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A modern perspex drop electrolier in the Art Deco style

Limited Edition modern art prints - indistinctly signed in pencil (3)

A modern art glass centre dish, diameter 39cm.

Modern jewellery wristwatches and effects, to include a Jenny automatic gents wristwatch, a Casio wristwatch, two silver fobs, coin pendant, two further unmarked watch heads, one in the Art Deco style, necklaces etc. (a quantity)

Machiavelli (Niccolo). A Translation of Part of the First Book of Machiavell's Art of War: Treating of the best Method of defending a Country agaunst Invasions and Popular Tumults. With an Introduction and Preface, in Answer to Modern Objections, 1st edition, for M. Cooper, 1744, xxiv, 40 pp., half-title, light browning, leaf A4 spotted, modern quarter calf, 8vo, together with: Hervey (John, 1st Baron; subject), Sapho to Phaon: An Epistle from a Lady of Quality to a Noble Lord, occasion'd by the Late Publication of his Miscellaneous Thoughts, 1st edition, for Jacob Robinson, 1743, [4] 63 [1] pp., half-title, light spotting, quarter calf, 8vo, Marlborough (Sarah Jennings Churchill, Duchess of; subject), Remarks upon the Account of the Conduct of a Certain Dutchess. In a Letter from a Member of the Last Parliament in the Reign of Queen Anne. To a Young Nobleman, 1st edition, for T. Cooper, 1742, 48 pp., marginal damp-staining, modern quarter calf, 8vo, [Winnington, Thomas; contested attribution], An Apology for the Conduct of a late celebrated second-rate Minister, from the Year 1729, at which Time he commenc'd Courtier, till within a few Weeks of his Death, in 1746 ... Written by himself and found among his Papers, ?1st edition, for W. Webb, [?1747], 6, 9-50 pp., title page spotted and browned, modern quarter calf, 8vo ESTC traces four copies only for Machiavelli, eight copies for the Remarks (of which five at Oxford), and seven copies in the UK for Sapho to Phaon, an anonymous harangue addressed to John Hervey, 2nd Baron Hervey, concerning his Miscellaneous Thoughts on the Present Posture both of our Foreign and Domestic Affairs (1742). Henry Fielding published an anonymous vindication of the Duchess of Marlborough in the same year as the Remarks (1742). (4)

Watson (J., publisher). Great-Britain's Memorial. Containing a Collection of the INstructions, Representations, etc. etc. Of the Freeholders and other Electors of Great-Britain, to their Representatives in Parliament, for these Two Years past, [bound with:] The Second Part of Great Britain's Memorial, 2 volumes in 1, 1st and 2nd editions, J. Watson, 1741-2, final advertisement leaf to each volume, mild spotting and browning, modern half calf, 8vo, together with: [Salisbury imprint], A Companion in a Post-Chaise; or, an Amusement for a Leisure Hour at Home: containing a Careful Selection from the most approved and entertaining Pieces, in Verse and Prose, that have appeared for many Years past, 1st edition, Salisbury, Sealy and Hodson, 1773, spotting and browning, marginal stain to first 2 quires, modern half calf, 8vo, [Chelsum, James], A History of the Art of Engraving in Mezzotinto, 1st edition, Winchester: J. Robbins, 1786, mild spotting and browning, contemporary manuscript annotation naming the author to title page, contemporary calf, rebacked, 8vo, [Crokatt, Gilbert], The Scotch Presbyterian Eloquence; or, the Foolishness of their Teaching ... the Third Edition, with Additions, London: for M. Smith, 1719, half-title lacking, spotting and browning, ink-stamp of William Shand to title page, bookplate of John Sparrow to front pastedown, modern half calf, 8vo, Weber (Friedrich), Historiae Muscorum hepaticorum Prodorum, 1st edition, Kiel: Aug. Hesse, 1815, pp. 87/8 duplicated (possibly a cancel), both leaves tape-repaired, spotting and browning, marginal damp-staining, modern half calf, 8vo ESTC traces 13 copies of the first part of Great Britain's Memorial (5 in the UK), and four copies only of the second edition of the second part, which contains texts published to June 1741 (the first edition, of which ESTC traces three copies, ended on 1 May). Six copies only located by ESTC for the Salisbury-printed Companion in a Post-Chaise. (5)

