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Click here to subscribeThe bracelet is gold tone metal with five cabochons and a fold-over clasp. Lalique France stamped inside and on the clasp. Dimensions: clasp to clasp: 7.5"L x 1"W. Inner circumference measures: 6". Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
The ring band is solid 14k gold and the rest is sterling silver. Pendant is sterling silver with an amber-colored cabochon. 14k stamped inside band. Ring size 7.5. The bracelet is sterling silver with five cabochons and a fold-over clasp. It measures 7.5"L x 1"W, clasp to clasp. Inner circumference measures: 6". Lalique stamps. Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
The ring band is solid 14k gold and the rest is sterling silver. 14k stamped inside band. Ring size 7.5. Pendant is sterling silver with an amethyst-colored cabochon. The bracelet is sterling silver with five cabochons and a fold-over clasp. It measures 7.5"L x 1"W, clasp to clasp. Inner circumference measures: 6". Lalique France stamps. Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
The ring band is solid 14k gold and the rest is sterling silver. 14k stamped inside band. Ring size 7.5. The bracelet is gold plated with five cabochons and a fold-over clasp. It measures 7.5"L x 1"W, clasp to clasp. Inner circumference measures: 6". The pendant is sterling silver with a grey cabochon and measures 1"dia. All of the pieces have the Lalique France stamp. Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
The ring band is solid 14k gold and the rest is sterling silver. 14k stamped inside band. Ring size 7.5. The bracelet is gold tone metal with five cabochons and measures 7.5"L x 1"W, clasp to clasp. Inner circumference measures: 6". Lalique France stamp. Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
The ring band is solid 14k gold and the rest is sterling silver. 14k stamped inside band. Ring size 7.5. Pendant is sterling silver with a smokey grey cabochon. The bracelet is sterling silver with five cabochons and a fold-over clasp. It measures 7.5"L x 1"W, clasp to clasp. Inner circumference measures: 6". Lalique France stamps. Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
Gorgeous art nouveau era beads cast from teal glass with gold gilded faces. Cast into the shape of blooming flowers with two drilled thread holes. Rene Lalique was a master glass maker and jeweler who influenced the art deco and art nouveau movements in the early 20th century. His pieces are renowned and coveted for their unique flora, fauna, and figurative themed designs. Each pendant measures 1"dia.. Includes floating display box measuring 10"L x 3"W x 1.25"H. Artist: Rene LaliqueCountry of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique
Gorgeous art nouveau era beads cast from teal glass with gold gilded faces. Cast into the shape of blooming flowers with two drilled thread holes. Rene Lalique was a master glass maker and jeweler who influenced the art deco and art nouveau movements in the early 20th century. His pieces are renowned and coveted for their unique flora, fauna, and figurative themed designs. Each pendant measures 1"dia. Includes floating display box measuring 10"L x 3"W x 1.25"H. Artist: Rene LaliqueCountry of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Age related wear.
After Moses Pitt (c.1639-1697), print on gold foil, “A New Geographic and Hydrographic Depiction of All the Lands of the World”, framed, mounted, and under glass, 40cm x 50cm, & 55cm x 65cm overall, together with another gold foil map, after William Janszon Blaeu (1571-1638), depicting a double hemisphere map of the world
FOOTBALL, Notts County home programmes, 1983/84, inc. v Birmingham City, Arsenal, Everton, Stoke City, Norwich City, Aston Villa, Sunderland, Tottenham Hotspur, West Ham etc., bound in black book with gold lettering and season to spine, total of 21 programmes, VG to EX
FOOTBALL, Nottingham Forest programmes, 2003 & 2004, home & away, inc. West Ham (Clough's memorial), Lincoln City (preseason friendly), Derby County, Crystal Palace, Coventry City, Wimbledon, Wigan Athletic, Sheffield United, Preston North End, Bradford City etc., with related newspaper cuttings, in official Nottingham Forest album with gold lettering & badge to spine, many with centre-folds, some creasing, G to VG, 30*
GUCCI; a large vintage orange suede leather handbag with a canvas Gigi logo panel to front, tan leather trim with a gold tone hardware snaffle to top handle, 45 x 35 x 13cm.Condition Report: The exterior has some scuffs to the suede and some staining. The interior with signs of use.
