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TURNER (J.M.W.) & GIRTON (T.) "River Scenery." 20 mezzotint plates comp, orig mor-backed cl, folio 1827 plts clean.

aFTER REMBRANDT VAN RYN self portrait mezzotint engraved by P.B. 1747 13 1/2 x 9 1/2 inches and another print after Rembrandt (foxed) 10 - 20

After Albrecht Durer 1471-1528- "The Last Supper"; (Bartsch 13, Strauss 199, Meder 184a). woodcut, originally published 1523, 19.3x29.2cm., (trimmed within the plate): After Joseph Mallord William Turner RA, 1775-1851- "Mill Near the Grand Chartreuse Dauphiny" from Liber Studiorum, proof, published by Thos Lupton, 4 Keppel, St, London; etching with mezzotint, 21x28.3cm., (scattered foxing): together with further 19/20th century etchings and engravings, by and after various hands, (6). Note: One of D³rer's last major prints, this version of the Last Supper differs radically from earlier versions.

Lisa Wright b.1965- Standing female nude; etching with aquatint, signed and numbered 8/10 in pencil, 25x22.5cm: A Ramsay, late 20th century- "London Head"; etching with aquatint, signed, titled, numbered 11/20 and dated Jan 96 in pencil, 17x14.5cm: Mark Clark b.1959- Male torso; etching, signed, numbered 2/75 and dated 98 in pencil, 18.7x14cm: Duncan Bullen b.1962- "Elba Series 2"; monoprint, signed, titled and dated 97 in pencil, 19.7x20cm. Provenance: with Jill George Gallery, London according to label attached to the reverse: Wyth, late 20th century- "Thursday Night"; etching printed in colours, signed, titled, numbered 16/35 and dated 92 in pencil, 15.7x21.5cm: Treby, late 20th century- "Portrait of Richard"; mezzotint printed in colours, signed, titled and inscribed 'AP' in pencil, 20x21cm., (6), (part unframed) (may be subject to Droit de Suite)

E M Hester, Children's Games, published by Frost and Reed 1914, a pair of coloured mezzotint, 17 x 21.5cm (image) (2)

WILLIAM WARD, MEZZOTINT AFTER JOHN GRAHAM, YOUNG LADY READING A LETTER, in original frame with paper label verso for Grundy & Smith Manchester. 39cm by 29cm

* Charles Mottram 1807-1876- "Jerusalem In Her Grandeur. A.D.33", after Henry Courtney Selous, published by George Lord Beeforth, Scarborough and Haywood & Leggatt, 79 Cornhill, London, April 16th 1869; engraving, 81x112cm: Charles Turner 1773-1857- "Hare and Young Ones",after Shalk, published Feb 20th 1812, by R Ackerman, 101 Strand, London, proof, mezzotint printed in colours, 48x61cm., (2)

* James Kirby Baldrey 1750-1823- "No 2 of Sketches", after George Morland, published by J Harris, No 28, Gerrard Street, Soho; lithographs, folio containing four loose sheets, 43x54cm., ea: William Ward RA 1766-1826- "The Storm"; published London, Aug 30, 1796 by I R Smith, King Street, Covent Garden, hand coloured mezzotint after George Morland: together with fifteen other 18/19th century lithographs and mezzotints after mainly George Morland and hand coloured engravings (book plates) depicting beggars, (a lot) (unframed)

George Vertue 1684-1756- "Edward Sackville..", published by I.P. Knapton Londini, 1742, after Anthony Van Dyck 1599-1641; engraving, 38x24cm: Robert Sheppard, fl.mid-18th century- "Mary, Queen of England, Scotland, France and Ireland, &c.", after Robert White 1645-1703; engraving, 37x22.4cm: together with eighteen other similar 18/19th century engravings and mezzotint studies after various hands, depicting Charles I, William Pitt, Ashley Cooper Earl of Shaftesbury, Jacob Stanhope and others, mostly in matching decorative gilt frames, (20)

