We found 6624 price guide item(s) matching your search

*Theatre. Caldwall (J., engraver), Mrs. Siddons in the Tragedy of the Grecian Daughter, pub. 1st March 1789, uncoloured engraving after W.Hamilton, approx. 660 x 450 mm, together with a large mezzotint of Miss O'Neill as Belvidera in 'Venice Preserved' [as titled on verso], approx. 630 x 410 mm, and a Vanity Fair cartoon of George Bernard Shaw entitled "G.B.S" by Alick P.F. Ritchie, plus three lithos. of Lillie Langtry from The Whitehall Review, and a framed silk picture entitled 'King Lear and his Daughter Cordelia' (approx. 285 x 230 mm), plus a book entitled 'Celebrities of the Stage edited by Boyle Lawrence', containing numerous photographic portraits of actors (lacking Lilly Langtry), folio (8)

*Theatre. Prints & engravings, mostly 19th century, including 'Melle Sarah Bernhardt', late 19th century hand coloured litho after 'Theo' (approx. 350 x 260 mm), together with Sayer (Robert, pub.), Miss Nancy Dawson, late 18th century, uncoloured mezzotint, approx. 350 x 250 mm, plus others related including a humourous etching published by Fores in 1827 and entitled 'Othello/Romeo and Juliet' (approx. 70 x 210 mm) (approx. 22)

AFTER JAMES SEYMOUR. The Setting Dog and Partridges, mezzotint, published by Robert Sayer, 1787; and a miscellaneous collection of Prints and reproductions after O. Norie, C. F. Turner and others (qty)

AFTER LIONEL EDWARDS. Visit of the Bramham Moor, reproduction in colours, with some fading, pencil signed, 12 1/2 x 19 1/2 in; a mezzotint after H.B. Chalon depicting 'Snowball', a celebrated Greyhound; and two colour reprints after Samuel Howitt depicting Fox Hunting and Stag Hunting (4)

A Coat of Arms, painted on glass, a mezzotint of Dutch Lady, signed Hogg, and a gilt framed religious Print

An Edwardian mezzotint “Emma Hamilton” signed in pencil by Sydney E Wilson 12 x 10in (30.5 x 25.4cm).

A George III mezzotint under glass early 19th century portraying a courting couple in a formal garden inscribed EVENING painted by D Gerolimo 36cm wide 26cm high

Attributed to John (Jean) Simon 1675-1755- 'The Right Hono.(ble) The Lady Harvey', Mezzotint, after Michael Dahl, Publ: E Cooper at ye 3 Pidgeons in Bedford Street; 35x27cm. Note: bears labell for Colnaghi & Company, Ancient and Modern, Print Warehouse, 13&14 Pall Mall East; together with nine further engravings and watercolours by and after various hands. (10)

Richard Earlom 1743-1822- 'A Game Market, in the Gallery at Houghton', mezzotint, after Frans Snyders & Long John, Publ: June 2 1783 by John Boydell, engraver, in Cheapside London, 42x59cm, together with two further mezzotints from the same suit to include, 'A Fish Market', and 'A Herb Market', each after frans Snyders & Long John, and Joseph Farington. (3)

William Pether, 1731-1821- Stabling Horses, after George Garrard, publ. May 15th 1787 by T Simpson, St Paul's Church-Yard; hand-coloured mezzotint, 48.3x60.7cm: P C Canot- 'The Great Bridge over the Taffe', after Richard Wilson, publ. July 17th 1775 by John Boydell; engraving: Schavonetti- Milk Cow maids', after F Wheatley, publ. by July 1793 by Colnaghi; stipple engraving, (3)

After Sir John Everett Millais - 'The Princes in the Tower', late 19th Century mezzotint engraving by Samuel Cousins, signed by the artist and the engraver, approx 77cm x 51cm, within an oak frame.

