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Peter Wilhelm Ilsted (1861-1933), Two girls playing the piano, colour mezzotint, signed and numbered 21/75, 40.5cm x 37.5cm.

Sir Godfrey Kneller 1646-1723 framed Mezzotint portrait of Baroness Lady Ann Torrington

Henry G Walker signed Mezzotint 17 x 28.5cm, Pears style print by W. Hunt, three others. (5)

PRINTS, A COLLECTION, MAINLY OF JACOBITE INTEREST 32 ITEMS, INCLUDING A View of ye Scotch & French Champ in Scotland, 1746. Edinburgh, [c.1750], 310 x 493mm, trimmed; Well, J.G., after L. Tocqué Carolus Walliae Princips &C. &C. &C.. [Paris:] 1748, 465 x 334mm, trimmed and laid-down; Edelinck, Nicholas [Charles Edward Stuart as a Boy], [n.p., n.d.] 428 x 320mm, hand-coloured, this variant of the engraving with the addition of a bonnet; Van Schuppen, P., after N. de Largillierre James Francis Edward Prince of Wales & Prince & Steward of Scotl:, 1692, 340 x 266mm, trimmed; John Smith after Sir Godfrey Kneller The Prince of Great Britain [Prince James Francis Edward Stuart, 1688-1766...] [London, c.1668], mezzotint, 470 x 334mm; Barun, Georg - Frans Hogenburg Nobilis Hannonia Comitatus Descriptio. [Cologne, 1595], hand-coloured, Latin text to reverse, 397 x 517mm, torn; Rare German Engraving Desprae Tendenten Triumph, oder Die Rebellion in Schottland an alle Liebhaber des Gottesdiensts und der Freyheit. [N.p., 1745], 277 x 292mm, some tears and spotting; The Funeral of James III Translatio Corporis Jacobi III, [Rome, 1766], 684 x 503mm, torn; Piranesi, Giovanni Battista Veduta del Palazzo Odescalchi, [Rome, c.1790], 511 x 700mm, worn; Houbraken, Jacobus John Duke of Argyle and Greenwich, [c.1750], 360 x 220mm, trimmed, framed and glazed; Mercier, Philippe, after Ab Obice Major [portrait of Charles Edward Stuart as Prince], [c.1760], mezzotint, 330 x 231mm, framed and glazed; and 21 others, including newspapers (32)

PRINCE CHARLES EDWARD DISGUISED AS BETTY BURKE MEZZOTINT BY J. WILLIAMS Portrait of Prince Charles in woman's dress and bonnet disguised as Betty Burke with 6 lines of verse below about his defeat and subsequent flight, 325 x 230mm., paper size: 422 x 285mm., on laid paper, indistinct watermark

Norman Hurst: hand-painted mezzotint, Lady Grey, in gilt frame

Collection of prints, including 19th-century French fashion plates (hand-coloured lithographs and engravings);18th-century copper-engraved portraits of Kings of England; approximately 30 mezzotint engravings by Richard Earlom after Claude Lorrain; a copper-engraved map of 'Hindostan or India', published in London by C. Dilly & G. Robinson, 23 May 1785. Condition varied, some dampstaining/wear (especially the Lorrain prints) 

COLOURED PRINTS OF COUNTRY SCENES to include an aquatint signed in pencil by Fred Miller entitled 'Summer Clouds', a mezzotint of a woman spinning signed in pencil by Albert Galain, two coloured engravings by Thomas Williamson after George Morland - 'Summer Amusement' and 'Cottagers in Winter' c.1812, a mezzotint by W. Ward after J. Ward 'Industrious Cottagers' c.1801 and another (6)

A COLLECTION OF THIRTEEN MOUNTED BUT UNFRAMED HAND COLOURED MEZZOTINTS from Johann Weinmann's 'Phytanthoza Iconographia', circa 1745, each 32cm x 21cm together with a further hand coloured mezzotint depicting mushrooms (14)

NORMAN HIRST After LAWRENCE, Miss West, limited edition signed mezzotint, together with another After BUSIERE, limited edition signed mezzotint, both framed and glazed, the plates 37 x 46 cm and 48 x 62 cm

SIDNET ERNEST WILSON (born 1869) British, After LAWRENCE, Princess Charlotte, limited edition, colour mezzotint, signed and with fine art blind stamp, together with ARTHUR LEONARD COX (born 1879) British, Portrait of a Girl with Cherries, signed, both framed and glazed, 28.5 x 33 cm and 25 x 30 cm respectively