Richard Earlom 1743-1822- "A Brewhouse Yard" published Jan 1st Jan 1791, by John & Josiah Boydell, No 90, Cheapside & at the Shakespeare Gallery, Pall Mall, mezzotint after George Garrard 1760-1826, 50x59cm: Samuel William Reynolds I 1773-1835- "Mrs Whitbread"; published Sept 29th 1798, by S W Reynolds, No 46, Poland Street, mezzotint, after John Hopper 1758-1810, 63x38cm: Together with three further 18/19th century mezzotints after Sir Martin Archer Shee 1769-1850, portrait of an MP, Henry William Pickersgill 1812-1861, "Samuel Charles Whitbread" and George Garrard, (5)

After George Morland (1763-1804) Coloured mezzotint, roundels in verre eglomise frames, 29.5cm diameter (2)

Wellesley, Arthur, 1st Duke of Wellington Autograph letter signed to Sir Charles Stuart (British ambassador) refuting a complaint against one of his engineer officers, Brussels, 4 May 1815, 31 x 19cms.; framed and glazed with a hand-coloured mezzotint engraving, c. 35 x 20cm

Fox, C.J. A history of the early part of the reign of James the Second, 1808, 4to, engraved frontispiece, contemporary diced calf; Pindar. Odes, 1753, 2 volumes, 8vo, engraved frontispiece, contemporary calf, slightly rubbed; More, Thomas Utopia, Glasgow, Robert Foulis, 1743, 8vo, contemporary sheep, rubbed; Somervile, William The chace, a poem, 1757, fourth edition, engraved frontispiece and plates, contemporary calf, some spotting, rubbed; Church, Thomas A sermon written and preached in 1750, 1778, 8vo, mezzotint frontispiece, contemporary green morocco with gilt floral border to sides, spine gilt, g.e.; [Music] The musical miscellany, 1730, 8vo, volume 4 only, engraved frontispiece, printed music, modern calf; Byron, G.G.N., Lord The corsair, 1814, first edition, first issue with 100 pages, contemporary calf, rebacked; Persius. The satires, translated by William Drummond, 1797, 12mo, inscribed on the first blank "from the author", with pencil note "from the library of C.J. Fox, bought at Saint Annees sale, 26.11.1924", contemporary calf, neatly rebacked, red morocco label; Ovidius Naso, P. Ovides epistles. London: J. Tonson, 1701, 8vo, 7(of 8) engraved plates, contemporary calf, frontispiece stuck to front endpaper, joints split at head; Freind, John. An account of the Earl of Peterborowes conduct in Spain, 1707, 8vo, contemporary calf, upper board detached; Vertot, abbe. Vertotes miscellanies, 1723, 8vo, contemporary panelled calf, bookplate of David Smyth of Methven, and various others, miscellaneous

After Boucher. 'Marquise De Pompadour', a colour mezzotint, by Charles Bird, 17.5 x 22in (44.5 x 56cm) in a contemporary gilt and gesso rococo style frame.

After George Romney. Lady Hamilton as a bacchante, colour mezzotint, signed in pencil Clifford R James, 18 x 14.5in (46 x 37cm) and another. (2)

John Smith c.1652-1742- "The Rt Honorable John Earl of Exeter"; published by John Smith 1696, mezzotint, after Godfrey Kneller 1646-1723: together with seven further 17/18th century mezzotints after various hands to include John Smith after Kneller, Edmund Lilly, William Dickinson 1746-1823 after George Romney, and others, (8)

Samuel William Reynolds (1794-1872), after Frederick William Lock, The Bridal Morn', Queen Victoria and Prince Albert of Saxe-Coburg-Gotha,, coloured mezzotint, published 1844, arched top, 55 x 40 cm (21 1/2 x 16 in) together with a number of other prints of the couple and their family (10)

Samuel Cousins RA (1801-1887), after A. E. Chalon, Her Majesty Queen Victoria' coloured mezzotint, published 1838, 77 x 53 cm (30 x 21 in) together with a number of other prints of Queen Victoria and a facsimile letter (7)

Henry Cousins (c. 1809-1864), after John , His Grace the Duke of Wellington K.G., &c. &c. &c' mezzotint, 71 x 46 cm (28 x 18 in) together with a lithograph of the Duke's funeral, an engraving of the same subject and two other prints of him (5)

Henderson, after Rubens, Figures beside a river at dusk, coloured mezzotint, pencil signed on mount, inscribed verso, 38cms x 42cms, (15" x 16½").