Chambers (William). Designs of Chinese Buildings, Furniture, Dresses, Machines, and Utensils, 1st edition, published for the author, 1757, text in English and French, dedication to George, Prince of Wales, list of subscribers, 21 engraved plates and plans by Fourdrinier, Grignion and Sandby, plate XIV with closed tear, bound with at front A Treatise on Civil Architecture, in which the principles of that art are laid down and illustrated by a great number of plates, accurately designed and elegantly engraved by the best hands, 1st edition, 1759, dedication, subscribers list, 50 engraved plates by Rooker, Patton, Mazell and others, some overall light spotting and offsetting, endpapers renewed, contemporary panelled calf, modern calf gilt reback, small repairs, folio Fowler 85 and 86. (1)

Hoffmann (Josef, and Moser, Koloman, designers). Viribus Unitis, Das Buch vom Kaiser, mit einer Einleitung von Dr. Josef Alexander Freiherrn von Helfert, Vienna, [1898], three illuminated chromolithographed plates by Koloman Moser, including title and dedication leaf, numerous plates and illustrations by various artists, 3 plates near centre detached (one with small loss to fore margin), some light spotting (mainly to margins), red silk doublures (silk inside front cover split along fore edge), all edges gilt, original elaborately decorated leather gilt, somewhat spotted and soiled, front cover with gilt and enamelled mountings including the imperial crown and monogram, gilt and enamelled clasp in the design of the insignia of the Order of the Golden Fleece, rear cover with four gilt bosses, contained in original drop-back box (soiled and broken), with gilt monogrammed lining and embossed lid, large folio This is a scarce first edition of this work commemorating the 50th anniversary of the rule of Austrian Emperor Franz Josef. "Viribus Unitis" was the personal motto of the emperor. The binding was elaborately designed by Austrian architect Josef Hoffmann in what is a fine example of German Art Nouveau style. Hoffman and Koloman Moser later established the Wiener Werkst„tte (Vienna Workshop), a group of artists who together produced ceramics, textiles, sculpture, furniture and other works. The Wiener Werkstatte was regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco. (1)

Doyle (John). Political Sketches &c. by H.B., 3 volumes, November 1829-June 1935, 300 monochrome plates, some light spotting, contemporary uniform gilt decorated green half morocco, boards and spines rubbed, folio, together with Cuitt (George), Wanderings and Pencillings amongst Ruins of the Olden Time, 1848, 73 monochrome etchings, some light spotting, all edges gilt, contemporary gilt decorated brown half morocco, boards and spines rubbed, folio, and Schoonover (John R, et al), Frank E. Schoonover Catalogue Raisonn‚, 2 volumes, USA, 2009, numerous colour and monochrome illustrations, original cloth in dust jackets, in slipcase, large 8vo, plus other late 19th century and modern art reference, including publications by Antique Collectors' Club, Batsford, Oak Knoll Press, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (6 shelves)

Picasso (Pablo & Aragon, Louis). Shakespeare, New York, 1965, limited edition 829/1000, numerous monotone illustrations, original red cloth in dust jacket, covers slightly marked and rubbed, folio, together with Nachtwey (James, et al), War: USA Afghanistan Iraq, 2004, numerous colour and monochrome illustrations, original boards in dust jacket, covers lightly rubbed to head and foot, large 4to, and Bernard (Bruce), Humanity and Inhumanity, The Photographic Journey of George Rodger, 1994, numerous monochrome illustrations, original black cloth in dust jacket, large 4to, plus other modern photography and art reference and reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (3 shelves)

Heath-Stubbs (John). Chimaeras, Hearing Eye, 1994, limited edition 5/40, signed to the limitation page, 9 monochrome lino-etchings by Emily Johns, original boards, large 8vo, together with Murdoch (John), Seventeenth-Century English Miniatures..., 1997, numerous colour and monochrome illustrations, original cloth in dust jacket and slipcase, large 4to, and other modern art reference and related, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (3 shelves + a carton)

Schapelhouman (Marijn & Schatborn, Peter). Dutch Drawings of the Seventeenth Century in the Rijksmuseum, Amsterdam, 2 volumes, 1998, numerous colour and monochrome illustrations, uniform original cloth in dust jackets, and slipcase, large 8vo, together with Joosten (Ben), Sculptors from Zimbabwe, 2001, numerous monochrome illustrations, original cloth in dust jackets, covers lightly rubbed, large 4to, and other early 20th century and modern art reference, some leather bindings, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (3 shelves)

