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Bonhams
Lot 9

John Lecomber, London & Liverpool. An 18K gold key wind open face pocket watch with start/stop secondsDate: Chester Hallmark for 1879Movement: Gilt 3/4 plate English lever, cut and compensated bi-metallic balance, No.36079Dial: White, black Roman numerals, black outer minute and 0-300 scales, gilt spade hands, centre seconds, dated September 13th 1875Case: Polished hinged, foliate engraved bezels, start/stop button in the band between 1 and 2, No.36079Signed: Dial & movement, case stamped E JLSize: 56mm Accompaniments: Associated carved hardwood pocket watch stand (AF), keyFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 90

Rolex. An 18K gold automatic calendar bracelet watchModel: DatejustReference: 1601Date: Circa 1968Movement: 26-jewel Cal.1570 automatic, adjusted to 5 positions and temperature, No.D14****Dial: Black, applied gilt baton hour markers, black outer 1/2 minute markers, magnified date aperture at 3, gilt baton handsCase: Brushed and polished tonneau form, screw down back and crown, fluted bezel, No.186****Strap/Bracelet: Fitted 18K president linkBuckle/Clasp: Signed 18K gold folding claspSigned: Case, dial & movement Size: 36mmFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 91

Omega. An 18K gold quartz electronic calendar bracelet watchModel: Constellation Electronic F300Reference: 198.0006Date: Purchased 19th March 1968Movement: 12-jewel Cal.1250 quartz electronic, No.34211247Dial: Two-tone champagne, applied gilt baton hour markers with black accents, black minute divisions, gilt edged date aperture at 3, gilt black accented pointed baton hands with luminous inserts, red centre secondsCase: Brushed and polished tonneau form, hobnail engraved bezel, screw down backStrap/Bracelet: Fitted 18K gold 398.803 Omega link Buckle/Clasp: Signed folding claspSigned: Case, dial & movement Size: 35mm Accompaniments: Omega/Garrard box, outer card, Garrard Certificate of Guarantee, blank Omega International Guarantee For further information on this lot please visit Bonhams.com

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Bonhams
Lot 92

Piaget. An 18K gold manual wind concealed 50 Pesos coin watchDate: Circa 1980Movement: 18-jewel Cal.9P manual wind, adjusted to 5 positions and temperature, No.6894245Dial: Sunburst salmon, black baton hour markers, blued steel pointed baton handsCase: Brushed and polished inner hinged case with snap on back, outer case in the form of a Mexican 50 Pesos coin dated 1947, winding crown at 1, hinged front opened via push button in the band at 3Signed: Case, dial & movement Size: 38mmFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 93

Rolex. A 9K gold manual wind wristwatchModel: PrecisionDate: London Hallmark for 1969Movement: 17-jewel Cal.1215 manual windDial: Brushed champagne, gilt baton hour markers, black accented quarters, black tapering baton hands, centre secondsCase: Polished round, movement accessed through the glass, No.33364Strap/Bracelet: Black Rolex crocodile leather Buckle/Clasp: Signed gold plated buckleSigned: Case, dial & movement, case also stamped DS&SSize: 33mm Accompaniments: Rolex service box and pouch, International Service Guarantee dated January 2015This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 94

Tissot. An early 18K gold bumper automatic world time wristwatchModel: NavigatorReference: OR 4001Date: Circa 1955Movement: Pink gilt 17-jewel bumper automatic, No.3028574Dial: Silvered, applied gilt 24 hour markers, black outer minute divisions, central disc with cities of the world, blued steel lance hands with luminous inserts, centre secondsCase: Polished round, snap on back, 12 hour markers to bezel, quick set button at 2, No.23/100Strap/Bracelet: Dark blue Rolex alligator leatherBuckle/Clasp: Gilt buckleSigned: Case, dial & movement Size: 36mmFootnotes:In 1953 Tissot celebrated their centenary with the launch of the Navigator. This innovative World Time allowed the user to adjust to 24 different city time zones with the push of a button. At 36mm this is a very wearable watch with a clear and stylish dial that still resonates today.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 95

