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A FRAMED AND GLAZED COLOURED MEZZOTINT DEPICTING A STABLE SCENE TITLED "THE FIRST OF SEPTEMBER MORNING", engraved by W. Ward after G. Morland, published by T. Simpson May 1799, 47 x 53 cm inc. frameCondition Report:  Discolouration at bottom, no visible major damage but not inspected out of frame

A FRAMED MEZZOTINT DEPICTING A SOLDIER ON HORSE BACK

JOSEPH BOYDELL - A FRAMED MEZZOTINT FULL LENGTH PORTRAIT OF KING CHARLES THE FIRST 'In The Drawing Room at Houghton', after Van Dyke, 61 x 46 cm inc. frameCondition Report:  No glass in frame, small tears in paper margin right hand side, slight surface scratching

HAND COLOURED MEZZOTINT "His Imperial Majesty, Charles the Fifth, Emperor of Germany &c &c.", after a painting by Van Dyke, unframed, 35 X 22 cm

A Mezzotint 'Mrs Braddyll' - After Sir Joshua Reyolds - Ellen Jowett

A collection of artist's materials, to include tins of Landseer and Windsor & Newton watercolours, and charcoal, (most in associated boxes) and a box of card board mounts, together with a selection of small books including Old Engravings, Mezzotint and Stipple, a selection from the stock of Fredk. B. Daniell & Son (a/f)

Everett (British school, late 19th century), Still life of fruit by a bank, sigend lower right, oil on canvas board, 18.5 x 23cm, together with a mezzotint of a young girl after a different hand (2)

Early 20th Century hand coloured mezzotint red coated military in tower yard, 30cm x 45cm in gilt frame

18thC Mezzotint - “Mrs Bover”, pub’d 1790 by John Young, after J Hoppner, engraved C Watson, 22cm x 16cm, in a gilt frame & lithograph “Roman Dancer”, 25cm x 20cm, in a rosewood frame (2)

A mezzotint after Ellen Jowett, The Stafford Children, style of Romney, published by Frost and Reed, blind stamped and signed, 19in x20in

EUGENE TILY, THE COTTAGE DOOR, AFTER GEORGE MORLAND mezzotint, signed, bears Printsellers Association blindstamp 32cm x 26cm Mounted, framed and under glass Labels verso: Charles Nicholls & Son, 18 Market Place, Manchester

John Raphael Smith (British 1751-1812). After George Morland entitled 'The Fern Gatherers', coloured mezzotint, published 1799, 51cm x 66cm, framed and glazed together with another mezzotint after George Morland depicting 'The Thatchers', approx 49 x 40 cms. (2)

†LEONARD RUSSELL SQUIRRELL, RE, RI, RWS (1893-1979) EDINBURGH; LOCH NESS AND URQUHART CASTLE; ALNWICK CASTLE; THE HIGH MILL NEEDHAM MARKET; WYMONDHAM ABBEY CHURCH five, etchings, a drypoint and mezzotint, all signed by the artist in pencil, 23.5 x 35cm and various sizes and five other etchings and other prints by James Arden Grant, RP, ARE (1887-1974), Haydn Reyonds Mackey (1883-1979) Guy Seymour Warre Malet (1900-1973) and Elsie Gledstanes, RBA (1891-1982), all signed (10)++An attractive selection, in good condition in recent gilt or lightwood frames

Josiah Boydell (British, 1752-1817). 'A Fruit Piece' after the painting by Angelo Campidoglio. Mezzotint with hand colouring. Published May 1st 1779 by John Boydell. Plate 30 x 35.5cm. . Condition- even age toning, two small repaired tears bottom margin

John Lindsay Lucas (British, 1807-1874) Hagar and Ishmael in the Wilderness signed lower left "John Lucas / Jany. 1846" oil on canvas, in a Rococo frame 140 x 110cm (55 x 43in) Other Notes: Born in London in 1807, John Lindsay Lucas first trained under the mezzotint engraver, Samuel William Reynolds. Following his apprenticeship, he set himself up as a portrait painter and became one of the fashionable painters of his day, notably painting Queen Adelaide, Albert, Prince Consort, the Princess Royal, the Duke of Wellington and William Ewart Gladstone, the Prime Minister, amongst other famous sitters. He exhibited 96 portraits at the Royal Academy between 1828 and his death. Oil on canvas which has been lined. The canvas is in plane. The paint layer is stable. There are drying cracks across the surface, which have formed as the paint has dried, but they are not too disturbing. There are retouchings across the surface but are mainly located in the central figures face, hair and hand. The retouchings are applied quite broadly but are fairly well matched to the original. The varnish is semi-matte, clear and even. The frame is in a good condition.

ANTIQUE COLOUR MEZZOTINT, after William Simson "Salmon Spearing by Torch Light", 18" x 23"

After W. R. Bigg : Black Monday or The Departure for School, mezzotint by John Jones, 49 cm x 62 cm, together with the companion piece 'Dulce Domum' or the Return from School, both parts framed. (2)

Late 18th Century English school - Coloured mezzotint - Women carrying corn bundles whilst young man plays his pipe, 11.75ins diameter, in gilt moulded frame, monochrome mezzotint - "Florizel and Perdita", 12ins diameter, in gilt moulded frame and glazed, and twenty 18th and 19th Century prints, various, all framed

A GEORGIAN OVAL MEZZOTINT OF A YOUNG LADY, in a gilt frame.

