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Lot 271

9ct white gold wishbone pearl set brooch, 1.9gm, 50mm; 9ct necklet 1.3gm; silver butterfly brooch, plated leaf brooch and a gilded panelled bracelet (a.f) 7gm

Lot 274

Antique yellow gold bloodstone intaglio ring, 16.5mm x 14mm, 2.7gm, ring size M/N-no hallmark present, sold as 15-18ct for approximate guidance 

Lot 275

Pair of attractive Victorian gold earrings, set with single seed pearls in an enamel star border, hook backs, 6gm, drop 41mm approx-** with a fitted case-no hallmarked but 15-18ct for approximate guidance 

Lot 283

9ct yellow gold amethyst pendant, 5.4gm, 37mm x 20mm

Lot 291

Modern 18ct white gold diamond band ring, round brilliant and baguette-cuts, 1.90ct approx in total, width 9mm, 4.1gm, ring size N/O-good condition 

Lot 293

Two 9ct yellow gold bracelets, 3.3gm (2)

Lot 307

18ct yellow gold sapphire and diamond ring, width 9mm, 3.5gm, ring size N

Lot 310

Pair of 18ct yellow gold diamond and cultured pearl earrings, 7gm, drop 27mm

Lot 322

Modern 18ct white gold aquamarine and diamond ring, the aquamarine 2.80ct approx, with round brilliant-cut set shoulders, width 7mm, 5.4gm, ring size I

Lot 329

18ct white gold band ring, 2mm, 1.4gm, ring size O

Lot 347

18ct yellow gold diamond set wedding band ring, London 1998, width 3mm, 3.2gm, ring size L/M

Lot 354

Baguette diamond 9ct yellow gold half-hoop ring, width 4mm, 2gm, ring size O

Lot 355

9ct engraved yellow gold curb link bracelet with a padlock clasp, 28.5gm

Lot 358

22ct yellow gold wedding band ring, 4.5gm, ring size H; also a pair of gold coloured earrings,  garnet and seed pearl set brooch and a safety chain (5)

Lot 383

14ct yellow gold diamond set bracelet, with round brilliant-cut diamonds, estimated 1.50-1.75ct approx in total, with safety chain, 11.5gm

Lot 391

14k garnet set necklace, set with forty-one garnets in yellow gold, 6.7gm, 18" long

Lot 396

9ct yellow gold flat curb link necklet, width 8mm, 23.3gm, 16" long

Lot 397

Modern string of cultured pearls with a 9ct white gold ball clasp, good condition, 113.4gm, 22" long-each of similar white lustre, some irregular in shape - see images 

Lot 400

9ct yellow gold diamond half eternity ring, round brilliant and baguette-cuts, 0.50ct approx in total, width 3mm, 2.4gm, ring size N/O-** with Gemological Science ISD Report

Lot 406

Good quality 18ct yellow gold diamond cluster ring with set shoulders, the centre diamond 0.75ct, clarity VS2, colour E, 12mm x 9.5mm, 5.1gm, ring size M/N (315)-** with HRD Antwerp certificate

Lot 410

Attractive 18ct white gold diamond set evil eye bracelet with blue gem set stones, 19.7gm, 7" long (344)

Lot 414

Attractive pair of vintage white and rose gold diamond set drop earrings, 8.2gm, drop 40mm approx (348)

Lot 419

Assorted gold earrings etc, 9.9gm (353)

Lot 420

18ct yellow gold diamond set cross pendant on a 18ct chain, round brilliant-cut diamonds, 0.55ct approx, the pendant 20mm x 15mm,  6.6gm (354)

Lot 424

Assorted gold earrings and body studs, 2.9gm (8) (358)

Lot 427

Impressive large white gold sapphire and diamond cluster ring, the sapphire 4.60ct approx, in a setting of marquise and round brilliant-cut diamonds, estimated total weight 2.20ct approx, 23.5mm x 18mm, 8.9gm, with inner ring size adjuster, size R/S (361)

Lot 430

18ct yellow gold large carved citrine and diamond ring, the citrine 14.50ct approx, 22mm x 18mm, 7.1gm, ring size N (701)

Lot 433

18ct yellow gold carved five stone diamond ring, old-cut diamonds 0.80ct approx in total, width 5mm, 3.7gm, ring size N (705)

Lot 440

18ct yellow gold solitaire princess-cut diamond ring, 0.35ct approx, clarity VS, colour J, width 4mm, 5.5gm, ring size O (713)