Longines. An 18K gold manual wind bracelet watchDate: London Hallmark for 1952Movement: 17-jewel Cal.23Z manual wind, No.8570235Dial: Silvered textured, applied gilt bullet hour markers, Arabic numeral 12, outer minute divisions, subsidiary seconds at 6, gilt faceted lance handsCase: Polished round, snap on back, coronet form crown, No.781Strap/Bracelet: Fitted 18K gold brick linkBuckle/Clasp: Folding claspSigned: Dial & movement, case signed BaumeSize: 34mmFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 96

International Watch Company. A lady's 18K gold and diamond set manual wind bracelet watchDate: Circa 1957Movement: Jewelled Cal.431 manual wind, No.1415292Dial: Silvered, applied gilt baton hour markers, gilt dagger handsCase: Brushed and polished round, snap on back, diamond set shoulders, No.1441746Strap/Bracelet: Integral woven linkBuckle/Clasp: Folding claspSigned: Case, dial & movementSize: 17mmFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 99

Jaeger-LeCoultre. A lady's 18K gold manual wind rectangular wristwatchModel: DuoplanDate: Circa 1932Movement: 15-jewel manual wind, No.27116Dial: Silvered, black Arabic numerals, blued steel sword handsCase: Polished rectangular, hinged back secured with pin, back winding, inner cap numbered 27116, inside bezel numbered 665, No.68665, 5036Strap/Bracelet: Tan brown leatherBuckle/Clasp: Associated plated buckleSigned: Dial signed Jaeger, movement signed LeCoultreSize: 12mm x 22mmFor further information on this lot please visit Bonhams.com

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Thomas N. Miller
Lot 181

A Victorian 9ct gold ruby and pearl set brooch CONDITION REPORT: 1.6g

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Thomas N. Miller
Lot 182

An 18ct gold sapphire and diamond ring, size U CONDITION REPORT: 3.1g

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Thomas N. Miller
Lot 183

An 18ct gold five stone diamond ring, size G1/2 CONDITION REPORT: 1.8g

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Thomas N. Miller
Lot 184

A 9ct gold band ring and a gold sapphire and diamond cluster ring, sizes L and J/K respectively. CONDITION REPORT: 3.6g gross.

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Thomas N. Miller
Lot 185

A gold swivel fob set with bloodstone and agate, together with three other yellow metal pendants and a gilt pendant (5)

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Thomas N. Miller
Lot 196

An 18ct white gold ring set with 54 princess cut diamonds

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Thomas N. Miller
Lot 197

An 18ct white gold ring set with princess cut diamonds, approximately 1.2ct.

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Thomas N. Miller
Lot 198

A good quality double strand of pearls with gold, diamond set clasp

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Thomas N. Miller
Lot 199

An 18ct white gold sapphire and diamond bracelet, approximately 1ct of diamonds, length 17.5cm. CONDITION REPORT: 15.4g.

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Thomas N. Miller
Lot 202

A gent's vintage 18ct gold IWC Schaffhausen wristwatch, circa 1960 CONDITION REPORT: Winds but currently not running. Dial discoloured. Fine scratches to case and glass as expected. Later crown.

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Thomas N. Miller
Lot 203

An 18ct gold fob watch set with sapphires and diamonds CONDITION REPORT: Diameter 26mm. Weight 16.9g. Winds a little way and then will not wind further. Movement is running. Inner dust cover bent somewhat.

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Thomas N. Miller
Lot 204

Two vintage watches - one 9ct gold with rolled gold bracelet strap and one 9ct gold with leather strap. (2) CONDITION REPORT: Watch on leather strap - winds and runs. Watch on metal strap - Fully wound and not running.

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Thomas N. Miller
Lot 205

An 18ct gold diamond ring in heart shaped setting, approximately 0.3ct.