After Sir Joshua Reynolds RA (1723 - 1792), Pick-a-Back (Mrs. Payne Gallaway and Child), signed by the engraver in pencil to margin, coloured mezzotint engraving, 37cm x 31cm, framed

After W. R. Bigg : Black Monday or The Departure for School, mezzotint by John Jones, 49 cm x 62 cm, together with the companion piece 'Dulce Domum' or the Return from School, both parts framed. (2)

After Sir Edward J Poynter (1836-1919)/Helena and Hermia, from A Midsummer Night's Dream/published by H Virtue & Company circa 1899/mezzotint, image size 39cm x 47cm

After Frederick, Lord Leighton (1830-1896)/The Hit/a boy having an archery lesson/published by J Virtue & Co 1895/mezzotint, image size 50.5cm x 38.5cm/see illustration

RICHARD JOSEY after FREDERICK GOODALL 'The Finding of Moses', mezzotint engraving, published by Fairless and Beeforth Gallery, 80cm x 55cm, framed and glazed.

A Mezzotint by Jean Francois Millet.

Norman Hirst, (1862-1956), The Rutland Children after Sir Joshua Reynolds, mezzotint, signed in pencil, published 1st February 1916, 52 x 60cm, bearing a label for Thomas Agnew & Sons

Norman Hirst, (1862-1956), The Godsal Children, after John Hoppner RA, signed mezzotint, 52 x 60cm, bearing a label for Thomas Agnew & sons

A limited edition etching, "Hungarian Farm", a 19th century mezzotint, an Asian brass rubbing, an oil on canvas, landscape, and an ornate gilt picture frame

AFTER JOSEPH WRIGHT OF DERBY (1734-1797)A Blacksmith's Forgemezzotint engraving by Richard Earlom, published by J. Boydell, London, 1778Pl. 19 x 23 1/2 in (48.3 x 59.7cm)Provenance: with Spink, LondonSold with six coloured engravings from the series 'The British Stud', Plates 1-V11 (excluding Plate 5), after J.F. Herring and others

Sidney E. Wilson - Terrace scene with lady's crocheting, colour mezzotint, signed in pencil to the margin, 36 x 43cm

J.R. Hutchinson - The Belfry, colour mezzotint, signed in pencil to the margin; and J. Whatman - Turkey Mill, watercolour, 24 x 33cm (2)

Hogarth Framed Mezzotint Portrait of Composer Astronomer Frederick William Herschel, born 1738 died 1822

NO RESERVE Peck (Francis) Desiderata Curiosa: or, a Collection of Divers Scarce and Curious Pieces..., 2 vol. in 1, engraved portrait, titles in red and black with engraved vignette, lists of subscribers, engraved head-pieces, initials and 9 plates, with mezzotint portrait of the author by Faber after Highmore trimmed and mounted as frontispiece to vol.2, small stain to first portrait, occasional soiling, contemporary calf, rubbed, rebacked with gilt spine, corners repaired, folio, 1732-35.

After George Romney, portrait of a lady, Miss Harford, mezzotint, blind stamped and indistinctly signed in pencil, 36cm by 28cm, together with an early 20th century mezzotint after Nathaniel Dance, Lord Clive, blind stamped and signed in pencil, William Jeans, 34cm by 27.5cm, (2)

*Martin (John, 1789-1854). The Great Day of His Wrath, 1857, fine hand-coloured engraving on paper by Charles Mottram (1807-1876), after the John Martin painting of 1851, published by Thomas McLean, January 1st 1857, light waterstains to margins and some minor soiling (generally a good impression), plate size 71 x 103 cm (28 x 40.5 ins), sheet size 76 x 108.5 cm (30 x 42.75 ins), period gilt frame, glazed, together with The Plains of Heaven, 1857, hand-coloured mezzotint engraving on paper by Charles Mottram (1807-1876), published by Thomas McLean, January 1st 1857, heavily stained and with some tears and fraying to edges, with loss of upper right blank corner (2)

*Circle of Rembrandt van Rijn (1606-1669). Portrait of a bearded man, half-length, wearing a dark coat, white cravat and dark headcap, black and white chalk on blue-grey laid paper with fleur de lys watermark to centre, old professional restoration to edges, laid down on pale blue backing paper, 35 x 24 cm (13.75 x 9.5 ins) Provenance: A. Stewart Wright, mezzotint portrait artist active in the 1920's. Leggatt Brothers, 30 St James's Street, London, circa 1954. With a handwritten letter by A. Stewart Wright accompanying this drawing, addressed to Leggatt Brothers, dated January 11th 1954, on paper with address 11, Lynton Road, New Malden, Surrey at head, stating: 'The chalk drawing of a bearded man by Rembrandt, on blue-grey 'wire' paper, has a fleur de lys watermark in the centre of drawing. I repaired the damages to this drawing in December 1953.' The firm of Leggatt brothers, Fine Art Dealers, was established in 1820 and continued to trade until 1992. Pale blue or blue-grey papers (as here) were used by pupils of Rembrandt such as Jacob Adriaensz Backer (1608-1651), Govaert Flinck (1615-1660) and others. (1)

