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AN OPAL AND DIAMOND PENDANT/NECKLACEThe heart-shaped pendant within a brilliant-cut diamond border, set at the centre with a heart-shaped opal, suspended from bale set with three graduated similarly-cut diamonds and three cable-link chains, chains mounted in 18K gold, diamonds approximately 2.20cts total, pendant length 5.3cm, chains 45cm
A LADY'S 18K GOLD MANUAL WIND BRACELET WATCH, BY PIAGET, CIRCA 1980The round-shaped case, sunburst champagne dial with outer dot minute divisions, polished lance hands, brushed and polished case with snap on reverse, integral woven link bracelet with signed folding clasp, case, dial and movement signed, mounted in 18K gold, ref #2005P31, serial number 441508, length 15.5cm
A LADY'S 18K GOLD AND DIAMOND-SET QUARTZ BRACELET WATCH, BY CARTIERJewelled quartz movement, cream dial with Roman numerals with secret signature at 10, blued steel hands, polished case with diamond-set sides, back secured by 4 screws, diamond crown, maker's leather strap and 18K gold deployant clasp, ref: 2305, serial number CC182567, signed Cartier on dial, case, clasp and black leather strap, maker's mark, case width 2.1cm (including crown)
A LADY'S 18K GOLD AND DIAMOND-SET QUARTZ WRISTWATCH, BY BAUME & MERCIERThe octagonal dial with diamond hour markers, inner minutes and baton hands, to a diamond-set bezel and black leather strap by Baume & Mercier, signed crown, case and movement, ref #18259, serial number 1499878, case mounted in 18K gold, gold plated buckle, length 19.8cm
A GOLD AND DIAMOND PENDANT NECKLACE AND EARRINGS EN SUITEThe circular pendant depicting the head of Medusa, within a border of brilliant-cut diamonds, enclosed by a Greek key motif surround, suspended from a cable-link chain, the earrings designed en suite, mounted in 18K gold, diamond approximately 1.00ct total, necklace length 44cm, earrings 2cm, weight approximately 87g total
A LADY'S GOLD AND DIAMOND-SET BRACELET WATCH, BY GIRARD-PERREGAUXThe 17-jewel manual wind movement with an oval-shaped dial with baton indicators, within a double brilliant-cut diamond bezel, on an integral mesh strap , diamonds approximately 1.30cts total, bracelet mounted in 14K gold (case gold plated), length 17cm
A FINE LATE VICTORIAN DIAMOND AND PEARL PENDANT/BROOCH, CIRCA 1880The highly stylised tied ribbon bow surmount, set throughout with old brilliant and rose-cut diamonds, suspending a similarly-set curving leaf set to the centre with a pearl acorn pendant, with a rose-cut diamond cap, mounted in silver and gold, diamonds approximately 2.50cts total, French assay marks, length 6cm* please note that the pearl has not been tested
AN EMERALD, SAPPHIRE AND DIAMOND NECKLACEThe emerald graduating beads, strung as a multi-row necklace, interspersed by diamond-set rondels and connected by two art deco style diamond and sapphire plaques, to an 18K gold and diamond clasp, diamonds approximately 1.60cts total, length 46cm
A LADY'S GOLD, STEEL AND DIAMOND-SET CONSTELLATION QUARTZ WRISTWATCH, BY OMEGA, CIRCA 2004Of quartz movement Cal1546, the circular signed mother-of-pearl dial with faceted diamond numerals, to a brilliant-cut diamond set bezel, bi-colour case and tapered bracelet, diamonds approximately 0.40ct total, case numbered 895124, serial #58818719, my choice model, dial diameter 2.1cm, with Omega pouch, box and papers.