E E MILNER After LAWRENCE, Pinkie, colour mezzotint, signed, together with another After RAEBURN and another of Mrs Siddons by ELLEN JOWETT, all signed, with blind stamps, framed and glazed, the former 36.5 x 53 cm

G Sidney Hunt, Pure mezzotint "Soldiers Gambling". Museum Galleries label verso, pencil signed. 23cm x 28cm

Kirkall (Elisha, 1682-1742) St Jerome in the wilderness, after Paolo Farinati, chiaroscuro woodcut printed in ochre with etching and mezzotint, on thick laid paper with watermark of the letter 'G', platemark 470 x 322 mm. (18 1/2 x 12 3/4 in), sheet 530 x 400 mm. (20 3/4 x 15 3/4 in), careful repairs to marginal tears and loss, one tear in the upper centre running just into platemark, unframed, 1723; together with five chiaroscuro woodcuts by or made under the guidance of Nicolas La Sueur from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France / Recueil Crozat / Cabinet Crozat', 1742, including 'The Sun's Chariot' and 'The Rape of Europa' after Paolo Farinati, Diana and Endymion after Sebastiano Conca, and Comte de Caylus's 'Three angels carrying Gideon's fleece' and 'The fall of Phaeton' after Orazi and d'Arpino respectively, all unframed, [1729-1740] (6)

Horse racing.- Townley Stubbs (George) Mambrino, after George Stubbs, etching, engraving and mezzotint with hand-colouring on wove paper, 205 x 235 mm. (8 x 9 1/4 in), trimmed within the image to left and right, some spotting and surface dirt, unframed, 1794.Literature:cf. Lennox-Boyd 108

Turner (Joseph Mallord William) The Junction of the Severn and the Wye, drawn, etched and engraved by Turner from the 'Liber Studiorum', etching, aquatint and mezzotint printed in sepia on wove paper, platemark 210 x 290 mm. (8 1/4 x 11 1/2 in), sheet 225 x 310 mm. (8 7/8 x 12 1/4 in), some spotting and surface dirt, unframed, published by the artist, 1811; together with a frontispiece after Hogarth, unframed (2)

Old master prints.- Pontius (Paulus) Christ carrying the cross, after Rubens, engraving on wove paper, a slightly later impression, platemark 620 x 460 mm. (24 1/4 x 18 1/8 in), small margins, toning to sheet, unframed, 1632; together with a good group of 10 further prints, including two others after Rubens, an engraving by Chasteau after Poussin, an 8vo mezzotint plate from Paradise Lost by John Martin, an engraving of the Virgin and Child by Blooteling after van Dyck, two engraved friezes of putto after Tetelin, plate 51 by Richard Earlom after Lorrain, an etching after [?]Zurbaran, and a good copy by Hieronymous Wierix after Durer's woodcut 'The Mass of St Gregory', engravings and etchings, various sizes, all unframed, [16th century and later] (11)

Framed coloured mezzotint of a young girl, dated 1910 en verso, 24x20cm

ANTONY FOGG AFTER WILLIAM HAMILTON, DEFENCE OF THE BREACH AT ST. JEAN D'ACRE, ENGRAVING, PUBLISHED 1802, 56 X 64CM, JAMES WARD AFTER SIR WILLIAM BEEDY, HIS MAJESTY REVIEWING THE THIRD PRINCE OF WALES REGIMENT OF DRAGOON GUARDS, MEZZOTINT, FIRST PUBLISHED 1799, 59 X 67CM AND LADY ELIZABETH BUTLER, THE RETURN FROM INKERMAN, ENGRAVING, SIGNED BY THE ARTIST IN PENCIL, 60 X 107CM (3)

LAURIE AND WHITTLE, AUTUMN, A HAND COLOURED MEZZOTINT, 1794, 34 X 24CM AND A LATER PRINT, 30 X 25CM

Will Henderson (19thC). Buildings on a hill, mezzotint, signed to the mount, 17cm x 24cm, and two others. (3)

A George III reverse glass mezzotint of William Pitt the Elder, by William Hoare, signed 'Willm. Hoare Pinxt.', 35.5 x 25cm, in a giltwood frame. William Pitt 'The Elder', 1st Earl of Chatham (1708-1778), dominated politics in the mid-18th century although was only prime minister for two years.

* After Thomas Weaver (1774-1843). A Prize Ox. Bred and Fed by George Baker Esqre. Ellimore Hall, Durham, published John Thomson, Smeaton, Yorkshire, 1831, uncoloured mezzotint by an unknown engraver, small repaired closed tears affecting image, 510 x 605 mm, framed and glazed (Qty: 1)NOTESNot in Rothamsted Collection.