Lot 441

18ct white gold old brilliant-cut diamond solitaire ring, 1.20ct approx, clarity SI, colour K/L, width 7mm, 2.31gm, ring size L/M (714)

Lot 443

Pair of 18ct white gold diamond hoop earrings, 10.1gm, 21mm diameter (718)

Lot 445

Cartier yellow gold diamond full eternity ring, round brilliant-cut, 1.30ct approx in total, clarity SI, colour G/H, signed Cartier and numbered 749015, width 4mm, 3.8gm, ring size K/L (720)

Lot 446

14ct white gold emerald and diamond cluster ring, the emerald 2.00ct approx, width 15mm,  5.5gm, ring size K (721)

Lot 450

9ct yellow gold diamond and sapphire set brooch, 9.2gm, width 41mm (726)

Lot 451

14ct yellow gold jade set tree brooch, 5.1gm, 52mm (727)

Lot 464

18ct white gold five stone diamond ring, signed 'Browns BF7999', round brilliant-cut, 0.90ct approx, clarity SI, colour I/J, width 4mm, 5.2gm, ring size O (204)

Lot 471

Cartier 18ct white gold 'Love' gemstone bangle, signed, no. PQ2915, 33.9gm, 65mm (missing stone, slightly bent with surface scratches) (213)

Lot 48

Chopard 18ct white gold sapphire and diamond lady's wristwatch, references 13/6397-23 522277 915, pavé diamond bezel, mother of pearl diamond dot dial, quartz, Chopard blue crocodile strap, 28.2gm, 24mm (227)-Movement - currently functioning.Dial - good.Glass - good.Hands - good.Case - good, see images for guidance.Crown - adjusts hands correctly.Strap - wear to leather, buckle is not gold.No box or papers.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained 

Lot 481

Good modern 18ct white gold baguette diamond five stone ring, 0.90ct approx, clarity SI, colour I/J, width 8mm, 4.1gm, ring size J; with a pair of matching diamond half hoop earrings, 8.1gm, 22mm (3) (231)

Lot 492

Pair of 18ct yellow gold cufflinks in case, 8.2gm, 20mm; with a cased set of six mother of pearl and blue gem set shirt buttons (302)

Lot 5

Rolex Oyster Perpetual Datejust 36 stainless steel gentleman's wristwatch, reference no. 126234, serial no. 463Rxxxx, circa 2020, white gold fluted bezel, blue dial, Oyster bracelet, 36mm (324)-** with International Guarantee card purchased in December 2020  -Movement - currently functioning.Dial - good.Glass - good.Hands - good.Case - good, mild marks- see images.Crown - adjusts correctly.Bracelet - with spare link, wrist size 7.5" approx.No box.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained 

Lot 58

Chaumet, Paris 18ct yellow gold concealed lady's cocktail watch, 55.95gm, 15mm (725)-Movement - currently functioning.Dial - some wear tot he signature.Glass - good.Hands - good.Case - good - see images.Crown - adjusts correctly.Bracelet - good.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained 

Lot 81

Group of Rolex booklets, wallet, glass and three steel and gold jubilee bracelet links

