above footnote.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Prof. Uche Okeke (Nigerian, 1933-2016)Onwa, Face of the Moon, 1983 signed 'UO/:3' (lower right)gouache on paper 45 x 30cm (17 11/16 x 11 13/16in).(framed)Footnotes:ExhibitedGoethe Institute Lagos, Uche Okeke, 60th Birthday Anniversary, Retrospective Exhibition, (1993). 32.LiteratureFrank Aig-Imoukhuede, Uche Okeke, 60th Birthday Anniversary, Retrospective Exhibition, Goethe Institute Lagos, (1993), p. 33. (illustrated)Though possessing human-like qualities, the features of the present figurative subject are so curved that they become distorted. The linear fluidity of Uli contributes to the richness of the present work. While holding an aesthetic purpose within the work, the Uli depiction is also used in the artist's response to the ideology of this folklore synthesising with artistic expression deriving from the Negritude ideology. The philosophical understanding of Natural Synthesis was enriched particularly by the Igbo indigenous art traditions, namely with Uli motifs. This concept of Natural Synthesis came to fruition during Okeke's time studying at the Nigerian College of Arts, Science and Technology from 1957-1961, during which he and his fellow students formed the Zaria Art Society. This society aimed to maintain the value of local tradition within modern art and not diminish it under colonial intervention. Furthermore, while championing their heritage, it was also key to the ideological concept of the society that they embrace the expressive direction of contemporary art, therefore fusing the old with the new to create culturally informed work. They were establishing traditional art as repackaged and accepting of change.The importance of Uche Okeke lies in his recognition of the possibilities of Uli as a design resource for enriching modern art and, together with Nigeria's other innovators, of providing us with real '20th Century African Art' different from the travesties now and again foisted on a gullible world as the 'true form of 20th century creativity in Africa,' (Frank Aig-Imoukhuede in the Foreword of the exhibition catalogue: Uche Okeke, 60th Birthday Anniversary, Retrospective Exhibition, Goethe Institute Lagos, 1993). BibliographyOnwuakpa, S. I. & Chukueggu C.C., 'Natural Synthesis and Contemporary Nigerian Visual Arts: An Exposition of Uche Okeke's Works', African Research Review: An International Multi-disciplinary Journal, Ethiopia, Vol. 10(4), Serial No. 43, September 2016For further information on this lot please visit Bonhams.com

Yusuf Adebayo Cameron Grillo (Nigerian, 1934-2021)Head signed and dated 'ADEBAYO GRILLO/ 1966' (verso), a label bears the inscription 'HEAD/ OIL ON BOARD/ Y. A. GRILLO/ LAGOS' (verso), further inscribed '16' (verso)oil on board90.5 x 60cm (35 5/8 x 23 5/8in).(framed)Footnotes:ProvenanceAcquired in Lagos in the 1960's;A private collection. Encapsulating the most dominant elements of arguably Yusuf Grillo's most successful works, Head presents us with an image of strength and emotion through palette, technique, and subject matter. The present work is a prominent painting in the artists oeuvre, an artist who equally dominated the post-colonial modern art movement in Nigeria and indeed set the philosophical tone for the future. With 'archenteric pictorial sensibility', as Chika Okeke-Agulu coins his approach, this was a concept that can be detected within this present work. (Chicka Okeke-Agulu, Yusuf Grillo, Painting. Lagos. Life., (Italy: Sikra Editore S.p.A., 2020), p. 15.)Philosophical manifestations of womanhood were a favoured thematic subject of Grillo's. The artist greatly admired women's wisdom and strength and saw them as the central pillars in society. Perhaps contributing to this outlook, Grillo's own cultural context provided him with this framework of appreciation. With demonstrations of honour bestowed onto women from the community in Yoruba celebrations such as the Gelede masquerade, older women are praised as metaphysically strong figures of society. The Gelede, as Art Historian Babatunde Lawal attests, is now only performed by men who do so under the influence of Lyalase, the highest ranking female in society to honour the aje, the 'powerful mothers of the night' (Babatunde Lawal, The Gẹ̀lẹ̀dé spectacle: Art, Gender, and Social Harmony in African Culture, (Seattle: University of Washington Press, 1996), p. 283). The mask constitutes of a gele (similarly worn by the subject of this painting), oja, and aro. Indeed, the female figure is widely celebrated in Yoruba culture in equal measure to Grillo's celebration of the conceptual relevance of women maintained in his work. An iconic element of the artist's oeuvre is his recurring blue palette. Perhaps underpinned by his formal artistic training at the Nigerian College of Arts, Science and Technology and then Cambridge university, Grillo embraced the impact of Western art into his own work innkeeping with the concept of 'Natural Synthesis'. It could be said that this use of a blue (and its derivatives) could have been informed by Pablo Picasso's blue period of the early 20th century. However, the colour blue also points to the adire dye commonly used in West Africa and Yoruba communities and supports the idea of the Yoruba influence in the artist's work. In working within this chromatic colour palette, light and depth of colour provide dimension to the work, enabling the painting itself, in technique and practise, to be at the forefront of the image. Grillo's exploration of this optical effect allows him to navigate an idea of the metaphysical world allowing both focus and detail amongst an algorithm of technique and palette. While the present work is indeed a display of Lagos life, it is additionally a masterful display of the artist's techniques and academic attribution. The relative anonymity of the subject, beyond being that of a woman, lays bare the quality of the work, open and philosophically conceptual in its subject. Sincere and indeed committed to his arguments of how one should paint, one may conclude that beyond contextual physical realities, the palette and form of the work is coherent in contributing to the metaphysical ideals Grillo synthesises his work upon. BibliographyChicka Okeke-Agulu, Yusuf Grillo, Painting. Lagos. Life., (Italy: Sikra Editore S.p.A., 2020)Babatunde Lawal, The Gẹ̀lẹ̀dé spectacle: Art, Gender, and Social Harmony in African Culture, (Seattle: University of Washington Press, 1996).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com