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Modern sunburst mirror and a pair of art nouveau style mirrors, reflections by Toni Watson

Richard Lindner, Plakatentstanden anlässlich einer Ausstellung 1997 im Haus der Kunst München, unter Verwendung des Gemäldes "Rock-Rock" aus dem Jahre 1967/68, Farboffset, etwas wellig und minimal knitterspurig, Maße ca. 83 x 59 cm. Künstlerinfo: US-amerikanischer Maler und Graphiker deutscher Herkunft (1901 Hamburg bis 1978 New York), 1905 Umzug der Familie nach Nürnberg, ab 1922 Studium an der Kunstgewerbeschule in Nürnberg, 1925 kurzzeitiger Aufenthalt in Frankfurt am Main, in Nürnberg Meisterschüler von Max Körner, 1927 in Berlin ansässig, bis 1933 als Illustrator tätig, kurz nach der Machtergreifung der Nationalsozialisten Emigration nach Paris, 1941 Übersiedlung nach New York und hier kommerzieller Erfolg als Werbegraphiker, 1948 erlangte er die amerikanische Staatsbürgerschaft, ab 1956 Lehrbeauftragter am Pratt Institute, 1959 Bekanntschaft mit Andy Warhol, 1962 Ausstellung im Museum of Modern Art, 1965 Gastprofessur an der Hochschule für bildende Künste in Hamburg, 1968 und 1977 Teilnahme an der documenta in Kassel, ab 1972 Mitglied in der American Academy of Arts and Letters. Quelle: Vollmer, AKL und Wikipedia.

Markus Oehlen, "Zotsch"zweifarbige abstrakte Komposition, Farbholzschnitt, rechts unten in Blei signiert und datiert, "M. Oehlen (19)94" sowie links nummeriert "39/100", eingelegt in Umschlag mit typographischem Schriftzug "Markus Oehlen", Darstellungsmaße ca. 29,5 x 42 cm, Blattmaße ca. 34 x 50 cm. Künstlerinfo: dt. Maler, Objektkünstler und Musiker (geboren 1956 in Krefeld), Bruder von Albert Oehlen und Sohn von Adolf Oehlen, 1971-73 Lehre als technischer Zeichner, 1976-82 Studium an der Kunstakademie Düsseldorf und hier Meisterschüler von Alfonso Hüppi, 1977 Bekanntschaft mit Martin Kippenberger, Mitglied der Punkband Charley´s Girls, arbeite als DJ im Ratinger Hof, 1987 Verleihung des Berliner Kunstpreises, 1993 zusammen mit Georg Herold Ausstellung im Museum of Modern Art in New York, ab 2002 Professur an der Akademie der Bildenden Künste in München, lebt seit 2017 in München. Quelle: Wikipedia.

Sir Eduardo Paolozzi, "Bash"collagenartiges Arrangement aus verschiedenen Gegenständen in frischer, leuchtender Farbigkeit, Farbserigraphie, unter der Darstellung in Blei signiert und datiert "Eduardo Paolozzi 1971" sowie signiert "3000/3000", links unten Prägestempel "Dorothea Leonhart München", partiell etwas braunfleckig, Darstellungsmaße ca. 74 x 49,3 cm, Blattmaße ca. 84,5 x 59,5 cm.Künstlerinfo: eigentl. Eduardo Luigi Paolozzi, schottischer Graphiker und Bildhauer (1924 Leith bis 2005 London), Sohn italienischer Immigranten, 1945-47 Studium an der Slade School of Fine Art in London, ging 1947 für zwei Jahre nach Paris und hier kurzzeitiges Studium an der Ecole des Beaux-Art, ab 1949 Dozent an der Central School of Arts and Crafts und von 1955-1958 lehrte er Bildhauerei an der Martin´s School of Art, ab 1952 Mitglied der Independent Group, 1959, 1964, 1968 und 1977 Teilnahme an den documenten in Kassel, 1960 Teilnahme an der XXX. Biennale in Venedig, 1960-62 Gastprofessur an der Hamburger Hochschule für Bildende Künste, 1968 Einzelausstellung in der Kunsthalle Düsseldorf, ab 1979 Mitglied der Royal Academy of Arts, 1981 bis 1989 Professur an der Akademie der Bildenden Künste in München, 1989 von Königin Elisabeth II. zum Ritter geschlagen, 1994 Ausstellung im Yorckshire Sculpturen Park, 1994 Übernahme eines Großteils seines Werks durch die Scottish National Gallery of Modern Art, 2001 Hirnschlag und in dessen Folge auf den Rollstuhl angewiesen. Quelle: Bénécit, Saur, Wikipedia.