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Thomas N. Miller
Lot 206

An 18ct yellow gold princess cut diamond ring, approximately 0.3ct

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Thomas N. Miller
Lot 207

Two 18ct gold ruby and diamond rings (2)

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Thomas N. Miller
Lot 208

An 18ct gold opal and diamond ring

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Thomas N. Miller
Lot 209

An 18ct gold half eternity diamond ring together with a pearl and diamond ring. (2)

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Thomas N. Miller
Lot 212

A 15ct gold pearl set swallow brooch

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Thomas N. Miller
Lot 213

Two 18ct gold rings; one diamond, the other ruby and diamond. (2)

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Thomas N. Miller
Lot 214

An 18ct gold emerald and diamond ring

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Thomas N. Miller
Lot 215

An 18ct gold sapphire and diamond ring

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Thomas N. Miller
Lot 216

An antique 18ct gold opal and diamond ring

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Thomas N. Miller
Lot 218

An 18ct gold seven stone diamond 'forever' ring, approximately 0.4ct.

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Thomas N. Miller
Lot 219

An 18ct gold seven stone diamond cluster ring, size K CONDITION REPORT: 2.3g

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Thomas N. Miller
Lot 221

An 18ct gold ruby and diamond ring, size J CONDITION REPORT: 2.9g

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Thomas N. Miller
Lot 222

An 18ct gold pearl and diamond ring, size P. CONDITION REPORT: 2.4g.

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Thomas N. Miller
Lot 223

A pair of Victorian gold drop earrings

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Thomas N. Miller
Lot 224

An antique gold cameo and a citrine fob (2)

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Thomas N. Miller
Lot 234

A gent's heavy yellow metal signet ring, indistinct foreign marks, size Q CONDITION REPORT: 12.3g. Probably Egyptian gold.

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Thomas N. Miller
Lot 236

A 9ct gold watch chain with T-bar CONDITION REPORT: 4.7g

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Thomas N. Miller
Lot 237

A lady's 14ct gold cased wristwatch on yellow metal expanding strap, together with a lady's 9ct gold wristwatch on leather strap (2) CONDITION REPORT: All metal watch gross weight 17.5g.

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Thomas N. Miller
Lot 238

Two 9ct gold crucifix pendants on chains, 9.2g CONDITION REPORT: 9.2g gross. Larger cross 32mm by 20mm with a chain of 55cm. Smaller cross 23mm by 17mm with a chain length of 42cm.

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Thomas N. Miller
Lot 239

A yellow metal padlock bracelet CONDITION REPORT: The padlock is stamped 9ct. A couple of links do not appear to be gold. Sold as seen. Gross weight 10.9g.

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Thomas N. Miller
Lot 239A

A box of collectables including costume jewellery, pair of silver cuff links, British coins, tin of fountain pen nibs, gold plated watch chain etc

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Thomas N. Miller
Lot 240A

A Thomas Russell & Son gold plated open faced pocket watch, in original box CONDITION REPORT: Winds and runs.

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Thomas N. Miller
Lot 372

A pair of high carat gold mounted jade hoop earrings

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Thomas N. Miller
Lot 121

A tray of 24kt gold plated Grecian style china

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Sworders
Lot 18

A Georgian 15ct gold and mother-of-pearl folding fruit knife,the blade and mounts gold, the handles with inset dots and ovals, in a gilt tooled green leather case,open 17cm longFor a similar knife, described as Sheffield c.1790-1800, see Simon Moore 'Pocket Fruit Knives', 2008, pl.5.54, p.125. Condition report: Blade has scuffing, scratches, case rubbed,

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Sworders
Lot 19

A French gold and mother-of-pearl fruit knife,of Berge type, with silver and steel blades, the steel one stamped with a trident, the grip diagonally striped with gold wire and flower heads, in a green shagreen case,open 21cm long approximatelyFor an example of similar decoration, see Simon Moore, 'Pocket Fruit Knives' pl.2.46, p.35.

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Sworders
Lot 236

A Samson figure of a young man and his dog,c.1765, in the Chelsea style, he seated on a floral-sprigged rock, wearing a large hat, a pink coat, floral-decorated breeches and black shoes, all with ribboned details, his dog seated beside him looking to the side, with a gold and red anchor and monogram, incised to the base 264/5, losses, 17.5cm highCondition report: Ribbons with loss and damage. flowers with chips and losses.

