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Louis Busiere, French 1880-1960- "The Roadside", after William Owen RA; mezzotint printed in colours, in a gilt composition frame with verre eglomise, bears label for Henry Graves & Company Ltd 182 Sloane Street London SW1 attached to the reverse of the frame, 58x39cm

Stewart Robertson, 19th century, portrait of a gentleman, mezzotint, signed in pencil to the margin, 30 x 25cm

AFTER H MORLAND, HAND COLOURED MEZZOTINT (pub 1773) "The Unlucky Boy" 12 1/2" x 9 1/2"

AFTER D MACLISE, ENGRAVED BY BROMLEY, 19TH CENTURY BLACK AND WHITE MEZZOTINT "Caxton Shewing, the first specimen of his printing to King Edward the Fourth", 22" x 37"

JOHN FULLWOOD, SIGNED, IN PENCIL TO MARGIN, COLOURED MEZZOTINT (PUBLISHED 1913), "Hayfield" 10 x 14" TOGETHER WITH A FURTHER ENGRAVING BY JOSEPH FARQUHARSON (2)

AFTER J CONSTABLE, ENGRAVED BY D LUCAS, BLACK AND WHITE MEZZOTINT (PUBLISHED BY MR CONSTABLE 1832) "Yarmouth, Norfolk" 5 1/2" x 8 1/2" TOGETHER WITH A FURTHER ENGRAVING AFTER J S COTMAN (2)

THOMAS TODD BLAYLOCK, SIGNED, STENCIL ON BLACK SATIN, Inscribed "Apple Blossom", 14" x 9"; together with THOMAS TODD BLAYLOCK, FOLDER CONTAINING COLLECTION OF ASSORTED WOOD BLOCKS AND MEZZOTINT TO INCLUDE THE "The Jetty", "Night in the Harbour", and others, assorted sizes

AFTER T WEAVER, ENGRAVED BY W WARD, 19TH CENTURY BLACK AND WHITE MEZZOTINT, "Portrait of Thomas William Coke Esq and his South Down Sheep", 20 1/2 x 28"

Herbert Stodart, signed mezzotint, group of children practising archery

LORD NEWTON Proof by Turner after Raeburn 1814 A Mezzotint 49cm x 37cm

WARD AFTER CUMING Portrait of Edward Cooke Dublin 1799 A Mezzotint 54cm x 39cm

AFTER THOMAS LAWRENCE Portrait of Lady Peel A Coloured Mezzotint 66cm x 47cm

A 19th century mezzotint depicting the Marquis of Queensbury on horseback (92 x 64)

A late Georgian/Regency pier mirror of Neo classical form. Mezzotint panel decoration, wood & gesso (106 x 50 cm)

Raeburn^ Sir Henry - "John Taylor^ Captain of the Honourable Company of Edinburgh Golfers" - colour mezzotint by William Henderson signed in pencil to the lower right hand corner- image 23" x 15"^ mf&g overall 31.25 x 23.75" in period frame with gilt slips^ hard backing with the original Thomas Agnew & Sons labels

After George Morland, The Woodsman, mezzotint, visible, 57cm x 37cm, a chromolithograph of East Retford Church and a pair of oval prints after Morland (4).

A mezzotint print in parcel gilt and ebonized framed portrait of Col. McDonald Glengarry, signed.

JAMES JOHN CHANT AFTER BRITON RIVIERE - A PUPPY ON A DOORSTEP, MEZZOTINT, SIGNED BY BOTH ARTISTS IN PENCIL

Russian School (20th century), Interior scene with potted palm, mezzotint, signed and inscribed, 60cm x 50cm.

W A Cox, 17th century Gentlemen in an Interior, coloured mezzotint, signed in pencil lower right, 24 x 30cm

Stewart Robertson, 19th century, portrait of a gentleman, mezzotint, signed in pencil to the margin, 30 x 25cm

Thomas G Appleton (1854-1924) - 'Youth Diverting Age', signed, blind stamp seal, titled verso, mezzotint print, 19" x 15", framed

H Scott Bridgwater after Henry Raeburn - 'Sir Walter Scott', mezzotint print, inscription verso, 8" x 6.5", framed; together with H Scott Bridgwater after Thomas Lawrence - 'Mrs Siddons', signed, blind stamp seal, mezzotint print, 8.5" x 6.5", framed and a further mezzotint portrait by the same hand (3)

William Henderson after Turner: a signed coloured mezzotint, Venetian scene, in gilt frame, a coloured mezzotint after Reynolds, in gilt frame, and one other, girl with a rose, in gilt frame

A colour mezzotint portrait of Mrs Home Drummond, by L. Busiere after Sir. Henry Raeburn, signed proof, published 1930.