Lythgoe (Albert M.). The Predynastic Cemetery N 7000, Naga-ed-der, part 4, University of California Press, USA, 1965, numerous monochrome illustrations, bookplate to front pastedown, ex library copy with associated stamps, original green cloth in dust jacket, covers lightly rubbed to head and foot, large 4to, together with Vincent (John H.), Earthly Footsteps of The Man of Galilee..., circa 1894, numerous monochrome illustrations, later inscription to bookplate to front endpaper, some light spotting, all edges gilt, original gilt decorated blue cloth, boards and spine slightly rubbed, oblong 4to, and Hinnells (John R., editor), Mithraic Studies..., volume 1, Manchester University Press, 1975, monochrome frontispiece, original cloth in price clipped dust jacket, spine lightly faded, 8vo, plus other modern Middle Eastern, Egyptian & Indian history and art reference, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/4to (6 shelves + a carton)

Fleece Press. Tom Chadwick and the Grosvenor School of Modern Art, by Julian Francis, Fleece Press, 2012, colour and monochrome plates and illustrations, including many tipped in, and a few folding, with an original wood engraving frontspiece entitled Wayside Laundry, original quarter orange cloth over patterned boards, paper label to spine, with slipcase, large square 4to, printed in an edition of 150 standard copies, together with Barnett Freedman, The Graphic Art, by Ian Rogerson, Fleece Press, 2006, numerous colour and monochrome plates and illustrations, including several folding, original red cloth with paper label to spine, large 4to, printed in an edition of 500 copies, plus Mr Derrick Harris 1919-1960 by Simon Brett, Fleece Press, 1998, colour and monochrome plates, with two separate portfolios of illustrations, all contained in original pale yellow cloth drop-over bookbox, oblong folio, printed in an edition of 280 copies, and 8 other Fleece Press publications: Edward Walters Printer & Engraver, 2013, Bookplates and Labels by Leo Wyatt, by Brian North Lee, 1988, Margaret Wells, A Selection of Her Wood Engravings, 1985, A Lakeland Diary, by Enid Wilson with wood-engravings by Kathleen Lindsley and Edward Stamp, 1985, The Auto-biography of Luke Hansard, 1991, Bookplates by Simon Brett, 1989, Herbert Hodgson Printer, Work for T.E. Lawrence & At Gregynog, 1989, and The Last Autobiographical of Thomas Bewick, with a commentary by Iain Bain, 2015, several with slipcases, 4to/8vo, all VG (11)

An Art Deco amber pressed glass table lamp base modelled as a seated nude figure with associated star burst style lamp shade. Height overall 42cms Will need rewiring with modern electrical wiring

A modern Moorcroft pottery tray, in the Art Nouveau taste, 20cm x 9cm.

FENTON FOR THE MUSEUM OF MODERN ART, REPRODUCTION IRIDESCENT BLUE FAN SHAPED GLASS VASE, 8 ½" (21.6cm) high, together with a COLOURED GLASS VASE, of ovoid form with flared rim, worked in matt tones of green, blue, white and brown, 7" (17.8cm) high, indistinctly signed and dated (19)99, (2)

'LALIQUE' FROSTED AND MOULDED CLEAR GLASS PERFUME BOTTLE, of orbicular, footed form with tall, tapering stopper, 4 ¾" (12.1cm) high overall, etched mark, together with THREE OTHER SIMILAR PERFUME BOTTLES AND STOPPERS, including two with stencilled marks for the Museum of Modern Art, 1986 and 1992, (4)

A David and Hermia Boyd dish depicting a goat herder. In 1956 David and Hermia Became widely known as leading Australian potters and introduced new techniques in glazing and use of the potters wheel in shaping sculptural figures. That year they had a major exhibition of ceramic tiles and sculptures at the museum of modern art, Melbourne. Diameter approx 39.5cm

A modern Wedgwood Queen Elizabeth ll mug, an art glass vase, and a Robin Welch glass candlestick

Three modern boxed Lalique items: an oval pendant, a double flower scent bottle, a black crystal crouching girl, together with an Art Deco style dish (4)