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Sworders
Lot 311

Circle of Jean-Baptiste Van Loo (French, 1684-1745)Portrait of Horatio, 1st Lord Walpole of Wolverton, PC (1678-1757), half length, in long grey wig, blue jacket and gold waistcoatOil on canvas73 x 62cmProvenance: West Acre High House, Norfolk; Cheffins, 'West Acre High House', 24 November 2010, Lot 520, where acquired by the vendor;Wood Hall, Arkesden, Essex.Horatio Walpole was the son of Robert Walpole of Houghton Hall, Norfolk. Jean-Baptiste Van Loo’s original painting of Horatio Walpole is in the Norwich Castle Museum, Norfolk.Horace Walpole entered Parliament in 1702, remaining a member for fifty-four years. In 1715, when his brother, Sir Robert, became first Lord of the Treasury, he was made Secretary to the Treasury, and in 1716, having already had some experience of the kind, he went on a diplomatic mission to The Hague. He left office with his brother in 1717, but he was soon in harness again, becoming secretary to the lord-lieutenant of Ireland in 1720 and Secretary to the Treasury a second time in 1721.In 1722 he was again at The Hague, and in 1723 he went to Paris, where in the following year he was appointed envoy extraordinary and minister plenipotentiary. He got on intimate terms with Fleury and seconded his brother in his efforts to maintain friendly relations with France; he represented Great Britain at the congress of Soissons and helped to conclude the treaty of Seville (November 1729). He left Paris in 1730 and in 1734 went to represent his country at The Hague, where he remained until 1740, using all his influence in the cause of European peace. He was in 1739 a founding governor for London's most fashionable charity of the time, the Foundling Hospital.After the fall of Sir Robert Walpole in 1742, Horatio defended his conduct in the House of Commons and also in a pamphlet, 'The Interest of Great Britain steadily pursued'.In 1724 he engaged Thomas Ripley to design him a new house at Wolterton in Norfolk to replace one that had burnt down. Wolterton Hall was completed in 1742.In 1756 he was created Baron Walpole of Wolterton and he died 5 February 1757 at his house in Whitehall.Condition report: Oil on canvas which has been lined. The tension is stiff and the canvas is in plane. The paint layer is in a good condition overall. There is an old damage in the sitter's jacket which has been filled and retouched, the retouching is starting to flake away. There are other, small, scattered retouchings across the surface which are reasonably well matched to the original. The varnish is yellowed and semi-matte with a layer of surface dirt and accretions. There is wear and loss to the gilded surface on the frame and a heavy build up of dust.

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Sworders
Lot 315

Circle of John Vanderbank the Younger (1694-1739)Portrait of Mrs James Hoste of South Wootton and Sandringham, nee Hamond (1710-1759), three-quarter length, in a blue dress and gold cloakOil on canvas125 x 100cm, in a carved frameProvenance: By descent within the family of the sitter at West Acre High House, Norfolk; Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519;Wood Hall, Arkesden, Essex.Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36.Susan Hamond was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters. Condition report: Oil on canvas which has been lined. The canvas is in plane with good tension. The paint is slightly raised in areas following the lines of age craquelure. There are scattered retouchings across the surface, in the background these are covering the age cracks. Areas of retouching have discoloured over time; this is particularly noticeable in the sitter’s face. The varnish is yellowed and slightly matte. Dirt and old varnish residues are present in the texture of the paint, noticeably in the lighter paint passages. There is a layer of thick surface dirt present. The frame has suffered from woodworm damage, although this is only evident from the reverse and does not appear to be active.

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Sworders
Lot 467B

Attributed to John Riley (1646-1691)Portrait of a gentleman in a long brown wig, gold cloak and lace-trimmed shirt, standing, three-quarter length, his arm resting on a marble ledgeOil on canvas126 x 102cm, unframedProvenance: Private collection, London.It is thought that the sitter is possibly Samuel Pepys.Condition report: Oil on canvas which has been lined. The canvas has good tension and the picture is in plane. Overall the paint layer is in a stable condition. There is some wear and abrasion in thin paint passages and around the sitter's features. There are a few scattered old losses which have slightly uneven fills. There is a large area of retouching on the top of the sitter's wig and in the lower left corner. There are other small, scattered retouchings across the surface which are all well matched to the original. The painting has been carefully cleaned and old residues of varnish remain in some of the darker paint passages. The old degraded varnish causes a slightly mottled effect to the surface. The upper paint layer is even, semi-matte and slightly yellowed but acceptable.