Seven framed etchings, various artists, signed, together with a framed watercolour landscape, unframed watercolour of a farmer and two horses at the plough, two unframed and etchings and a Mezzotint. (12)

* Mezzotint drolls. A collection of fifteen mezzotint drolls, late 18th century, fifteen uncoloured engravings, each approx. 350 x 250mm, various condition. Titles include :- The Enterprizing Maccaroni playing the Part of Ranger, The Scamble or old Gripus plunder`d by his Young Wife, The Sausage Woman, Five in the Morning, Cottage Beauty, Narcissus and the Nymph Echo, Father Paul in his Cups, Palemon and Lavinia, Fasting in Lent, Lady Fashion`s Secretary`s Office or Petticoat Recommendations the Best [and] Love and Oppurtunity. From the collection of the late Christopher Lennox-Boyd. (15)

* Mezzotint drolls. Carington Bowles (pub.), [A Whet on the Road - or English and French Postillions, 1792], mezzotint with bright contemp. hand colouring, proof before letters, 355 x 255mm, together with, Youth and Age, pub. Carington Bowles, c.1790, mezzotint with contemp. hand colouring, laid on later paper, 355 x 255mm, with, The Sausage Woman or a Scene in Covent Garden, pub. Robt. Sayer, 1772, mezzotint with contemp. hand colouring, 350 x 250mm, plus, The First Interview or Happiness Sacrifised to Riches, pub. Carington Bowles, c.1790, mezzotint with contemp. hand colouring, 355 x 255mm, and, The Pretty Miss Asleep, pub. Carington Bowles, c.1790, mezzotint with contemp. hand colouring, 350 x 250mm, together with another ten similar drolls, all with contemp. hand colouring, each approx. 350 x 250mm, various condition. From the collection of the late Christopher Lennox Boyd. (15)

* Mezzotint portraits. A good collection of approx. sixty-five engravings, mostly 18th & 19th century, uncoloured mezzotints, including examples by Turner, Ward, Faber, Beckett, Dean, Townley, McArdell, Dawe, Houston, Green, Sinclair, Atkinson, Watson and Smith, various sizes and condition. From the collection of the late Christopher Lennox Boyd. (approx.65)

* Mezzotints. A mixed collection of approx. seventy engravings, mostly 18th & 19th century, mezzotint portraits, topographical views, religous, sporting and genre subjects, including examples by Street, Young, Turner, Smith, Davey, Ward, Lupton, Dawe, Zobel, Burton, Green, Faber, Manwaring, Tomkins and Burford, occ. duplicates, various sizes and condition. From the estate of the late Christopher Lennox Boyd. (approx.70)

* Prints & engravings. A good mixed collection of approx. ninety prints and engravings, mostly 18th & 19th century, mezzotints, etchings, engravings and lithographs of topographical views, portraits, mezzotint drolls, genre and classical, including examples by Ward, Watson, Haig, Green, Pocock, Carington Bowles, King, Ryland, Houston, Orme, Earlom, Egan, Kirkall, Smith and Lupton, various sizes and condition. From the collection of the late Christopher Lennox Boyd. (approx.90)

* Theatre & Entertainment. A mixed collection of approx. 300 engravings and prints, mostly 18th & 19th century, mezzotint and engraved portraits of actors, newspaper cuttings, advertisements and playbills for the English Opera House and other theatres, engravings of the exterior and interiors of theatres, scenes from plays and ephemera, various sizes and condition (approx.300)

* Ward (William). The Happy Cottagers, pub. James Deeley, 1808, uncoloured mezzotint after James Ward, 455 x 545mm, framed and glazed, together with, Birche (Henry),Cottage Children, pub. B.B.Evans, 1791, uncoloured mezzotint after T.Gainsborough, slight spotting, 580 x 395mm, mounted, framed and glazed, with, Wilkin (Charles),Children Relieving a Beggar Boy, pub. W.Beechey, 1796, uncoloured mixed method engraving after W.Beechey, 530 x 430mm, framed and glazed, plus, Bromley (John),Rural Amusement, c.1830, uncoloured mezzotint after Sir T.Lawrence, 420 x 300mm, mounted, framed and glazed, with one other similar (5)