The Studio - An Illustrated Magazine of Fine and Applied Art, vols I - LXVII (lacking only 52, 63, 65 and 66) 1893 - 1916, with also vols LXXII - LXXVI (1918-19), very many etched, coloured and other plates, and scores of other illus.; almost all in publisher's gilt decorated green cloth, 4to Uniform bindings save Vol L (binders half cloth and marbled boards), Vols 1 and 11 in black pictorial cloth; Vols 1 and 11 also Vol. L without title page and index, which are present elsewhere; few Vols. with damp stained covers and slight spine wear, but generally good condition; 68 Vols in all plus Special Winter Number (1900/01) - Modern Pencil Drawings; European and American  (printed wrappers damaged)  

Eugenia Okoshi (New York, Washington / Japan, 1921-2008) "Equinox" Large Painting. Oil on canvas. Sight size: 38.75 x 38.75 in. Signed lower right. Okoshi was born in Seattle, WA in 1921 during a family business trip to the U.S. She was raised and educated outside of Tokyo, Japan where she attended the prestigious Rikkyo Jogakuin, Futaba-kojo-Futaba-kai school. She began working, studying, and making art with Fay Chang and Nicholas Damascus at Seattle University and Henry Frye at the Modern Art Museum of Seattle. Okoshi also found inspiration in the work of Mark Toby, another popular Seattle-based artist who incorporated Japanese sumi painting, brush gesture and calligraphy into his Abstract Expressionist paintings.

Mihail Chemiakin (New York, Russia born 1943) Lithograph. Numbered (23/225) lower left. Pencil Signed lower right. Watermark "Arches France". Image Size: 18.75 x 16 in. Sheet Size: 30 x 21 in. Unframed. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States.

Mihail Chemiakin  (New York, Russia born 1943) Lithograph.  Numbered (24/225) lower left. Pencil Signed lower right. Watermark "Arches France". Image Size: 19 x 16.5 in. Sheet Size: 30 x 21 in. Unframed. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States.

Helen Frankenthaler (1928 - 2011) Monotype. Pencil Signed and dated in lower right margin. Image size: 4.25 x 10 inches. Provenance: Private Washington D.C. collection. Born in Manhattan, New York, Helen Frankenthaler became the leader of the Color Field painters in New York City, emerging in the 1950s under the influence of Jackson Pollock and Willem de Kooning. Her work is a transition from Abstract Expressionism. As her range of artistic activities expanded, so did her international and national reputation. Frankenthaler has received numerous accolades, including prestigious awards and honorary degrees from Harvard University; Yale University; Smith College; Moore College of Art, Philadelphia; Amherst College; New York University; and Brandeis University. Her works appear in the collections of the Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; High Museum of Art, Atlanta; Museum of the 20th Century, Vienna; Museum of Fine Arts, Boston; Los Angeles County Museum of Art; and numerous other public institutions.

Mihail Chemiakin  (New York, Russia born 1943) Lithograph.  Numbered (24/225) lower left. Signed lower right. Watermark "Arches France". Image Size: 9 x 15.75 in. Sheet Size: 30 x 21 in. Unframed. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States.

20th C. Bronze Bust of a Man. With Partial "...Modern Art New York Foundry" mark near neck. Total Height: 12 inches.

Walt Francis Kuhn (New York, California, 1877-1949) "Study for Clowns". Signed lower right. Title and dated verso. Oil on Board. Sight Size: 6.75 x 9 in. Provenance: Private Florida Collection. Framed behind glass. Walt Kuhn is perhaps best known for his circus figure-clown depictions. He studied at the Royal Academy in Munich from 1901 to 1903, and returned to New York where he worked as a cartoonist and magazine illustrator. He was associated with "The Eight", New York modernist painters, and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculptors that organized the Armory Show of 1913 that introduced modernist European art to America. Kuhn's work is in many private and public collections, including the Dublin Museum in Ireland; the Museum of Modern Art in New York; the Addison Gallery of American Art; the San Francisco Museum of Fine Arts; the Art Institute of Chicago; and the art museums of Denver, Columbus, Los Angeles, Wichita, and Detroit. J 1467

HOLME (CHARLES) EDT. MODERN PEN DRAWINGS: EUROPEAN AND AMERICAN, 238 OF 300 COPIES PUB. THE STUDIO, LONDON, 1901, EMBOSSED VELLUM. THE STUDIO AN ILLUSTRATED MAGAZINE OF FINE AND APPLIED ART VOLUMES 1 - 30, PUBLISHED BY THE STUDIO, HARDBOUND IN GREEN CLOTH. ANDERS ZORN, ETCHINGS AND TWO OTHER BOOKS. (34)

A modern art wall mounted plaque 52cm x 91cm

A piece of modern wall art.