Niki de Saint Phalle, originalgraphisches Plakat erschienen anlässlich des 18. Jazz-Festivals in Montreux im Jahre 1984, Farbsiebdruck, rechts oben im Medium signiert "Niki de Saint Phalle", hinter Glas gerahmt, Falzmaße ca. 99 x 70 cm. Künstlerinfo: französisch-schweizerische Künstlerin (1930 Neuilly-sur-Seine bis 2002 San Diego), in den USA aufgewachsen, 1936-45 Besuch der Klosterschule Sacré-Coeur in New York, 1948 Heirat mit Harry Mathews, 1952 Rückkehr nach Paris, Erfolg mit ersten künstlerischen Arbeiten, 1965 Entstehung der ersten "Nana"-Figuren mit betont üppigen weiblichen Formen und bunter Bemalung, diese Figuren werden ein Markenzeichen der Künstlerin, 1968 Ausstellung im Museum of modern Art in New York, zahlreiche Ausstellungen in großen Museen folgen, 1979 Beginn der Arbeiten am Künstlergarten "Giardino dei Tarocchi" in der Toskana, 1999 Gestaltung der Grotten im Großen Garten Hannover-Herrenhausen, Quelle: Wikipedia.

Gerhard Richter, Seestück IBlick auf das weite Meer unter bewölktem Himmel, Werksverzeichnis Butin 23, Offset auf Papier, unter der Darstellung in Blei rechts signiert und datiert "Richter (19)69" sowie links nummeriert "19/150", rückseitig Spuren alter Montierung, Knitterspuren und verfestigter Einriss, im Passepartoutausschnitt leicht gebräunt, Darstellungsmaße ca. 41,9 x 39,9 cm, Blattmaße ca. 50,8 x 49 cm. Künstlerinfo: bedeutender dt. Maler, Bildhauer, Graphiker und Fotograf (1932 in Dresden geboren), Kindheit in Reichenau und Waltersdorf, 1949-51 Lehre als Schriften-, Bühnen- und Werbemaler, 1950 Ablehnung seines Aufnahmeantrags an der Hochschule der Bildenden Künste in Dresden, ab 1951 doch Studium in Dresden bei Karl von Appen und Heinz Lohmar, 1955 entstand als Vordiplom das Wandgemälde „Abendmahl mit Picasso“ für die Mensa der Akademie in Dresden, 1956 entstand das Wandgemälde „Lebensfreude“ für das Deutsche Hygienemuseum in Dresden als Diplomarbeit, 1957-61 Meisterschüler an der Akademie der Künste in Berlin, 1961 Flucht über Westberlin nach Westdeutschland, 1961-64 Studium an der Kunstakademie in Düsseldorf bei Karl Otto Götz und Ferdinand Macketanz, seine Mitstudenten waren unter anderem Gotthard Graubner und Sigmar Polke, Ende der 1960er Jahre Tätigkeit als Kunsterzieher, ab 1967 Gastdozent an der Hochschule für bildende Kunst in Hamburg, 1971-93 Professur an der Kunstakademie in Düsseldorf, 1972 Teilnahme an der Biennale von Venedig, 1978 Annahme einer Gastprofessur am Nova Scotia College of Art and Design in Halifax, 1993-94 umfangreiche Ausstellungen in Paris, Bonn, Madrid und Stockholm, 2002 Retrospektive im Museum of Modern Art in New York, 2004 Eröffnung der Gerhard-Richter-Räume im Albertinum, 2006 Gründung des Gerhard-Richter-Archivs in Dresden. Quelle: Eisold, Wikipedia, Internetseite des Künstlers und Internet.