BRYAN EVANS, RUMPLED JUMPERS mezzotint, 11/40 13cm x 7cm Framed

BRYAN EVANS, INTO YOUR ARMS mezzotint, 10/50 13cm x 8cm Framed

BRYAN EVANS, CO-MINGLINGS mezzotint, 4/40 14cm x 12cm Framed

Antoine Gaymard, Dutch Interior, a colour mezzotint and a watercolour still life signed A. U Hofton (2).

AFTER J M W TURNER, ENGRAVED BY JOHN COTHER WEBB ?The Shipwreck? coloured mezzotint, published Museum Galleries, London 1925, with embossed blind stamp lower left and engravers signature lower right 13 x 18ins

A pair of reproduction prints after Bartolozzi, a coloured mezzotint in period oval gilt frame, two other prints (5)

Sir Laurence Alma Tadema - Courting couple, signed, print, 43 x 24cm; and the Kaiser on Horseback, mezzotint, 50 x 67cm (2) Alma Tadema is foxed, the Kaiser has a water stain in the sky.

A collection of prints, to include a lady embroidering by a window, 28 x 22cm; a maiden playing a tambourine, 29 x 20 cm, and a portrait of a man, 21 x 18 cm, along with two others, mezzotint (5)

CHARLES TURNER AFTER SIR THOMAS LAWRENCE, PORTRAIT OF SIR THOMAS LE BRETON MEZZOTINT, C1830

Samuel William Reynolds II, British 1794-1892- "Jacob's Dream" after Salvator Rosa, publ. June 1. 1838, by Ackermann / Co. 96, Strand, Printsellers to Her Majesty & H.R.H. the Duchess of Kent, and by W. Walker, 64, Margaret Street, Cavendish Square; mezzotint and etching with hand-colouring, 49.5x69.5cm: Charles George Lewis, British 1808-1880- "The Melton Breakfast" after Francis Grant, publ. by Hodgson & Graves, London 1839; mezzotint, 46x71.5cm: William Ward, British 1766-1826- "Hay Makers" after James Ward, publ. Jan. 1. 1793, by W. Ward, Warren Place, Hampstead Road; mezzotint with hand-colouring, 46x60.2cm: William Say, British 1768-1834- "The Captive", after Ryder, after Joseph Wright, publ. Oct. 1, 1786, by John & Josiah Boydell, No 90, Cheapside, London: stipple engraving with hand-colouring, 43.5x51cm: together with a quantity of 19th century and later prints, by and after various hands, various techniques, various sizes, (a lot), (unframed) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Robert Williams, British fl.1680-1704- "The Duke and Duchess of Lauderdale" after Sir Peter Lely, publ. Richard Tompson; mezzotint, 33.5x39.5cm: Francis Kyte, British c.1710-1745- "Mr John Sturges" after John Vanderbank; mezzotint, 35x25cm: Captain William Baillie, British 1723-1810- "From a Painting by Molinaer in the Collection of William Baillie Esq", publ. May the 3d. 1774; mezzotint, 41x32.2cm: Henry Dawe, British 1790-1848- "The Battle of the Standard" after Edelink after Leonardo De Vinci, No. 55, Publ. Jan. 1 1831, 6, Bartholomew Place Kentish Town, R. Ackerman, Strand, & C. Tilt, Fleet Street; mezzotint with etching, 12x16.5cm: Henry Dawe, British 1790-1848- "Mount St Michel"; mezzotint with etching, 10.3x14cm: together with a quantity of 18th century and later mezzotints, by and after various hands, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

John Raphael Smith, British 1751-1812- "African Hospitality" after George Morland, publ. March, 24. 1814 by S Morgan, No. 32, Clipstone Street, Fitzroy Square; mezzotint, 48x65cm: Charles Robertson RWS, British 1844-1891- An oriental man feeding pigeons; dry-point etching, signed within the plate, 35.5x25cm: Thomas Sinclair, British 1805-1881- "Priest in Full Dress Simoda" after a daguerreotype by E Brown; lithograph printed in colours, 29x22.7cm: Sidney Tushingham ARE, British 1884-1968- Riding out from the city walls; etching, signed in pencil, 22.5x36.3cm: together with a quantity of 19th and later prints, by and after various hands, examples to include prints depicting scenes from St Helena, Turky, South America, India and Egypt, various techniques, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