Ca. 300-100 BC.A gold filigree pendant with a circular suspension loop, leading to a flaring body in a garnet setting. Size: L:20mm / W:10mm ; 3.36g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Ca. 300-100 BC.A gold pendant with intricate filigree work and a circular suspension loop. It contains a rock crystal cut into a claw shape. Size: L:25mm / W:8mm ; 2.6g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Ca. 100-200 AD. A gold pyxis with a tubular body, ornate surface details and arched handle. The exterior surface is resplendent with ornate detailing, featuring two distinct registers of filigree and curvilinear motifs, separated by delicate beaded band. Size: L:17mm / W:10mm ; 4.05g Provenance: Private European collection, acquired on the UK art market; formerly acquired on the German art market in the 1990s.
Ca. 1700-1800 AD or earlier.A finely carved agate cameo depicting Oceanus, set in a gold setting. Convex in form with intricately engraved border and an integral suspension loop. The Titan is depicted with his gaze slightly turned to the left, curly hair bound in a fillet, articulated eyes and full beard. It comes with a full authentication report. Size: L:43mm / W:36mm ; 16.72g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 100-300 AD.A beaded necklace composed of gold and turquoise beads. A large, tubular turquoise pendant sits at the centre, adorned by a teardrop-shaped gold finial. Size: L:350mm / W:2mm ; 6.09g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 1000-1300 AD.A heavy medieval gold ring with a elaborate design, featuring a flat D-shaped hoop and a circular bezel. Inside the bezel, there is a central Jerusalem cross with four smaller crosses at the corners. The ring's shoulders have fleur-de-lis motifs associated with nobility and heraldry. Accompanied by an independent specialist report and valuation, ref. no.177162/13/07/2021; The ring is also accompanied by a gemmological and historical report by an independent specialist Anna Rogers and a full authentication report. Size: D:19.15mm / US:9 1/4 / UK:S ; 24.42g Provenance: Property of a central London gallery; Ex. collection of a Surrey gentleman UK; acquired on the UK art market; previously on the European art market before 2000. This item has been checked against the Art Loss Register database.
Ca. 900-1000 AD.A gold pendant shaped like a flat, double-headed hammer. This design is connected to 'Mjollnir,' the famous hammer of the Norse god, Thor. The pendant has punched triangles decoration, enclosed by short lines around the edges. It has a collar and a rounded suspension loop at the top, while the back is plain and flat. Size: L:20mm / W:15mm ; 4.32g Provenance: Property of London ancient art gallery, acquired on the UK art market; Ex. private German collection, formed late 1980s. This item has been checked against the Art Loss Register database.
Ca. 900-1100 AD.A Viking rock cyrstal bead in possibly later high carat gold setting, comprised of woven, cage-like golden wire, twisted neatly around bead. The design features a suspension loop. Size: L:47mm / W:16mm ; 8.74g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market. This item has been checked against the Art Loss Register database.
Ca. 900-1100 AD.A Viking carnelian bead in possibly later high carat gold setting, comprised of woven, cage-like golden wire, twisted neatly around bead. The design features a suspension loop. Size: L:33mm / W:20mm ; 6.65g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market. This item has been checked against the Art Loss Register database.
Ca. 900-1100 AD.A substantial and unusual ring, composed of twisted Viking hack gold bar. Size: D:15.49mm / US:4 3/4 / UK:J ; 38.66g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 900-1000 AD. A gold disc pendant that features a raised central knob surrounded by beaded borders. It displays intricate curvilinear and knotted cord-patterned motif symbolising Jormungandr the mythalogical sea serpent. These pendants held symbolic importance in Viking culture, representing protection, fertility, and life cycles. Accompanied by a X-ray fluorescence authentication report from Oxford Labs ltd, 2016, certificate number: F918653. Size: L:41mm / W:39mm ; 10.95g Provenance: A private collection; formerly property of a professional; acquired on the European art market in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 900-1100 AD.A gold ring with slightly flat sides, adorned with a pattern of evenly spaced incisions. There are two facing triangular motifs, each adorned with three meticulously punched dots. Accompanied by a X-ray fluorescence authentication report from Oxford Labs ltd, 2012, certificate number: F918283. Size: D:19.15mm / US:9 1/4 / UK:S ; 12.14g Provenance: Propery of a European collector; formerly property of a West Yorkshire lady; collected 1978-2008. This item has been checked against the Art Loss Register database.