A modern Art Glass panel on Perspex stand by Sue Parry, date '08, 53cm x 31cmLocation: rostrum

A TRAY OF MODERN ART RELATED BOOKS ETC.

A modern 9ct white gold emerald and diamond cluster panel ring, in Art Deco style, total diamond content approx 0.35ct, emerald-cut emerald approx 2.45ct, dimensions: length - 9.58mm, width - 7.01mm, depth - 4.98mm, size J, 5.6gNo damage or repair, all stones present, emerald is a vivid medium green with lots of typical internal inclusions, diamonds are all bright, white and fiery, settings extremely lightly abraded, hallmarks clear, stamped 375.

CERI RICHARDS R.A. [1903-71]. Rock Study, Gower, c. 1953 ink on paper; studio stamp signature CR. 36 x 54 cm; frame 62 x 79 cm. Exhibited: Martin Tinney Gallery, Wales. Provenance: the artist; private collection, UK. Ceri Richards is Wales's greatest modern artist - he was a huge name in the 1950s/60s and was probably more popular than Francis Bacon when they showed together at Marlborough Fine Art. A far better artist than the ever popular Kyffin Williams [in our opinion]. The Tate Gallery have a huge collection of Ceri's wonderful paintings, but rarely show them these days. [very good condition - a few small light brown foxing spots, mainly top left - unexamined out of frame]. Buyers premium 20% + vat payable.

LEON UNDERWOOD [1890-1975]. African Madonna [Mother & Child], 1934-5. bronze, edition of 8; signed. 38 cm high. Provenance: private collection, UK. One of Underwood's most popular early sculptures - he travelled extensively and was an expert on African tribal art [he even wrote books on the subject - very 'woke' for his time]. Underwood is regarded as the father of modern Bitish sculpture - he even taught Henry Moore a thing or two. Literature: 'The Sculpture of Leon Underwood', B Whitworth, Lund Humphries, 2000, p.130, no.93. [very good condition]. Buyers premium of 20% + VAT is payable.

ROBERT CLATWORTHY R.A. [1928-2015]. Dog 1, 1966. bronze, edition of 8, 4/8; signed RC. 26 cm long. Provenance: The artist; Private collection, UK. Literature: 'Robert Clatworthy', 2012, Sansom, p. 115, pl. RC82. Clatworthy is, in our opinion, the greatest modern sculptor of animals [obviously, Marino Marini's Horse & Riders are also superb] - he worked very quickly in wet plaster putting an enormous amount of life into the sculptures. According to the great art critic David Sylvester, he was the greatest sculptor he had seen since Henry Moore. Hanover Gallery, perhaps the greatest gallery in Europe in the 1950s, took on Clatworthy straight out of art college in 1953, in preference to Frink [they studied together at Chelsea School of Art] ! Please note: there is a Clatworthy bronze Bull later on in the auction.[very good condition - a bit of dust]. Buyers premium of 20% + VAT is payable.

A Collection of Various Vintage Magazines to Include 1927 Vogue, Woman's Pictorial, Modern Woman, The Art of the Decorated Magazines

An Art Nouveau Chesterfield settee possibly retailed by Liberty & Co, horse hair padding, with Art Nouveau tapestry upholstery possibly by Harry Napper, decorated with tulip flowers unsigned 192cm. wide Literature Daryl Bennett Liberty's Furniture 1875-1915 The Birth of Modern Interior Design, ACC books, page 281 for comparable upholstered chairs illustrated. Provenance The David Coachworth & Peter Myers Collection

An Art Nouveau Liberty & Co Romsdal oak mantle clock, the tapering body carved with entrelac motif, circular dial with Arabic numerals unsigned, 33.5cm. high Provenance David Coachworth Collection Literature Daryl Bennett Liberty's Furniture Design 1875-1915, The Birth of Modern Interior Design, ACC Books, page 223 this design illustrated.