* Ward (James, 1769-1859). The Spottiswoode Ox, Bred and Fed by John Spottiswoode Esq of Spottiswoode in the County of Berwick..., published Anthony Cardon, 1804, uncoloured mezzotint after Alexander Nasmyth, trimmed to image and laid on later card, 475 x 595 mm, framed and flazed in a gilt gesso mounding, (Qty: 1)NOTESRothamsted Collection, 35

* Giller (William C., circa 1805-circa 1870). Jeffery, Earth Stopper to the Berkeley Hunt, published T. Godson, Sportsman's Repository, circa 1830, uncoloured mezzotint after E. Bristow of Windsor, 255 x 185 mm, framed and glazed, together with, Parsey (A.), The Ferret Boy, circa 1860, uncoloured lithograph after Russell, 175 x 105 mm, mounted, framed and glazed, with, Pocock (A.), Old Isaac Joules. A well known gypsy in Somersetshire, published J. Whereat, Weston Super Mare, circa 1870, uncoloured lithograph after S. C. Jones, slight spotting, occasional marginal closed tears, tipped on to later card, 315 x 215 mm, framed and glazed, plus Lucas (Alfred), Attacking the Fortress, published J. W. Laird,1841, uncoloured mezzotint after J. G. Fennell, trimmed to image with marginal closed tears, some abrasion and wear to image largely confined to the sky, 265 x 315 mm, and, Hunt (George), A Bachelors Supper, circa 1830, mezzotint printed in colours and finished by hand after Richardson, thread margins, 305 x 355 mm, framed and glazed, with, Celebrated race between Mrs. Thornton and Mr Flint at the York August meeting, 1804, unattributed and uncoloured engraving, set in a tri-aperature mount with portraits of Mrs Thornton and Colonel Thornton on either side, overall size 185 400 mm, mounted, framed and glazed, with four other framed and glazed prints and engravings including an uncoloured lithograph of the Duke of Wellington's funeral, a coloured aquatint portrait of two Newhaven fisherwomen, an engraving of the moon, and a caricature by George Hunt entitled 'A Thaw', various sizes and condition, all framed and glazed (Qty: 10)

* Ward (William, 1766-1826). Portraits of the Blyth Comet Ox, 2 years & 11 months old and Four Wether Sheep, 21 months old. Bred & Fed by Mr Champion of Blyth Notts. & exhibited by him at the London Christmas Cattle Shew, Sadlers Yard, Decr. 1817..., published Charles Champion of Blyth, 1818, large mezzotint after Thomas Weaver, printed in colours and finished by hand, occasional repaired marginal closed tears, slight creasing and dust soiling, appears to be laid on later paper, 605 x 760 mm, framed and glazed (Qty: 1)NOTESRothamsted Collection, 32

* Turner (Charles, 1773-1857). Philip Payne, Huntsman to His Grace the Duke of Beaufort on his favorite horse (Cherrington) with hounds, Ackermann, London, Mr Thompson & Mr. Parker, Oxford & Duffield & Weller at Cheltenham & Bath, December 8th, 1826, uncoloured mezzotint after T. R. Davies 550 x 710 mm, framed and glazed in a 19th century gilt gesso moulding (Qty: 1)

* Ward (William, 1766-1826). To the Right Hoble. Lord Somerville, President of the Board of Agriculture - This plate of a Holderness Cow is respectfully dedicated..., published G. Garrard, 1798, uncoloured mezzotint after G., Garrard, trimmed to plate mark, margins extended, some creasing and slight abrasion to printed title and letters, the whole backed with later paper, 480 x 605 mm (Qty: 1)NOTESRothamsted Collection, 24

* After Thomas Weaver (1774-1843). ['Prizefighter' a Herefordshire Bull], circa 1802, mezzotint with contemporary hand colouring,some repaired closed tears affecting image, printed surface showing signs of restoration, trimmed to image and laid on later card, 390 x 555 mm, mounted, framed and glazed (Qty: 1)NOTESNot in Rothamsted Collection. A rare print being one of the first animals that Thomas Weaver was commissioned to paint. 'Prizefighter' a Herfordshire bull was the winner of the Shifnal Argriclutural Show and Weaver was commissioned to paint twelve paintings of the bull. He quite rightly predicted that there would be an enthusiastic reception for prints of his paintings and the success of his painting and this subsequent print brought him the patronage of the Duke of Bedford.