Pictures and Prints - a George Baxter mezzotint, Girl at Gate, ornate gilt frame; another (2)

LUIGI KASIMIR (1881-1962 AUSTRO HUNGARIAN), a coloured mezzotint etching of continental houses beside a river 19/50, signed in pencil lower right, approximate size 36cm x 26cm, together with a Sir Frank Short (1857-1945) signed etching of a moonlit scene and three other pictures and prints (5)

TWO MAPS OF NOTTINGHAMSHIRE, one by Robert Morden, two mezzotint etchings by A.Arnold, signed bottom right, an engraving in colour by Henry G.Loacker and paintings and prints of birds by Steve Weston and Frank Wrigley etc (one box and two loose)

Ellen Jowett (1874 - 1933), artist hand printed mezzotint in colour - 'Take case to encourage the beautiful; the useful encourages itself', published by Frost & Reed 1919, in glazed gilt frame, 40cm x 49cm

After Cosway, colour mezzotint Georgiana Duchess of Devonshire as Diana 75 x 55cm

Mezzotint of young girl'Lady Georgiana Fane' after Sir Thomas LawrenceThe original (believed to be circa 1806) is currently in the Tate collection

Elizabeth Gallard, signed Mezzotint of a Little girl, after Reynolds, 45 x 35cm. C. Turner 'In a Peasants Dress', engraving 43 x 34cm. (3)

Group of assorted prints and watercolours to include a signed mezzotint by Sir Frank Short RA - 'A Hayfield, Yorkshire' etc Condition:

After Sir Edwin Henry Landseer (1802-1873) British. "Midsummer Night's Dream", Mezzotint, by Samuel Cousins (1801-1887) British, Proof, Signed by Landseer in Pencil, Commissioned by Isambard Kingdom Brunel, 21" x 34".

MARY GOW, PORTRAIT OF A YOUNG LADY, SIGNED BY THE ARTIST IN PENCIL, MEZZOTINT PRINTED IN COLOUR, 38 X 54CM

ROBERT WESLEY ANWICK, NATIVE AMERICANS, A PAIR, MEZZOTINT, 75 X 35CM

A 19th century Rare reverse glass mezzotint, titled King George III (1738-1820, Reigned 1760-1820) on his Favourite Charger Adonis, after the painting by James Ward. Housed in a curly maple frame, 72x52cm

19th c mezzotint portrait of a young girl, in circular giltwood frame

Thomas Watson (1750 - 1781), after Sir Peter Lely (1618 - 1680), [Henrietta Boyle, Countess of Rochester], [London 1779], mezzotint, 41cm x 32cm, 19th century rectangular gilt country house frame with beaded frieze, incorrectly attributed and inscribed cresting plaque: Elizabeth, Countefs (sic) of Rochester, daughter of Sir John Malet of Enmore [...], 51cm x 42cm overall Condition Report: Country house condition.

Pierre Labrouche - Trees on the riverback, colour mezzotint, signed in pencil to the margin and numbered 16/25, 48 x 60cm

After George Morland - colour mezzotint; and after Thomas Sidney Cooper - Pair of colour engravings (2)

Early 20th Century mezzotint - Study of an 18th Century lady and boy, signed by the engraver Arthur Brook and with blind stamp, 36cm x 31cm Condition:

WILLIAM PETHER AFTER JOSEPH WRIGHT OF DERBY 'A Philosopher Giving a Lecture on the Orrery', mezzotint engraving, pub. J Boydell c.1768, 45 x 58cm Prov: With Aitken Dott & Son, Edinburgh

WILLIAM WARD AFTER GEORGE MORLAND 'The Last Litter', mezzotint engraving, 48 X 60cm

19th century Artwork by DAVID WATERSON (1870-1954) ' Old Coull ' Mezzotint titled in the margin (bottom right ) and signed (bottom left) in pencil 32 x 27cms

After Lemuel Francis Abbott (1760-1803): 'To the Society of Goffers at Blackheath', re-published 20th century mezzotint 53cm x 40cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

A 19th Century gilt framed classical mezzotint of Gilles Demarteans 'Fidelia' after Angelica Kauffmann, 48 x 43cm.

Georgian mezzotint portrait of two enormous Durham oxen and a gentleman in rural landscape, dedicated to Sir Clifford Constable, Baronet of Tixall in Staffordshire, engraved by Charles Turner after Thomas Weaver, published in Staffordshire by Benjamin Bond, July 29th 1828, framed & glazed, some repairs to paper, approx. 60cm by 73cm. Farming / Cattle Interest

Collection of eight 18th-century etchings and engravings, to include The Happy Peasant by Vivares after Berghem, an engraved portrait of King George III after Ramsay, and a mezzotint portrait of Mrs Turnor after Godfrey Kneller (8)