(Book) Scottish National Gallery of Modern Art Alan Davie Drawings signed in pen by Alan Davie published by The Paragon Press.

Louis le Brocquy HRHA (1916-2012)Battersea BoyOil on canvas, 30.5 x 25.5cm (12 x 10'')Signed and dated (19)'54; inscribed versoLondon, Gimpel Fils, 1955Provenance: With Mark Adams Fine Art; Private Collection, Northern Ireland; de Veres Art Auctions, Sale June 2007, Lot 73; Private Collection Dublin.In her introduction to the 1966 le Brocquy Retrospective exhibition at The Municipal Gallery of Modern Art and The Ulster Museum, Prof. Anne Crookshank noted that the artist ‘is one of the strangely few artists who were born into an environment where a knowledge and love of art and literature were matters of everyday concern. Nevertheless, it was not until he was twenty-two, after he had been in the family’s business for some four years, that he decided he wanted to paint above all else. He set about it in an unconventional way which is, however, the oldest method of learning: from the paintings of the past. ‘He was enthralled by Spanish painting and its influence has remained a feature of his work, where the precision of his tone values and his use of greys and whites, both very prominent factors in Spanish painting, are constantly important. ‘From the beginning le Brocquy had remarkable fluency and the early academic paintings have a beauty and authority which is astonishing in view of his inexperience. Occasionally, much later, he again used old masters as the basis of his composition, but with much freer treatment. For instance, in Children in a Wood (1954) which is based on a Nicolaes Maes, he has raised the original into the complexity of a nearly cubist work, the figures and the background creating a closely related pattern like a carved high-relief.‘About 1950, a noticeable change takes place in the artist’s style. His subject matter is still concerned with human beings, but now more directly with the concept of family. The paintings are much simpler and for the first time he realizes empty spaces and relates forms to them with conviction. His family groups are placed in shallow, unidentifiable settings and represent the essential qualities of humanity rather that of particular human beings.’The present work, ‘Battersea Boy’ painted in 1954, when the artist was living and working in London, is one of a small series of works depicting children from the locality where the artist lived. A similar sized work entitled ‘Battersea Child’, also painted that year, was exhibited in the 1966 Retrospective (Cat. No. 29). Crookshank comments further ‘His pictures of children, which occur frequently during these years, evoke the innocence, wonder and clumsiness of the very young. But all his figures, though usually grouped, produce an impression of isolation. During these years he uses colour very sparingly and the overall effect is one of tonal contrast. In 1955 this ‘grey period comes to an end.’

Patrick Scott HRHA (1921-2014)Gold Painting 5.94Gold leaf and tempera on canvas, 130 x 130cm (51¼ x 51¼'')Signed, dated and inscribed versoPatrick Scott was born in Kilbrittain, Co. Cork, in 1921, trained as an architect but did not become a full-time artist until 1960. He worked with architect Michael Scott, on the design of Busáras, the central bus station in Dublin. He was also responsible for the orange livery of Irish intercity trains.Scott was perhaps best known for his gold paintings, abstracts incorporating geometrical forms in gold leaf against a pale tempura background. These works in particular are distinguished by their purity and sense of calm, reflecting his own interest in Zen Buddhism. Paintings by Scott are in several important international collections including the Museum of Modern Art in New York. He won the Guggenheim Award in 1960 and represented Ireland in the Venice Biennale of that year. The Douglas Hyde Gallery held a major retrospective of his work in 1981 and the Hugh Lane Gallery in Dublin held a major survey in 2002. Scott, who was a founding member of Aosdána, was conferred with the title of Saoi in 2007, by President of Ireland, Mary McAleese, the highest honour that can be bestowed upon an Irish artist.Patrick Scott died on 14 February 2014 at the age of 93.

