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A ruby single stone ring, claw-set with a cabochon ruby weighing approximately 5.80 carats, mounted in gold collet and tapered platinum shank, size H Accompanied with Gemmological report number 1109794 from AGL dated 29th September 2020 stating that the natural ruby is Burma with no indications of heating
A pair of sapphire and diamond drop earrings, the elongated oval sapphires set within diamond surrounds suspending from further diamonds in white gold, post fittings (butterflies missing) fitted case Accompanied by GCS report number 79211-37 dated 26th April 2019 stating that sapphires weigh approximately 8.3cts total, origin: Sri Lanka, no indications of heating
A fine gold and gem-set bracelet, 1830s, composed of graduated vertical bar-shaped links set with a variety of oval and cushion-shaped gemstones including hessonite garnet, topaz, peridot, amethyst, citrine and aquamarine, accented with smaller emeralds, rubies, citrines and amethysts, each within gold collet settings embellished with gold beaded and floral decoration, length 18cm, width at front 6.4cm, original fitted caseXXXXXX FIND COMPARABLE/WRITE FOOTNOTE XXXX
A sapphire and diamond flower ring, set with a central cabochon sapphire within diamond-set petals in silver and gold, size N Accompanied by SSEF report number 115516, dated 14th December 2020 stating that the sapphire weighs 4.12cts, origin: Kashmir, no indications of heating
A fine sapphire and diamond ring, millegrain-set with a circular-cut sapphire weighing 4.53 carats, within a border of cushion-shaped diamonds, mounted in gold, size P1/2Accompanied by SSEF report no. 126141, stating that the sapphire is of Ceylon (Sri Lankan) origin, with no indications of heat treatment, dated 2nd December 2022
Van Cleef & Arpels, a rare pair of Art Deco diamond hair clips, 1930s, each of rectangular form with one end cut diagonally, set with circular-cut and baguette diamonds, mounted in platinum and white gold, length 4cm each, one signed Van Cleef & Arpels, both numbered 41589, French assay marks and maker's marks, original fitted case stamped Van Cleef & Arpels Finely made and in very good condition. Estimated total diamond weight approximately 6.00 carats, estimated to be approximately F-G colour, mixed clarity grades, mostly VS, some SI1/SI2, overall impression bright, white and well-matched. Clip fittings with good tension, teeth grips and slight curvature design mean comfortable and secure when worn, either in the hair or as clip brooches. When combined by inserting one clip into the other, a single clip with a double clasp is created, for securing a plait or a ponytail, or a scarf. When assembled in this way, the clips can be a little stiff and difficult to detach. French maker's marks are indistinct, possibly DB & Cie. Light scratches to surfaces consistent with wear. Combined gross weight 22.8 grams.
An important diamond parure, mid 19th century, comprising: a devant de corsage brooch, centring on a ten-petalled flower within undulating foliate scrollwork, suspending a detachable pendant and a festoon, set with rose-cut, cushion- and pear-shaped diamonds, measuring 8 x 11.7cm including festoon pendant, detachable brooch fittings; a necklace, composed of graduating floral motifs alternating with stylised ribbon bow links, set throughout with cushion-shaped diamonds, length 40.5cm, detaching into two bracelets, central section originally intended to be replaced with the devant de corsage and worn in combination as a single necklace; an impressive pair of earrings of elongated drop-shaped design, set with cushion-shaped diamond borders, centring on a line of cushion-shaped and antique pear-shaped diamonds, length 5.9cm, later tops circa 1910, hook fittings; and a small clip of radiating design set with cushion-shaped diamonds, 1.8cm diameter, each set in silver and gold, later rhodium plated, some later alterations to fittings, estimated total diamond weight approximately 65.00-70.00 carats, fitted case Provenance: Lord Lucius O’Brien 15th Baron Inchiquin (1864 – 1929) and Ethel Lady Inchiquin (1867 – 1940). She married the 15th Baron Inchiquin in 1896 who succeeded the peerage in 1900, thence by descent