A Collection of books and ephemera relating to art and design, including Seven Golden Years, exhibition catalogue 1974, International Exhibition of Modern Jewellery 1890-1961, 1961, Wendy Ramshaw, exhibition catalogue, 1988, Siegfried and the Twilight of the Gods illustrated by Arthur Rackham, 1924, A Masque of Days illustrated by Walter Crane, 1901, Down the River by H.E. Bates illustrated by Agnes Miller Parker, 1937 and The Birth Life and Acts of King Arthur by Thomas Malory 1927 and a collection of books (a lot) Provenance The Collection of David Coachworth and Peter Myers.

The Retrospective Exhibition of Shoji Hamada, The National Museum of Modern Art, Tokyo, 1977, and a collection of books on art and design including studio pottery, ( a lot) Provenance The David Coachworth & Peter Myers Collection

‡Hans Coper (1920-1981) Bottle with Disc top, circa 1973 stoneware with layered slips and engobes over a body with textured and incised linear design, and manganese disc impressed seal mark, applied number 53 exhibition label, 19cm. high Provenance The David Coachworth Collection. Literature Tony Birks The Art of the Modern Potter, Country Life, page 42 catalogue number 24 for two related, larger vases. Tony Birks, Hans Coper, Collins, page 67 for a contemporary photograph of work by Hans Coper and Peter Collingwood, including three comparable vases, exhibited at the Victoria & Albert Museum in 1969, (the right hand vase possibly this example).

An Art Nouveau Zsolnay Pecs vase, tapering cylindrical form, surface decorated with stylised grasses, in golden and green lustre, a modern Zsolnay Pecs vase covered in a green lustre glaze, a teapot and cover, a Herend hot chocolate cup, saucer and side plate painted with an exotic bird in a tree, three Zsolnay pieces, two Herend cabinet cups and saucers and a collection of ceramics main vase, unsigned, chip to top rim, 22cm. high (a lot)

A modern glass vase after the design by Josef Hoffmann, swollen cylindrical form, decorated with black foliate and geometric panels, a modern Series B wine glass originally designed by Josef Hoffmann, decorated with geometric panels, and a Rosenthal Studi Linie glass Art Nouveau style bowl glass with printed monogram, 20cm. high (vase), (3) Provenance Kate Catleugh collection.

A modern perspex Op Art brooch possibly by Wendy Ramshaw, square black perspex panel with white op art design, and a square marquetry wood brooch in the manner of Eric Spiller, unsigned 5cm. square (2) Literature Provenance Jon & Kate Catleugh

Vivienne Westwood DBE, (born 1941) Stars black, pink and green on an orange ground, framed signed with Orb cipher, 101 x 101cm (image) Exhibited Styled by Design, Textile Visionaries of Modern Art, 2017, Gray M.C.A Gallery, Duke Street, London.

John Nash CBE RA, after (1893-1977) Landscape near Hadleigh a modern glicee limited edition print on paper, published by the Bookroom Art Press, and The Train by Claughton Pellew and Liverpool Street Station by Edward Bawden, two modern glicee limited edition prints numbered in pencil, 52 x 36.5cm. (Nash print), (3)

GROUP OF VASES, CANDLEHOLDERS AND HOME DECOR comprising three pairs of candlesticks of different styles one of the cherub candlesticks has a broken wing - piece included, two single candlesticks one repaired, two modern vases, two soapstone figures and a freestanding circular decorative art piece, approximate diameter 55cm, marks and light wear to some items (13)

A QUANTITY OF ASSORTED BOXED MODERN DIECAST VEHICLES, to include Lledo Vanguards including Ford classic 109E two piece set with Brands Hatch diorama, No RDI002, appears complete and in very good condition, Vanguards complete with limited edition certificates where appropriate, Oxford diecast, Matchbox Dinky collection, Atlas editions, Vitesse, Auto Art, Onyx, Solido, Kyosho, Majorette, assorted Corgi & Corgi classics including classic sports cars, Mobil sports cars, Trackside, original omnibus, Steady Eddie, Golden Older, cars of the 50's etc, damage to some boxes (4 boxes)

An Art Deco style chrome standard lamp and a modern complimentary light shade

Group of 6 Villeroy & Boch plates, all decorated with Art Nouveau style prints, but modern issue, 26cm diam (6)

Kitchenalia including an Art Deco 'Juice-Mat' juicer, an enamel bread bin, other enamel, etc. (modern fryer) **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

A modern hand made rug, central field decorated with Art Nouveau vase flanked by sprawling trees, 153cm x 95cm

Marcasite and Other Bracelets, including "925", a modern Art Deco style pendant on a chain, a pair of marcasite and shell inset earrings.