An early 20th century Seiya bronze elephant, the pachyderm stands four square, its skin detailed with a mezzotint tool, the inside of its ears polished and its tusks white, seal mark, 21.5cm high

After F. Snyders. A Fish Market. A mezzotint, 16.5 x 23in (42 x 58.5cm) and the companion A Game Market. (2)

NORMAN HIRST (b.1862) - The Honorable Lady Louisa Manners in a pleasant dress, mezzotint, pencil signed in the margin, 20 1/2" x 15 1/2" and ten others similar by Hirst and others, all unframed (11).

JOHN FABER II AFTER HIGHMORE 'Georgius II' mezzotint, 12" x 10"; P Lombart after Van Dyck 'Philippus Comes Pembrokiae', engraving, 13" x 9 1/2"; an engraving after Raphael and one further 'Hope' after Reynolds, all unframed (4).

SAMUEL COUSINS AFTER SIR JOSHUA REYNOLDS 'The Duchess of Rutland', mezzotint, pencil signed in margin, 27" x 17". Ex. Grosvenor Galleries, 51A New Bond St., London (see illustration).

SAMUEL COUSINS AFTER SIR THOMAS LAWRENCE - The Countess Gower and Child, mezzotint, pencil signed in the margin, 26 1/2" x 17 1/2". Ex. Thomas Agnew & Sons.

HANS FIGURA (1898-1978) 'Dutch Windmill', etching in colours, pencil signed in the margin and numbered 274/300, 12 1/2" x 9 3/4"; and F* Marriott - Harbour Scene, Martignes, France, mezzotint in colours, 8" x 9 1/2" (2).

A MIXED FOLIO OF PRINTS AND ENGRAVINGS to include: J* Cummings - The Breakfast lithograph, pencil signed and dated '47, 7 1/2" x 9"; Michael Rotter - three tennis colour prints; Boilly lithograph; mezzotint after Sir Joshua Reynolds; etching in the manner of Rembrandt ; two colour engravings by William Allingham, Sidney Tushingham etching; a lithograph of the Nile after C. Werner, etc.

Provincial School possibly American, mid-late 19th century- "Levens, Bread and Biscuit, Baker"; watercolour, 26.5x37cm: together with a 19th/20th century mezzotint depicting a woman, head and shoulders in 18th century dress, (2)

An 18th century coloured mezzotint of a golfer and his caddy playing in a landscape 70cm x 52cm The label on verso reads: `To the Society of Golfers at Blackheath. This plate is with just respect dedicated by their most humble servant Lemuel Francis Abbott. Engraved by V. Green Mezzzotinto Engraver to His Majesty and the Elector Palatine. Painted by L.F. Abbott, 1790`

Thomas, after John Goode: a 19th Century coloured mezzotint, "The Old Berkshire Hunt", in burr maple frame

S. Arlent-Edwards - mezzotint with printed colour of Leonardo da Vinci's 'Beatrice d'Este, pencil signed with inscription to margin, 32.5 x 22 cm, in period gilt frame

An Artist's Proof Mezzotint, another similar, and two prints (4)

Edward Fisher (1730-c. 1785), 'The Nut-brown Maid', mezzotint, published 1763, with collector's mark lower right, plate size 41 x 28 cm (16 x 11 in) Provenance: (according to inscription verso) William Sandby, October 1829; exhibited as his property at the Art Treasures Exhibition, 1851.