Ca. 900-1000 AD.A Viking gold cross pendant. Elaborately applied grandulation, four sylised beast heads at each terminal with loop for supention above. It comes with a full authentication report. Size: L:40mm / W:35mm ; 8.36g Provenance: Private UK collection; From an old London collection formed in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 1400-1500 AD.A gold ring consisting of ten interconnected plaques – five circular and five rectangular. The circular beads feature raised domes with an eight-pointed star motif set against a cross-hatched background. Accompanied by a X-ray fluorescence authentication report from Oxford Labs ltd, 2016, certificate number: F918662. Size: D:17.53mm / US:7 1/4 / UK:O ; 4.84g Provenance: Private European collection; ex. Skerne & Wansford, East Riding of Yorkshire, UK. Recorded with the Portable Antiquities Scheme with reference number NCL-807A73. Accompanied by the Art Loss Register certificate Ref.: S00117825.
Ca. 900-1100 AD.A gold finger ring with a flat hoop that gently widens and ends in a large circular bezel. The bezel is carefully decorated with a border of stamped dots and holds a central garnet gem in vibrant red. In medieval times, garnets were highly valued for their intense colours. Size: D:15.49mm / US:4 3/4 / UK:J ; 5.4g Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 600-800 AD. A gold cross pendant, with four arms and a rectangular raised cell in the centre containing a green chalcedony stone. The arms are intricately decorated with scrollwork and beading. Small pearls in circular cells adorn each corner. The back of the pendant is plain, and it has a loop for hanging at the top. It comes with a full authentication report. Size: L:36mm / W:23mm ; 6.61g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previously with a London gallery; acquired in the 1990s on the UK art market. This item has been checked against the Art Loss Register database.
Ca. 800 AD.A pair of meticulously crafted earrings showcasing an elaborate design. Fastened with a gold wire hook and eye closure, positioned above a ribbed plaque. Beneath, a graceful crescent shape that displays intricate surface openwork. At the heart of each earring, meticulous cloisonne triangular and circular gem settings, enveloped by filigree work. A circular, turquiose gem hangs at the bottom of the design. Size: L:50mm / W:37mm ; 5.74g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. Early 1200 AD.A marble dado panel displaying Kufic script along its upper edge. The central register features tri-lobed leaf elements and vegetal motifs, possibly originally adorned with vivid pigments and gold leaf. Kufic script originated in the 7th century and became prominent in Islamic art and inscriptions. Cf. The Brooklyn Museum, Accession Number 83.163. Size: L:460mm / W:430mm ; 12kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been checked against the Art Loss Register database.
Ca. 900 AD.A gold pendant with calligraphy around the edge and an intricate openwork frog in the centre. It comes from 9th-century Andalusia during the Islamic Golden Age when Arab Andalusians made significant contributions to arts and sciences, influencing European intellectual traditions. It comes with a full authentication report. Size: L:30mm / W:25mm ; 5.82g Provenance: Private UK collection; formerly in the collection of Mr. R. Unger; previouslywith a London gallery; acquired in the 1980s on the UK art market. This item has been checked against the Art Loss Register database.
Ca. 400-600 AD.An agate stone seal with a cone-shaped body is adorned with an image of the Lamassu, a mythical creature from ancient Mesopotamian mythology. The Lamassu is depicted as a human-headed winged bull, with powerful muscles and a regal posture. The figure is depicted facing to the left, with wings outstretched and a bow at the ready. Its human head is adorned with a crown or headdress. The stone seal is threaded onto a delicate gold hoop with overlapping terminals to secure it. Size: L:23.6mm / W:14.4mm ; 4.09g Provenance: Private London collection, UK art market before 2000. This item has been checked against the Art Loss Register database.