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Sworders
Lot 469

Philippe Mercier (French, 1689-1760) Portrait of a lady, half length, in a gold dress and blue cloak, with pearl stomacherSigned with initials and dated 1742 l.r., oil on canvas, in a painted feigned oval74 x 61cmProvenance: From a Suffolk country house;Sotheby's, 17 March 1971, Lot 63, and 27 October 1971, Lot 52, where acquired by the vendor.Literature: John Ingamells and Robert Rainer, 'A Catalogue of the Paintings, Drawings and Etchings of Philip Mercier', Walpole Society, p.38, No. 122, XLVI 1976-78, 'location unknown, 74 x 61 HL young woman to half rt. in blue and gold dress, within a painted oval, signed and dated PM f. ano. 1742'.Condition report: Oil on canvas which has been lined. The canvas is in plane with good tension. There are numerous old tears across the canvas which have been repaired. Retouchings in these areas are slightly matte and discoloured but generally acceptable. There are a few small, scattered retouching across the surface. The varnish is old and yellowed but generally even. There are a few scattered losses to the gilding on the frame.

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Sworders
Lot 47

Six folding fruit knives with silver and steel double blades,the first, French of Berge type, with tortoiseshell and mother-of-pearl handles, inlaid with silver and gold, including stars and clubs, blade stamped 'HUARD A NANCY',open 20cm long,the second, also French and of Berge type, with tortoiseshell handles, blade stamped 'READ',the third, with mother-of-pearl handles and gold caps and a long blade at each end,the fourth, with mother-of-pearl handles, stamped with lion passant and duty marks (only).the fifth, with mother-of-pearl handles, in a leather case,by Charles William Fletcher & Sons Ltd., Sheffield 1917, the sixth, with mother-of-pearl handles, with three blades, two steel ones stamped 'Joseph Westby, Sheffield',by James Yeomans Cowlishall, Sheffield 1928,15-20cm long (6)For comparison, see Simon Moore, 'Pocket Fruit Knives', 2008, pp. 30 and 31.Condition report: First - mother of pearl handle split through and repaired and filled, small nicks to steel blade, rivets differ. blades don't look in placeSecond - silver caps worn, blades don't look in placethird - silver blade bent, gold caps rubbed through in placesfifth - small steel blade rusty, nicks to silver blade, discolouration to gripsixth - both steel blades with some rust

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Sworders
Lot 473

English School, 18th century Portrait of a lady, head and shoulders, in a red and blue dress and green and gold cloak, her hair in long ringletsOil on canvas, in a painted feigned oval72 x 59cmProvenance: From a Hertfordshire country house.Condition report: Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layer is stable overall. There are numerous retouchings across the surface, some of which appears slightly matte to the surrounding area. The varnish is clear but slightly uneven. The frame is in a good condition with a few small losses to the gilding and gesso.

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Sworders
Lot 474

English School, 18th centuryPortrait of a lady, head and shoulders, in a blue dress, white fichu and gold cloak; Portrait of a lady, head and shoulders, in a pink dress and silver, green and gold cloak;Portrait of a gentleman, head and shoulders, in a long grey curled wig, red and blue cloak and white stockThree, oil on canvaseach 73 x 60cm, oval, in period frames (3)Provenance: From a Hertfordshire country house.Condition report: Portrait of a Lady in a blue dress, Oil on canvas which appears to be lined. The canvas tension is adequate and the picture is in plane. The paint layer is slightly raised along the lines of craquelure. There is some wear and abrasion in the sitter's hair. The varnish is in a poor condition and is no longer adequately saturating the paint layer below. Areas of retouching have darkened and are visible in the lower half of the painting.Portrait of a lady in a pink dress with green wrap, Oil on canvas which has been lined. The paint layer is stable overall but has suffered from wear and abrasion in the past. There appear to be two campaigns of overpaint. The most recent appears dark under UV and is scattered across the surface, for example on the sitter's nose and below. Older overpaint is present in the flesh and is slightly grey, for example around the abraded curl of hair on the sitter's right shoulder. The varnish is clear, even and semi-glossy. There is some wear and abrasion to the gilding on the frame with a few scattered losses.Portrait of a Gentleman in a large wig, Oil on canvas which appears to have been lined. The canvas tension is good and the picture is in plane. The paint is slightly raised in areas following the age cracks but generally stable overall. The varnish has become dull, grey and cracked overtime. There are scattered retouchings across the surface including in the sitter's face. In the lower section of the painting larger retouchings have become darker over time. The gilded surface of the frame is flaking with small, scattered losses to the surface.