Lot 314

+ ALIX AYMÉ (FRANCE & VIETNAM, 1894-1989) PROFESSOR AT THE ÉCOLE DES BEAUX-ARTS DE L’INDOCHINE (EBAI - INDOCHINA FINE ARTS COLLEGE OF HANOI) Jeune fille assise aux fleurs – A seated young beauty with flowers Lacquered wooden panel Signed on the lower right Framed with an American case Dimensions (the sole lacquered panel, frame excluded): 77 x 49 cm   This lot will be included in the forthcoming catalogue raisonne of the artist in preparation by Mr. Pascal Lacombe.  Provenance: a Brittany private collection, France.  + NOTICE TO BIDDERS:  This lot is stored at CADOGAN TATE PARIS. Please contact CADOGAN TATE at Parc des Docks, Bâtiment 553B, 50 rue Ardouin, St Ouen, 93400 Paris, France, +33 1 48 20 85 60.  Notes: 1. Born in Marseille as Alix Angèle Marguerite Hava, Alix Aymé (this last name being that of her second husband, Georges Aymé, who eventually became the Commandant of French Forces in Indochina) was a pupil of George Desvallières (1861–1950) and then Maurice Denis (1870-1943), with whom she maintained a close correspondence throughout her career. She first traveled to Asia (Shanghai, China then Hanoi, Vietnam) in the 1920s with her first husband, a milestone from which would grow her fascination for this continent. She returned to Indochina in the late 1920s together with her new-born child and then traveled extensively the South-Eastern Asia. Alix Aymé was inextricably linked to the French colonial experience in Indochina: she lived and worked for many years in Hanoi; she was instrumental in the revival of the ancient art of lacquer that she taught at the Ecole des Beaux-Arts de l’Indochine (Indochina School of Fine Arts) along with Joseph Inguimberty (1896-1971). Her work is at the crossing point between the Nabis style and the traditional Vietnamese painting. It is also inspired from the Byzantine icons with a notable taste for gilt backgrounds. She thereby brought traditional Vietnamese subjects, such as young beauties and maternities, under the light of Western Modernity. She was particularly talented at depicting the soul and intimacy of her models. In September of 2012, an exhibition about the Ecole des Beaux-Arts de l’Indochine (EBAI) opened at Paris Museum of Asian Art (Cernuschi Museum) that drew attention to the work of Alix Aymé with the display of a magnificent lacquered cabinet by hert that was arguably the ‘star attraction’. Today, her work is found in a number of important private and public collections worldwidely, including the Cabinet des Dessins of the Louvre Museum (Paris, France), the Musée des Années Trente (Paris, France), the Royal Palace in Luang Prabang (Cambodia) and the Evergreen Museum and Library of Johns Hopkins University in Baltimore (USA) 2. This portrait seems to belong to a series of lacquered wooden panels depicting women together with flowers and may possibly be the most notable one. Indeed, it stands out because of its size (it appears to be the largest one of the series) and also because the body of the model is made visible, whilst on the other panels, their sole busts are depicted. Alix Aymé captured the soul and intimacy or her model - a very young girl with almond eyes, half-long hair and a delicate smile - who appears to be serene and calm. She is wearing a long brown long robe as well as a flower necklace and his holding a bouquet of flowers. The sobriety of her tunisque is deeply contrasting with the bright pastel colors of the flowers and with the gold background. The latter makes it looks like an icon rather than a mere portrait, which conveys spirituality and invites to meditate. 3. Compare with a panel depicting a young girl with a dove of smaller size (45,5 x 38 cm) sold at AGUTTES, Paris, France, 2020-10-06, lot 24, for €27,000 hammer price. Also compare with a panel depicting a young girl with flowers of smaller size (48 x 38 cm) sold at AGUTTES, Paris, France, 2022-03-14, lot 30, for €87,000 hammer price. This last example is the closest one to our panel and gives a good idea on the most recent trend for prices.  