George Russell AE (1867-1935)Figures in the DunesOil on canvas, 53 x 80cm (20¾ x 31½'')Signed 'AE'George Russell grew up in Lurgan, Co. Amargh but moved to Dublin at the age of 11. He is known not only for his paintings but as a writer, poet, critic, theosophist and economist, and by his pseudonym ‘AE’ (a derivative of the word Aeon). He began night time painting classes at the Metropolitan School of Art just two years after moving to Dublin, and went on to receive academic training at the RHA. AE supported Hugh Lane’s campaign for the gallery of modern art and was active in the Irish Literary Revival. He exhibited abroad at the 1913 Armory Show in New York and at the Whitechapel in London, and created a large scale series of murals of 3 Upper Ely Place in Dublin which has been compared to the work of Goya. Iberian reviewed George Russell’s first exhibition in 1904 in the Irish Homestead - ‘It is, perhaps, in his treatment of atmospheres that Mr Russells most charming and satisfying effects are produced, and the sense of brooding tranquility and a living peace. [His] use, too, of a solitary figure, or of a few figures wrapped about with silence and the spaces of the air and the hills, is a revelation of the nearness of natural men to the heart of nature itself. (The Irish Homestead, Vol. X, No.35, 27 August 1904). This sense of the magical power of nature and its spiritual and enigmatic character is what defines the best specimens of George Russell’s work. Although he was sometimes criticised for his prolific output, there are many fine examples among his industrious oeuvre.His paintings can be found in the collection of the Ulster Museum, National Gallery of Ireland, Hugh Lane, OPW, Trinity College Dublin and the Crawford Gallery.

Postcards, Glamour, a large collection of modern Glamour cards, in sets and loose, with duplication inc. Fantasy Art, RP's, sepia images, some Oriental etc (vg) (400+)

A modern bronze cast greyhound in the Art Deco style and a selection of cold cast resin bronzed figures to include hedgehog, Buddha, otter, golfers and a skunk, height 29cm (7).

A good 19th century copper coal bin with brass handles and legs and an Edwardian brass log bin with swing handle and copper coopering, a 19th century copper kettle and some fireside companions, an Eastern brass vase and tray, a modern fly-pressed copper preserve pan and a trench art vase made from a 1917 Karlsbrun shell, dated 1917 (11).

Two early 20th Century mantel clocks The first of 'Napoleon hat' form by Henry Wells of Shrewsbury, the silvered dial with Arabic numerals, the second oak cased art deco style by Smiths, together with a modern silvered metal carriage style clock.

A group of early 20th Century wall and mantel clocks Including an Edwardian oak-cased Vienna type wall clock, a reproduction wall clock of similar style, two art deco style mahogany mantel clocks, a Japanese arch-top American style mantel clock, an 8-day wall clock movement with dial and pendulum and a modern Seiko desk clock. (7)

big lot, all sorts of mixed ephemera, 20th cent mainly; box of 20th cent bklts, tourist etc, all types + box of art based ephemera, prints, books etc + tourist ephemera mainly, bklts etc Incl modern

Mac Donagh (Thomas) Thomas Campion and the Art of English Poetry D. & L. 1913, cloth boards, in the scarce wrapper; The same, brown printed card; Poetical Works, D. 1916, portrait, cloth boards, wrappers, Literature in Ireland. D. 1916, portrait, errata slip, blue cloth gilt in wrappers; Pagans A Modern Play in Two Conversations. D. & L. 1920, wrappers., Literature in Irish Studies, D. 1916, scarce. A good collection, First Editions.'This other, his helper and friend, was coming into his force; He might have won fame in the end, So sensitive his nature seemed, So daring and sweet his thought..' [W.B. Yeats]. (5)

Two Peruvian textiles, a modern poncho, three textbooks on Pre-Columbian art and Ancient Peruvian textiles

A pair of modern Italian Art Deco style rectangular wall mirrors, central bevelled mirrored panel, colourless and blue bevelled mirrored reverse frame, applied colourless and blue mirrored floral decoration (one af), 71.5 cm wide x 81 cm high (2)

A mixed lot comprising two American folk art hide covered cushions, together with a Government Service leather case bearing ER cipher and a modern Chinese tea tray (4)

A pair of modern table lamps with frilled blue glass shades and figural pedestals, together with a modern art glass vase (3)

Art biography. Romney, Rev. J. 'Memoirs of the Life and Works of George Romney...', London: Printed for Baldwin and Cradock, 1830. Re-bound in a modern half leather.