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Sworders
Lot 483

English School, 19th centuryPortrait of a gentleman, head and shoulders, in a black jacket, grey waistcoat and black stock;Portrait of a lady, head and shoulders, in a grey dress, a gold watch at her waist, possibly members of the Mandell familyA pair, oil on canvaseach 29 x 24cm (2)Provenance: From a Hertfordshire country house.Condition report: Lined and cleaned. Old note to the reverse "Mandell". The gentleman has some surface dirt.

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Sworders
Lot 496

Nikolay Leykin (Russian, contemporary)'Gold and white'Oil on canvas59.5 x 90cmCondition report: A little light dust caught in the varnish. Two small horizontal lines in the varnish top right, very insignificant and only visible from certain angles. A light vertical line caused by a thread in the canvas just visible running down the model's derriere, only visible under close inspection

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Sworders
Lot 514

A Russian portrait photograph of Madame Vonlarlarsky, by 'Boissonnas & Eggler of Petersbourg', dressed for one of the Saint Petersburg balls in an exotic costume, signed and inscribed 'En souvenir des charmantes...de Peterhof' 1903-1905,photo 17 x 12cm, 49 x 42cm framed overallThe 1903 Costume Ball is regarded as the most memorable festive event Saint Petersburg ever witnessed during the reign of Tsar Nicholas II. Dedicated to the 290th anniversary of the Romanov dynasty, the celebration took place over two days: a soirée was held on 11 February 1903, and the Costume Ball itself on 13 February. The great masquerade had the Winter Palace as its venue and was attended by most of the nobility of the Russian Empire, robed in resplendent attire in the style of the pre-Petrine era, specially designed by artists A Golovin, I Vsevolozhsky and S Solomko, and tailored by the leading costumiers N Lamanova, I Kaffi, A Ivashchenko and Y Ivanova. The garments gloriously married sumptuousness with elegance; at the time, the ball had been described as not just 'a magnificent spectacle, but a perfect work of art'.Nicholas II, for example, was dressed in 'the ceremonial costume of Tsar Alexei', comprising a kaftan and cloth-of-gold robe, tsar’s cap and staff – now kept in the Kremlin Armoury – while Empress Alexandra Fyodorovna was attired in a costume befitting Tsarina Maria Ilyinichna Miloslavskaya. All the ladies-in-waiting wore sarafans gowns and kokoshnik headdresses, while their male escorts were garbed in the uniforms of 17th-century streltsy soldiers or falconers.

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Sworders
Lot 647

A State Trumpeter banner,c.1860, as used by the State Trumpeters of the Household Cavalry, this particular example, which is one side of the original double-sided banner, is reputed to have been used by a State Trumpeter of either the 1st or the 2nd Life Guards, the embroidered coat of arms flanked by a lion and a unicorn, worked in gold, silver and coloured threads on a silk ground with 'VR' cypher, in a rosewood frame with applied plaque and with an old 'Parker Gallery' label verso,banner 46 x 60cm frame 60 x 74cmTrumpet banners are ‘cast’ every five years, or so, and because they are double-sided, they can be split. Usually, the halves will be shared between the Commanding Officer and the Adjutant; because they are State (rather than regimental) banners, it will not be possible to determine if they were 1st or 2nd Life Guards or Royal Horse Guards.We are grateful to Christopher Joll for his assistance with this catalogue entry.

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