Lot 317

VIETNAMESE SCHOOL (VIETNAM, ACTIVE 20TH CENTURY) ATTRIBUTED TO HOÀNG TÍCH CHU (1914-1976) AND NGUYÊN TIÊN CHUNG (1897-1933) ECOLE DES BEAUX ARTS DE L’INDOCHINE (INDOCHINA FINE ARTS COLLEGE - EBAI), 11TH CLASS (1936-1941) La Moyenne Région (du Nord Vietnam, Tonkin) - The Middle Region (of North Vietnam, Tonkin) Lacquered wooden shallow dish with gilt against a red ground Not signed D: 30,5 cm Provenance: A private collection of Vietnamese Art, French Riviera, France. Notes: 1. This impressive work may be linked with a major lacquered wooden panel sold at CHRISTIE’S, a common work by these two artists, students of Joseph Inguimberty (1896-1971) in the lacquer section of the Ecole des Beaux Arts de l’Indochine as well as close friends. See CHRISTIE’S Hong Kong, China, 2017-05-28, lot 325, sold for €549,320. 2. Please find below an abstract of the lot essay written by expert Jean-François Hubert, senior consultant at CHRISTIE’S, for the above-mentioned panel, that may also fit our shallow dish: ‘The execution of a joint work, might not be unique, but it certainly remains exceptional. In 1942, these two artists were in full force and at the peak of their talent. In this work, they both related the same way to this majestic and mysterious mountainous Tonkin, which Victor Tardieu and Joseph Inguimberty always encouraged students of the Beaux Arts to go admire. The sugar loaf mountains, such as those found in this region are magnified, as well as the vegetation, by an abundant use of gold lacquer in contrast to the rather dark atmosphere of the rice fields.’ TRƯỜNG HỌC VIỆT NAM (VIỆT NAM, HOẠT ĐỘNG VÀO THẾ KỶ 20) THUỘC VỀ HOÀNG TÍCH CHU (1914-1976) VÀ NGUYÊN TIÊN CHUNG (1897-1933) ECOLE DES BEAUX ARTS DE L’INDOCHINE (TRƯỜNG CAO ĐẲNG MỸ THUẬT ĐÔNG DƯƠNG, KHÓA 11 (1936-1941) La Moyenne Région (du Nord Vietnam, Tonkin) - Miền Trung (thuộc miền Bắc Việt Nam, Bắc Kỳ) Đĩa nông lòng bằng gỗ sơn mài có hoa văn mạ vàng trên nền đỏ Chưa được ký Kích thước: 30,5 cm Xuất xứ: Một bộ sưu tập tư nhân của Nghệ thuật Việt Nam, French Riviera, Pháp. Ghi chú: 1. Tác phẩm ấn tượng này có thể được liên kết với một tấm tranh gỗ sơn mài lớn được bán tại CHRISTIE'S, một tác phẩm chung của hai nghệ nhân này, họ là học sinh của Joseph Inguimberty (1896-1971) trong khoa sơn mài của Trường Mỹ thuật Đông Dương đồng thời cũng là những người bạn thân. Xem CHRISTIE’S Hồng Kông, Trung Quốc, 28-05-2017, lô số 325, được bán với giá €549.320. 2. Vui lòng xem dưới đây phần trích của bài luận văn về lô sản phẩm do chuyên gia Jean-François Hubert, chuyên gia tư vấn cấp cao của CHRISTIE'S, viết về tấm tranh sơn mài đề cập ở trên, cũng có thể phù hợp với cái đĩa nông lòng của chúng tôi: “Việc thực hiện một tác phẩm chung, có thể không độc nhất vô nhị, nhưng chắc chắn vẫn rất đặc biệt. Năm 1942, hai nghệ nhân này đang sung sức và ở đỉnh cao tài năng. Trong tác phẩm này, cả hai liên hệ với nhau thông qua cùng mối quan tâm sâu sắc đến vùng Bắc Kỳ có núi non hùng vĩ và huyền bí này, nơi mà Victor Tardieu và Joseph Inguimberty luôn khuyến khích các sinh viên của Mỹ thuật đi chiêm ngưỡng. Những ngọn núi có đỉnh núi giống cối đường, chẳng hạn như những ngọn núi được tìm thấy ở vùng này thật hùng vĩ, cũng như thảm thực vật, được phóng đại bằng cách sử dụng nhiều lớp sơn mài màu vàng tương phản với bầu không khí khá u ám của những cánh đồng lúa”. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

Lot 329

BẢO ĐẠI 保大 - ANNAM: A GOLD MEDAL AWARD VIETNAM, LATE NGUYEN DYNASTY, EMPEROR BẢO ĐẠI 保大 (1926-1945) Female version of the award. A gold medal of scalloped shape, the upper and the lower part pierced with attachment holes (originally for beaded tassels, here missing). Nicely chiseled, a central cartouche on both sides flanked by two confronted flying phoenix. The obverse inscribed with ‘保大年造’, i.e. in Chữ Nôm ‘Bảo Đại Năm Tạo’ (lit. ‘Made under the reign of Emperor Bao Dai); The reverse inscribed with ‘琼瑶永好’. H: 6,7 cm - width: 4,87 cm Weight: 14,4 grams BẢO ĐẠI 保大 - ANNAM: GIẢI THƯỞNG HUY CHƯƠNG VÀNG VIỆT NAM, CUỐI TRIỀU NHÀ NGUYỄN, VUA BẢO ĐẠI 保 大 (1926-1945) NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

Lot 553

Kunio Kaneko (JAPAN, b. 1949) ‘Fuji 70’ Circa 1990s Chuban yoko-e woodblock print Handsigned in the lower right margin Limited edition, numbered in the lower central margin: 161/250 Dimensions (the leaf): 18,9 x 24,7 cm Provenance: A large collection of 100+ Japanese woodblock prints, properties from a French collector. Notes: A very high quality printing with embossing, gold and silver pigments. 2. Born in Tokyo, Kunio Kaneko graduated from the Musashino University of Fine Arts. His woodblocks are pressed by traditional Japanese Baren. He has had several solo shows notably in Tokyo and Kanagawa. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