A modern enamelled drop necklace in the Art Nouveau style stamped 925

λ Martyn Brewster (British b.1952) Untitled, 1988 Monoprint Signed and dated 52 (lower right), monoprint inscription (lower left) 40 x 76cm (15½ x 29¾ in.) Martyn Brewster was born in Oxford. His practice developed while studying Art and Design in Hertfordshire followed by his initial studies with a course in painting in Brighton, and postgraduate studies in printmaking. Martyn now lives close to the cliffs and beach of Southbourne in Dorset, the natural landscapes of Dorset have become a key source of inspiration with the sea and the light as well as the colour, all present in his paintings. Martyn creates striking abstract paintings, combining seductive combinations of colour with vigorous poetic compositions. His works have been exhibited widely within London and the UK including retrospective exhibitions at the Russell Cotes Art Gallery and Museum, and at the study Gallery of Modern Art. Condition Report: Generally good- very mild pigment fade and paper discolouration Condition Report Disclaimer

λ Martyn Brewster (British b.1952) Untitled, 1988 Monoprint Signed and dated 1988 (lower right), monoprint inscription (lower left) in pencil 40 x 76cm (15½ x 29¾ in.) Martyn Brewster was born in Oxford. His practice developed while studying Art and Design in Hertfordshire followed by his initial studies with a course in painting in Brighton, and postgraduate studies in printmaking. Martyn now lives close to the cliffs and beach of Southbourne in Dorset, the natural landscapes of Dorset have become a key source of inspiration with the sea and the light as well as the colour, all present in his paintings. Martyn creates striking abstract paintings, combining seductive combinations of colour with vigorous poetic compositions. His works have been exhibited widely within London and the UK including retrospective exhibitions at the Russell Cotes Art Gallery and Museum, and at the study Gallery of Modern Art. Condition Report: both in fairly fresh good, condition. with some small insects under glass and rubbing to frames. Condition Report Disclaimer

Collection mainly modern books: Art reference, Topographical, reference, History, fiction etc (4 boxes) 

λ Richard Robbins (British 1927-2009) Hampstead Pond Oil on canvas Signed (lower right) 76 x 76cm (29¾ x 29¾ in.) Richard Robbins was born in London, studying art at Goldsmiths' College in London, the Ruskin School of Art and the Slade School of Fine Art. Robbins participated in many group exhibitions included RA Summer Exhibition, John Moores Liverpool Exhibition and LG. From 1960 held many solo shows, later ones including The Studio, Bruton Place, and Peter Nahum, Gallery 26, Highgate Fine Art and Highgate Gallery. He taught at Camberwell School of Art and Middlesex University until 1993, when he retired as honorary fine art professor. In 2004 he was made a Honorary Member of the Royal Society of British Artists. Condition Report: Modern, decorative- mild surface dirt and pigment fade Condition Report Disclaimer

40+ Modern DC Comics and 15+ comic art related books including Batman vs Predator, Catwoman Defiant, Batman Judge Dread, Batman Crendel, Batman Punisher, Run Riddler Run, Cosmic Odyssey, The Art of Walter Simonson, Batman Files, Watchmen, The X-Files, Aliens, Marvel Masterworks, Judgement on Gotham and others.