John Raphael Smith, British 1751-1812- "John Gawler" after Sir Joshua Reynolds; mezzotint, 38x27.5cm: Edward Fisher, Irish 1722-1781/2- "George, Lord Edgcumbe" 1761, after Sir Joshua Reynolds; mezzotint, 38.5x27.5cm: James McArdell, Irish 1729-1765- "John Reynolds S.T.B, Fellow of Eton College and Canon of St Peter's Oxon, 1757" after Sir Joshua Reynolds; mezzotint, 35.5x25.5cm: together with a quantity of mezzotints, by and after various hands, depicting portraits of historical figures, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

William Bell Scott, British 1811-1890- "The Norns Watering the Tree of Life" 1876; etching, signed and dated within the plate, 25.5x17cm: Dante Gabriel Rossetti, British 1828-1882- "A Sonnet"; wood-engraving, inscribed within the plate DG Rossetti pro matre fecit Apr: 27. 1880 and ANIMA, 9.5x15cm: Hubert Von Herkomer, German/British 1849-1914- "Caller Herrin" after John Everett Millais, publ. August 1st 1882 by The Fine Art Society Limited, 148 New Bond Street, London; mezzotint and etching, inscribed with the artists and remarques of their profile, 68x53cm: Robert Bowyer Parkes, British 1830-1904- "Sing Birdie Sing" publ. July 8th, 1870, by Henry Graves & Co, the Proprietors, Publishers to H.M. the Queen, and T.R.H. the Prince & Princess of Wales, 6 Pall Mall, London; etching and mixed technique with hand-colouring, 71x52.5xm: together with a quantity of 19th century prints, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Samuel Cousins after George Richmond (19th Century): 'Elizabeth Fry' (1780-1845) - three quarter length portrait, mezzotint 23cm x 19cm in gilt gesso frame

Samuel Cousins after George Richmond (19th Century): 'Elizabeth Fry' (1780-1845) - three quarter length portrait, mezzotint 23cm x 19cm in gilt gesso frame

A 19th century portrait of a gentleman, mezzotint, signed Stewart Robertson in pencil to the margin, 30 x 25cm

After George Morland, Morning, the First of September, monochrome mezzotint, engraved by W Ward, 47cm x 60cm

After George Morland, The farmyard, monochrome mezzotint engraving by W Ward, published 1795, 45cm x 55cm

Pair of oval gilt framed mezzotint portraits of 18th Century ladies, the frames with ribbon surmounts

T HAMILTON CRAWFORD AFTER MILLAIS `William Ewart Gladstone` ARTHUR HOGG AFTER LINNELL `Robert Peel` S M LITTEN AFTER HOPPNER `William Pitt` Mezzotint portrait studies pencil signed, published 1922 and 1923, Museum Galleries, London. 32.5cm x 27.5c m largest, in gilded glazed frames

AFTER SIR THOMAS LAWRENCE, RA Engraved by C Turner ?Portrait of Thomas William Coke Esq M.P. (of Holkham)? black and white mezzotint, published 14th July 1814 by J & W Freeman 24 x 15ins

AFTER SIR THOMAS LAWRENCE, RA Engraved by C Turner “Portrait of Thomas William Coke Esq M.P. (of Holkham)” black and white mezzotint, published 14th July 1814 by J & W Freeman 24 x 15ins

After Joshua Reynolds (British, 1723-1792) Ugolino, published by John Boydell, 1774, mezzotint engraving, 51cm x 63cm

English School (circa 1840) A pair of views of Brimstone Hill, St Kitts, and the Rabacca or Dry River, St Vincent each inscribed with title in pencil, together with a related mezzotint, laid down on album leaves, unframed watercolour (3) 27 x 40cm (11 x 16in) The watercolours are after the views by John Herbert Caddy published as aquatints by Ackermann in 1837.

WILL HENDERSON after John Hoppner, ""Miss Byng"" an artist signed Mezzotint, a pair of Portrait Prints after Sir Thomas Lawrence, a pair of signed Prints after M Mitchell, etc.

After George Stubbs, coloured mezzotint of the race horse "Eclipse", with full inscription to the margin, 45.5cm x 56.5cm