After Thomas Ward: Gathering of Gentlemen, mezzotint, 24" x 30", framed and glazed

Nash (Treadway Russell). Collections for the History of Worcestershire, 2 vols., [1781-82], engraved vignette titles, folding map frontis. to volume one, 75 full page engraved plates only (of 76), lacking one plate only (mezzotint portrait of John Hough), numerous smaller engravings to text pages, untrimmed, later half calf and marbled boards, sl. rubbed, folio Internally a very good copy. Upcott pp. 1330-37. (2)

SIR JOHN EVERETT MILLAIS, SIGNED IN PENCIL TO MARGIN, ENGRAVED BY SAMUEL COUSINS (ALSO SIGNED IN PENCIL TO MARGIN), BLACK AND WHITE MEZZOTINT, DATED 1879, ‘The Princes in the tower’, 26” x 16”

VICTORIAN SCHOOL, BLACK AND WHITE MEZZOTINT, Portrait of Lord Raglan, 26” x 16”, (A/F)

AFTER SIR T LAWRENCE, ENGRAVED BY S E WILSON, SIGNED BY THE LATTER TO THE MARGIN, EARLY 20TH CENTURY COLOURED MEZZOTINT, ‘Lady Ravensworth’, 12” x 9” and TWO FURTHER HAND COLOURED LITHOGRAPHS (FROM A PUBLICATION), ‘Wild Cats’, 7” x 5”, (3)

AFTER SIR E LANDSEER, ANTIQUE BLACK AND WHITE MEZZOTINT, Feeding Ponies by a archway, 32” x 24”, (A/F)

EARLY 18TH CENTURY BLACK AND WHITE MEZZOTINT, Published 1809, ‘Trumpator’, (celebrated running horse) and AFTER S GILPIN, ENGRAVED BY W WARD, ANTIQUE BLACK AND WHITE MEZZOTINT, Published c1778, ‘Jupiter’ (race horse), 14” x 19”, (2)

Brenton (Edward Pelham) The Naval History of Great Britain, from the year MDCCLXXXIII to MDCCCXXII, 5 vols., 1823-25, mezzotint ports., eng. maps and plts., incl. some folding, plts. foxed, slight damp staining to few leaves and occ. minor dust marks, modern green buckram, 8vo, together with, James (William) The Naval History of Great Britain, from the Declaration of War by France 1793, to the Accession of George IV. a new ed. with additions and notes, and an Account of the Burmese War and the Battle of Navarino, 6 vols., 1837, numerous eng. ports., folding tables, occ. scattered spotting, orig. boards with modern cloth spines, old morocco labels to spines, slight wear to boards, 8vo (11)

Valerie Thornton (1931-1991) Merton College Chapel, Oxford Limited edition aquatint Signed in pencil within the margin lower right Inscribed 20/35 lower left P. 46cm x 36cm L. Norsworthy ‘Off the Needles’ Mezzotint Signed in pencil within the margin lower right Inscribed with title lower left P. 15cm x 22.5cm

After George Romney ‘Lady Hamilton’ Mezzotint P. 72cm x 59.5cm Best Bid

Charles Turner ARA, 1773-1857- 'Two Durham Oxen..', after Thomas Weaver, publ. July 29th 1828 by Benjamin A Bond, Brancott, Staffordshire; mezzotint, 60.3x75cm

RICHARD EARLOM (1743-1822) Partridge and their young Mezzotint (after Amos Green) 15in x 19in (38 x 48cms)

RICHARD EARLOM (1743-1822) Still life of Fish in a parkland landscape Mezzotint 17.5in x 13.5in (44.5 x 34cms)

AFTER SEYMOUR 'Beating and trailing for a Hare' Mezzotint 10.5in x 14.5in (26.5 x 37cms)

AFTER GEORGE ROMNEY (1734-1802) MRS ROBINSON Mezzotint, by J. R. Smith, verre eglomise mount and gilt frame Sight (image) 31 x 23.5cm. ++ A little foxing; a good impression

AFTER FRANCOIS HUBERT DROUAIS (1727-1775) MADAME DU BARRE (sic) Mezzotint, by J. Watson, published by Messrs Shropshire, Hooper and Parker, 1771, a proof before title (the title written in pencil), in a gilt carved wood frame with leafy scroll decoration 33.5 x 28cm.; with an engraving of the Virgin and Child in glory (after Murillo?), maple veneered frame, 40 x 31.5cm.; an engraving of a Classical Scene by Audran after Mignard, 71 x 55cm.; and a lithograph of a horse, possibly after James Ward, sandwich mounted, 33 x 45cm. (4) ++ (Drouais) Some foxing; a good impression; (Murillo) some surface mould; (Mignard) some wear, foxing and soiling; (Ward) satisfactory

A PAIR OF COLOURED MEZZOTINT TYPE PRINTS of rustic folk, black glass mounts and elaborate gilt rococo frames, 13 3/4in. (35cm.) x 15 3/4in. (50cm.) overall

An early 19th Century hand coloured mezzotint by W Ward, published by Thornton, titled "The Snowdrops" after Pether, 17.5" x 13.5", framed.

