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A George VI silver Capstan Inkwell, by Deakin & Francis Ltd., hallmarked Birmingham 1938, of octagonal form oin the Art Deco style, clear glass liner and weighted base, 11.5cm wide, together with a circular capstan inkwell, Birmingham 1910, clear glass liner, marks rubbed and dented, 10.5cm diameter, and a William IV silver Taper Stick, hallmarked London, 1835, the centre of an inkstand, the removable snuffer with corresponding marks, 3.9ozt (3)
A 19thC English porcelain Inkstand, white ground decorated and over painted in floral sprays and exotic birds, with double inkwell, both with original lines, broken, and lids, RD No. 611360, W 21cm x D 12cm x H 6.5cm, together a corresponding ceramic Desk Set, comprising two Inkwells and Pen Tray (4)
A late 19thC marble Inkstand, of square form with brass ball feet, the centre with square glass inkwell, the hinged cover with corresponding marble cover, 19.5cm square, together with a German brass inkstand, in the Art Nouvau style with clear glass liner, the base marked 'GES. GESCH', 17cm long, and an ebonised wooden dressing table part set (3)
A JAPANESE KOMAI-TYPE EGYPTOMANIA INKWELL. Of waisted rectangular section with hinged lid enclosing a white opaque glass liner, decorated with gilt and silvered Egyptian figures and stylised hieroglyphs, on a rectangular stand, 11cm x 10cm Minor wear and surface scratching, rim chip and crack to glass liner.
ASSORTED BRASSWARE, including Bacchus head inkwell on circular dish base, 16cms h, tortoise inkwell, 11cms w, both with associated ceramic liners, pair of door porters cast as Ally & Mrs Sloper, 27cms h, hearth brush, black painted lion door porter and group of antique curtain rings.Provenance: private collection Vale of GlamorganComments: one inkwell hinge loose, titled bases of Sloper porters indistinct, moderate surface wear,
Empire-Tintenfass Bronze, dunkel patiniert und teilw. vergoldet. Vollplastische Darstellung der Erato mit Kithara, als Muse der Lyrik und der Liebesdichtung als Bekrönung für querrechteckig angelegten Korpus mit umlaufendem Palmettenfries. Unterhalb gerade Basis auf gedrückten Füßen. Innen erg. Porzellaneinsatz für Tinte sowie Behältnis für Streusand. H. 18 cm. 15 cm x 9 cm.A French patinated bronze inkwell.Frankreich. Um 1810.
No reserve - Inkwell silver. Equipped with hinged lid and weighted base. United Kingdom, Birmingham, Mappin & Webb Ltd., early 20th century, hallmarks: lion, anchor, maker's mark, Mappin & Webb Ltd. unclear year letter - signs of wear and dents. 248 grams, 925/1000. Dim. L 9.2cm, W 9.2cm, H 4.3cm. This lot will be auctioned without reserve price.
A Martin Brothers stoneware inkwell, tapering square section, incised and painted with a bird perched on a flowering bough, another side with a butterfly flying past daisy flowers, the two sides with flower sprays, in green and blue, highlighted with white on a buff ground, with metal mounts and cover, incised Martin Bros, London, date concealed by mount, 11cm. high
Edwardian compact weighing scales, together with a square glass and brass inkwell, two whistles and a miniature weighing scales (5) (see illustration). CONDITION REPORT: There are a number of items in this lot, the five weights are stamped as follows on the tops. The largest 4p, 2p, 1p, F, then the smallest F. The scales themselves seem intact, they are stamped S Morden & Co London. They sit comfortably on the stand with the five weights aligned alongside it. Within this lot there is also a glass inkwell with chips to its base, a miniature set of scales and two whistles.
A SILVER DESK STANDISH, maker Samuel Walton Smith & Co., London 1916, of rounded oblong form raised upon four bun feet, centred by a square inkwell with hinged cover engraved with a monogram before a pen well, 8" wide, 15ozs 7dwts (Est. plus 24% premium inc. VAT)Condition Report: Good, no glass well
AN EDWARDIAN SILVER MOUNTED HEAVY CLEAR GLASS DOMED INKWELL with star cut base, the mount with cast and pierced ribbon tied swags of flowers, and hinged cover with scroll pierced rim, maker William Comyns, London 1904, base 3" diameter (Est. plus 24% premium inc. VAT)Condition Report: Generally good, no engraving, no apparent splits/mends
A FRENCH GILT AND PATINATED BRONZE SUNFLOWER TIMEPIECE WITH INKSTAND EARLY 19TH CENTURY The dial within Tournesol setting, white enamel dial with watch movement, above a long stem entwined by a gilt bronze serpent, on an oval base surmounted by a pierced basket gallery, the interior fitted as an encrier 30.5cm high overall, base 13cm diameter Provenance: From the estate of Lionel Alfred Martin, Ingram Avenue, London (1855-1933). Chairman of Tate & Lyle. For a similar example, see Christie's, London, Important European Furniture, Sculpture and Carpets, 5th July 2007, lot 1 (£13,200). A watercolour depicting a virtually identical clock is illustrated in C. Plante and R. Garnier, Designs for Gilt Bronze Objects from the French Restoration 1814-1830, London, 2002, p.68, pl.52. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Overall in generally good condition but dirty and with rubbing to gilding. Patina paler from handling adn wear to margins and around dial. Snake slightly loose. Hinge to glazed door with remedial repair Later porcelain inkwell to base and with a spare ink dip The movement is signed Brasseur a Paris, Movement has an issue with the mainspring winding clicks/greatwheel (wheel possibly loose on its arbor) hence will not currently wind. Mechanism otherwise appears intact and in original albeit very dirty/gummed-up neglected condition hence will require and overhaul. The enamel dial has been restored hence is now free from visible defects. Has a later winding key Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Assorted pewter and metalware, including: a Victorian engine-turned biscuit barrel on fixed stand with hinged cover, a 19th century large pewter circular dish indistinctly stamped 'Helen Bright' to reverse, a pewter chamberpot with fleur-de-lys and castle stamp to base, a collection of smaller plates and dishes, an EPNS bark moulded teapot in the Aesthetic-style, a silver-plated inkstand with glass inkwell, a pair of British Pewter inkwells and other items
A VICTORIAN WALNUT AND BRASS BOUND WRITING SLOPE, the interior fitted with tooled black leather writing surface, glass inkwell, sprung secret compartment, width 29.8cm x depth 22.6cm x height 15.2cm (Condition Report: water damage to lid wear to gilt brass mounts, split in internal slope visible through writing surface)

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40109 item(s)/page