* Ward (William, 1766-1826). To the members of the Malton Meeting & all the celebrated Coursing Meetings in the United Kingdom, This Portrait of the Celebrated greyhound Snowball, late the property of Edward Topham Esqre. of the Wold Cottage Yorkshire..., published Random & Smith at their Sporting Gallery, 1807, mezzotint after H. B. Chalon, printed in colours and finished by hand, 515 x 615 mm, mounted, framed and glazed (Qty: 1)

* Turner (Charles, 1773-1857). To Sir Clifford Constable Bart. of Tixhall in the County of Stafford. This print of two Durham Oxen is with permission humbly dedicated..., Benjamin A. Bond, Branscott, Staffordshire, 1828, fine uncoloured mezzotint after Thomas Weaver, slight spotting to margins, 615 x 760 mm, mounted (Qty: 1)NOTESRothamsted Collection, 49, but mis-titled as 'Two Denham Oxen..' and wrongly attributed to William Weaver rather than Thomas Weaver.

Maitland (William). The History of London, from its Foundation by the Romans, to the Present Time. Containing a faithful relation of the Publick Transations of the Citizens... Parallels between London and other great cities; its Governments, Civil, Ecclesiastical and Military; Commerce, State of Learning... with the several accounts of Westminster, Middlesex, Southwark, and other parts within the Bill of Mortality, 1st edition, Printed by Samuel Richardson, 1739, folding engraved bird's-eye-view frontispiece, list of subscribers, full-page engraved views by W.H. Toms, including folding plates of St. Paul's Cathedral, St. Peter Westminster, and St. Martin in the Fields, some light offsetting from plates to adjacent leaf of text, c ontemporary calf, some wear with upper cover detached and rear joint cracked, large folio, together with Dart (John). West Monasterium. Or, The History and Antiquities of the Abbey Church of St. Peter's Westminster, 2 volumes, 1st edition, [1723/24], numerous engraved plates by J. Cole, including some double-page, list of subscribers to each volume, including two leaves of copper engraved coats of arms of the subscribers at front of second volume, the second plate with closed tear within the image, without loss, ex libris Nathaniel Oldham, circa 1700-1740, the son of a dissenting minister who inherited a large fortune and was a collector of curiosities, and friend of Sir Hans Sloane, founder of the British Museum, edges stained red, contemporary gilt-decorated blind-panelled full calf, with oval engraved armorial to covers, heavily rubbed and some moderate wear, folio, plus Snelling (Thomas). Thirty Three Plates, of English Medals, by the late Mr. Thomas Snelling, sold by Thomas Snelling, Print Seller in Fleet Street, 1776, 33 copper engraved plates of medals, light waterstain to lower margins throughout, contemporary marbled wrappers, large slim 4to, and other antiquarian interest, various, including The Cricket Field: or, The History and the Science of Cricket, 1st edition, 1851, Arthur Young, The Farmer's Calendar, New Edition, 1804, Thomas Girtin, Liber Naturae or A Collection of Prints from the Drawings of Thomas Girtin, Engraved by Saml. W. Reynolds, about 1823-34, published by Neill & Son, Haddington, N.B./The Fine Art Society, 1883, with 13 (of 17), mezzotint plates only, india paper proofs, loose in portfolio, several 19th century small-format sketch books, a large folio Victorian scrap album, etc (Qty: 2 cartons)

* Ward (William, 1766-1826). The Unrivalled Lincolnshire Heifer, Fed by Thomas Willoughby of Orby near Burgh and now his Property..., 1813, mezzotint after Thomas Weaver, printed in colours and finished by hand, some surface abrasion and scuffing, some staining, closed tears affecting image, dust soiling to margins, 500 x 605 mm, framed and glazed (Qty: 1)NOTESRothamsted Collection, 12.

* Ward (William, 1766-1826). A Short Horned Heifer, 7 Years Old, published W. Robinson, 1811, mezzotint after Thomas Weaver, printed in colours and finished by hand, trimmed to plate mark, 505 x 605 mm (Qty: 1)NOTESRothamsted Collection, 28. A bright clean example.

* Ward (William, 1766-1826). To the Right Honble Lord Somerville, President of the Board of Agriculture - This Plate of The Holderness Cow is respectfully dedicated..., published G. Garrard, 1798, mezzotint after G. Garrard with contemporary hand colouring, 480 x 610 mm, mounted, framed and glazed (Qty: 1)NOTESRothamsted Collection, 24.