JORTIN - Life of Erasmus, 2 vols, 1758-60, mezzotint portrait, contemporary calf, rebacked (2 vols).

Victorian mezzotint, Miss Close, after George Romney, 50 x 40cm.

Victorian mezzotint, half length portrait of a lady in horse riding apparel, 43 x 29cm.

After W. Hamilton. ‘Lady Conyngham and Child,’ a colour mezzotint, signed in pencil by Richard Smythe, 20.75 x 13.5in (52.6 x 34.2cm) another, after Reynolds, ‘The Hon Mrs Monckton,’ and a third after Romney, ‘Miss Cumberland’ signed by Sidney Wilson. (3)

*Lawrence Josset, b.1910- 'Her Majesty Queen Elizabeth II', after Pietro Annigoni, mezzotint, signed in pencil, Publ: December 1 1956 by The Times Publishing Company Ltd, 65x43cm, together with an identical second signed mezzotint of Her Majesty The Queen, (2), and a reproduction print of 'His Royal Highness The Prince Philip Duke of Edinburgh', (3)

*R Havell & Son- 'London Waterloo Bridge', hand-coloured mezzotint,after T S Roberts, Publ: by Messrs Boydell & Co, London 1817, 47x61cm (unexamined out of the frame)

James Daniell, c1771-1814- 'The Marriage of their Royal Highnesses the Prince and Princess of Wales, after J. Graham, publ. July 1 1796 by W Atkins, No 35 Leicester Sqaure and on behlaf of Colnaghi, Pall Mall; mezzotint, 56x62.3cm: William Byrne, 1743-1805- 'The Flight into Egypt' after J. Gresse, publ. by J Boydell March 25th 1767: together with a mixed folio of prints and reproductions, mostly 19th century and later, various subjects, (a lot), (unframed)

AFTER WILLIAM J SHAYER Lord William Coloured engraving Engraved by J R Mackrell 19 3/4 x 25 1/2 inches a lithograph of Lt Gen Sir Edward Blakeney and a mezzotint portrait (3)

FRANK SHORT after J M W Turner, 'Moonlight at Sea off the Isle of Wight', mezzotint pencil signed in the margin, 8 1/4" x 11", together with a book by Short 'On the Making of Etchings'; and an engraving after Hogarth. (3)

AFTER JOHN COLLET, "The female fox hunter", mezzotint engraving with hand colouring, printed and sold by Carrington Bowles, circa 1778, 13 1/4" x 9 1/2" and a reproduction Chinese print (2)

LAURIE AND WHITTLE (publishers), "G E Hoe Dobbing", "My Dear Little Bunney", "The Welcome Home", three mezzotint engravings published circa 1794 and one other "Master Goodchilds first copy", published by Robert Sayer, all similarly framed, 6" x 4 1/4".

A FOLIO OF LOOSE 18TH AND 19TH CENTURY MEZZOTINT ENGRAVINGS to include "Maria" published by Robert Sayer, still lives, the spendthrift etc.

AN 18TH CENTURY MEZZOTINT ENGRAVING of George Frederick Handel, 7 1/2" x 6" oval (trimmed); a pencil study of a gentleman's head wearing wide brimmed hat; a wood engraving by Biddy Darlow and an etching by Angela Varga, figure study in the manner of Sir Henry Moore, pencil signed and dated 1961, numbered 4/15, 3" x 4" (4)

JORDAN L HALPIN after G Stuart, Portrait of George Washington, mezzotint engraving c.1843, published by F L Darvin and Co., 6 Ann Street, New York, 24" x 16 1/4".

After A.W. Devis - 'Master James Alexander Simpson', late 19th/early 20th Century colour mezzotint, signed in pencil by H. Macbeth-Raeburn, approx 62.5cm x 42.5cm, within a gilt frame with ribbon bow surmount.

Three 19th Century hand coloured mezzotint portraits of young ladies, framed; a hand coloured engraving after Bartolozzi.(4).

A framed monochrome print after R Round ‘The Gossips’ 17’ 27’, framed; a coloured mezzotint by Greatorex, portrait of a young lady, 14.5’ x 115’, framed; another after Gozzard, ‘The Village Belle’, 12’ 17.5’, framed. (3).

A coloured mezzotint of a seated lady in Georgian attire, signed in pencil Thomas G Appleton, artists proof stamp, 14.5’ x 11.25’, framed; a similar example depicting Classical figures in a pastoral landscape, signed in pencil, 13’ x 18’, (2).