William Ward ARA (1766-1826), after John Hoppner, 'The Nabob', mezzotint, with manuscript lettering, 38 x 28 cm (15 x 11 in)

William Ward ARA (1766-1826), after Philip Reinagle, 'The Superb Lily', mezzotint printed in colour and finished by hand, from Dr. Thornton's Temple of Flora, published 1799, plate size 48 x 35 cm (19 x 13 3/4 in)

Samuel Cousins RA (1801-1887), after Sir Edwin Landseer, The Hon. Mrs Francis Stonor as a child, mixed method engraving, published 1847 by Henry Graves, arched top, 52 x 34 cm (20 1/2 x 13 in) together with Samuel Cousins RA (1801-1887), after Greuze, The Dauphin, mezzotint, signed in pencil, published 1877 by Thomas Mclean, 28 x 22 cm (11 x 8 1/2 in) (2)

Herbert Edward Sedcole (b. 1864), after George Sanders, George, Fifth Duke of Gordon G.C.B., mezzotint in colours, signed in pencil, 43 x 31 cm (17 x 12 in)

Sydney Ernest Wilson (b. 1869), Portrait of a young lady, mezzotint in colours, signed in pencil, 32 x 25 cm (12 x 10 in) together with two coloured portrait engravings by Francois Petitjean, both signed in pencil, and a chromolithograph of the head of a young lady (4)

Collection c19th engravings of Scarborough baths and other views framed as one; stil life watercolour by Frank Lonsdale and a mezzotint

After Reynolds: a hand-coloured mezzotint, girl with a puppy, in maple frame

19th Century School: head and shoulders of a female shepherd in the 18th century manner, heightened coloured mezzotint, in gilt "Florentine" framed, height 26"

Thomas Appleton: mezzotint of a reclining classical woman, 12.5" x 15.5", and another print

A Chinese 19th Century Reverse Painting on Glass, depicting a European gentleman, seated full-length by a river, with a distant tall ship; 16x14.5cm: together with an 18/19th century reverse glass hand-coloured mezzotint, depicting James II, bust-length, feigned oval, (2)

After Thomas Rowlandson (1756-1827) - 'Doctor Syntax at an Auction', colour engraving, publ. July 1782 by R Ackermann, 5.5" x 8.25"; after H Humphrey pub 1782 - 'Eloquence, for the King of Epithets', caricature of an auctioneer, handcoloured engraving, 10" x 5.5"; after John Kay - 'Mr William Martin', scene of an an 18th century auctioneer and bidders, black and white engraving, 3.5" x 6.25"; publ. Carington Bowles 1781- 'Twenty Thousand I've Got-How Lucky's my lot', colour mezzotint, 6"x 4.5" (4)

After William Beechy. 'Children Relieving a Beggar Boy,' a colour mezzotint, 21 x 17in (53 x 43cm.)

After I Seymour. 'A Horse Courser selling a Nag. Caveat Emptor,' a mezzotint, 10 x 14in (25.4 x 25.5cm) and seven others. (8)

After Robert Home. The Right Honourable General Sir Arthur Wellesley, a mezzotint, 20 x 14.5in (51 x 37cm), and another mezzotint of Lord Viscount Duncan. (2)

* Dogs. Landseer (Thomas), A Distinguished Member of the Humane Society, pub. 1st Nov, 1839, large uncoloured mezzotint of a Newfoundland after Edwin Landseer, 480 x 615 mm, together with a collection of prints and engravings relating to Newfoundland dogs, some framed and glazed (approx. 25)

* Prints & Engravings, mostly 19th & 20th c., including an etching by Winfred Austen of a snipe in flight, signed in pencil, a colour etching of a romantic Italianate landscape by Wilfrid Huggins, three etchings by Alphonse Legros, including one signed in pencil, five 19th c. tinted illustrations after Cotman, a mezzotint by Richard Earlom after Rembrandt, pub. Boydell, 1768, another similar by Jones after Sir Joshua Reynolds, a stipple engraving by Thomas Williamson after Morland, entitled Woodcutters at Dinner, and other various portraits, etc. (approx. 24)

* Romney (George, 1734-1802). Children of Earl Gower, [1776-77, or later], colour mezzotint proof by John Raphael Smith after Romney, plate size approx. 450 x 485 mm (17.75 x 19 ins), framed and glazed (1)