* Mezzotint Drolls. An Emblem of England, An Emblem of Wales, An Emblem of Ireland & An Emblem of Scotland, published P. Stampa, 1799, the set of four mezzotints, each with contemporary hand colouring, slight staining largely confined to margins, each laid on later card, each approximately 355 x 260 mm (Qty: 4)

* Portraits of farmers . [Thomas William Coke], uncoloured mixed method engraving on india wove, proof before title and letters. '1st proof' added in pencil below image, tipped on to later card, 520 x 340 mm, framed and glazed, together with Reynolds (Samuel William) , [Charles 5th Duke of Richmond], circa 1850, uncoloured mixed method engraving after Richard Andsell, some dust soiling and toning, water stained along bottom margin, 540 x 345 mm, framed and glazed, with Tathan (Frederick) , Mr John Price. The celebrated breeder of Hereford Cattle, circa 1860, uncoloured lithograph, several long closed tears affecting image, frayed with slight loss, title in mount aperture and replaced in manuscript, 505 x 370 mm, framed and glazed, plus Day & Haghe (lithographers) , J. Penhallow Peters Esqre, uncoloured lithograph, slight marginal toning, 365 x 270 mm, mounted, framed and glazed, and Reynolds (S. W.). Geo. Webb Hall Esqre. Mr. Lonsdale & Berners, 1822, uncoloured mezzotint on wove, some water staining.660 x 405 mm (Qty: 5)Amended Description: The lead item does not depict the Duke of Bedford

* Ward (William, 1766-1826). Portrait of John Cotes Esqr. M.P. for the County of Salop..., published Thomas Weaver, Shrewsbury, 1810, mezzotint printed in colours and finished by hand after Thomas Weaver, small margins, 595 x 725 mm, framed and glazed (Qty: 1)NOTESRothamsted Collection, 178.

* Deformed Animals. Four engravings of domestic animals with malformed or preternatural growths, early 19th century, including, Richardson (William, publisher), The Horned Heifer..., bred by Mr. Sharp near Melton Mowbray, Leicestershire, 1809, uncoloured small broadside with an additional small mezzotint tipped on to the paper showing the same beast, the animal has multiple additional horns growing from its neck and flanks, two rust marks in upper margin caused by old paper-clips, overall size 290 x 200 mm, together with Kirby (R.S. publisher). A Wonderful Cock with Four Legs!, 1813, uncoloured engraving of a cockerel with two additional vestigial legs, torn with slight loss to paper but not affecting image, 190 x 115 m, with 'A Monstrous Sheep'. an uncoloured and unattributed miniature aquatint of a sheep with a preternatural horn growing from its neck to the ground, separate descriptive text tipped to base of image, old rust stains caused by paper-clips affecting image, laid on later card, 65 x 95 mm, plus The Six-Legged Ox: Exhibited 1829. watercolour drawing and subsequent engraving of an oxen with two addition vestigial feet growing from his shoulders, both tipped on to later card another piece of paper with three lines of near contemporary manuscript descriptive text, the card with the manuscript title, old rust stains caused by paper-clips affecting manuscript title, overall size 290 x 200 mm (Qty: 4)

* Earlom (Richard, 1743-1822). [The Lion and the Boar], published J. Boydell, 1772, uncoloured mezzotint after Frans Snyders, proof before title, 420 x 510 mm, framed and glazed (Qty: 1)NOTESA fine dark impression in an early proof state.

AN 18TH CENTURY SATIRICAL MEZZOTINT "Hay Day! Is this my daughter And!", pub John Bowles 1773 and a series of prints by Rowlandson & Pujin

JOHN JONES AFTER MR WOOTTON: "The Father of the Turf, Tregonwell Frampton Esquire of Moreton in Dorsetshire...", mezzotint

Five 18th century mezzotint portraits of noblemen and politicians, See online listing

Ogborne after Stothard, pair of stipple engravings, Caroline and Lindorf and Caroline and Walstien, 31 x 34cm and a mezzotint after Kneller

'The Village Punch and Judy Show', Edwardian aquatint after Arthur J Eisleyn in original oak frame, Kittens, early 20th century over-painted print and one other mezzotint max 51cm x 70cm (3)

Elizabeth Gullard - portrait mezzotint, published London 1932, together with three other portrait prints (4)

Pair of Georgian hand-coloured mezzotint engravings, 18th-century satires on fashion: 'What is this my Son Tom' (depicting fashionable young macaroni with outrageous wig), published in London by Sayer & Bennett, 24 June 1774; 'Is this my Daughter Ann' (depicting young lady with towering toupee), engraved by James Watson after Samuel Hieronymus Grimm, published in Covent Garden by Sarah Sledge, 27 June 1774. Presented in wooden Hogarth frames, each measuring 36cm by 25.5cm (frame window). Caricature Interest (2)