A SAPPHIRE AND DIAMOND RINGThe octagonal-cut sapphire in a four-claw setting, between two round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.80ct total, ring size N½Accompanied by a report from GCS laboratory in London, stating that the sapphire is natural, with no indications of heating (treatment), numbered 5776-6486, dated 5 August 2016
A SAPPHIRE AND DIAMOND CLUSTER RINGThe oval-shaped sapphire, weighing 8.19cts, within a surround of pear and round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.60ct total, Italian assay mark, ring size NAccompanied by a report from C. Dunaigre laboratory in Switzerland, stating that the sapphire is of Burmese origin, with no indications of heating (treatment). Report number CDC 1501013, dated 8th January 2015
A TWENTY-TWO KARAT GOLD NECKLACE, BY JEAN MAHIE, CIRCA 1970Of Cadene design, set with twenty-two interlocking links of hammered gold, mounted in 22K gold, with maker's mark for Jean Mahie, French assay marks, length 43cm, approximately 131g total, with a book Les créations de Jean Mahie signed and inscribed by the artistThe genius behind the Jean Mahie brand lies with its founders Jacline Mazard and her father-in-law Jean-Marie Mazard. Originally a painter, Jacline also learned some metal work techniques at a young age. Her father-in-law Jean Mazard, an established business man, immediately recognised her artistic talent and saw an opportunity to harness these talents and set up a jewellery line. Jacline has been quoted as saying “The inspiration for all the pieces comes from everyday life” - an interesting insight considering the apparent influences from Roman, Greek and Phoenician art that can be seen in the primitive gold figures often included in Jean Mahie pieces. Jacline grew up in Tunisia surrounded by Ancient Roman ruins; the influence of which is undeniable and creates an interesting juxtaposition of the Ancient and the Modern or “everyday”. Just as Jacline and Jean-Marie refused any professional training from jewellery schools, their bold designs reject any modern techniques. Each piece is sculpted and hammered out by hand. Although this is a painstaking process, the result is beautifully crafted one-of-a-kind pieces.Van Cleef & Arpels and Cartier took a keen interest in Jean Mahie jewellery in its early stages and displayed their jewellery in their windows in Paris, however these relationships disintegrated when the larger brands expressed a desire to take over Jean Mahie and mass produce their pieces. Years later Stanley Marcus, president and CEO of Neiman Marcus from 1950-1975 saw someone at a dinner party he was attending in New York wearing Jean Mahie jewellery and contacted the creators. Today Neiman Marcus are the sole retailers of Jean Mahie and they alone stock 1,000-1,500 Mahie pieces at a given time, which is incredible given that no two pieces are the same.Since the creation of Jean Mahie in 1969, Jacline and Mazard have been crystal clear in their vision for their jewellery, emphasising the importance of craftsmanship and uniqueness - qualities which have driven Jean Mahie to the heights of success. The craftsmanship and care that goes into each pieces is akin to the creative process of a work of art. Each piece is bold, defies trends and demands attention. There is no wonder why this jewellery is so highly coveted all around the world.
A DIAMOND ETERNITY RING, BY ALEXANDRE REZAComposed of a continuous row of princess-cut diamonds, within a channel setting, mounted in 18K gold, diamonds approximately 2.30cts total, with maker's mark, French assay mark, ring size L, with maker's caseThe name Alexandre Reza (1922-2016) is synonymous with exceptional gemstones and extraordinary design. A major gem dealer and jewellery designer for over 40 years, the legacy of the Russian-born Reza, whose family was of Iranian origin, and described in the Mirror in 1997, as probably the top jeweller in the world for the rich, famous and royalty.
A RUBY, DIAMOND AND SAPPHIRE BRACELET, CIRCA 1965Of flexible tubular design, composed of a clustered band of polished spherical beads, striated with trio-lines of brilliant-cut rubies, diamonds and sapphires, to a concealed clasp, mounted in 14K gold, diamonds approximately 2.30cts total, French assay mark, length 19cm
A LADY'S GOLD AND DIAMOND-SET COCKTAIL WATCH17-jewel manual wind movement, with circular dial with Arabic numerals and subsidiary seconds, within an brilliant-cut diamond bezel, between similarly-cut diamond lugs, to a 9K white gold double textured bracelet, case mounted in platinum, diamonds approximately 2.60cts total, length 19cm
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1854489 item(s)/page