D George Thompson, British 19th century- ‘A Literary Party at Sir Joshua reynolds’s’, after James B Doyle, publ. Oct 1st 1851 by Owen Bailey, 4 Arlington Street, mornington Crescent; stipple engraving, 46.5x60.5cm: William Doughty- ‘Samuel johnson...’ after Reynolds, publ. by June 24th 1793 by John Jones; mezzotint: together with four other 19th century prints, a 19th century engraved map of Corsica and two Oriental brush paintings, (9)

William James Ward, 1800-1840- ‘Hay makers’, after J Ward, publ. Jan 1st 1793 by W ward, Warren Place, Hampstead Row; mezzotint printed in colours, verre eglomise, 47x60cm: Robert Dunkarton, 1744-c1817- ‘The Soldier’s Widow...’, after W R Bigg, publ. 2 Aug 1800 by W R Bigg; mezzotint printed in colours, verre eglomise, 48.5x61cm., (2)

Thomas Landseer ARA (1795-1880), after Sir Edwin Landseer, Dignity and Impudence, mezzotint, published 1841 by Thos. McLean, 76 x 60 cm (30 x 24 in), oak frame

AFTER J ZOFFANY, ENGRAVED BY R HOUSTON, ANTIQUE BLACK AND WHITE MEZZOTINT, DATED 1772, ‘George Third King of Great Britain’, 18” x 16”, (A/F)

AFTER SIR JOSHUA REYNOLDS, ENGRAVED BY ELLEN JOWETT, COLOURED MEZZOTINT, DATED 1916, Portrait of Mrs Braddyll, (see label verso), 16” x 11”

AFTER SIR H RAEBURN, ENGRAVED BY ELLEN JOWETT, COLOURED MEZZOTINT, Boy with rabbit, 18” x 14”

AFTER GEORGE MORLAND, ANTIQUE SOFT GROUND COLOURED ENGRAVING, Dated 1803, ‘Travellers Reposing’, 15” x 19” and AFTER GEORGE MORLAND, ANTIQUE BLACK AND WHITE MEZZOTINT, A family before a country cottage, 13” x 17” and AFTER W JOY, ENGRAVED BY C HULLMANDEL, ANTIQUE BLACK AND WHITE ENGRAVING, Published Yarmouth July 1923, ‘The Society’s Lowestoft Life-boat under the command of Luit Carter R N going out to a vessel in distress from Lowestoft beach‘, 12” x 20”, (A/F), (3)

AFTER PETER DE WINT, ENGRAVED BY SIR FRANK SHORT, AND SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE MEZZOTINT, Published 1904, ‘A Roman Canal’, 6” x 14”

A group of assorted prints, Including a colour mezzotint by H J Greenhurst, a reproduction portrait of Marie Antoinette, an engraving after Raphael, prints after Vermeer and Turner and a pair of bird prints. (qty)

H. Macbeth-Raeburn (1860-1947) mezzotint 'Dr Nathaniel Spens in the uniform of a Scottish Archer', signed in pencil to the margin, 87cm x 60cm; and J. Heath after Joseph Slater, a coloured engraving, 'Archery', trimmed, 48cm x 63cm

Brenton (Edward Pelham). The Naval History of Great Britain, from the year MDCCLXXXIII to MDCCCXXII, 5 vols., 1823-25, mezzotint ports., eng. maps and plts., incl. some folding, plts. foxed, contemp. half calf gilt, spines faded and heavily rubbed, 8vo (5)

* Americana. Smith (William), Washington, mid 19th century, tinted lithograph oval portrait, sheet dimensions approx. 713 x 558 mm, together with Sartain (William), The Council of War, pub. 1865, uncoloured mezzotint of Generals' Grant and Sherman, plate dimensions approx. 290 x 383 mm, plus other Americana, many large format, some modern facsimile prints (16)

* Art & photography. Two early 20th century watercolours of Japanese interest, including a kneeling lady knitting by 'Banzui' and another of a farm worker by 'Ryuko', each approx. 320 x 160 mm, together with a sepia photograph by Beken of Cowes entitled 'Westward winning at Cowes, Aug 4, 1926', approx. 280 x 230 mm, and others including three small county maps by Owen/Bowen, a mezzotint of George V signed by T. Hamilton Lowford, approx. 490 x 380 mm, and three photo albums, one containing numerous carte-de-visites (some in Masonic regalia) and views in Bournemouth, Braemar, etc. (11)