Ca. 2000-1000 BC.A restrung necklace with small gold beads, alternating with green discoid and lapis lazuli beads. Lapis lazuli, a prized stone, is known for its captivating blue hue and was a material common in Bactria. Size: L:235/470mm / W:7mm ; 9.03g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 2000-1000 BC.A necklace with restrung gold, glass, and stone beads. Symmetrical arrangement with alternating materials. Gems are embedded in select gold beads. A substantial biconial gold bead forms the centrepiece. Size: L:275/550mm / W:6mm ; 16g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 1000 BC.A restrung Western Asiatic necklace consisting of large conical shaped carnelian beads with cross hatch decoration in white pigment. These are strung alongside gold beads of different shapes, possibly in the forms of lotus petals or floral motifs. Alongside these, further beads made of lapis lazuli and jasper adorn the piece. The beads vary in size. Size: L:250mm / W:13mm ; 18g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 2000-1000 BC.A beaded necklace combines gold, lapis lazuli, and green beads, creating a luxurious and elegant piece. Lapis lazuli, a deep blue gemstone with golden specks, is a material abundant in the region of Bactria. Size: L:220mm / W:14mm ; 13.15g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 100 BC-100 AD.A snake-shaped finger ring, meticulously crafted from a single piece of gold wire, tapering from tail to head with detailed eyes. Snake rings held significance in Romano-Egyptian culture, symbolising renewal, power, wisdom, and protection. They were also believed to have protective and magical properties, guarding against evil spirits and misfortune as talismans. Size: D:16.71mm / US:6 1/4 / UK:M ; 10.22g Provenance: A private collection formed in the United Kingdom since 1990s. This item has been checked against the Art Loss Register database.
Ca. 332-30 BC.A necklace composed of a tightly coiled gold strip, centred by an agate cylinder with a drop shaped finial. Below it, a snake formed from a solid rod, lenticular in section, curves into an open hoop with its head curved back and projecting outward. Size: L:360mm / W:4mm ; 20.9g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 500-400 BC.A gold swivel finger ring featuring a rock crystal scaraboid engraved with a griffin. Very well preserved and wearable. For similar see: The Metropolitan Museum of Art, Accession Number: 74.51.4209. Size: D:18.75mm / US:8 3/4 / UK:R ; 8.85g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s. This item has been checked against the Art Loss Register database.
Ca. 100 AD.A gold pendant moulded in a circular shape with a raised dotted border. It features an eye symbol in the centre, surrounded by animals: a scorpion, snake, dog, crocodile, and an ibis, next to a stylised gladius sword. The combination of symbols on this pendant is highly unusual and represents a combination of Egyptian and Eoman features, suggesting the talisman nature of the pendant. For similar see: The Johns Hopkins Archaeological Museum (JHAM), Accession Number: FIC.07.225. Size: L:34mm / W:29mm ; 4.68g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 500-400 BC.A gold bracelet, circular in shape, made from two joined tubes with a central groove. It represents the artistic influences of the Hellenistic era, known for its craftsmanship and use of gold. Very well preserved and wearable artefact. Size: L:85mm / W:82mm ; 65.82g Provenance: Property of a central London gallery; Ex. Dutch collection, 2000s. This item has been checked against the Art Loss Register database.
Ca. 400 BC.A gold ring with a slim rounded hoop holding a large bezel with elaborate engravings of a lion attacking a bull. Size: D:18.75mm / US:8 3/4 / UK:R ; 11.11g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s. This item has been checked against the Art Loss Register database.
Ca. 100 BC.A sapphire intaglio in a gold ring displaying a detailed portrait of Athena, the Greek goddess of wisdom and war, seen wearing one of her attributes, the crested Corinthian helmet. Size: D:19.56mm / US:9 3/4 / UK:T ; 19.33g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been checked against the Art Loss Register database.
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