18th-century mezzotint engraving depicting young lady (baring bosom) who is looking wistfully at two courting doves (while inadvertently neglecting her boiling milk), framed & glazed, publication details not visible, 36cm by 46cm. Together with a satirical late-Georgian colour stipple engraving depicting young lady having an affair, her lover escaping out of the door while she hides her husband's eyes from the bed, verre eglomise frame, 27cm by 37cm (2)

Collection of framed portraits, comprising: Duchess of Devonshire & Lady Georgiana Cavendish, mezzotint engraved by George Keating after Sir Joshua Reynolds, published in London, 19 May 1787; late-Georgian hand-coloured mezzotint of gentleman in uniform (inscribed to verso, 'stipple engraving of a nobleman'); Lucy of Leinster, 19th-century stipple engraving after Ward; a small oval delicate hand-coloured engraving of a fashionable young lady, and two early-20th century prints after Joshua Reynolds (Contemplating the Picture and A Loisir) (6)

Valentine Interest. Collection of 18th- & 19th-century framed prints, comprising: Three hand-coloured lithographs, c.1860, depicting lovers entwined with accompanying verse and floral borders ('Devoted Love - Wild Honeysuckle'; 'Appointed Meeting - Sweet Pea'; Pensive Beauty - Liburnam Yellow'); two late-18th century colour stipple engravings in matching oval giltwood frames (one depicting lady with harp and cherubs, after Cipriani, the other a classical scene with man and woman); a late-Georgian colour stipple engraving of a cherub with two doves and flowers; a 19th-century engraving of The Bower of Venus (reclining nude female with Cupid); The Billet Doux (later mezzotint) and The Valentine (after an earlier stipple engraving) (9)

Ernest Stamp (1869-1942) Collection of coloured mezzotint popular portraits, etchings and others, in various sizes, many signed or inscribed in pencil, several duplicates, and other prints, mostly in large folders (quantity)

Samuel Cousins, RA (British, 1801-1887) after Sir Joshua Reynolds (British, 1723-1792), The Countess Spencer and Lord Althorp; and The Duchess of Devonshire, mezzotint, 82 x 58cm (2) A little browning to the cream edges.

Framed coloured mezzotint portrait signed Helen Jowett believed of William Ferguson of Kilrie of Fifeshire

18th century humorous hand tinted mezzotint - titled ‘Laugh and grow fat’ 31 x 21cm, in period ebonised glazed frame

(18th Century) "Sir Richard Sutton", in full harness, published by Henry Parker, mezzotint, published circa 1762-1775, in period frame under glass, with 'J. Chaundy & Son, Carvers, Gilders, Printsellers, Publishers and Herald Painters, dealers in Water-colour Drawings etc.' paper label to the back, 27 x 21 cm

After Robert Gallon (British 1845-1925): 'Eton from the Thames', hand-coloured mezzotint by JA Edwards pub. London 1888, 61cm x 76cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

COLOURED PRINTS OF COUNTRY SCENES to include an aquatint signed in pencil by Fred Miller entitled 'Summer Clouds', a mezzotint of a woman spinning signed in pencil by Albert Galain, two coloured engravings by Thomas Williamson after George Morland - 'Summer Amusement' and 'Cottagers in Winter' c.1812, a mezzotint by W. Ward after J. Ward 'Industrious Cottagers' c.1801 and another (6)

AFTER CLAUDE LORRAIN A mezzotint engraved by R. Earlom and published by John Boydell 1774. From a drawing in this collection of the Duke of Devonshire. 8½' x 10½'

SAMUEL WILLIAM REYNOLDS (1773-1835) AFTER JOHN OPIE, RA SAMUEL WHITBREAD ESQR MP mezzotint, lettered SECOND FIRST, published by the engraver, 1804, 67 X 46.5cm++A very good fresh impression, loose in the present modern brown and gilt frame

JOHN RAPHAEL SMITH (1752-1812) AFTER SIR JOSHUA REYNOLDS MASTER CREWE AS HENRY VIII mezzotint on laid paper before title and "Published 10 Decemr 1775", published by John Boydell January 23 1776, 50.5 x 35.5cm++Time stained and surface dirt, small white line lower margin, long undisturbed in the present Hogarth frame with on the backboard T Agnew & Sons labels