A collection of various china wares to include a puce transfer decorated toilet jug, small pearlware oval transfer decorated blue and white dish, blue and white transfer decorated "chantilly" washbowl, two copper lustre jugs, three various floral decorated plates, Art Deco Lingard old lady in a shoe teapot, Chinese green glazed figural dish together with a wirework birdcage, white enamelled dot decorated dark amethyst glass spherical vase, mother-of-pearl embellished writing slope, treenware inlaid folding chess board, modern pottery chess board and pieces, painted shoeshine box and a box of various books including one volume "A catalogue of the Exhibition at Ironmongers Hall" volume one only, one volume "L'imitation du Christ" ilustree par Edy-legrand, tooled leather bound, Rankin Kennedy "The Book of the Motor Car" published Caxton Publishing Company Ltd, London circa 1913 volumes one to three, tooled and gilded clothboard bound together with a late Victorian tooled and gilded leather covered photograph album together with various portrait photographs etc

A PAIR OF SILVER-GILT TUMBLERS GRAHAM STEWART, EDINBURGH 2004 each of simple planished form, gilt interior, engraved EQ to body(7cm high, 9.6oz (combined))Footnote: Graham Leishman Stewart, 1955-2020 Not only was Graham Stewart one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions. As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection, which is devoted to Post-War II British silver, his work is well represented in both in public and private collections which supports his place a key contributor to modern Scottish and British silver.

A WALNUT ART DECO OFFICE TYPE CABINET AND MODERN STOOL

Modern Moorcroft art pottery tube lined Emperor Moth design vase, printed and painted marks to the base. (B.P. 21% + VAT)No obvious damage.Height - 26.5 cm Approx.

Modern Moorcroft art pottery tube lined fuschia or orchid design vase, 21cm high approx. Printed and painted marks to base. (B.P. 21% + VAT) No obvious damage.

Two modern art glass items to include; an amber coloured decanter and stopper of baluster form, together with an aubergine waisted vase. (2)(B.P. 21% + VAT)

nach BOCCIONI, UMBERTO (Reggio Calabria 1882-1916 Verona), Skulptur: "Urform der Bewegung im Raum", Bronze, hellbraun patiniert auf Marmorpostament; posthumer, neuzeitlicher Reduktionsguss der Skulptur von 1913 (Museum of Modern Art in New York); vertieft bezeichnet "Boccioni" und mit Gießeremblem "Fonderie Au Bords De Seine". H. 18 x L. 14 x B. 5,3 cm. Der Bildhauer, Maler und Grafiker Boccioni gilt als Hauptvertreter und Theoretiker des FUTURISMUS und suchte in seinen dynamischen Arbeiten Bewegung und Geräusche darzustellen, indem er gleichzeitig verschiedene Ansichten der Gegenstände darstellte und versuchte, durch verwischte Formen und Konturen gleichzeitig mehrere aufeinanderfolgende Bewegungsmomente abzubilden, die nacheinander gelesen werden müssen, um zu einer Einheit, gewissermaßen einem Bewegungsablauf, zu verschmelzen.

An 8 day mantel clock, an Art Deco mantel clock, a modern Chinese soapstone seal in the form of a Buddha, other modern Buddhas etc

MODERN RESIN ART DECO DANCING GIRL LAMP (IMITATION BRONZE) ATTRACTIVELY DECORATED

Modern and art glass perfume bottles, a blue glass bulbous atomiser, a blue moon flask perfume bottle, Royal Brierley atomiser, Glencairn perfume bottle, a blue glass perfume bottle designed by Elena-Graure-Manta, 38cm, with certificate, a Harajuka Lovers perfume bottle "Love", Avon Pierrot bottle, Gucci Eu de Parfum bottle, Channel No 5 bottle.

The Museum of Modern Art New York (Abradale Books) by Sam Hunter, 1997-09-01. condition:Good.