Lot 608

TANYA CLARK (CANADA & JAPAN, B. 1954) ‘Akachochin’ Oban tata-e woodblock print on mulberry paper Handsigned in the lower right margin Dated in the lower right margin Titled in the lower central margin Limited edition, numbered in the lower left margin: 6/250 Dimensions (the leaf): 55 x 40 cm Note : Tanya Clark is a trained Canadian artist who studied printmaking at Emily Carr College of Art, Vancouver, BC, Canada. In 1985, she moved to Tokyo to thoroughly study the art of woodblock printmaking with the world-praised artist Toshi Yoshida 吉田遠志 (Japan, 1911-1995), the son of shin-hanga artist Hiroshi Yoshida 吉田博 (Japan, 1876-1950), a key member of the sōsaku-hanga movement and also a ‘National Living Treasure’ of Japan. Abstracts from Tanya Clark’s website: ‘Tanya’s immersion in the Shinhanga style conferred a real appreciation for the Japanese aesthetic and its subdued and subtle approach to colour. In 1991, her work was awarded ‘Gold for a New Member’ at the Nihonhangakai, the largest international juried competition for woodblock prints […] Tanya Clark work is inspired by the natural beauty of the world, the play of light and shadow, the lyrical patterns of water, cloud, mountain and reef, the fleeting beauty of an ever changing world.’ Click HERE to look at the artist’s website and to see her complete creation of NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report. woodblock prints.

Lot 609

TANYA CLARK (CANADA & JAPAN, B. 1954) ‘The Tea Master's House’ Woodblock print on mulberry paper Handsigned in the lower right margin Titled in the lower central margin Limited edition, numbered in the lower left margin: 11/250 Dimensions (the leaf): 32 x 38 cm Note : Tanya Clark is a trained Canadian artist who studied printmaking at Emily Carr College of Art, Vancouver, BC, Canada. In 1985, she moved to Tokyo to thoroughly study the art of woodblock printmaking with the world-praised artist Toshi Yoshida 吉田遠志 (Japan, 1911-1995), the son of shin-hanga artist Hiroshi Yoshida 吉田博 (Japan, 1876-1950), a key member of the sōsaku-hanga movement and also a ‘National Living Treasure’ of Japan. Abstracts from Tanya Clark’s website: ‘Tanya’s immersion in the Shinhanga style conferred a real appreciation for the Japanese aesthetic and its subdued and subtle approach to colour. In 1991, her work was awarded ‘Gold for a New Member’ at the Nihonhangakai, the largest international juried competition for woodblock prints […] Tanya Clark work is inspired by the natural beauty of the world, the play of light and shadow, the lyrical patterns of water, cloud, mountain and reef, the fleeting beauty of an ever changing world.’ Click HERE to look at the artist’s website and to see her complete creation of woodblock prints. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

Lot 105

Parker Duofold fountain pen with black body and 14 carat gold nib, with matching propelling pencil, cased, Sheaffer fountain pen with green body and gilt mounts, cased (2)

Lot 12

Pair of large 20th century porcelain vases, with blue and white ground with gold accents and floral design raised on claw feet, 45cm tall (2)

Lot 18

20th century porcelain mantle clock, the gold, green and white ground decorated with flowers made by The British United Clock Co., 30cm tall

Lot 32

Pair of Beswick Spaniels, the white ground with gold accents, 15cm high (2)

Lot 181

A pair of cut glass vases, star cut bases, 26cm; a cut glass pedestal bowl, applied with a band of gold engraved with ancient warriors in low relief, square base, 20cm; a cut glass tray with radiating star cut panels, 45cm (4)

Lot 21

A Royal Crown Derby paperweight, Greater Spotted Woodpecker, Connaught House exclusive, limited edition 38/150, gold stopper, certificate, boxed

Lot 22

A Royal Crown Derby paperweight, Bronzed Winged Parrot, gold stopper, certificate, boxed

Lot 23

A Royal Crown Derby paperweight, Amazon Green Parrot, special commission, limited edition 483/2,500, gold stopper, certificate, boxed

Lot 26

A Royal Crown Derby paperweight, Santa Claus, gold stopper, boxed

Lot 27

A Royal Crown Derby paperweight, Woodland Squirrel, gold stopper; others, Squirrel, gold stopper; Red Squirrel, gold stopper (3)

Lot 28

A Royal Crown Derby paperweight, Oceanic Whale, Collector's Guild exclusive, gold stopper, boxed; another, Bottlenose Dolphin, silver stopper (2)

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