Moulded figure of Marilyn Monroe, glass candle lamp, two table lamps, modern art glass vase, boxed set of rubber stamps and other decorative ceramics and miscellanea Condition Report Click here for further images, condition, auction times & delivery costs

An Art Nouveau style Pendant, set with three small sapphires and seed pearls and with seed pearl and sapphire drop, the suspension loop marked 9ct, together with a 9ct yellow gold modern pendant in the Art Nouveau style, set with sapphires and diamond points (2)

A modern cranberry art glass shallow bowl, signed Hogland 1992 N.Z., 14in (35.5cm) diameter, and a cut glass bowl signed Orrefors Simon-Gate, together with a Scottish art glass bowl designed by Mike Hunter and six other pieces including two paperweights (8)

ZEIJKO LAPUH (1951) 'Mihaljka' Family modern contemporary art painting oil on board dated 1986 18cm x 26cm

THREE WRIST WATCHES, comprising two gold plated gentleman's examples and a modern art deco style lady's example, all on black straps

A quantity of boxed Wade Whimsies, boxed Wade Art Deco collection ornaments & sundry modern china ornaments ETC Condition Report: please request via email. Condition reports not stated with descriptions in this auction

A small parcel of jewellery including Art Deco drop earrings, a modern silver bangle, floral brooch, crucifix ETC Condition Report: please request via email. Condition reports not stated with descriptions in this auction

A GUY ROGERS VIRGINIA MID-20TH CENTURY TEAK FRAMED THREE PIECE SUITE comprising; sofa 90cm high x 180cm wide x 85cm deep and two matching armchairs, 90cm x 75cm x 85cm and a modern footstool (4) This item is offered for sale as a work of art, it may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling Condition Report: Available upon request

•WILLIAM MCCANCE (SCOTTISH 1894-1970) WOMAN READING Pastel and conte on paper, signed and dated 1925, 45.5 x 35cm (18 x 13 3/4") Scottish National Gallery of Modern Art - William McCance Exhibition, label verso Condition Report: On close inspection there is a vertical tear in the paper, approximately two centimetres in length, located at the bottom edge near the mount, left of centre. There is a diagonal crease line in the paper, approximately 4 to 5 centimetres in length, near the left edge in the bottom left hand quarter section and some light creasing in the paper in the top left hand corner are. There is some very light general creasing not unusually with this thin paper. .

TRENCH ART A UNUSUAL 5 INS DIAMETER BRASS PLAQUE ON BASE MARKED AD LIBTUN, A ‘WOLF’ AND SOMME, T/W A BRASS SPITFIRE ON STAND AND MODERN EPNS CHRISTMAS 1914 TIN

Dickens (Charles).- Catalogue of the Beautiful Collection of Modern Pictures, Water-Colour Drawings, and Objects of Art, of Charles Dickens deceased, 12pp., first edition, sale catalogue, contemporary ink signature of Alexander Walker at foot of title with note in pencil "I attended the sale" and prices in manuscript (ink over pencil), one leaf chipped at fore-edge, newspaper cuttings concerning Dickens's will and sale report pasted to front free endpapers, loose in old brown wrappers, upper wrapper inscribed "Dickens' sale catalogue Priced July 9th 1870" in ink at head, spine worn, covers detached, edges chipped, 8vo, Christie, Manson & Woods, 1870.⁂ The auction of Dickens's pictures was held a month after his death and was well-attended, with prices greatly exceeding expectations. The highest prices were for W.P.Frith's Dolly Varden (1000 guineas) which was commissioned by Dickens from the artist, Clarkson Stanfield's The Eddystone Lighthouse (990 gns) which was painted as scenery for the amateur production of Wilkie Collins's The Lighthouse in 1855, and Daniel Maclise's portrait of Dickens (660gns) presented to him by his publishers on the completion of Nicholas Nickleby in 1839. The stuffed raven which was the model for Grip in Barnaby Rudge fetched 120gns.

Collection of 20 British comics inc Fantastic no 2, 46, Fantastic Tales 13, Uncanny Tales 27, Astounding stories 19, 22, 37, 42, 73, 100, 104 (Nick Fury), Amazing Stories of Suspense 32, 42, 63, 67, Sinister Tales 37, 41, 56, 65, 67, 87 (Steve Ditko art); Terrific 1 (feat Iron Man, no iron on transfer), Super Spider-man, Rampage 10, 11, The Complete Fantastic Four 4, 13, 14, Walt Disneys Donald Duck Test Hopper, 20,000 Leagues under the Sea, The Sword in the stone, Judge Dredd, Star Trek, Us comics inc X-men 129 (1st app Kitty Pryde, Emma Frost) EX, Rom 2, Swamp Thing. Also Marvel comics in a folder inc Marvel Tales #3 x2, #5, Iron Man King-Size Special #1, plus modern age comics inc Spider-man, Iron Man, The Hulk etc.