* Albums. Two Victorian scrap albums containing a misc. collection of prints and ephemera, including small topographical engs., photos., chromos., newscuttings, etc., together with two modern plastic albums containing a further selection of prints and ephemera, incl. an 18th c. hand-col. mezzotint port. of Queen Charlotte, 1775, (wormed), an early 19th c. French hand-col. engraving depicting four humorous/amorous scenes on a single sheet, entitled Le Serail, La Toilette, La Roulette, La Bouillote, sheet size 25 x 36 cm., a little soiled, an orig. watercolour by I. Sperling, titled and dated 'R.M. Academy', June 16, 1810, image size 22 x 26 cm. (one short closed tear), an heraldic broadside for the Worshipfull Company of Ironmongers, pub. Austin Oldisworth, 1702, a few other printed notices, and two framed items (6)

Dibdin (Thomas Frognall). Typographical Antiquities; or the History of Printing in England Scotland and Ireland: Containing Memoirs of our Ancient Printers, and a Register of the Boks Printed by them..., 3 vols., 1810-16, mezzotint port. frontis. to each vol., titles printed in red & black, vol. 1 frontis, title & following leaf repaired to margins, non-matching boards with cloth spine strips, 4to, together with An Introduction to the Knowledge of Rare and Valuable Editions of the Greek and Latins Classics..., 2nd ed., 1804, frontis., recent boards, 8vo, with Hartwell Horne (Thomas), An Introduction to the Study of Bibliography..., 2 vols., 1814, vol. 1 lacks frontis., few plts. (inc. 2 folding), contemp. calf, recent rebacks and gilt dec. spines, 8vo, and Jackson (John), A Treatise on Wood Engraving..., 2nd ed., 1861, wood eng. frontis., numerous wood eng. plts., contemp. calf, recent reback, 8vo, plus Bohn (James), Catalogue of Ancient and Modern Books in all Languages, 1840 (2 copies), few illusts. to text, contemp. qtr. morocco, rubbed, 8vo, plus, Bohn (John), Catalogue of English Books..., 1843, orig. qtr. cloth, rubbed, 8vo (10)

RICHARD HOUSTON after Sir Joshua Reynolds 'Marquis of Granby', mezzotint, 15 1/2" x 11 1/2" (see illustration).

The Embarkation of the Queen of Sheba at the port of Africa, after Claude, a mezzotint by John Cother Webb, image 33cm by 45.5cm

An early 20th Century colour mezzotint, Portrait of a Lady playing a Guitar, signed in pencil by E. Leslie Haynes, within a gilt composition frame, together with fiver other prints.

AFTER LOUISA ELISABETH VIGEE LE BRUN. Venus, engraving by G. Schulz, 16 x 14 in; and a mezzotint printed in colour depicting Lady Hamilton as 'Nature' (after Romney) by G. Schulz (2)

FRANCESCO BARTOLOZZI COLOURED MEZZOTINT AFTER GUIDO RENI, MADONNA AND CHILD, in a giltwood frame. 22cm by 26cm

Miscellaneous Prints & Engravings. Buck (Adam, 1759-1833, after), Serena, pub. William Holland, 1799, hand tinted aquatint oval portrait by Wright & Zeiglar, light dust soiling, plate dimensions 360 x 250 mm, together with Lily (P., after), Oliver Cromwell, pub. John Bowles, late 18th century, uncoloured mezzotint portrait, plate dimensions 350 x 250 mm, and Hamilton (Clare, after), Dignity & Impudence, 19th century mezzotint by Frank Atkinson, image size 570 x 425 mm, and Chevillet (G., engraver), Untitled engraving of the death of Montcalm after Watteau, c.1760, uncoloured, 430 x 595 mm, plus many other prints and engravings including a Baxter print portrait of Nelson, other portraits, natural history, humorous, etc., some framed and glazed (approx. 70)

Norman Hirst - 'Oxen Ploughing Sussex', monochrome mezzotint, signed in pencil, approx 20.5cm x 28.5cm.