A superb Victorian emerald and diamond bangle, circa 1860, claw-set with a step-cut emerald weighing 5.66 carats, within a radiating cluster of circular-cut diamonds, mounted in silver and gold, detaching from the bangle to be worn as a pendant, total diamond weight approximately 10.00 carats, pendant length 3.9cm, bangle inner circumference 16.6cm Accompanied by SSEF report number 125424, dated 21st November 2022, stating that the emerald weighing 5.669 carats is of Colombian origin, with no indications of clarity enhancement Provenance: Lord Lucius O’Brien, 15th Baron Inchiquin (1864-1929) and Ethel Lady Inchiquin, thence by decent Baron Inchiquin is one of the oldest titles in the Peerage of Ireland. It was created in 1543 for Murrough O’Brien, Prince of Thormond who was descended from the great high king Brian Boru. Condition report: Overall in very good condition, with only minor wear. Detailed report below: A superb emerald of excellent colour and saturation (SSEF ‘green of medium strong saturation’), stronger and more vivid in colour than the catalogue photography can convey. Generally in very good condition, with minor chips to crown facets, and one additional minor chip to one corner, hidden by claw when in setting, and areas of minor abrasions to facet edges consistent with age and occasional wear. The stone appears clean, with few obvious inclusions – the most obvious is a line of fluid-filled inclusions running diagonally from the edge of the table to the girdle on one side, which is only visible at certain angles, and still a minor inclusion overall. Where the inclusions are surface-reaching, the fissures are insignificant and only visible under close magnification. Overall the stone is exceptionally clean and attractive, with a well-proportioned cut. SSEF states ‘No indications of clarity modification in fissures at the time of testing’, in their report dated to November 2022. Please note that according to LMHC standards (used by SSEF and several other major laboratories), this prestigious clarity grade can encompass a very small amount of remaining oil residue, which is possible in historic stones such as the present lot. The diamonds are well-matched and bright, totalling approximately 10.00 carats. In our specialists’ opinion, the diamonds are approximately as follows, proceeding clockwise from the fixed pendant loop: 1.60cts, H/I SI2; 0.90cts, G/H SI (abraded girdle); 1.30cts H/I SI1/2; 0.95 H/I SI1/2; 1.70cts H/I VS; 1.10cts H/I, SI2; 1.25cts G/H I1 (small black mark just on table) 0.85cts, H/I SI2, with mostly medium fluorescence. Settings secure, claws in good condition. One claw to one outer diamond bent outwards and away from the diamond, visible in the catalogue image, which would benefit from a jeweller’s attention. The central element detaching and reattaching to the bangle securely. The bangle is in good condition, closing securely. Please note that the date of the jewel is circa 1890, and not as stated in the print catalogue. Gross weight of central element 13.9 grams, of bangle 22 grams.
A sapphire and diamond cluster ring, the oval sapphire weighing 9.71cts set within a ballerina-style surround of diamonds in white gold, size M 1/2 Accompanied by SSEF report number 83928 dated 1st February 2016 stating that sapphire weighs 9.71cts, Burma, no indications of heating
A contemporary Allister Malcolm studio glass bowl of footed ovoid form, decorated with a fissured spiral line with gold over a mottled blue ground, impressed logo to the base, height 12.5cm, together with a Gold Trailing vase decorated with random trails over a graduated amethyst to clear ground, height 22.5cm, some damage to the vase. (2)
A later Nailsea snuff bottle, of ovoid form with flared neck, decorated with red loop pulls and gold aventurine flecks over a green ground and cased in clear, height 12cm, together with another similar later Nailsea snuff bottle, internally decorated in light blue and cased with deep blue loop pulls, missing stopper. (2)
A contemporary studio glass scent bottle by Richard P. Golding, of spherical form in the Golden Coppice pattern with random whiplash lines and mottled patches over a pulled gold iridescent ground below a tall spire form stopper, height 18cm, together with a small Okra example in Blossom pattern. (2)
A contemporary studio glass scent bottle by Allister Malcolm, decorated in the Golden Trailing pattern with random whiplash lines over a graduated amethyst to clear ground, engraved signature and dated 2018, together with a similar period example by Steve Foster and a small compressed ovoid example by Timothy Harris for Isle of Wight glass decorated with stylised flowers over a tonal pink and gold ground. (3)
A small contemporary studio glass vase by Allister Malcolm, of shouldered ovoid form decorated with blue random lines over a gold aventurine ground, engraved signature, together with a small clear crystal scent bottle by the same maker and a further blue and gold scent bottle by Patrick Stern, tallest 14.5cm. (3)
An early 20th Century Coalport pedestal vase and cover decorated with a small cartouche panel depicting a lake and landscape against a gold ground with turquoise enamel jewelling, all to a royal blue ground, printed mark, height 17.5cm, damaged, together with a pair of early 20th Century Coalport cylindrical vases decorated with a hand painted cartouche panel against a peach ground with a gilt and enamel overlay pattern, printed mark, height 12cm, damaged. (3)
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1854489 item(s)/page