PABLO PICASSO A RETROSPECTIVE EDITED BY WILLIAM RUBIN Chronology by Jane Fluegel THE MUSEUM OF MODERN ART, NEW YORK Distributed by New York Graphic Society, Boston  

James Coignard (1925-2008), französischer Maler und Grafiker, der die Carborundum-Radierung maßgeblich weiterentwickelte. Vertreten ist der u.a. im Solomon R. Guggenheim Museum in New York sowie dem San Francisco Museum of Modern Art. ''Seohg'', Carborundum mit unikatem Charakter, Bütten mit Reliefstruktur und Handkolorierung. U. re. handsign., u. li. num. 54/75, Blattmaße 56,5 x 45 cm

James Coignard (1925-2008), französischer Maler und Grafiker, der die Carborundum-Radierung maßgeblich weiterentwickelte. Vertreten ist der u.a. im Solomon R. Guggenheim Museum in New York sowie dem San Francisco Museum of Modern Art. O.T., Carborundum mit unikatem Charakter, schweres Strukturbütten mit Reliefstruktur und Collage sowie Handkolorierung. U. re. handsign., u. li. num. 24/75, Blattmaße 65 x 50 cm

John Brunsdon (1933-2014), bedeutender britischer Maler und Grafiker, stud. in den 1950er Jahren am Royal Collage of Art, seine Werke sind u.a. in den Sammlungen der Tate Gallery, des Scottish Museum of Modern Art, des MOMA vertreten. ''Squall'', Farbaquatinta, u. re. handsign. u. dat. (19)69, u. li. bez. u. num. 19/50, Blattmaße 79 x 57 cm

Two mid century modern art glass vase by Peill and Putzler both in fat lava styles

An Art Nouveau silver clad easel photograph frame, of shaped rectangular form, having repousee and C-scroll decoration (lacking stand), 20 x 15cm; together with one other modern silver clad easel photograph frame, of plain rectangular form, 21 x 16cm (2)

Illustrated art history and art technique volumes:The Works of Hogarth with Sixty-Eight Illustrations (J. Dicks - 313 The Strand)3 Nouvelles Editions Francaises (Cezanne, Toulouse-Lautrec and Les Impressionistes)5 Medici Society folders (Turner, Van Gogh, Pieter de Hooch, Reynolds and Rubens)Edgar Degas - Ballet Dancers (Folio Society 1960)Understanding Watercolours (Antique Collectors' Club - 1985)The Technique of Watercolour Painting (Isaac Pitman & Sons - War Economy Standard)The Student's Book of Etching (Isaac Pitman & Sons 1938)Making a Lithograph (1936)Penquin Modern Painters (Paul Nash (1944) and Henry Moore (1944)Pitmen Painters - The Ashington Group (1993) 

A selection of ceramics to include Art Deco pieces, Clarice Cliff and a modern conical dredger (some damage)

An Art Deco chrome table lamp decorated with a sailing vessel on a stepped plinth base, height excluding fitting 28cm, together with a modern hand painted ceramic table lamp on alabaster stand, height 50cm, (2).

A modern three light hall lantern of tapering form, height 42cm, with three frosted glass Art Nouveau oil lamp shades (4).

An Art Glass iridescent flower shaped dish, indistinctly signed, possibly Maastricht, diameter 32cm, together with a further Art Glass bowl internally decorated with blue linear detail, diameter 38cm, also two pairs of decorative modern wall brackets to include a pair of plaster examples, decorated with female busts, height 28cm, a pair of glass stands by Julien Macdonald, and a quantity of assorted glass droplets and chandelier fixtures.

MACFALL (H), A HISTORY OF PAINTING, THE MODERN GENIUS, tipped in plates and pictorial paper mounted blue cloth, London, T.C and E.C Jack, 1911; HOLME (C), ART IN PHOTOGRAPHY, tipped in and other plates, The Studio, 1905; MICHEL (E), REMBRANDT, his life, his work and his time, 2 vols, illustrated, patterned green cloth, William Heinemann, 1894; ROBERTSON (W), ARTEMUS WARD’S LECTURE, green cloth with gilt lettering, London, Hotten, 1869; ARMOUR (G), HUNTING WITH JORROCKS, red cloth with gilt lettering, Hodder and Stoughton; GASQUET (A), THE GREATER ABBEYS OF ENGLAND, Chatto and Windus, 1908; and two other books (9).

Canada collection of mint & used modern issues, mostly commemoratives on 23 stock pages and leaves, over 1200 stamps plus mint sheet of Masterpieces of Canadian Art and range of 27 different modern used blocks, miniature sheets, many postmarked day of issue and 4 booklets. Some duplication.